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Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

LBY4688332: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images

ID: LBY4688332

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

Gehry, Frank (1929-2025)

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

LBY4688339: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images

ID: LBY4688339

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

Gehry, Frank (1929-2025)

A man of the Tuda race of the Nilagiri hills in India. He wears a handlebar mustache and silver necklace. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
A man of the Tuda race of the Nilagiri hills in India. He wears a handlebar mustache and silver necklace. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688349: A man of the Tuda race of the Nilagiri hills in India. He wears a handlebar mustache and silver necklace. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688349

A man of the Tuda race of the Nilagiri hills in India. He wears a handlebar mustache and silver necklace. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Walda Kyros, an Abyssinian, native of Shoa, and Gabra Eugziabher, a native of Adowa in Tigre. Handcoloured lithograph after d'Abbadie from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Walda Kyros, an Abyssinian, native of Shoa, and Gabra Eugziabher, a native of Adowa in Tigre. Handcoloured lithograph after d'Abbadie from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688354: Walda Kyros, an Abyssinian, native of Shoa, and Gabra Eugziabher, a native of Adowa in Tigre. Handcoloured lithograph after d'Abbadie from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688354

Walda Kyros, an Abyssinian, native of Shoa, and Gabra Eugziabher, a native of Adowa in Tigre. Handcoloured lithograph after d'Abbadie from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

A Galla boy of Abyssinia, nine years of age. Handcoloured lithograph by J. Bull after a portrait by d'Abbadie from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
A Galla boy of Abyssinia, nine years of age. Handcoloured lithograph by J. Bull after a portrait by d'Abbadie from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688358: A Galla boy of Abyssinia, nine years of age. Handcoloured lithograph by J. Bull after a portrait by d'Abbadie from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688358

A Galla boy of Abyssinia, nine years of age. Handcoloured lithograph by J. Bull after a portrait by d'Abbadie from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

LBY4688377: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images

ID: LBY4688377

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

Gehry, Frank (1929-2025)

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

LBY4688389: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images

ID: LBY4688389

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

Gehry, Frank (1929-2025)

Natives of the Sandwich Islands (Hawaii), 19th century. Copied from Louis Choris '” Picturesque Journey.”” Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Natives of the Sandwich Islands (Hawaii), 19th century. Copied from Louis Choris '” Picturesque Journey.”” Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688412: Natives of the Sandwich Islands (Hawaii), 19th century. Copied from Louis Choris '” Picturesque Journey.”” Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688412

Natives of the Sandwich Islands (Hawaii), 19th century. Copied from Louis Choris '” Picturesque Journey.”” Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

LBY4688421: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images

ID: LBY4688421

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

Gehry, Frank (1929-2025)

Native of Madagascar, in tie, collar and fringed cloak. From a portrait of a Malagasy man in London on a mission from Queen Ramavo of Merina. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Native of Madagascar, in tie, collar and fringed cloak. From a portrait of a Malagasy man in London on a mission from Queen Ramavo of Merina. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688459: Native of Madagascar, in tie, collar and fringed cloak. From a portrait of a Malagasy man in London on a mission from Queen Ramavo of Merina. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688459

Native of Madagascar, in tie, collar and fringed cloak. From a portrait of a Malagasy man in London on a mission from Queen Ramavo of Merina. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Tuch-ee, war chief of the Cherokee nation. Handcoloured lithograph by J. Harris after a painting by George Catlin Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Tuch-ee, war chief of the Cherokee nation. Handcoloured lithograph by J. Harris after a painting by George Catlin Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688560: Tuch-ee, war chief of the Cherokee nation. Handcoloured lithograph by J. Harris after a painting by George Catlin Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688560

Tuch-ee, war chief of the Cherokee nation. Handcoloured lithograph by J. Harris after a painting by George Catlin Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

The Mink, Mi-Meek-ee-Sunk-te-ka, a Mandan or Numakiki girl. She wears a mountainsheep skin dress, ornamented with porcupine quills, beads, and elk's teeth. Handcoloured lithograph after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
The Mink, Mi-Meek-ee-Sunk-te-ka, a Mandan or Numakiki girl. She wears a mountainsheep skin dress, ornamented with porcupine quills, beads, and elk's teeth. Handcoloured lithograph after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688576: The Mink, Mi-Meek-ee-Sunk-te-ka, a Mandan or Numakiki girl. She wears a mountainsheep skin dress, ornamented with porcupine quills, beads, and elk's teeth. Handcoloured lithograph after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688576

The Mink, Mi-Meek-ee-Sunk-te-ka, a Mandan or Numakiki girl. She wears a mountainsheep skin dress, ornamented with porcupine quills, beads, and elk's teeth. Handcoloured lithograph after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Woman of the Mapuche people, Araucania, Chile, in traditional poncho. In the 1890s, the Chilean government occupied the Araucania, forced the Mapuche into camps and decimated the population. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Woman of the Mapuche people, Araucania, Chile, in traditional poncho. In the 1890s, the Chilean government occupied the Araucania, forced the Mapuche into camps and decimated the population. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688614: Woman of the Mapuche people, Araucania, Chile, in traditional poncho. In the 1890s, the Chilean government occupied the Araucania, forced the Mapuche into camps and decimated the population. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688614

Woman of the Mapuche people, Araucania, Chile, in traditional poncho. In the 1890s, the Chilean government occupied the Araucania, forced the Mapuche into camps and decimated the population. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Kamchatkan native, in fur skin coat. Copied from Louis Choris's “” Picturesque Journey.”” Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Kamchatkan native, in fur skin coat. Copied from Louis Choris's “” Picturesque Journey.”” Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688618: Kamchatkan native, in fur skin coat. Copied from Louis Choris's “” Picturesque Journey.”” Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688618

Kamchatkan native, in fur skin coat. Copied from Louis Choris's “” Picturesque Journey.”” Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Tribes of South America: Yuri man with tattooed mouth, and Botocudo man with necklace, Brazil. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Tribes of South America: Yuri man with tattooed mouth, and Botocudo man with necklace, Brazil. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688651: Tribes of South America: Yuri man with tattooed mouth, and Botocudo man with necklace, Brazil. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688651

Tribes of South America: Yuri man with tattooed mouth, and Botocudo man with necklace, Brazil. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Statuette in human form. 850-800 BC (bronze)
Statuette in human form. 850-800 BC (bronze)

LRI4688739: Statuette in human form. 850-800 BC (bronze), Etruscan / Bridgeman Images

ID: LRI4688739

Statuette in human form. 850-800 BC (bronze)

Etruscan

Philippa de Hainaut - Philippine - Philippa of Hainault, consort of King Edward III of England. Steel engraving by W.H. Egleton after a portrait by Edward Corbould from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Philippa de Hainaut - Philippine - Philippa of Hainault, consort of King Edward III of England. Steel engraving by W.H. Egleton after a portrait by Edward Corbould from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688788: Philippa de Hainaut - Philippine - Philippa of Hainault, consort of King Edward III of England. Steel engraving by W.H. Egleton after a portrait by Edward Corbould from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images

ID: FLO4688788

Philippa de Hainaut - Philippine - Philippa of Hainault, consort of King Edward III of England. Steel engraving by W.H. Egleton after a portrait by Edward Corbould from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

Australian Podocarpus or New South Wales Fern Pine.
Australian Podocarpus or New South Wales Fern Pine.

FLO4687253: Australian Podocarpus or New South Wales Fern Pine. / Bridgeman Images

ID: FLO4687253

Australian Podocarpus or New South Wales Fern Pine.

Silvery marmoset, Mico argentatus, and common marmoset, Callithrix jacchus. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Silvery marmoset, Mico argentatus, and common marmoset, Callithrix jacchus. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4690891: Silvery marmoset, Mico argentatus, and common marmoset, Callithrix jacchus. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4690891

Silvery marmoset, Mico argentatus, and common marmoset, Callithrix jacchus. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Indian snake striped with black and white. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Indian snake striped with black and white. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687291: Indian snake striped with black and white. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

ID: FLO4687291

Indian snake striped with black and white. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

Grenadier flowers (Punica granatum), branch draws from nature by George Edwards (1694-1773). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Grenadier flowers (Punica granatum), branch draws from nature by George Edwards (1694-1773). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687297: Grenadier flowers (Punica granatum), branch draws from nature by George Edwards (1694-1773). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

ID: FLO4687297

Grenadier flowers (Punica granatum), branch draws from nature by George Edwards (1694-1773). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

A musician, late 15th cnetury (carved marble door)
A musician, late 15th cnetury (carved marble door)

LRI4687327: A musician, late 15th cnetury (carved marble door), Italian School, (15th century) / Bridgeman Images

ID: LRI4687327

A musician, late 15th cnetury (carved marble door)

Italian School, (15th century)

Chinese butterfly with black and red white wings. Identified by George Edwards (1694-1773) in Natural History Gleanings. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Chinese butterfly with black and red white wings. Identified by George Edwards (1694-1773) in Natural History Gleanings. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687398: Chinese butterfly with black and red white wings. Identified by George Edwards (1694-1773) in Natural History Gleanings. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

ID: FLO4687398

Chinese butterfly with black and red white wings. Identified by George Edwards (1694-1773) in Natural History Gleanings. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

The lazy has three fingers (Bradypus tridactylus) sitting in an artificial position. Illustration by Georges Edwards. Lithographie in The Naturalist Pocket Magazine or Cabinet complet des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
The lazy has three fingers (Bradypus tridactylus) sitting in an artificial position. Illustration by Georges Edwards. Lithographie in The Naturalist Pocket Magazine or Cabinet complet des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687424: The lazy has three fingers (Bradypus tridactylus) sitting in an artificial position. Illustration by Georges Edwards. Lithographie in The Naturalist Pocket Magazine or Cabinet complet des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

ID: FLO4687424

The lazy has three fingers (Bradypus tridactylus) sitting in an artificial position. Illustration by Georges Edwards. Lithographie in The Naturalist Pocket Magazine or Cabinet complet des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

The Alpine Ibex (Capra ibex), a species of wild goat endemic to the Alps, has a sturdy but extremely strong and resistant structure. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
The Alpine Ibex (Capra ibex), a species of wild goat endemic to the Alps, has a sturdy but extremely strong and resistant structure. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687446: The Alpine Ibex (Capra ibex), a species of wild goat endemic to the Alps, has a sturdy but extremely strong and resistant structure. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

ID: FLO4687446

The Alpine Ibex (Capra ibex), a species of wild goat endemic to the Alps, has a sturdy but extremely strong and resistant structure. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

The large squirrel on the Malabar coast (Ratufa indica, Sciurus maximus), or giant squirrel from India, omnivorous rodent. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
The large squirrel on the Malabar coast (Ratufa indica, Sciurus maximus), or giant squirrel from India, omnivorous rodent. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687454: The large squirrel on the Malabar coast (Ratufa indica, Sciurus maximus), or giant squirrel from India, omnivorous rodent. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

ID: FLO4687454

The large squirrel on the Malabar coast (Ratufa indica, Sciurus maximus), or giant squirrel from India, omnivorous rodent. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

Cabiai or capybara (Hydrochoerus hydrochaeris, Cavia capybara), the largest rodent in the world, lives in South America. Its meat is eaten and tastes like a bad fish. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Cabiai or capybara (Hydrochoerus hydrochaeris, Cavia capybara), the largest rodent in the world, lives in South America. Its meat is eaten and tastes like a bad fish. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687486: Cabiai or capybara (Hydrochoerus hydrochaeris, Cavia capybara), the largest rodent in the world, lives in South America. Its meat is eaten and tastes like a bad fish. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

ID: FLO4687486

Cabiai or capybara (Hydrochoerus hydrochaeris, Cavia capybara), the largest rodent in the world, lives in South America. Its meat is eaten and tastes like a bad fish. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

Sign of the Zodiac: The Pisces. Scene of fishing, c.1520 (fresco)
Sign of the Zodiac: The Pisces. Scene of fishing, c.1520 (fresco)

LRI4687499: Sign of the Zodiac: The Pisces. Scene of fishing, c.1520 (fresco), Falconetto, Giovanni Maria (1468-1535) / Bridgeman Images

ID: LRI4687499

Sign of the Zodiac: The Pisces. Scene of fishing, c.1520 (fresco)

Falconetto, Giovanni Maria (1468-1535)

Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995
Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995

LBY4687529: Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995, Rossi, Aldo (1931-1997) / Bridgeman Images

ID: LBY4687529

Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995

Rossi, Aldo (1931-1997)

Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995
Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995

LBY4687543: Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995, Rossi, Aldo (1931-1997) / Bridgeman Images

ID: LBY4687543

Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995

Rossi, Aldo (1931-1997)

Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995
Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995

LBY4687549: Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995, Rossi, Aldo (1931-1997) / Bridgeman Images

ID: LBY4687549

Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995

Rossi, Aldo (1931-1997)

Blues musician John Mayall on stage in 1988.
Blues musician John Mayall on stage in 1988.

MME4703514: Blues musician John Mayall on stage in 1988., Mencarini, Marcello / Bridgeman Images

ID: MME4703514

Blues musician John Mayall on stage in 1988.

Mencarini, Marcello

King Pyrrhus in Greek armour and a Greek warrior with chariot, harness and lance. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
King Pyrrhus in Greek armour and a Greek warrior with chariot, harness and lance. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4703811: King Pyrrhus in Greek armour and a Greek warrior with chariot, harness and lance. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796). / Bridgeman Images

ID: FLO4703811

King Pyrrhus in Greek armour and a Greek warrior with chariot, harness and lance. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Black mastiff bat, Molossus rufus 1, tailed tailless bat, Anoura caudifer 2, and Egyptian nyctinomus, Nyctinomus aegyptiacus 3. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Black mastiff bat, Molossus rufus 1, tailed tailless bat, Anoura caudifer 2, and Egyptian nyctinomus, Nyctinomus aegyptiacus 3. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4690920: Black mastiff bat, Molossus rufus 1, tailed tailless bat, Anoura caudifer 2, and Egyptian nyctinomus, Nyctinomus aegyptiacus 3. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4690920

Black mastiff bat, Molossus rufus 1, tailed tailless bat, Anoura caudifer 2, and Egyptian nyctinomus, Nyctinomus aegyptiacus 3. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Yak, Bos grunniens (vulnerable), musk ox, Ovibos moschatus, wild barbary sheep, Ovis longipes palaeoaegyptiacus (extinct), and red sheep, Ovis aries. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Yak, Bos grunniens (vulnerable), musk ox, Ovibos moschatus, wild barbary sheep, Ovis longipes palaeoaegyptiacus (extinct), and red sheep, Ovis aries. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4691175: Yak, Bos grunniens (vulnerable), musk ox, Ovibos moschatus, wild barbary sheep, Ovis longipes palaeoaegyptiacus (extinct), and red sheep, Ovis aries. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4691175

Yak, Bos grunniens (vulnerable), musk ox, Ovibos moschatus, wild barbary sheep, Ovis longipes palaeoaegyptiacus (extinct), and red sheep, Ovis aries. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Gentlemen and lady playing cards in a parlour, while others dance in the next room. He says, you've hit a lucky one. I congratulate you Madame! He thinks, The devil take you! Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.
Gentlemen and lady playing cards in a parlour, while others dance in the next room. He says, you've hit a lucky one. I congratulate you Madame! He thinks, The devil take you! Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.

FLO4691351: Gentlemen and lady playing cards in a parlour, while others dance in the next room. He says, you've hit a lucky one. I congratulate you Madame! He thinks, The devil take you! Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829. / Bridgeman Images

ID: FLO4691351

Gentlemen and lady playing cards in a parlour, while others dance in the next room. He says, you've hit a lucky one. I congratulate you Madame! He thinks, The devil take you! Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.


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