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Common thyme, Thymus vulgaris, and summer savory. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Common thyme, Thymus vulgaris, and summer savory. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4667528: Common thyme, Thymus vulgaris, and summer savory. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

Travelling flower vendor, approaching a smiling gentleman with a small bouquet of roses (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Travelling flower vendor, approaching a smiling gentleman with a small bouquet of roses (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666924: Travelling flower vendor, approaching a smiling gentleman with a small bouquet of roses (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Little girl with a hat, holding a basket of flowers, accompanied by a small dog. Engraving, in the way of Francesco Bartolozzi (1725-1815), published in Les Cris de Londres: with six charming children and nearly 40 illustrations, by Andrew Tuer, edition Field et Tuer, in London in 1883. Young girl in a bonnet with a basket of flowers accompanied by a small dog. Stipple copperplate engraving in the style of Francesco Bartolozzi (1725-1815) from Andrew Killer's “” London Cree: with Six Charming Children and about forty other illustrations,”” published by Field & Tuer, London, 1883.
Little girl with a hat, holding a basket of flowers, accompanied by a small dog. Engraving, in the way of Francesco Bartolozzi (1725-1815), published in Les Cris de Londres: with six charming children and nearly 40 illustrations, by Andrew Tuer, edition Field et Tuer, in London in 1883. Young girl in a bonnet with a basket of flowers accompanied by a small dog. Stipple copperplate engraving in the style of Francesco Bartolozzi (1725-1815) from Andrew Killer's “” London Cree: with Six Charming Children and about forty other illustrations,”” published by Field & Tuer, London, 1883.

FLO4666928: Little girl with a hat, holding a basket of flowers, accompanied by a small dog. Engraving, in the way of Francesco Bartolozzi (1725-1815), published in Les Cris de Londres: with six charming children and nearly 40 illustrations, by Andrew Tuer, edition Field et Tuer, in London in 1883. Young girl in a bonnet with a basket of flowers accompanied by a small dog. Stipple copperplate engraving in the style of Francesco Bartolozzi (1725-1815) from Andrew Killer's “” London Cree: with Six Charming Children and about forty other illustrations,”” published by Field & Tuer, London, 1883. / Bridgeman Images

Sharpener sharpening a knife on his grinding wheel, with his clients (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Sharpener sharpening a knife on his grinding wheel, with his clients (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666934: Sharpener sharpening a knife on his grinding wheel, with his clients (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Long birthwort, Aristolochia longa, and swallowwort, Vincetoxicum hirundinaria. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Long birthwort, Aristolochia longa, and swallowwort, Vincetoxicum hirundinaria. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4667690: Long birthwort, Aristolochia longa, and swallowwort, Vincetoxicum hirundinaria. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

Comfrey, Symphytum officinale, and savory, Satureja subspicata. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Comfrey, Symphytum officinale, and savory, Satureja subspicata. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4667820: Comfrey, Symphytum officinale, and savory, Satureja subspicata. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

Red viper's bugloss, Echium wildpretii, and common bugloss. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Red viper's bugloss, Echium wildpretii, and common bugloss. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4667789: Red viper's bugloss, Echium wildpretii, and common bugloss. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

Stinking hellebore, Helleborus foetidus, and common groundsel. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Stinking hellebore, Helleborus foetidus, and common groundsel. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4667862: Stinking hellebore, Helleborus foetidus, and common groundsel. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

White wormwood, Artemisia herba-alba, and wild chamomile. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
White wormwood, Artemisia herba-alba, and wild chamomile. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4667884: White wormwood, Artemisia herba-alba, and wild chamomile. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

View of an architect's workshop. Fresco by Bernardino Barbatelli dit il Poccetti (1548-1612) 17th century Galleria degli Uffizi (Offices) Florence
View of an architect's workshop. Fresco by Bernardino Barbatelli dit il Poccetti (1548-1612) 17th century Galleria degli Uffizi (Offices) Florence

LRI4667965: View of an architect's workshop. Fresco by Bernardino Barbatelli dit il Poccetti (1548-1612) 17th century Galleria degli Uffizi (Offices) Florence, Poccetti, Bernardino Barbatelli (1542/8-1612) / Bridgeman Images

Oncidium incurvum orchid. Chromolithograph by P. de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1882.
Oncidium incurvum orchid. Chromolithograph by P. de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1882.

FLO4662720: Oncidium incurvum orchid. Chromolithograph by P. de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1882. / Bridgeman Images

Encephalartos cycadifolius, Frederici Guilielmi variety. Chromolithograph by P. de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1882.
Encephalartos cycadifolius, Frederici Guilielmi variety. Chromolithograph by P. de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1882.

FLO4662840: Encephalartos cycadifolius, Frederici Guilielmi variety. Chromolithograph by P. de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1882. / Bridgeman Images

Apoballis acuminatissima foliage plant (Schismatoglottis lavallei var. lansbergeana). Chromolithograph by P. de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1882.
Apoballis acuminatissima foliage plant (Schismatoglottis lavallei var. lansbergeana). Chromolithograph by P. de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1882.

FLO4662920: Apoballis acuminatissima foliage plant (Schismatoglottis lavallei var. lansbergeana). Chromolithograph by P. de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1882. / Bridgeman Images

Pellionia repens foliage plant (Pellionia daveauana). Chromolithograph by P. de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1882.
Pellionia repens foliage plant (Pellionia daveauana). Chromolithograph by P. de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1882.

FLO4662942: Pellionia repens foliage plant (Pellionia daveauana). Chromolithograph by P. de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1882. / Bridgeman Images

Garden architecture with bridge leading to gazebo above an artificial waterfall. Chromolithograph by P. de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1883.
Garden architecture with bridge leading to gazebo above an artificial waterfall. Chromolithograph by P. de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1883.

FLO4663041: Garden architecture with bridge leading to gazebo above an artificial waterfall. Chromolithograph by P. de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1883. / Bridgeman Images

Little flag orchid, Masdevallia coccinea (Masdevallia lindeni var. harryana). Drawn and chromolithographed by P. de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1873.
Little flag orchid, Masdevallia coccinea (Masdevallia lindeni var. harryana). Drawn and chromolithographed by P. de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1873.

FLO4662338: Little flag orchid, Masdevallia coccinea (Masdevallia lindeni var. harryana). Drawn and chromolithographed by P. de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1873. / Bridgeman Images

Giant potato, Ipomoea mauritiana (Batatas paniculata). Chromolithograph by P. Stroobant from Jean Linden's l'Illustration Horticole, Brussels, 1883.
Giant potato, Ipomoea mauritiana (Batatas paniculata). Chromolithograph by P. Stroobant from Jean Linden's l'Illustration Horticole, Brussels, 1883.

FLO4663234: Giant potato, Ipomoea mauritiana (Batatas paniculata). Chromolithograph by P. Stroobant from Jean Linden's l'Illustration Horticole, Brussels, 1883. / Bridgeman Images

Golden arum or calla lily, Zantedeschia elliottiana (Calla elliottiana). Chromolithograph by Pieter de Pannemaeker after an illustration in The Garden from Jean Linden's l'Illustration Horticole, Brussels, 1896.
Golden arum or calla lily, Zantedeschia elliottiana (Calla elliottiana). Chromolithograph by Pieter de Pannemaeker after an illustration in The Garden from Jean Linden's l'Illustration Horticole, Brussels, 1896.

FLO4663270: Golden arum or calla lily, Zantedeschia elliottiana (Calla elliottiana). Chromolithograph by Pieter de Pannemaeker after an illustration in The Garden from Jean Linden's l'Illustration Horticole, Brussels, 1896., De Pannemaeker, Pieter (19th century) / Bridgeman Images

Chinese primrose varieties, Primula sinensis. Swanley Red 1, Princess Beatrice 2, Swanley Purple 3, Princess of Wales 4, The Queen 5, Luteo-Alba 6 and Swanley Giant 7. Chromolithograph by Pieter de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1884.
Chinese primrose varieties, Primula sinensis. Swanley Red 1, Princess Beatrice 2, Swanley Purple 3, Princess of Wales 4, The Queen 5, Luteo-Alba 6 and Swanley Giant 7. Chromolithograph by Pieter de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1884.

FLO4663303: Chinese primrose varieties, Primula sinensis. Swanley Red 1, Princess Beatrice 2, Swanley Purple 3, Princess of Wales 4, The Queen 5, Luteo-Alba 6 and Swanley Giant 7. Chromolithograph by Pieter de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1884., De Pannemaeker, Pieter (19th century) / Bridgeman Images

White busy lizzie, Impatiens flaccida (var. albiflora). Chromolithograph by Pieter de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1884.
White busy lizzie, Impatiens flaccida (var. albiflora). Chromolithograph by Pieter de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1884.

FLO4663307: White busy lizzie, Impatiens flaccida (var. albiflora). Chromolithograph by Pieter de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1884., De Pannemaeker, Pieter (19th century) / Bridgeman Images

Eulophia bouliawongo orchid (Lissochilus giganteus). Woodcut by Gardchron after an illustration by Worthington G. Smith from Jean Linden's l'Illustration Horticole, Brussels, 1888.
Eulophia bouliawongo orchid (Lissochilus giganteus). Woodcut by Gardchron after an illustration by Worthington G. Smith from Jean Linden's l'Illustration Horticole, Brussels, 1888.

FLO4663493: Eulophia bouliawongo orchid (Lissochilus giganteus). Woodcut by Gardchron after an illustration by Worthington G. Smith from Jean Linden's l'Illustration Horticole, Brussels, 1888. / Bridgeman Images

Giant arrowhead, Sagittaria montevidensis. Chromolithograph by Pieter de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1884.
Giant arrowhead, Sagittaria montevidensis. Chromolithograph by Pieter de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1884.

FLO4663565: Giant arrowhead, Sagittaria montevidensis. Chromolithograph by Pieter de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1884., De Pannemaeker, Pieter (19th century) / Bridgeman Images

Mandarin orchid, Phragmipedium caudatum (Selenipedium caudatum var. roseum). Chromolithograph by de Tollenaere from Jean Linden's l'Illustration Horticole, Brussels, 1885.
Mandarin orchid, Phragmipedium caudatum (Selenipedium caudatum var. roseum). Chromolithograph by de Tollenaere from Jean Linden's l'Illustration Horticole, Brussels, 1885.

FLO4663717: Mandarin orchid, Phragmipedium caudatum (Selenipedium caudatum var. roseum). Chromolithograph by de Tollenaere from Jean Linden's l'Illustration Horticole, Brussels, 1885. / Bridgeman Images

Garden croton, Codiaeum variegatum (Codiaeum vanoosterzeei). Chromolithograph by Pieter de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1883.
Garden croton, Codiaeum variegatum (Codiaeum vanoosterzeei). Chromolithograph by Pieter de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1883.

FLO4663198: Garden croton, Codiaeum variegatum (Codiaeum vanoosterzeei). Chromolithograph by Pieter de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1883., De Pannemaeker, Pieter (19th century) / Bridgeman Images

Begonia rex cultivar, Countess Louise Erdody. Cross between Begonia Alexander von Humboldt and Begonia argenteo-cupreata, produced by Fr. Nemeczek of Neumarhof. Chromolithograph by Pieter de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1884.
Begonia rex cultivar, Countess Louise Erdody. Cross between Begonia Alexander von Humboldt and Begonia argenteo-cupreata, produced by Fr. Nemeczek of Neumarhof. Chromolithograph by Pieter de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1884.

FLO4663281: Begonia rex cultivar, Countess Louise Erdody. Cross between Begonia Alexander von Humboldt and Begonia argenteo-cupreata, produced by Fr. Nemeczek of Neumarhof. Chromolithograph by Pieter de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1884., De Pannemaeker, Pieter (19th century) / Bridgeman Images

The Walk to the Park in Naples (oil on canvas)
The Walk to the Park in Naples (oil on canvas)

LRI4663010: The Walk to the Park in Naples (oil on canvas), Boldini, Giovanni (1842-1931) / Bridgeman Images

Fuchsia varieties: Fritz, Mathilde and Juliette. Chromolithograph by Pieter de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1883.
Fuchsia varieties: Fritz, Mathilde and Juliette. Chromolithograph by Pieter de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1883.

FLO4663210: Fuchsia varieties: Fritz, Mathilde and Juliette. Chromolithograph by Pieter de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1883., De Pannemaeker, Pieter (19th century) / Bridgeman Images

Blanche de la Tour (1342-1342), daughter of Edward III (1312-1377). Dead child represented by a young woman after her monument in St Edward's Chapel in Westminster (England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Blanche de la Tour (1342-1342), daughter of Edward III (1312-1377). Dead child represented by a young woman after her monument in St Edward's Chapel in Westminster (England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672143: Blanche de la Tour (1342-1342), daughter of Edward III (1312-1377). Dead child represented by a young woman after her monument in St Edward's Chapel in Westminster (England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

Glossopharyngeal nerve. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Glossopharyngeal nerve. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672515: Glossopharyngeal nerve. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Ankle and foot bone. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Ankle and foot bone. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672592: Ankle and foot bone. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Back and torso muscles. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Back and torso muscles. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672626: Back and torso muscles. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Clotilde, Queen of the Franks, 475-543. She wears a fine chainmail dress, a veil that falls to the knee, a fine tunic, and cape tied at the breast with a lace. Her gold crown is decorated with gems, and her necklace with pearls and gemstones. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Clotilde, Queen of the Franks, 475-543. She wears a fine chainmail dress, a veil that falls to the knee, a fine tunic, and cape tied at the breast with a lace. Her gold crown is decorated with gems, and her necklace with pearls and gemstones. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673214: Clotilde, Queen of the Franks, 475-543. She wears a fine chainmail dress, a veil that falls to the knee, a fine tunic, and cape tied at the breast with a lace. Her gold crown is decorated with gems, and her necklace with pearls and gemstones. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Beatrice of Burgundy (Beatrice de Bourgogne), Lady of Bourbon, 1257-1310. Dress of velvet, embroidered in gold, trimmed with ermine, crown with large ear pieces matching the dress. Wearing a coat of arms of France-Clermont (azure field, gold fleurs de liys) and Bourbon (gold field, red lion and blue shells). Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Beatrice of Burgundy (Beatrice de Bourgogne), Lady of Bourbon, 1257-1310. Dress of velvet, embroidered in gold, trimmed with ermine, crown with large ear pieces matching the dress. Wearing a coat of arms of France-Clermont (azure field, gold fleurs de liys) and Bourbon (gold field, red lion and blue shells). Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673308: Beatrice of Burgundy (Beatrice de Bourgogne), Lady of Bourbon, 1257-1310. Dress of velvet, embroidered in gold, trimmed with ermine, crown with large ear pieces matching the dress. Wearing a coat of arms of France-Clermont (azure field, gold fleurs de liys) and Bourbon (gold field, red lion and blue shells). Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Charles IV the Fair, King of France, 1294-1328. He wears a fur hat, gold silk robe lined with squirrel fur, cracows or poulaines, while his horse has a caparison with gold fleurs de lys lined in scarlet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Charles IV the Fair, King of France, 1294-1328. He wears a fur hat, gold silk robe lined with squirrel fur, cracows or poulaines, while his horse has a caparison with gold fleurs de lys lined in scarlet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673395: Charles IV the Fair, King of France, 1294-1328. He wears a fur hat, gold silk robe lined with squirrel fur, cracows or poulaines, while his horse has a caparison with gold fleurs de lys lined in scarlet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

New York night view - New York City by Night - South Manhattan seen from the Empire State Building. South Manhattan seen from the Empire State Building
New York night view - New York City by Night - South Manhattan seen from the Empire State Building. South Manhattan seen from the Empire State Building

PIX4673442: New York night view - New York City by Night - South Manhattan seen from the Empire State Building. South Manhattan seen from the Empire State Building / Bridgeman Images

French bourgeois, 14th century. He wears a red bonnet, yellow mantelet with hood turned down, and robe in scarlet wool, yellow shoes. He wears a yellow purse on his belt. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
French bourgeois, 14th century. He wears a red bonnet, yellow mantelet with hood turned down, and robe in scarlet wool, yellow shoes. He wears a yellow purse on his belt. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673756: French bourgeois, 14th century. He wears a red bonnet, yellow mantelet with hood turned down, and robe in scarlet wool, yellow shoes. He wears a yellow purse on his belt. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images


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