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Variete tenebrosa de Vanda tricolor - Chromolithographie de S. de Leeuw, d'un dessin de C. de Bruyne, published in Lindenia, Iconographie des orchides, by Lucien Linden, Brussels (Belgium), 1902
Variete tenebrosa de Vanda tricolor - Chromolithographie de S. de Leeuw, d'un dessin de C. de Bruyne, published in Lindenia, Iconographie des orchides, by Lucien Linden, Brussels (Belgium), 1902

FLO4664322: Variete tenebrosa de Vanda tricolor - Chromolithographie de S. de Leeuw, d'un dessin de C. de Bruyne, published in Lindenia, Iconographie des orchides, by Lucien Linden, Brussels (Belgium), 1902 / Bridgeman Images

ID: FLO4664322

Variete tenebrosa de Vanda tricolor - Chromolithographie de S. de Leeuw, d'un dessin de C. de Bruyne, published in Lindenia, Iconographie des orchides, by Lucien Linden, Brussels (Belgium), 1902

Doedicurus and Eremotherium - Doedicurus clavicaudatus is a glyptodon, a giant tattoo, that lived during pleistocene until 11,000 years ago. It was three metres long and weighed two tons. Behind it is an eremotherium. Prehistoric glyptodonts of the genus Doedicurus graze on grassy plains 25,000 years ago in what is today South America. In the background is a giant ground sloth of the genus Eremotherium. With a turtle-like shell five feet tall and weighing over two tons, Doedicurus was the largest known glyptodontid, an extinct family of heavy-armored herbivores related to modern armadillos. Doedicurus carried a large spiked tail that could have helped protect it from large predators and other Doedicurus. Eremotherium was a Megatheriid that grew to 20 feet long and weighed up to three tons
Doedicurus and Eremotherium - Doedicurus clavicaudatus is a glyptodon, a giant tattoo, that lived during pleistocene until 11,000 years ago. It was three metres long and weighed two tons. Behind it is an eremotherium. Prehistoric glyptodonts of the genus Doedicurus graze on grassy plains 25,000 years ago in what is today South America. In the background is a giant ground sloth of the genus Eremotherium. With a turtle-like shell five feet tall and weighing over two tons, Doedicurus was the largest known glyptodontid, an extinct family of heavy-armored herbivores related to modern armadillos. Doedicurus carried a large spiked tail that could have helped protect it from large predators and other Doedicurus. Eremotherium was a Megatheriid that grew to 20 feet long and weighed up to three tons

PIX4664346: Doedicurus and Eremotherium - Doedicurus clavicaudatus is a glyptodon, a giant tattoo, that lived during pleistocene until 11,000 years ago. It was three metres long and weighed two tons. Behind it is an eremotherium. Prehistoric glyptodonts of the genus Doedicurus graze on grassy plains 25,000 years ago in what is today South America. In the background is a giant ground sloth of the genus Eremotherium. With a turtle-like shell five feet tall and weighing over two tons, Doedicurus was the largest known glyptodontid, an extinct family of heavy-armored herbivores related to modern armadillos. Doedicurus carried a large spiked tail that could have helped protect it from large predators and other Doedicurus. Eremotherium was a Megatheriid that grew to 20 feet long and weighed up to three tons / Bridgeman Images

ID: PIX4664346

Doedicurus and Eremotherium - Doedicurus clavicaudatus is a glyptodon, a giant tattoo, that lived during pleistocene until 11,000 years ago. It was three metres long and weighed two tons. Behind it is an eremotherium. Prehistoric glyptodonts of the genus Doedicurus graze on grassy plains 25,000 years ago in what is today South America. In the background is a giant ground sloth of the genus Eremotherium. With a turtle-like shell five feet tall and weighing over two tons, Doedicurus was the largest known glyptodontid, an extinct family of heavy-armored herbivores related to modern armadillos. Doedicurus carried a large spiked tail that could have helped protect it from large predators and other Doedicurus. Eremotherium was a Megatheriid that grew to 20 feet long and weighed up to three tons

Brontotheres and birds - Brontotherium with birds - Artist's view of Brontotheres (Brontotherium) in a landscape of South Dakota 35 million years ago. Brontotherium wander the lush Late Eocene landscape of South Dakota 35 million years ago. Modern rhinoceroses have a symbiotic relationship with birds (variously known as oxpeckers or tick birds) that eat parasites they find on the rhino's skin and noisily warn of danger. No doubt similar symbiotic relationships existed between birds and the megafauna of the Eocene
Brontotheres and birds - Brontotherium with birds - Artist's view of Brontotheres (Brontotherium) in a landscape of South Dakota 35 million years ago. Brontotherium wander the lush Late Eocene landscape of South Dakota 35 million years ago. Modern rhinoceroses have a symbiotic relationship with birds (variously known as oxpeckers or tick birds) that eat parasites they find on the rhino's skin and noisily warn of danger. No doubt similar symbiotic relationships existed between birds and the megafauna of the Eocene

PIX4664384: Brontotheres and birds - Brontotherium with birds - Artist's view of Brontotheres (Brontotherium) in a landscape of South Dakota 35 million years ago. Brontotherium wander the lush Late Eocene landscape of South Dakota 35 million years ago. Modern rhinoceroses have a symbiotic relationship with birds (variously known as oxpeckers or tick birds) that eat parasites they find on the rhino's skin and noisily warn of danger. No doubt similar symbiotic relationships existed between birds and the megafauna of the Eocene / Bridgeman Images

ID: PIX4664384

Brontotheres and birds - Brontotherium with birds - Artist's view of Brontotheres (Brontotherium) in a landscape of South Dakota 35 million years ago. Brontotherium wander the lush Late Eocene landscape of South Dakota 35 million years ago. Modern rhinoceroses have a symbiotic relationship with birds (variously known as oxpeckers or tick birds) that eat parasites they find on the rhino's skin and noisily warn of danger. No doubt similar symbiotic relationships existed between birds and the megafauna of the Eocene

Rosa macrophylla with pink flower, buds and leaves. Handcoloured copperplate engraved by Watts from an illustration by John Lindley from his own “Rosarum Monographia, or a Botanical History of Roses,” London, Ridgeway, 1820. Lindley (1799-1865) was an English botanist who specialized in roses and orchids. Lindley wrote and illustrated this monograph when just 22 years old. He went on to edit the “” Botanical Register”” from 1829 to 1847.
Rosa macrophylla with pink flower, buds and leaves. Handcoloured copperplate engraved by Watts from an illustration by John Lindley from his own “Rosarum Monographia, or a Botanical History of Roses,” London, Ridgeway, 1820. Lindley (1799-1865) was an English botanist who specialized in roses and orchids. Lindley wrote and illustrated this monograph when just 22 years old. He went on to edit the “” Botanical Register”” from 1829 to 1847.

FLO4664458: Rosa macrophylla with pink flower, buds and leaves. Handcoloured copperplate engraved by Watts from an illustration by John Lindley from his own “Rosarum Monographia, or a Botanical History of Roses,” London, Ridgeway, 1820. Lindley (1799-1865) was an English botanist who specialized in roses and orchids. Lindley wrote and illustrated this monograph when just 22 years old. He went on to edit the “” Botanical Register”” from 1829 to 1847. / Bridgeman Images

ID: FLO4664458

Rosa macrophylla with pink flower, buds and leaves. Handcoloured copperplate engraved by Watts from an illustration by John Lindley from his own “Rosarum Monographia, or a Botanical History of Roses,” London, Ridgeway, 1820. Lindley (1799-1865) was an English botanist who specialized in roses and orchids. Lindley wrote and illustrated this monograph when just 22 years old. He went on to edit the “” Botanical Register”” from 1829 to 1847.

Guiana chestnut, Pachira insignis (Carolinea insignis). Handcoloured copperplate engraving by George Cooke after Thomas Boys from Conrad Loddiges' Botanical Cabinet, Hackney, 1825.
Guiana chestnut, Pachira insignis (Carolinea insignis). Handcoloured copperplate engraving by George Cooke after Thomas Boys from Conrad Loddiges' Botanical Cabinet, Hackney, 1825.

FLO4664471: Guiana chestnut, Pachira insignis (Carolinea insignis). Handcoloured copperplate engraving by George Cooke after Thomas Boys from Conrad Loddiges' Botanical Cabinet, Hackney, 1825. / Bridgeman Images

ID: FLO4664471

Guiana chestnut, Pachira insignis (Carolinea insignis). Handcoloured copperplate engraving by George Cooke after Thomas Boys from Conrad Loddiges' Botanical Cabinet, Hackney, 1825.

Paraceratherium and child - Paraceratherium and child - A female Paraceratherium and her little seen 30 million years ago in northwestern China. The Paraceratherium was a gigantic terrestrial mammal nearly six metres high and weighing 20 tons. Apparently to modern Rhinoceros, it disappeared 23 million years ago. A Paraceratherium mother grazes on leaves and twigs of a poplar tree 30 million years ago during the Rupelian Stage of the Oligocene Epoch in northwest China. Paraceratherium is believed to be the largest mammal ever to have walked the Earth. Adult Paraceratherium are estimated to have been 18 ft tall at the shoulder with a maximum raised head height of 26 ft. They may have weighed as much as 20 tons. Related to modern rhinoceroses, Paraceratherium became extinct about 23 million years ago
Paraceratherium and child - Paraceratherium and child - A female Paraceratherium and her little seen 30 million years ago in northwestern China. The Paraceratherium was a gigantic terrestrial mammal nearly six metres high and weighing 20 tons. Apparently to modern Rhinoceros, it disappeared 23 million years ago. A Paraceratherium mother grazes on leaves and twigs of a poplar tree 30 million years ago during the Rupelian Stage of the Oligocene Epoch in northwest China. Paraceratherium is believed to be the largest mammal ever to have walked the Earth. Adult Paraceratherium are estimated to have been 18 ft tall at the shoulder with a maximum raised head height of 26 ft. They may have weighed as much as 20 tons. Related to modern rhinoceroses, Paraceratherium became extinct about 23 million years ago

PIX4664526: Paraceratherium and child - Paraceratherium and child - A female Paraceratherium and her little seen 30 million years ago in northwestern China. The Paraceratherium was a gigantic terrestrial mammal nearly six metres high and weighing 20 tons. Apparently to modern Rhinoceros, it disappeared 23 million years ago. A Paraceratherium mother grazes on leaves and twigs of a poplar tree 30 million years ago during the Rupelian Stage of the Oligocene Epoch in northwest China. Paraceratherium is believed to be the largest mammal ever to have walked the Earth. Adult Paraceratherium are estimated to have been 18 ft tall at the shoulder with a maximum raised head height of 26 ft. They may have weighed as much as 20 tons. Related to modern rhinoceroses, Paraceratherium became extinct about 23 million years ago / Bridgeman Images

ID: PIX4664526

Paraceratherium and child - Paraceratherium and child - A female Paraceratherium and her little seen 30 million years ago in northwestern China. The Paraceratherium was a gigantic terrestrial mammal nearly six metres high and weighing 20 tons. Apparently to modern Rhinoceros, it disappeared 23 million years ago. A Paraceratherium mother grazes on leaves and twigs of a poplar tree 30 million years ago during the Rupelian Stage of the Oligocene Epoch in northwest China. Paraceratherium is believed to be the largest mammal ever to have walked the Earth. Adult Paraceratherium are estimated to have been 18 ft tall at the shoulder with a maximum raised head height of 26 ft. They may have weighed as much as 20 tons. Related to modern rhinoceroses, Paraceratherium became extinct about 23 million years ago

Calceolaria corymbosa. Handcoloured copperplate engraving by George Cooke after Thomas Shotter Boys from Conrad Loddiges' Botanical Cabinet, Hackney, 1825.
Calceolaria corymbosa. Handcoloured copperplate engraving by George Cooke after Thomas Shotter Boys from Conrad Loddiges' Botanical Cabinet, Hackney, 1825.

FLO4664614: Calceolaria corymbosa. Handcoloured copperplate engraving by George Cooke after Thomas Shotter Boys from Conrad Loddiges' Botanical Cabinet, Hackney, 1825. / Bridgeman Images

ID: FLO4664614

Calceolaria corymbosa. Handcoloured copperplate engraving by George Cooke after Thomas Shotter Boys from Conrad Loddiges' Botanical Cabinet, Hackney, 1825.

Pigs ear or round-leafed navel-wort, Cotyledon orbiculata (Cotyledon ovata). Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, 1828.
Pigs ear or round-leafed navel-wort, Cotyledon orbiculata (Cotyledon ovata). Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, 1828.

FLO4665390: Pigs ear or round-leafed navel-wort, Cotyledon orbiculata (Cotyledon ovata). Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, 1828. / Bridgeman Images

ID: FLO4665390

Pigs ear or round-leafed navel-wort, Cotyledon orbiculata (Cotyledon ovata). Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, 1828.

Star sky and menhirs of Carnac - Starry sky above standing stones in Carnac - Star sky and menhirs in Carnac alignments. March 2009. Starry sky with standing stones in Carnac, Brittany - France. March 2009
Star sky and menhirs of Carnac - Starry sky above standing stones in Carnac - Star sky and menhirs in Carnac alignments. March 2009. Starry sky with standing stones in Carnac, Brittany - France. March 2009

PIX4665400: Star sky and menhirs of Carnac - Starry sky above standing stones in Carnac - Star sky and menhirs in Carnac alignments. March 2009. Starry sky with standing stones in Carnac, Brittany - France. March 2009 / Bridgeman Images

ID: PIX4665400

Star sky and menhirs of Carnac - Starry sky above standing stones in Carnac - Star sky and menhirs in Carnac alignments. March 2009. Starry sky with standing stones in Carnac, Brittany - France. March 2009

Mr. Ross's camellia hybrid, Camellia japonica rossi. Handcoloured copperplate engraving by George Cooke after George Loddiges from Conrad Loddiges' Botanical Cabinet, Hackney, 1830.
Mr. Ross's camellia hybrid, Camellia japonica rossi. Handcoloured copperplate engraving by George Cooke after George Loddiges from Conrad Loddiges' Botanical Cabinet, Hackney, 1830.

FLO4665412: Mr. Ross's camellia hybrid, Camellia japonica rossi. Handcoloured copperplate engraving by George Cooke after George Loddiges from Conrad Loddiges' Botanical Cabinet, Hackney, 1830. / Bridgeman Images

ID: FLO4665412

Mr. Ross's camellia hybrid, Camellia japonica rossi. Handcoloured copperplate engraving by George Cooke after George Loddiges from Conrad Loddiges' Botanical Cabinet, Hackney, 1830.

Streambank spiderlily, Hymenocallis rotata (Pancratium rotatum). Handcoloured copperplate engraving by George Cooke after George Loddiges from Conrad Loddiges' Botanical Cabinet, Hackney, 1817.
Streambank spiderlily, Hymenocallis rotata (Pancratium rotatum). Handcoloured copperplate engraving by George Cooke after George Loddiges from Conrad Loddiges' Botanical Cabinet, Hackney, 1817.

FLO4665441: Streambank spiderlily, Hymenocallis rotata (Pancratium rotatum). Handcoloured copperplate engraving by George Cooke after George Loddiges from Conrad Loddiges' Botanical Cabinet, Hackney, 1817. / Bridgeman Images

ID: FLO4665441

Streambank spiderlily, Hymenocallis rotata (Pancratium rotatum). Handcoloured copperplate engraving by George Cooke after George Loddiges from Conrad Loddiges' Botanical Cabinet, Hackney, 1817.

Star sky and menhirs of Carnac - Starry sky above standing stones in Carnac - Panoramic among the lines of Carnac. March 2009. Starry sky above standing stones in Carnac. Brittany, France. March 2009
Star sky and menhirs of Carnac - Starry sky above standing stones in Carnac - Panoramic among the lines of Carnac. March 2009. Starry sky above standing stones in Carnac. Brittany, France. March 2009

PIX4665482: Star sky and menhirs of Carnac - Starry sky above standing stones in Carnac - Panoramic among the lines of Carnac. March 2009. Starry sky above standing stones in Carnac. Brittany, France. March 2009 / Bridgeman Images

ID: PIX4665482

Star sky and menhirs of Carnac - Starry sky above standing stones in Carnac - Panoramic among the lines of Carnac. March 2009. Starry sky above standing stones in Carnac. Brittany, France. March 2009

Plaque de la rue Cassini in Paris - Street Plaque in Paris - Rue du 14eme arrondissement de Paris, in tribute to the Italian astronomer Jean - Dominique Cassini (1625 - 1712), naturalise French in 1673. Attrained to France by Colbert in 1669, he became the first director of the Paris Observatory in 1671, at the request of Louis XIV. In 1665, he discovered Jupiter's Grande Tache Rouge and determined the rotation speeds of Venus, Mars and Jupiter. From 1671 he discovered 4 satellites around Saturn, as well as a separation in the rings, which today bears his name (division of Cassini). In 1673, he made the first precise measurement of the distance from Earth to Sun, thanks to a transit of Venus. Rue Cassini, street sign. Astronomer Jean - Dominique Cassini, was the first director of Paris observatory
Plaque de la rue Cassini in Paris - Street Plaque in Paris - Rue du 14eme arrondissement de Paris, in tribute to the Italian astronomer Jean - Dominique Cassini (1625 - 1712), naturalise French in 1673. Attrained to France by Colbert in 1669, he became the first director of the Paris Observatory in 1671, at the request of Louis XIV. In 1665, he discovered Jupiter's Grande Tache Rouge and determined the rotation speeds of Venus, Mars and Jupiter. From 1671 he discovered 4 satellites around Saturn, as well as a separation in the rings, which today bears his name (division of Cassini). In 1673, he made the first precise measurement of the distance from Earth to Sun, thanks to a transit of Venus. Rue Cassini, street sign. Astronomer Jean - Dominique Cassini, was the first director of Paris observatory

PIX4665539: Plaque de la rue Cassini in Paris - Street Plaque in Paris - Rue du 14eme arrondissement de Paris, in tribute to the Italian astronomer Jean - Dominique Cassini (1625 - 1712), naturalise French in 1673. Attrained to France by Colbert in 1669, he became the first director of the Paris Observatory in 1671, at the request of Louis XIV. In 1665, he discovered Jupiter's Grande Tache Rouge and determined the rotation speeds of Venus, Mars and Jupiter. From 1671 he discovered 4 satellites around Saturn, as well as a separation in the rings, which today bears his name (division of Cassini). In 1673, he made the first precise measurement of the distance from Earth to Sun, thanks to a transit of Venus. Rue Cassini, street sign. Astronomer Jean - Dominique Cassini, was the first director of Paris observatory / Bridgeman Images

ID: PIX4665539

Plaque de la rue Cassini in Paris - Street Plaque in Paris - Rue du 14eme arrondissement de Paris, in tribute to the Italian astronomer Jean - Dominique Cassini (1625 - 1712), naturalise French in 1673. Attrained to France by Colbert in 1669, he became the first director of the Paris Observatory in 1671, at the request of Louis XIV. In 1665, he discovered Jupiter's Grande Tache Rouge and determined the rotation speeds of Venus, Mars and Jupiter. From 1671 he discovered 4 satellites around Saturn, as well as a separation in the rings, which today bears his name (division of Cassini). In 1673, he made the first precise measurement of the distance from Earth to Sun, thanks to a transit of Venus. Rue Cassini, street sign. Astronomer Jean - Dominique Cassini, was the first director of Paris observatory

Felted peperomia, Peperomia incana (Piper incanum). Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, London, 1821.
Felted peperomia, Peperomia incana (Piper incanum). Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, London, 1821.

FLO4665593: Felted peperomia, Peperomia incana (Piper incanum). Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, London, 1821. / Bridgeman Images

ID: FLO4665593

Felted peperomia, Peperomia incana (Piper incanum). Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, London, 1821.

White garland-lily or white ginger lily, Hedychium coronarium. Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, London, 1821.
White garland-lily or white ginger lily, Hedychium coronarium. Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, London, 1821.

FLO4665633: White garland-lily or white ginger lily, Hedychium coronarium. Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, London, 1821. / Bridgeman Images

ID: FLO4665633

White garland-lily or white ginger lily, Hedychium coronarium. Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, London, 1821.

Plaque de la rue Janssen a Paris - Street Plaque in Paris - Rue du XIXeme arrondissement de Paris, in tribute to Jules Janssen (1824 - 1907). A pioneer of astronomical photography, he created the first images of solar granulation. He was the founder of the Observatoire de Meudon, which he directed from 1876 until his death. Janssen Street, street sign. Jules Janssen (1824 - 1907) was a english astronomer, director of Meudon observatory
Plaque de la rue Janssen a Paris - Street Plaque in Paris - Rue du XIXeme arrondissement de Paris, in tribute to Jules Janssen (1824 - 1907). A pioneer of astronomical photography, he created the first images of solar granulation. He was the founder of the Observatoire de Meudon, which he directed from 1876 until his death. Janssen Street, street sign. Jules Janssen (1824 - 1907) was a english astronomer, director of Meudon observatory

PIX4665636: Plaque de la rue Janssen a Paris - Street Plaque in Paris - Rue du XIXeme arrondissement de Paris, in tribute to Jules Janssen (1824 - 1907). A pioneer of astronomical photography, he created the first images of solar granulation. He was the founder of the Observatoire de Meudon, which he directed from 1876 until his death. Janssen Street, street sign. Jules Janssen (1824 - 1907) was a english astronomer, director of Meudon observatory / Bridgeman Images

ID: PIX4665636

Plaque de la rue Janssen a Paris - Street Plaque in Paris - Rue du XIXeme arrondissement de Paris, in tribute to Jules Janssen (1824 - 1907). A pioneer of astronomical photography, he created the first images of solar granulation. He was the founder of the Observatoire de Meudon, which he directed from 1876 until his death. Janssen Street, street sign. Jules Janssen (1824 - 1907) was a english astronomer, director of Meudon observatory

Caragana jubata (Robinia jubata). Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, London, 1821.
Caragana jubata (Robinia jubata). Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, London, 1821.

FLO4665728: Caragana jubata (Robinia jubata). Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, London, 1821. / Bridgeman Images

ID: FLO4665728

Caragana jubata (Robinia jubata). Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, London, 1821.

The drinkers. On the right, La Mort festive holds an ebriete head and poured a bottle of red wine into its throat. His companions watch and applaud. In front, a drunk character vomits on the floor and a third drunk on the left looks deep into his mug. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The drinkers. On the right, La Mort festive holds an ebriete head and poured a bottle of red wine into its throat. His companions watch and applaud. In front, a drunk character vomits on the floor and a third drunk on the left looks deep into his mug. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675769: The drinkers. On the right, La Mort festive holds an ebriete head and poured a bottle of red wine into its throat. His companions watch and applaud. In front, a drunk character vomits on the floor and a third drunk on the left looks deep into his mug. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675769

The drinkers. On the right, La Mort festive holds an ebriete head and poured a bottle of red wine into its throat. His companions watch and applaud. In front, a drunk character vomits on the floor and a third drunk on the left looks deep into his mug. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

The curse: Adam digs in the ground, assists by death. Deep down, Eve breastfed her newborn by holding a cattail. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The curse: Adam digs in the ground, assists by death. Deep down, Eve breastfed her newborn by holding a cattail. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675787: The curse: Adam digs in the ground, assists by death. Deep down, Eve breastfed her newborn by holding a cattail. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675787

The curse: Adam digs in the ground, assists by death. Deep down, Eve breastfed her newborn by holding a cattail. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

The Mouths of the Amazon - View of the mouth of the Amazon River in Brazil from the International Space Station - 30 - 06 - 200
The Mouths of the Amazon - View of the mouth of the Amazon River in Brazil from the International Space Station - 30 - 06 - 200

PIX4675811: The Mouths of the Amazon - View of the mouth of the Amazon River in Brazil from the International Space Station - 30 - 06 - 200 / Bridgeman Images

ID: PIX4675811

The Mouths of the Amazon - View of the mouth of the Amazon River in Brazil from the International Space Station - 30 - 06 - 200

Jau Park, Brazil, seen by Landsat - 7 - La Negro River in Jau National Park seen by Landsat - 7
Jau Park, Brazil, seen by Landsat - 7 - La Negro River in Jau National Park seen by Landsat - 7

PIX4675819: Jau Park, Brazil, seen by Landsat - 7 - La Negro River in Jau National Park seen by Landsat - 7 / Bridgeman Images

ID: PIX4675819

Jau Park, Brazil, seen by Landsat - 7 - La Negro River in Jau National Park seen by Landsat - 7

The Child. A cottage owner's wife prepares a family meal when death arrives and takes away the youngest of her children. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The Child. A cottage owner's wife prepares a family meal when death arrives and takes away the youngest of her children. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675821: The Child. A cottage owner's wife prepares a family meal when death arrives and takes away the youngest of her children. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675821

The Child. A cottage owner's wife prepares a family meal when death arrives and takes away the youngest of her children. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

The madman. Death plays a bagpipe and performs a dance while lifting the madman's green dress to expose his limbs. The Mad is about to hit Death with his rattle, a kind of pocket with a bell hanging from her. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The madman. Death plays a bagpipe and performs a dance while lifting the madman's green dress to expose his limbs. The Mad is about to hit Death with his rattle, a kind of pocket with a bell hanging from her. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675825: The madman. Death plays a bagpipe and performs a dance while lifting the madman's green dress to expose his limbs. The Mad is about to hit Death with his rattle, a kind of pocket with a bell hanging from her. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675825

The madman. Death plays a bagpipe and performs a dance while lifting the madman's green dress to expose his limbs. The Mad is about to hit Death with his rattle, a kind of pocket with a bell hanging from her. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

The Mouth of the Amazon - View of the mouth of the Amazon River in Brazil by satellite ENVISAT - 27 - 05 - 200
The Mouth of the Amazon - View of the mouth of the Amazon River in Brazil by satellite ENVISAT - 27 - 05 - 200

PIX4675831: The Mouth of the Amazon - View of the mouth of the Amazon River in Brazil by satellite ENVISAT - 27 - 05 - 200 / Bridgeman Images

ID: PIX4675831

The Mouth of the Amazon - View of the mouth of the Amazon River in Brazil by satellite ENVISAT - 27 - 05 - 200

Design for a dagger sheath designed by Holbein. The characters are a young woman, a monk and a child who involuntarily accompany Death in the dance. The king's despair, the downfall of the queen accompanied by her little dog, the terror of the soldier who hears the drum of death, are portrayed with veracity and spirit of equality. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
Design for a dagger sheath designed by Holbein. The characters are a young woman, a monk and a child who involuntarily accompany Death in the dance. The king's despair, the downfall of the queen accompanied by her little dog, the terror of the soldier who hears the drum of death, are portrayed with veracity and spirit of equality. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675844: Design for a dagger sheath designed by Holbein. The characters are a young woman, a monk and a child who involuntarily accompany Death in the dance. The king's despair, the downfall of the queen accompanied by her little dog, the terror of the soldier who hears the drum of death, are portrayed with veracity and spirit of equality. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675844

Design for a dagger sheath designed by Holbein. The characters are a young woman, a monk and a child who involuntarily accompany Death in the dance. The king's despair, the downfall of the queen accompanied by her little dog, the terror of the soldier who hears the drum of death, are portrayed with veracity and spirit of equality. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

Amazon river seen from space - Amazon river seen from space - Amazon river flows through Peru and Brazil to the Atlantic Ocean. Mosaic of images obtained by the Terra satellite. Amazon River crossing south america from Peru to Atlantic ocean. Images taken by Terra satellite
Amazon river seen from space - Amazon river seen from space - Amazon river flows through Peru and Brazil to the Atlantic Ocean. Mosaic of images obtained by the Terra satellite. Amazon River crossing south america from Peru to Atlantic ocean. Images taken by Terra satellite

PIX4675871: Amazon river seen from space - Amazon river seen from space - Amazon river flows through Peru and Brazil to the Atlantic Ocean. Mosaic of images obtained by the Terra satellite. Amazon River crossing south america from Peru to Atlantic ocean. Images taken by Terra satellite / Bridgeman Images

ID: PIX4675871

Amazon river seen from space - Amazon river seen from space - Amazon river flows through Peru and Brazil to the Atlantic Ocean. Mosaic of images obtained by the Terra satellite. Amazon River crossing south america from Peru to Atlantic ocean. Images taken by Terra satellite

Andes (Chile) Gemini - 7 1965 - The Andes seen by Gemini - 7 December 1965
Andes (Chile) Gemini - 7 1965 - The Andes seen by Gemini - 7 December 1965

PIX4675954: Andes (Chile) Gemini - 7 1965 - The Andes seen by Gemini - 7 December 1965 / Bridgeman Images

ID: PIX4675954

Andes (Chile) Gemini - 7 1965 - The Andes seen by Gemini - 7 December 1965

Knight of the short-lived Order of the Knot, an order of chivalry founded in 1352 by Louis of Taranto, King of Naples - He wears a brown tabard, steel helm, suit of armour, gauntlets and spurs - The helm edges of the shield are decorated with knots - From a sepulchral stone in the church of Saint Catherine, Pisa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Knight of the short-lived Order of the Knot, an order of chivalry founded in 1352 by Louis of Taranto, King of Naples - He wears a brown tabard, steel helm, suit of armour, gauntlets and spurs - The helm edges of the shield are decorated with knots - From a sepulchral stone in the church of Saint Catherine, Pisa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4675970: Knight of the short-lived Order of the Knot, an order of chivalry founded in 1352 by Louis of Taranto, King of Naples - He wears a brown tabard, steel helm, suit of armour, gauntlets and spurs - The helm edges of the shield are decorated with knots - From a sepulchral stone in the church of Saint Catherine, Pisa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4675970

Knight of the short-lived Order of the Knot, an order of chivalry founded in 1352 by Louis of Taranto, King of Naples - He wears a brown tabard, steel helm, suit of armour, gauntlets and spurs - The helm edges of the shield are decorated with knots - From a sepulchral stone in the church of Saint Catherine, Pisa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

Oldrado da Tresseno (d. 1233), podestat (mayor) of Milan (Italy), 13th century - Oldrado da Tresseno, Podesta or Mayor of Milan, 13th century - He wears a blue cape with gold clasp at the shoulder, pink tunic, yellow stockings, gold spurs - From an equestrian statue - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Oldrado da Tresseno (d. 1233), podestat (mayor) of Milan (Italy), 13th century - Oldrado da Tresseno, Podesta or Mayor of Milan, 13th century - He wears a blue cape with gold clasp at the shoulder, pink tunic, yellow stockings, gold spurs - From an equestrian statue - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

FLO4675983: Oldrado da Tresseno (d. 1233), podestat (mayor) of Milan (Italy), 13th century - Oldrado da Tresseno, Podesta or Mayor of Milan, 13th century - He wears a blue cape with gold clasp at the shoulder, pink tunic, yellow stockings, gold spurs - From an equestrian statue - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4675983

Oldrado da Tresseno (d. 1233), podestat (mayor) of Milan (Italy), 13th century - Oldrado da Tresseno, Podesta or Mayor of Milan, 13th century - He wears a blue cape with gold clasp at the shoulder, pink tunic, yellow stockings, gold spurs - From an equestrian statue - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

Mercuri, Paolo (1804-84)

Pope Sixtus IV (Francesco della Rovere, 1414-1484), crown 1471 - Pope Sixtus IV, (1414-1484), seated on a throne - He wears a bonnet and almuce in red wool trimmed with ermine, linen rochet, and a cassock of white wool - From a painting by Piero della Francesca in the Vatican - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Pope Sixtus IV (Francesco della Rovere, 1414-1484), crown 1471 - Pope Sixtus IV, (1414-1484), seated on a throne - He wears a bonnet and almuce in red wool trimmed with ermine, linen rochet, and a cassock of white wool - From a painting by Piero della Francesca in the Vatican - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4675984: Pope Sixtus IV (Francesco della Rovere, 1414-1484), crown 1471 - Pope Sixtus IV, (1414-1484), seated on a throne - He wears a bonnet and almuce in red wool trimmed with ermine, linen rochet, and a cassock of white wool - From a painting by Piero della Francesca in the Vatican - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4675984

Pope Sixtus IV (Francesco della Rovere, 1414-1484), crown 1471 - Pope Sixtus IV, (1414-1484), seated on a throne - He wears a bonnet and almuce in red wool trimmed with ermine, linen rochet, and a cassock of white wool - From a painting by Piero della Francesca in the Vatican - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

Tyndall Glacier, Chile - Tyndall Glacier, Chile - The Tyndall Glacier in Torres del Paine National Park in Chile, observed from the International Space Station in November 2007. Tyndall Glacier is located in the Torres del Paine National Park in Chile. This glacier, which has a total area of 331 square kilometers and a length of 32 kilometers (based on 1996 measurements), begins in the Patagonian Andes Mountains to the west and terminates in Lago Geikie. The digital astronaut photograph taken in november 2007 records visible light in red, green, and blue wavelengths (true color). The Tyndall Glacier terminus has retreated significantly during the past 17 years. Significant ice loss was also observed earlier this year at Grey Glacier, about 30 kilometers to the north - northeast, suggesting both glaciers are responding similarly to regional changes in temperature and precipitation. A medial moraine is visible in the center of the glacier, extending along its length (top image, center left). Moraines - - accumulations of soil and rock debris - - form along the edges of a glacier as it flows downhill across the landscape (much like a snowplow builds ridges of snow along the roadside). Glaciers flowing downslope through adjacent valleys merge when they encounter each other, and debris entrained along their sides becomes concentrated in the central portion of the new combined ice mass, much as small streams join to form a river.Crevasse fields are also visible in the image. The crevasse - - small, but potentially quite deep fissures - - form as a result of stress between slower - and faster - moving ice within the glacier. Crevasse fields on Tyndall Glacier are most evident near rock promontories extending into the glacier; these rock outcrops cause the ice to slow as it flows around the obstruction
Tyndall Glacier, Chile - Tyndall Glacier, Chile - The Tyndall Glacier in Torres del Paine National Park in Chile, observed from the International Space Station in November 2007. Tyndall Glacier is located in the Torres del Paine National Park in Chile. This glacier, which has a total area of 331 square kilometers and a length of 32 kilometers (based on 1996 measurements), begins in the Patagonian Andes Mountains to the west and terminates in Lago Geikie. The digital astronaut photograph taken in november 2007 records visible light in red, green, and blue wavelengths (true color). The Tyndall Glacier terminus has retreated significantly during the past 17 years. Significant ice loss was also observed earlier this year at Grey Glacier, about 30 kilometers to the north - northeast, suggesting both glaciers are responding similarly to regional changes in temperature and precipitation. A medial moraine is visible in the center of the glacier, extending along its length (top image, center left). Moraines - - accumulations of soil and rock debris - - form along the edges of a glacier as it flows downhill across the landscape (much like a snowplow builds ridges of snow along the roadside). Glaciers flowing downslope through adjacent valleys merge when they encounter each other, and debris entrained along their sides becomes concentrated in the central portion of the new combined ice mass, much as small streams join to form a river.Crevasse fields are also visible in the image. The crevasse - - small, but potentially quite deep fissures - - form as a result of stress between slower - and faster - moving ice within the glacier. Crevasse fields on Tyndall Glacier are most evident near rock promontories extending into the glacier; these rock outcrops cause the ice to slow as it flows around the obstruction

PIX4675989: Tyndall Glacier, Chile - Tyndall Glacier, Chile - The Tyndall Glacier in Torres del Paine National Park in Chile, observed from the International Space Station in November 2007. Tyndall Glacier is located in the Torres del Paine National Park in Chile. This glacier, which has a total area of 331 square kilometers and a length of 32 kilometers (based on 1996 measurements), begins in the Patagonian Andes Mountains to the west and terminates in Lago Geikie. The digital astronaut photograph taken in november 2007 records visible light in red, green, and blue wavelengths (true color). The Tyndall Glacier terminus has retreated significantly during the past 17 years. Significant ice loss was also observed earlier this year at Grey Glacier, about 30 kilometers to the north - northeast, suggesting both glaciers are responding similarly to regional changes in temperature and precipitation. A medial moraine is visible in the center of the glacier, extending along its length (top image, center left). Moraines - - accumulations of soil and rock debris - - form along the edges of a glacier as it flows downhill across the landscape (much like a snowplow builds ridges of snow along the roadside). Glaciers flowing downslope through adjacent valleys merge when they encounter each other, and debris entrained along their sides becomes concentrated in the central portion of the new combined ice mass, much as small streams join to form a river.Crevasse fields are also visible in the image. The crevasse - - small, but potentially quite deep fissures - - form as a result of stress between slower - and faster - moving ice within the glacier. Crevasse fields on Tyndall Glacier are most evident near rock promontories extending into the glacier; these rock outcrops cause the ice to slow as it flows around the obstruction / Bridgeman Images

ID: PIX4675989

Tyndall Glacier, Chile - Tyndall Glacier, Chile - The Tyndall Glacier in Torres del Paine National Park in Chile, observed from the International Space Station in November 2007. Tyndall Glacier is located in the Torres del Paine National Park in Chile. This glacier, which has a total area of 331 square kilometers and a length of 32 kilometers (based on 1996 measurements), begins in the Patagonian Andes Mountains to the west and terminates in Lago Geikie. The digital astronaut photograph taken in november 2007 records visible light in red, green, and blue wavelengths (true color). The Tyndall Glacier terminus has retreated significantly during the past 17 years. Significant ice loss was also observed earlier this year at Grey Glacier, about 30 kilometers to the north - northeast, suggesting both glaciers are responding similarly to regional changes in temperature and precipitation. A medial moraine is visible in the center of the glacier, extending along its length (top image, center le

Chuquicamata Copper Mine - Chile - Chuquicamata Mine - Chile: The Chuquicamata Mine in Chile is the largest open-air copper mine in the world. Located in the Atacama Desert in northern Chile 15 km from the city of Calama, this mine alone contains 13% of the world's copper reserves. Image taken from the International Space Station (ISS) on December 9, 2009. This open-pit copper mine is one of the largest ones in the world. Astronaut photograph was acquired on December 9 2009 from the International Space Station (ISS)
Chuquicamata Copper Mine - Chile - Chuquicamata Mine - Chile: The Chuquicamata Mine in Chile is the largest open-air copper mine in the world. Located in the Atacama Desert in northern Chile 15 km from the city of Calama, this mine alone contains 13% of the world's copper reserves. Image taken from the International Space Station (ISS) on December 9, 2009. This open-pit copper mine is one of the largest ones in the world. Astronaut photograph was acquired on December 9 2009 from the International Space Station (ISS)

PIX4676015: Chuquicamata Copper Mine - Chile - Chuquicamata Mine - Chile: The Chuquicamata Mine in Chile is the largest open-air copper mine in the world. Located in the Atacama Desert in northern Chile 15 km from the city of Calama, this mine alone contains 13% of the world's copper reserves. Image taken from the International Space Station (ISS) on December 9, 2009. This open-pit copper mine is one of the largest ones in the world. Astronaut photograph was acquired on December 9 2009 from the International Space Station (ISS) / Bridgeman Images

ID: PIX4676015

Chuquicamata Copper Mine - Chile - Chuquicamata Mine - Chile: The Chuquicamata Mine in Chile is the largest open-air copper mine in the world. Located in the Atacama Desert in northern Chile 15 km from the city of Calama, this mine alone contains 13% of the world's copper reserves. Image taken from the International Space Station (ISS) on December 9, 2009. This open-pit copper mine is one of the largest ones in the world. Astronaut photograph was acquired on December 9 2009 from the International Space Station (ISS)

Costume d'un homme de la noblesse venitienne, 15eme century - Costume of a Venetian noble man, 15th century - He wears a red toque, scarlet cape lined with white silk, a lined hood, black stockings and leather shoes - It was rarely permitted to wear a sword in Venice at the time - From a painting by Gentile Bellini - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'un homme de la noblesse venitienne, 15eme century - Costume of a Venetian noble man, 15th century - He wears a red toque, scarlet cape lined with white silk, a lined hood, black stockings and leather shoes - It was rarely permitted to wear a sword in Venice at the time - From a painting by Gentile Bellini - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676058: Costume d'un homme de la noblesse venitienne, 15eme century - Costume of a Venetian noble man, 15th century - He wears a red toque, scarlet cape lined with white silk, a lined hood, black stockings and leather shoes - It was rarely permitted to wear a sword in Venice at the time - From a painting by Gentile Bellini - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4676058

Costume d'un homme de la noblesse venitienne, 15eme century - Costume of a Venetian noble man, 15th century - He wears a red toque, scarlet cape lined with white silk, a lined hood, black stockings and leather shoes - It was rarely permitted to wear a sword in Venice at the time - From a painting by Gentile Bellini - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

Costume of a member of the company della Calza, young Venetian noble, wearing the distinctive costume of a theatrical society, responsible for organizing parties and games in Venice (Italy) (show, carnival, boat race or naval battles in the canals), 15th century - Member of a Compagnie della Calza, young Venetian noblemen who organized spectacles and masquerades in Venice, 15th century - He wears a violet toque, a green velvet jacket, black doublet, and odd stockings - The left is striped, and the right is scarlet decorated with pearls and palms - From a painting by Vittore Carpaccio in the Academy of Fine Arts, Venice - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume of a member of the company della Calza, young Venetian noble, wearing the distinctive costume of a theatrical society, responsible for organizing parties and games in Venice (Italy) (show, carnival, boat race or naval battles in the canals), 15th century - Member of a Compagnie della Calza, young Venetian noblemen who organized spectacles and masquerades in Venice, 15th century - He wears a violet toque, a green velvet jacket, black doublet, and odd stockings - The left is striped, and the right is scarlet decorated with pearls and palms - From a painting by Vittore Carpaccio in the Academy of Fine Arts, Venice - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676131: Costume of a member of the company della Calza, young Venetian noble, wearing the distinctive costume of a theatrical society, responsible for organizing parties and games in Venice (Italy) (show, carnival, boat race or naval battles in the canals), 15th century - Member of a Compagnie della Calza, young Venetian noblemen who organized spectacles and masquerades in Venice, 15th century - He wears a violet toque, a green velvet jacket, black doublet, and odd stockings - The left is striped, and the right is scarlet decorated with pearls and palms - From a painting by Vittore Carpaccio in the Academy of Fine Arts, Venice - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4676131

Costume of a member of the company della Calza, young Venetian noble, wearing the distinctive costume of a theatrical society, responsible for organizing parties and games in Venice (Italy) (show, carnival, boat race or naval battles in the canals), 15th century - Member of a Compagnie della Calza, young Venetian noblemen who organized spectacles and masquerades in Venice, 15th century - He wears a violet toque, a green velvet jacket, black doublet, and odd stockings - The left is striped, and the right is scarlet decorated with pearls and palms - From a painting by Vittore Carpaccio in the Academy of Fine Arts, Venice - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

Laguna Cejar - Desert d'Atacama - Chile - Cejar Lagoon - Chile - Reflections on Laguna Cejar, a dirty water hole located about 20 km from San Pedro de Atacama. August 2014. Salar de Atacama's Cejar Lagoon is a giant sinkhole, the dark blue is actually super deep water. It has a salt concentration that ranges from 5 to 28%, producing at the higher end of the range an effect of floating like the Dead Sea
Laguna Cejar - Desert d'Atacama - Chile - Cejar Lagoon - Chile - Reflections on Laguna Cejar, a dirty water hole located about 20 km from San Pedro de Atacama. August 2014. Salar de Atacama's Cejar Lagoon is a giant sinkhole, the dark blue is actually super deep water. It has a salt concentration that ranges from 5 to 28%, producing at the higher end of the range an effect of floating like the Dead Sea

PIX4676142: Laguna Cejar - Desert d'Atacama - Chile - Cejar Lagoon - Chile - Reflections on Laguna Cejar, a dirty water hole located about 20 km from San Pedro de Atacama. August 2014. Salar de Atacama's Cejar Lagoon is a giant sinkhole, the dark blue is actually super deep water. It has a salt concentration that ranges from 5 to 28%, producing at the higher end of the range an effect of floating like the Dead Sea / Bridgeman Images

ID: PIX4676142

Laguna Cejar - Desert d'Atacama - Chile - Cejar Lagoon - Chile - Reflections on Laguna Cejar, a dirty water hole located about 20 km from San Pedro de Atacama. August 2014. Salar de Atacama's Cejar Lagoon is a giant sinkhole, the dark blue is actually super deep water. It has a salt concentration that ranges from 5 to 28%, producing at the higher end of the range an effect of floating like the Dead Sea

Great Barrier Reef in Australia from satellite - The Great Barrier Reef in Australia from satellite - The Great Barrier Reef is the largest coral reef in the world, extending over 2000 km off Queensland, Australia. Satellite image obtained by Terra satellite on 8 August 2004. The Great Barrier Reef arches over 2000 kilometers along the northeast coast of Australia. The white calcium carbonate that coats the coral reflects light, making the water above the reef appear bright blue from space. This phenomenon allows the reef to be visible in satellite images, such as this one, acquired by the Moderate Resolution Imaging Spectroradiometer (MODIS) on Nasa's Terra satellite on August 8, 2004
Great Barrier Reef in Australia from satellite - The Great Barrier Reef in Australia from satellite - The Great Barrier Reef is the largest coral reef in the world, extending over 2000 km off Queensland, Australia. Satellite image obtained by Terra satellite on 8 August 2004. The Great Barrier Reef arches over 2000 kilometers along the northeast coast of Australia. The white calcium carbonate that coats the coral reflects light, making the water above the reef appear bright blue from space. This phenomenon allows the reef to be visible in satellite images, such as this one, acquired by the Moderate Resolution Imaging Spectroradiometer (MODIS) on Nasa's Terra satellite on August 8, 2004

PIX4675471: Great Barrier Reef in Australia from satellite - The Great Barrier Reef in Australia from satellite - The Great Barrier Reef is the largest coral reef in the world, extending over 2000 km off Queensland, Australia. Satellite image obtained by Terra satellite on 8 August 2004. The Great Barrier Reef arches over 2000 kilometers along the northeast coast of Australia. The white calcium carbonate that coats the coral reflects light, making the water above the reef appear bright blue from space. This phenomenon allows the reef to be visible in satellite images, such as this one, acquired by the Moderate Resolution Imaging Spectroradiometer (MODIS) on Nasa's Terra satellite on August 8, 2004 / Bridgeman Images

ID: PIX4675471

Great Barrier Reef in Australia from satellite - The Great Barrier Reef in Australia from satellite - The Great Barrier Reef is the largest coral reef in the world, extending over 2000 km off Queensland, Australia. Satellite image obtained by Terra satellite on 8 August 2004. The Great Barrier Reef arches over 2000 kilometers along the northeast coast of Australia. The white calcium carbonate that coats the coral reflects light, making the water above the reef appear bright blue from space. This phenomenon allows the reef to be visible in satellite images, such as this one, acquired by the Moderate Resolution Imaging Spectroradiometer (MODIS) on Nasa's Terra satellite on August 8, 2004


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