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The bridge breaks, c.1640 (painting)
The bridge breaks, c.1640 (painting)

LRI4610961: The bridge breaks, c.1640 (painting), Rosa, Salvator (1615-73) / Bridgeman Images

ID: LRI4610961

The bridge breaks, c.1640 (painting)

Rosa, Salvator (1615-73)

Marina of the port, detail (oil on canvas, 17th century)
Marina of the port, detail (oil on canvas, 17th century)

LRI4610971: Marina of the port, detail (oil on canvas, 17th century), Rosa, Salvator (1615-73) / Bridgeman Images

ID: LRI4610971

Marina of the port, detail (oil on canvas, 17th century)

Rosa, Salvator (1615-73)

Martre et glouton ou carcajou (Guto guto) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Marten and wolverine - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,” Paris, 1837
Martre et glouton ou carcajou (Guto guto) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Marten and wolverine - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,” Paris, 1837

FLO4610974: Martre et glouton ou carcajou (Guto guto) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Marten and wolverine - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,” Paris, 1837 / Bridgeman Images

ID: FLO4610974

Martre et glouton ou carcajou (Guto guto) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Marten and wolverine - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,” Paris, 1837

Mammiferes: Buffalo and auroch (species eteinte) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Water buffalo, Bubalus bubalis, and extinct auroch, Bos urus. Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Antoine de Jussieu's “” Dictionary of Natural Science,”” 1837
Mammiferes: Buffalo and auroch (species eteinte) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Water buffalo, Bubalus bubalis, and extinct auroch, Bos urus. Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Antoine de Jussieu's “” Dictionary of Natural Science,”” 1837

FLO4611022: Mammiferes: Buffalo and auroch (species eteinte) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Water buffalo, Bubalus bubalis, and extinct auroch, Bos urus. Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Antoine de Jussieu's “” Dictionary of Natural Science,”” 1837 / Bridgeman Images

ID: FLO4611022

Mammiferes: Buffalo and auroch (species eteinte) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Water buffalo, Bubalus bubalis, and extinct auroch, Bos urus. Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Antoine de Jussieu's “” Dictionary of Natural Science,”” 1837

Vacua ou vaquois ou palm a vis (Pandanus utilis) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Screw pine, Pandanus utilis - Handcoloured copperplate engraving, illustration by J. G. Tre ( 1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Vacua ou vaquois ou palm a vis (Pandanus utilis) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Screw pine, Pandanus utilis - Handcoloured copperplate engraving, illustration by J. G. Tre ( 1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4611036: Vacua ou vaquois ou palm a vis (Pandanus utilis) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Screw pine, Pandanus utilis - Handcoloured copperplate engraving, illustration by J. G. Tre ( 1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

ID: FLO4611036

Vacua ou vaquois ou palm a vis (Pandanus utilis) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Screw pine, Pandanus utilis - Handcoloured copperplate engraving, illustration by J. G. Tre ( 1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

Bats chiropteres frugivores - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Fruit bats - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Bats chiropteres frugivores - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Fruit bats - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4611093: Bats chiropteres frugivores - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Fruit bats - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

ID: FLO4611093

Bats chiropteres frugivores - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Fruit bats - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

Passiflora (Passiflora alata) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Winged-stem passion flower - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Passiflora (Passiflora alata) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Winged-stem passion flower - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4611153: Passiflora (Passiflora alata) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Winged-stem passion flower - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

ID: FLO4611153

Passiflora (Passiflora alata) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Winged-stem passion flower - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

Crab Sally pied leger et arignee de mer - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Red rock crab, Grapsus grapsus, and spider crab, Maia squinado - Handcoloured parplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837
Crab Sally pied leger et arignee de mer - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Red rock crab, Grapsus grapsus, and spider crab, Maia squinado - Handcoloured parplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837

FLO4611239: Crab Sally pied leger et arignee de mer - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Red rock crab, Grapsus grapsus, and spider crab, Maia squinado - Handcoloured parplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

ID: FLO4611239

Crab Sally pied leger et arignee de mer - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Red rock crab, Grapsus grapsus, and spider crab, Maia squinado - Handcoloured parplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837

Untitled, 1961 (Sculpture)
Untitled, 1961 (Sculpture)

LRI4618278: Untitled, 1961 (Sculpture), Tinguely, Jean (1925-91) / Bridgeman Images

ID: LRI4618278

Untitled, 1961 (Sculpture)

Tinguely, Jean (1925-91)

Bulrush or club-rush, Schoenoplectus lacustris (Bull-rush, Scirpus lacustris). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Bulrush or club-rush, Schoenoplectus lacustris (Bull-rush, Scirpus lacustris). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618633: Bulrush or club-rush, Schoenoplectus lacustris (Bull-rush, Scirpus lacustris). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4618633

Bulrush or club-rush, Schoenoplectus lacustris (Bull-rush, Scirpus lacustris). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Chinese clothes 1,2, belt ornament 3, and designs depicting the sun 5, moon 6, stars, dragon 8, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Chinese clothes 1,2, belt ornament 3, and designs depicting the sun 5, moon 6, stars, dragon 8, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4622243: Chinese clothes 1,2, belt ornament 3, and designs depicting the sun 5, moon 6, stars, dragon 8, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4622243

Chinese clothes 1,2, belt ornament 3, and designs depicting the sun 5, moon 6, stars, dragon 8, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Plan and elevation of Honang pagoda, Canton, China. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Plan and elevation of Honang pagoda, Canton, China. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4622520: Plan and elevation of Honang pagoda, Canton, China. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4622520

Plan and elevation of Honang pagoda, Canton, China. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Piquier of French Flanders, 17th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th century” by Georges Duplessis (1834-1899), edition 1867
Piquier of French Flanders, 17th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616688: Piquier of French Flanders, 17th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616688

Piquier of French Flanders, 17th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th century” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

King Charles I of England (1600-1649), based on a portrait of 1635 by Antonie Van Dyck (1599-1641) - Lithography of an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
King Charles I of England (1600-1649), based on a portrait of 1635 by Antonie Van Dyck (1599-1641) - Lithography of an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616724: King Charles I of England (1600-1649), based on a portrait of 1635 by Antonie Van Dyck (1599-1641) - Lithography of an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616724

King Charles I of England (1600-1649), based on a portrait of 1635 by Antonie Van Dyck (1599-1641) - Lithography of an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

The sibylle of Delphi Detail of a vault of the Sistina Chapel (Sistina) Fresco by Michelangelo Buonarroti called Michel Ange (Michelangelo or Michelangelo, 1475-1564) Michelangelo (Michelangelo or Michelangelo, 1475 - 1564). 1536-1541. Sistine Chapel Wall, Musei Vaticani. Rome Italy
The sibylle of Delphi Detail of a vault of the Sistina Chapel (Sistina) Fresco by Michelangelo Buonarroti called Michel Ange (Michelangelo or Michelangelo, 1475-1564) Michelangelo (Michelangelo or Michelangelo, 1475 - 1564). 1536-1541. Sistine Chapel Wall, Musei Vaticani. Rome Italy

LRI4616740: The sibylle of Delphi Detail of a vault of the Sistina Chapel (Sistina) Fresco by Michelangelo Buonarroti called Michel Ange (Michelangelo or Michelangelo, 1475-1564) Michelangelo (Michelangelo or Michelangelo, 1475 - 1564). 1536-1541. Sistine Chapel Wall, Musei Vaticani. Rome Italy, Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: LRI4616740

The sibylle of Delphi Detail of a vault of the Sistina Chapel (Sistina) Fresco by Michelangelo Buonarroti called Michel Ange (Michelangelo or Michelangelo, 1475-1564) Michelangelo (Michelangelo or Michelangelo, 1475 - 1564). 1536-1541. Sistine Chapel Wall, Musei Vaticani. Rome Italy

Buonarroti, Michelangelo (1475-1564)

Officer governor of Marseille and lady of quality, France, 18th century, after a painting of 1754 by Joseph Vernet (1714-1789) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition. 1867
Officer governor of Marseille and lady of quality, France, 18th century, after a painting of 1754 by Joseph Vernet (1714-1789) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition. 1867

FLO4616844: Officer governor of Marseille and lady of quality, France, 18th century, after a painting of 1754 by Joseph Vernet (1714-1789) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition. 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616844

Officer governor of Marseille and lady of quality, France, 18th century, after a painting of 1754 by Joseph Vernet (1714-1789) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition. 1867

Lechevallier-Chevignard, Edmond (1825-1902)

Young French woman with a little boy, 18th century, by an engraving by Philibert Debucourt (1755-1832) - Lithography after an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1834-1899 67
Young French woman with a little boy, 18th century, by an engraving by Philibert Debucourt (1755-1832) - Lithography after an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1834-1899 67

FLO4616888: Young French woman with a little boy, 18th century, by an engraving by Philibert Debucourt (1755-1832) - Lithography after an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1834-1899 67, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616888

Young French woman with a little boy, 18th century, by an engraving by Philibert Debucourt (1755-1832) - Lithography after an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1834-1899 67

Lechevallier-Chevignard, Edmond (1825-1902)

George Frederic Auguste (1727-1760), Prince of Wales, England 18th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
George Frederic Auguste (1727-1760), Prince of Wales, England 18th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616944: George Frederic Auguste (1727-1760), Prince of Wales, England 18th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616944

George Frederic Auguste (1727-1760), Prince of Wales, England 18th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

French Laboureur, 16th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th century” by Georges Duplessis (1834-1899), edition 1867
French Laboureur, 16th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616986: French Laboureur, 16th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616986

French Laboureur, 16th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th century” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

English hydraulic machines including waterwheels and waterpump driven by manpower. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
English hydraulic machines including waterwheels and waterpump driven by manpower. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4622678: English hydraulic machines including waterwheels and waterpump driven by manpower. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4622678

English hydraulic machines including waterwheels and waterpump driven by manpower. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Pomp and ceremony of rituals and processions in honour of Osiris, from a bas-relief in Thebes. Handcoloured copperplate engraving by from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), 1843.
Pomp and ceremony of rituals and processions in honour of Osiris, from a bas-relief in Thebes. Handcoloured copperplate engraving by from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), 1843.

FLO4620897: Pomp and ceremony of rituals and processions in honour of Osiris, from a bas-relief in Thebes. Handcoloured copperplate engraving by from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), 1843. / Bridgeman Images

ID: FLO4620897

Pomp and ceremony of rituals and processions in honour of Osiris, from a bas-relief in Thebes. Handcoloured copperplate engraving by from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), 1843.

View of the Cayambe volcano in the Andes, Ecuador. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
View of the Cayambe volcano in the Andes, Ecuador. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4620919: View of the Cayambe volcano in the Andes, Ecuador. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

ID: FLO4620919

View of the Cayambe volcano in the Andes, Ecuador. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

Exterior of an underground Alut house in Unalaska with children playing and men fishing in kayaks. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
Exterior of an underground Alut house in Unalaska with children playing and men fishing in kayaks. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4620959: Exterior of an underground Alut house in Unalaska with children playing and men fishing in kayaks. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

ID: FLO4620959

Exterior of an underground Alut house in Unalaska with children playing and men fishing in kayaks. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

The watchman on the river, 1885-1890 (painting)
The watchman on the river, 1885-1890 (painting)

LRI4620988: The watchman on the river, 1885-1890 (painting), Fattori, Giovanni (1825-1908) / Bridgeman Images

ID: LRI4620988

The watchman on the river, 1885-1890 (painting)

Fattori, Giovanni (1825-1908)

An elf kisses a fairy princess 'hair after serenading her on a lute by moonlight. Handcoloured woodblock print by Edmund Evans after an illustration by Richard Doyle from In Fairyland, a series of Pictures from the Elf World, Longman, London, 1870.
An elf kisses a fairy princess 'hair after serenading her on a lute by moonlight. Handcoloured woodblock print by Edmund Evans after an illustration by Richard Doyle from In Fairyland, a series of Pictures from the Elf World, Longman, London, 1870.

FLO4614903: An elf kisses a fairy princess 'hair after serenading her on a lute by moonlight. Handcoloured woodblock print by Edmund Evans after an illustration by Richard Doyle from In Fairyland, a series of Pictures from the Elf World, Longman, London, 1870. / Bridgeman Images

ID: FLO4614903

An elf kisses a fairy princess 'hair after serenading her on a lute by moonlight. Handcoloured woodblock print by Edmund Evans after an illustration by Richard Doyle from In Fairyland, a series of Pictures from the Elf World, Longman, London, 1870.

Otroeda cafra moth 1 and Otroeda nerina moth 2. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.
Otroeda cafra moth 1 and Otroeda nerina moth 2. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

FLO4615043: Otroeda cafra moth 1 and Otroeda nerina moth 2. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837. / Bridgeman Images

ID: FLO4615043

Otroeda cafra moth 1 and Otroeda nerina moth 2. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

White-banded palla butterfly, Palla decius, upper side 1, under side 2, common green charaxes, Charaxes eupale 3, and African map butterfly, Cyrestis camillus 4. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.
White-banded palla butterfly, Palla decius, upper side 1, under side 2, common green charaxes, Charaxes eupale 3, and African map butterfly, Cyrestis camillus 4. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

FLO4615047: White-banded palla butterfly, Palla decius, upper side 1, under side 2, common green charaxes, Charaxes eupale 3, and African map butterfly, Cyrestis camillus 4. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837. / Bridgeman Images

ID: FLO4615047

White-banded palla butterfly, Palla decius, upper side 1, under side 2, common green charaxes, Charaxes eupale 3, and African map butterfly, Cyrestis camillus 4. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

Pied piper butterfly, Eurytela hiarbas 1,2, green false acraea, Pseudacraea semire 3,4, and forest admiral, Antanartia delius 5,6, upper side and under side. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.
Pied piper butterfly, Eurytela hiarbas 1,2, green false acraea, Pseudacraea semire 3,4, and forest admiral, Antanartia delius 5,6, upper side and under side. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

FLO4615096: Pied piper butterfly, Eurytela hiarbas 1,2, green false acraea, Pseudacraea semire 3,4, and forest admiral, Antanartia delius 5,6, upper side and under side. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837. / Bridgeman Images

ID: FLO4615096

Pied piper butterfly, Eurytela hiarbas 1,2, green false acraea, Pseudacraea semire 3,4, and forest admiral, Antanartia delius 5,6, upper side and under side. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

Lobobobunaea phaedusa moth, under side. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.
Lobobobunaea phaedusa moth, under side. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

FLO4615196: Lobobobunaea phaedusa moth, under side. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837. / Bridgeman Images

ID: FLO4615196

Lobobobunaea phaedusa moth, under side. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

Upright galenia, Galenia africana. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Upright galenia, Galenia africana. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617114: Upright galenia, Galenia africana. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4617114

Upright galenia, Galenia africana. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Germander speedwell, Veronica chamaedrys. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Germander speedwell, Veronica chamaedrys. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617161: Germander speedwell, Veronica chamaedrys. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4617161

Germander speedwell, Veronica chamaedrys. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

La succise des pres ou bite du diable - Devil's bit scabious, Succisa pratensis (Scabiosa succisa). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
La succise des pres ou bite du diable - Devil's bit scabious, Succisa pratensis (Scabiosa succisa). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617219: La succise des pres ou bite du diable - Devil's bit scabious, Succisa pratensis (Scabiosa succisa). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4617219

La succise des pres ou bite du diable - Devil's bit scabious, Succisa pratensis (Scabiosa succisa). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Tobacco, Nicotiana tabacum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Tobacco, Nicotiana tabacum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617263: Tobacco, Nicotiana tabacum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4617263

Tobacco, Nicotiana tabacum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Custom painting n 6 - Serigraphy, 1965
Custom painting n 6 - Serigraphy, 1965

LRI4617361: Custom painting n 6 - Serigraphy, 1965, Phillips, Peter (b.1939) / Bridgeman Images

ID: LRI4617361

Custom painting n 6 - Serigraphy, 1965

Phillips, Peter (b.1939)

Common rush, Juncus conglomeratus. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Common rush, Juncus conglomeratus. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617463: Common rush, Juncus conglomeratus. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4617463

Common rush, Juncus conglomeratus. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Royal goliath beetle, Goliathus regius. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.
Royal goliath beetle, Goliathus regius. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

FLO4615312: Royal goliath beetle, Goliathus regius. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837. / Bridgeman Images

ID: FLO4615312

Royal goliath beetle, Goliathus regius. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.


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