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drawing by Riou, from the book of Jules Verne “” Adventures of Captain Hatteras””, published in 1866 in the collection Hetzel/Extraordinary Voyages. Whaling in the middle of icebergs.
drawing by Riou, from the book of Jules Verne “” Adventures of Captain Hatteras””, published in 1866 in the collection Hetzel/Extraordinary Voyages. Whaling in the middle of icebergs.

PCT4259996: drawing by Riou, from the book of Jules Verne “” Adventures of Captain Hatteras””, published in 1866 in the collection Hetzel/Extraordinary Voyages. Whaling in the middle of icebergs. / Bridgeman Images

ID: PCT4259996

drawing by Riou, from the book of Jules Verne “” Adventures of Captain Hatteras””, published in 1866 in the collection Hetzel/Extraordinary Voyages. Whaling in the middle of icebergs.

illustration of Jules Verne's novel “” Keraban the stubborn””, Hetzel collection/extraordinary voyages 1883. Drawing by Leon Benett: the port of Kertsch (Crimea), on the Strait of Iénikale, between the Black Sea and the Sea of Azof.
illustration of Jules Verne's novel “” Keraban the stubborn””, Hetzel collection/extraordinary voyages 1883. Drawing by Leon Benett: the port of Kertsch (Crimea), on the Strait of Iénikale, between the Black Sea and the Sea of Azof.

PCT4260037: illustration of Jules Verne's novel “” Keraban the stubborn””, Hetzel collection/extraordinary voyages 1883. Drawing by Leon Benett: the port of Kertsch (Crimea), on the Strait of Iénikale, between the Black Sea and the Sea of Azof., Benett, Léon (1839-1917) / Bridgeman Images

ID: PCT4260037

illustration of Jules Verne's novel “” Keraban the stubborn””, Hetzel collection/extraordinary voyages 1883. Drawing by Leon Benett: the port of Kertsch (Crimea), on the Strait of Iénikale, between the Black Sea and the Sea of Azof.

Benett, Léon (1839-1917)

Illustration of Jules Verne's novel “Les frères Kip””, Hetzel collection/Voyages extraordinaire 1902, drawing by George Roux. Police inspect a boat.
Illustration of Jules Verne's novel “Les frères Kip””, Hetzel collection/Voyages extraordinaire 1902, drawing by George Roux. Police inspect a boat.

PCT4260051: Illustration of Jules Verne's novel “Les frères Kip””, Hetzel collection/Voyages extraordinaire 1902, drawing by George Roux. Police inspect a boat. / Bridgeman Images

ID: PCT4260051

Illustration of Jules Verne's novel “Les frères Kip””, Hetzel collection/Voyages extraordinaire 1902, drawing by George Roux. Police inspect a boat.

Illustration of Jules Verne's novel “Les frères Kip””, Hetzel collection/Voyages extraordinaire 1902, drawing by George Roux.
Illustration of Jules Verne's novel “Les frères Kip””, Hetzel collection/Voyages extraordinaire 1902, drawing by George Roux.

PCT4260052: Illustration of Jules Verne's novel “Les frères Kip””, Hetzel collection/Voyages extraordinaire 1902, drawing by George Roux. / Bridgeman Images

ID: PCT4260052

Illustration of Jules Verne's novel “Les frères Kip””, Hetzel collection/Voyages extraordinaire 1902, drawing by George Roux.

illustration of Jules Verne's novel “” Les frères Kip””, Hetzel collection/Voyages extraordinaire 1902, drawing by George Roux. Rescuers set foot on a lost boat to recover the two Kip brothers.
illustration of Jules Verne's novel “” Les frères Kip””, Hetzel collection/Voyages extraordinaire 1902, drawing by George Roux. Rescuers set foot on a lost boat to recover the two Kip brothers.

PCT4260056: illustration of Jules Verne's novel “” Les frères Kip””, Hetzel collection/Voyages extraordinaire 1902, drawing by George Roux. Rescuers set foot on a lost boat to recover the two Kip brothers. / Bridgeman Images

ID: PCT4260056

illustration of Jules Verne's novel “” Les frères Kip””, Hetzel collection/Voyages extraordinaire 1902, drawing by George Roux. Rescuers set foot on a lost boat to recover the two Kip brothers.

frontispiece of Jules Verne's novel “Deux ans de vacances””, Hetzel collection/Voyages extraordinaire 1888, drawing by Léon Benett.
frontispiece of Jules Verne's novel “Deux ans de vacances””, Hetzel collection/Voyages extraordinaire 1888, drawing by Léon Benett.

PCT4260107: frontispiece of Jules Verne's novel “Deux ans de vacances””, Hetzel collection/Voyages extraordinaire 1888, drawing by Léon Benett. / Bridgeman Images

ID: PCT4260107

frontispiece of Jules Verne's novel “Deux ans de vacances””, Hetzel collection/Voyages extraordinaire 1888, drawing by Léon Benett.

'“Une maison au 30e siècle', published in 1901 in the booklet 'Magazine d'éducation et de recrécréation' (engraving)
'“Une maison au 30e siècle', published in 1901 in the booklet 'Magazine d'éducation et de recrécréation' (engraving)

PCT4260145: '“Une maison au 30e siècle', published in 1901 in the booklet 'Magazine d'éducation et de recrécréation' (engraving) / Bridgeman Images

ID: PCT4260145

'“Une maison au 30e siècle', published in 1901 in the booklet 'Magazine d'éducation et de recrécréation' (engraving)

Scene aboard Saint-Michel 3, the last boat has by Jules Verne. The writer made several cruises aboard this ship purchased in 1877. In 1881 he sailed in the waters of Holland, Germany, and Denmark with his brother Paul. The latter described this journey in a story entitled “From Rotterdam to Copenhagen” and illustrated by Riou. The present engraving is taken from this story, slips at the end of the novel La Jangada in the Hetzel editions. The two Verne brothers (in the background) overseeing the boarding of their pilot's large baggage (in the foreground).
Scene aboard Saint-Michel 3, the last boat has by Jules Verne. The writer made several cruises aboard this ship purchased in 1877. In 1881 he sailed in the waters of Holland, Germany, and Denmark with his brother Paul. The latter described this journey in a story entitled “From Rotterdam to Copenhagen” and illustrated by Riou. The present engraving is taken from this story, slips at the end of the novel La Jangada in the Hetzel editions. The two Verne brothers (in the background) overseeing the boarding of their pilot's large baggage (in the foreground).

PCT4260194: Scene aboard Saint-Michel 3, the last boat has by Jules Verne. The writer made several cruises aboard this ship purchased in 1877. In 1881 he sailed in the waters of Holland, Germany, and Denmark with his brother Paul. The latter described this journey in a story entitled “From Rotterdam to Copenhagen” and illustrated by Riou. The present engraving is taken from this story, slips at the end of the novel La Jangada in the Hetzel editions. The two Verne brothers (in the background) overseeing the boarding of their pilot's large baggage (in the foreground). / Bridgeman Images

ID: PCT4260194

Scene aboard Saint-Michel 3, the last boat has by Jules Verne. The writer made several cruises aboard this ship purchased in 1877. In 1881 he sailed in the waters of Holland, Germany, and Denmark with his brother Paul. The latter described this journey in a story entitled “From Rotterdam to Copenhagen” and illustrated by Riou. The present engraving is taken from this story, slips at the end of the novel La Jangada in the Hetzel editions. The two Verne brothers (in the background) overseeing the boarding of their pilot's large baggage (in the foreground).

Title page illustrated from the first volume of the 4-volume book by Louis Figuier “” Les wonders de la science”” (1868), showing a train passing over a viaduct crossing a river on which a boat with blades, a factory and a steam machine for agricultural use. (engraving by Aubrun)
Title page illustrated from the first volume of the 4-volume book by Louis Figuier “” Les wonders de la science”” (1868), showing a train passing over a viaduct crossing a river on which a boat with blades, a factory and a steam machine for agricultural use. (engraving by Aubrun)

PCT4260209: Title page illustrated from the first volume of the 4-volume book by Louis Figuier “” Les wonders de la science”” (1868), showing a train passing over a viaduct crossing a river on which a boat with blades, a factory and a steam machine for agricultural use. (engraving by Aubrun) / Bridgeman Images

ID: PCT4260209

Title page illustrated from the first volume of the 4-volume book by Louis Figuier “” Les wonders de la science”” (1868), showing a train passing over a viaduct crossing a river on which a boat with blades, a factory and a steam machine for agricultural use. (engraving by Aubrun)

Frontispice of the novel by Jules Verne “L'Ecole des Robinsons””, Hetzel collection/Voyages extraordinaire 1882. Drawing by Leon Benett, paying tribute, at the top right, to the Robinson and Friday by Daniel de Foe or Defoe (1660 - 1731).
Frontispice of the novel by Jules Verne “L'Ecole des Robinsons””, Hetzel collection/Voyages extraordinaire 1882. Drawing by Leon Benett, paying tribute, at the top right, to the Robinson and Friday by Daniel de Foe or Defoe (1660 - 1731).

PCT4260215: Frontispice of the novel by Jules Verne “L'Ecole des Robinsons””, Hetzel collection/Voyages extraordinaire 1882. Drawing by Leon Benett, paying tribute, at the top right, to the Robinson and Friday by Daniel de Foe or Defoe (1660 - 1731)., Benett, Léon (1839-1917) / Bridgeman Images

ID: PCT4260215

Frontispice of the novel by Jules Verne “L'Ecole des Robinsons””, Hetzel collection/Voyages extraordinaire 1882. Drawing by Leon Benett, paying tribute, at the top right, to the Robinson and Friday by Daniel de Foe or Defoe (1660 - 1731).

Benett, Léon (1839-1917)

Illustration of the novel by Daniel de Foe or Defoe (1660 - 1731) “Robinson Crusoe””. Engraving 18th century by Delignon from a drawing by Stothart. Wild Friday falls at Robinson's feet.
Illustration of the novel by Daniel de Foe or Defoe (1660 - 1731) “Robinson Crusoe””. Engraving 18th century by Delignon from a drawing by Stothart. Wild Friday falls at Robinson's feet.

PCT4260226: Illustration of the novel by Daniel de Foe or Defoe (1660 - 1731) “Robinson Crusoe””. Engraving 18th century by Delignon from a drawing by Stothart. Wild Friday falls at Robinson's feet. / Bridgeman Images

ID: PCT4260226

Illustration of the novel by Daniel de Foe or Defoe (1660 - 1731) “Robinson Crusoe””. Engraving 18th century by Delignon from a drawing by Stothart. Wild Friday falls at Robinson's feet.

Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th. Discovery and loading of the treasor.
Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th. Discovery and loading of the treasor.

PCT4260231: Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th. Discovery and loading of the treasor. / Bridgeman Images

ID: PCT4260231

Engraving by George Roux for the Hetzel edition of R-L's novel. Stevenson “The island of treasor, late 19th. Discovery and loading of the treasor.

Pope Clement IV invested Charles of Anjou Count of Provence in 1246. Pernes les Fontaines, frescoes from the end of the 13th century.
Pope Clement IV invested Charles of Anjou Count of Provence in 1246. Pernes les Fontaines, frescoes from the end of the 13th century.

PCT4260263: Pope Clement IV invested Charles of Anjou Count of Provence in 1246. Pernes les Fontaines, frescoes from the end of the 13th century. / Bridgeman Images

ID: PCT4260263

Pope Clement IV invested Charles of Anjou Count of Provence in 1246. Pernes les Fontaines, frescoes from the end of the 13th century.

Various factual engraving on the cover of the illustrious supplement of “La Depeche de Toulouse””, n. 15, 22 May 1898: railway disaster, two passenger trains swamped in a tunnel on 9 May 1898, in eastern France. Rescuers are breaking the bodies of the victims. In the foreground, an arm tears under the debris of a locomotive.
Various factual engraving on the cover of the illustrious supplement of “La Depeche de Toulouse””, n. 15, 22 May 1898: railway disaster, two passenger trains swamped in a tunnel on 9 May 1898, in eastern France. Rescuers are breaking the bodies of the victims. In the foreground, an arm tears under the debris of a locomotive.

PCT4260281: Various factual engraving on the cover of the illustrious supplement of “La Depeche de Toulouse””, n. 15, 22 May 1898: railway disaster, two passenger trains swamped in a tunnel on 9 May 1898, in eastern France. Rescuers are breaking the bodies of the victims. In the foreground, an arm tears under the debris of a locomotive. / Bridgeman Images

ID: PCT4260281

Various factual engraving on the cover of the illustrious supplement of “La Depeche de Toulouse””, n. 15, 22 May 1898: railway disaster, two passenger trains swamped in a tunnel on 9 May 1898, in eastern France. Rescuers are breaking the bodies of the victims. In the foreground, an arm tears under the debris of a locomotive.

Various factual engraving on the cover of the illustrious supplement of La Depeche de Toulouse, n. 15, 22 May 1898: A terrible automobile accident - “” In the Perigueux car race to Mussidan which took place on 3 May, M. the Marquis de Montaignac, recognizing in another automobile one of his friends, M. de Montauriol, brought his car closer to that of the latter to shake his hand; the two cars came too close to each other, a shock occurred which overturned Mr. de Montauriol's car. He had had time to jump to the ground, but his servant fell with the car into the pit bordering the road, without hurting himself. M. de Montaignac, who had continued to walk, turning back to be aware of the accident, gave up for a moment the direction of his car which went on and fell in his turn into the pit, taking away M. de Montaignac, who was killed instantly and his servant, who was very grievously wounded but whom we hope to save.”
Various factual engraving on the cover of the illustrious supplement of La Depeche de Toulouse, n. 15, 22 May 1898: A terrible automobile accident - “” In the Perigueux car race to Mussidan which took place on 3 May, M. the Marquis de Montaignac, recognizing in another automobile one of his friends, M. de Montauriol, brought his car closer to that of the latter to shake his hand; the two cars came too close to each other, a shock occurred which overturned Mr. de Montauriol's car. He had had time to jump to the ground, but his servant fell with the car into the pit bordering the road, without hurting himself. M. de Montaignac, who had continued to walk, turning back to be aware of the accident, gave up for a moment the direction of his car which went on and fell in his turn into the pit, taking away M. de Montaignac, who was killed instantly and his servant, who was very grievously wounded but whom we hope to save.”

PCT4260285: Various factual engraving on the cover of the illustrious supplement of La Depeche de Toulouse, n. 15, 22 May 1898: A terrible automobile accident - “” In the Perigueux car race to Mussidan which took place on 3 May, M. the Marquis de Montaignac, recognizing in another automobile one of his friends, M. de Montauriol, brought his car closer to that of the latter to shake his hand; the two cars came too close to each other, a shock occurred which overturned Mr. de Montauriol's car. He had had time to jump to the ground, but his servant fell with the car into the pit bordering the road, without hurting himself. M. de Montaignac, who had continued to walk, turning back to be aware of the accident, gave up for a moment the direction of his car which went on and fell in his turn into the pit, taking away M. de Montaignac, who was killed instantly and his servant, who was very grievously wounded but whom we hope to save.” / Bridgeman Images

ID: PCT4260285

Various factual engraving on the cover of the illustrious supplement of La Depeche de Toulouse, n. 15, 22 May 1898: A terrible automobile accident - “” In the Perigueux car race to Mussidan which took place on 3 May, M. the Marquis de Montaignac, recognizing in another automobile one of his friends, M. de Montauriol, brought his car closer to that of the latter to shake his hand; the two cars came too close to each other, a shock occurred which overturned Mr. de Montauriol's car. He had had time to jump to the ground, but his servant fell with the car into the pit bordering the road, without hurting himself. M. de Montaignac, who had continued to walk, turning back to be aware of the accident, gave up for a moment the direction of his car which went on and fell in his turn into the pit, taking away M. de Montaignac, who was killed instantly and his servant, who was very grievously wounded but whom we hope to save.”

Engraving on the last cover of the supplement to the PetitleJournal n. 1308, 16 January 1916: Women's Emeute in Berlin - “” Anger begins to scold in the German people (...) In Berlin, women of the people have been seen breaking into fashionable coffee and restaurant rooms and rageously overturning the tables (...). In the avenue des Tilleuls, thousands of assembled women shouted: wir wollen unsere moenner! (we want our men!)
Engraving on the last cover of the supplement to the PetitleJournal n. 1308, 16 January 1916: Women's Emeute in Berlin - “” Anger begins to scold in the German people (...) In Berlin, women of the people have been seen breaking into fashionable coffee and restaurant rooms and rageously overturning the tables (...). In the avenue des Tilleuls, thousands of assembled women shouted: wir wollen unsere moenner! (we want our men!)

PCT4260296: Engraving on the last cover of the supplement to the PetitleJournal n. 1308, 16 January 1916: Women's Emeute in Berlin - “” Anger begins to scold in the German people (...) In Berlin, women of the people have been seen breaking into fashionable coffee and restaurant rooms and rageously overturning the tables (...). In the avenue des Tilleuls, thousands of assembled women shouted: wir wollen unsere moenner! (we want our men!) / Bridgeman Images

ID: PCT4260296

Engraving on the last cover of the supplement to the PetitleJournal n. 1308, 16 January 1916: Women's Emeute in Berlin - “” Anger begins to scold in the German people (...) In Berlin, women of the people have been seen breaking into fashionable coffee and restaurant rooms and rageously overturning the tables (...). In the avenue des Tilleuls, thousands of assembled women shouted: wir wollen unsere moenner! (we want our men!)

Poster of the film “First Rendez-vous” by Henri Decoin (1941), starring Danielle Darrieux, the first French film realises after the armistice and marks the renewal of French cinema. Illustration by Henri Faivre. Rights reserved.
Poster of the film “First Rendez-vous” by Henri Decoin (1941), starring Danielle Darrieux, the first French film realises after the armistice and marks the renewal of French cinema. Illustration by Henri Faivre. Rights reserved.

PCT4260327: Poster of the film “First Rendez-vous” by Henri Decoin (1941), starring Danielle Darrieux, the first French film realises after the armistice and marks the renewal of French cinema. Illustration by Henri Faivre. Rights reserved. / Bridgeman Images

ID: PCT4260327

Poster of the film “First Rendez-vous” by Henri Decoin (1941), starring Danielle Darrieux, the first French film realises after the armistice and marks the renewal of French cinema. Illustration by Henri Faivre. Rights reserved.

first page of a book of History of France around 1920 (first notions taught by image, by Blanchet & Toutain, Librairie Classique Belin). The sweet countryside France illustrated by scenes of plowing, harvesting, grazing and harvesting.
first page of a book of History of France around 1920 (first notions taught by image, by Blanchet & Toutain, Librairie Classique Belin). The sweet countryside France illustrated by scenes of plowing, harvesting, grazing and harvesting.

PCT4264244: first page of a book of History of France around 1920 (first notions taught by image, by Blanchet & Toutain, Librairie Classique Belin). The sweet countryside France illustrated by scenes of plowing, harvesting, grazing and harvesting. / Bridgeman Images

ID: PCT4264244

first page of a book of History of France around 1920 (first notions taught by image, by Blanchet & Toutain, Librairie Classique Belin). The sweet countryside France illustrated by scenes of plowing, harvesting, grazing and harvesting.

Hygiene: mom washing and brushing her son's head. Engraving a syllabary (reading book) around 1920.
Hygiene: mom washing and brushing her son's head. Engraving a syllabary (reading book) around 1920.

PCT4264251: Hygiene: mom washing and brushing her son's head. Engraving a syllabary (reading book) around 1920. / Bridgeman Images

ID: PCT4264251

Hygiene: mom washing and brushing her son's head. Engraving a syllabary (reading book) around 1920.

Advertising, tobacco, sport and seduction: 1964 claim for the Hunter cigarette (killer!) , the young cigarette. This advertisement, published in the youth press (especially in Daniel Filipacchi's famous magazine “Salute les buddies””), encourages teenagers to start smoking and offer cigarettes, thus practicing “the art of pleasing”. The Hunter cigarette, which is imported from America, says it is “free of the filter” because of its “soft pattern””.
Advertising, tobacco, sport and seduction: 1964 claim for the Hunter cigarette (killer!) , the young cigarette. This advertisement, published in the youth press (especially in Daniel Filipacchi's famous magazine “Salute les buddies””), encourages teenagers to start smoking and offer cigarettes, thus practicing “the art of pleasing”. The Hunter cigarette, which is imported from America, says it is “free of the filter” because of its “soft pattern””.

PCT4264312: Advertising, tobacco, sport and seduction: 1964 claim for the Hunter cigarette (killer!) , the young cigarette. This advertisement, published in the youth press (especially in Daniel Filipacchi's famous magazine “Salute les buddies””), encourages teenagers to start smoking and offer cigarettes, thus practicing “the art of pleasing”. The Hunter cigarette, which is imported from America, says it is “free of the filter” because of its “soft pattern””. / Bridgeman Images

ID: PCT4264312

Advertising, tobacco, sport and seduction: 1964 claim for the Hunter cigarette (killer!) , the young cigarette. This advertisement, published in the youth press (especially in Daniel Filipacchi's famous magazine “Salute les buddies””), encourages teenagers to start smoking and offer cigarettes, thus practicing “the art of pleasing”. The Hunter cigarette, which is imported from America, says it is “free of the filter” because of its “soft pattern””.

Pekin: a bridge and one of the fortified entrance gates of the city. Engraving of the book “La Chine d'apres les plus recents” by Victor Tissot, Combet & Cie edition 1891.
Pekin: a bridge and one of the fortified entrance gates of the city. Engraving of the book “La Chine d'apres les plus recents” by Victor Tissot, Combet & Cie edition 1891.

PCT4264369: Pekin: a bridge and one of the fortified entrance gates of the city. Engraving of the book “La Chine d'apres les plus recents” by Victor Tissot, Combet & Cie edition 1891. / Bridgeman Images

ID: PCT4264369

Pekin: a bridge and one of the fortified entrance gates of the city. Engraving of the book “La Chine d'apres les plus recents” by Victor Tissot, Combet & Cie edition 1891.

Portrait of Confucius: engraving of the book “La Chine d'apres les plus recents” by Victor Tissot, Combet & Cie 1891 edition.
Portrait of Confucius: engraving of the book “La Chine d'apres les plus recents” by Victor Tissot, Combet & Cie 1891 edition.

PCT4264392: Portrait of Confucius: engraving of the book “La Chine d'apres les plus recents” by Victor Tissot, Combet & Cie 1891 edition. / Bridgeman Images

ID: PCT4264392

Portrait of Confucius: engraving of the book “La Chine d'apres les plus recents” by Victor Tissot, Combet & Cie 1891 edition.

Flirt in the countryside.
Flirt in the countryside.

PCT4264418: Flirt in the countryside. / Bridgeman Images

ID: PCT4264418

Flirt in the countryside.

peasant plowing with his plow drawn by a coupling of 2 horses. Engraving by Strong for the book “Stay in the fields”” by L. Magnier, late 19th century.
peasant plowing with his plow drawn by a coupling of 2 horses. Engraving by Strong for the book “Stay in the fields”” by L. Magnier, late 19th century.

PCT4264429: peasant plowing with his plow drawn by a coupling of 2 horses. Engraving by Strong for the book “Stay in the fields”” by L. Magnier, late 19th century. / Bridgeman Images

ID: PCT4264429

peasant plowing with his plow drawn by a coupling of 2 horses. Engraving by Strong for the book “Stay in the fields”” by L. Magnier, late 19th century.

large laundry in the village wash house, washers at the battoir: engravings of a reading book for children from 7 to 9 years old, Delagrave 1879 bookstore.
large laundry in the village wash house, washers at the battoir: engravings of a reading book for children from 7 to 9 years old, Delagrave 1879 bookstore.

PCT4264449: large laundry in the village wash house, washers at the battoir: engravings of a reading book for children from 7 to 9 years old, Delagrave 1879 bookstore. / Bridgeman Images

ID: PCT4264449

large laundry in the village wash house, washers at the battoir: engravings of a reading book for children from 7 to 9 years old, Delagrave 1879 bookstore.

Harvest around 1900: the press (postcard) collection Patrice Cartier.
Harvest around 1900: the press (postcard) collection Patrice Cartier.

PCT4264487: Harvest around 1900: the press (postcard) collection Patrice Cartier. / Bridgeman Images

ID: PCT4264487

Harvest around 1900: the press (postcard) collection Patrice Cartier.

Press, publicity, school: last cover of the Petity Journal (illustrated supplement) n°1823 of 29 November 1925. A master of school makes the Black Lion Shoe Shine to the students of his class.
Press, publicity, school: last cover of the Petity Journal (illustrated supplement) n°1823 of 29 November 1925. A master of school makes the Black Lion Shoe Shine to the students of his class.

PCT4264577: Press, publicity, school: last cover of the Petity Journal (illustrated supplement) n°1823 of 29 November 1925. A master of school makes the Black Lion Shoe Shine to the students of his class. / Bridgeman Images

ID: PCT4264577

Press, publicity, school: last cover of the Petity Journal (illustrated supplement) n°1823 of 29 November 1925. A master of school makes the Black Lion Shoe Shine to the students of his class.

Jerome Savary playing “Le bourgeois gentilhomme”” by Moliere with the Grand Magic Circus in 1985. Photo by Patrice Cartier
Jerome Savary playing “Le bourgeois gentilhomme”” by Moliere with the Grand Magic Circus in 1985. Photo by Patrice Cartier

PCT4264580: Jerome Savary playing “Le bourgeois gentilhomme”” by Moliere with the Grand Magic Circus in 1985. Photo by Patrice Cartier / Bridgeman Images

ID: PCT4264580

Jerome Savary playing “Le bourgeois gentilhomme”” by Moliere with the Grand Magic Circus in 1985. Photo by Patrice Cartier

Peasant of the Middle Ages (middle ages) carrying a bundle (vine branches). Historical reconstruction at Villerouge Termenes castle (Aude, 11, Pays Cathare, Corbieres, Languedoc). Photo by Patrice Cartier
Peasant of the Middle Ages (middle ages) carrying a bundle (vine branches). Historical reconstruction at Villerouge Termenes castle (Aude, 11, Pays Cathare, Corbieres, Languedoc). Photo by Patrice Cartier

PCT4264593: Peasant of the Middle Ages (middle ages) carrying a bundle (vine branches). Historical reconstruction at Villerouge Termenes castle (Aude, 11, Pays Cathare, Corbieres, Languedoc). Photo by Patrice Cartier / Bridgeman Images

ID: PCT4264593

Peasant of the Middle Ages (middle ages) carrying a bundle (vine branches). Historical reconstruction at Villerouge Termenes castle (Aude, 11, Pays Cathare, Corbieres, Languedoc). Photo by Patrice Cartier

Dry linen (sheets) in the countryside: the attic turns into a laundry dryer. Illustration of a school book from 1924.
Dry linen (sheets) in the countryside: the attic turns into a laundry dryer. Illustration of a school book from 1924.

PCT4264613: Dry linen (sheets) in the countryside: the attic turns into a laundry dryer. Illustration of a school book from 1924. / Bridgeman Images

ID: PCT4264613

Dry linen (sheets) in the countryside: the attic turns into a laundry dryer. Illustration of a school book from 1924.

Eye by the fire: an old man tells a story to two children in front of a chimney. Illustration of a school book, 1932.
Eye by the fire: an old man tells a story to two children in front of a chimney. Illustration of a school book, 1932.

PCT4264626: Eye by the fire: an old man tells a story to two children in front of a chimney. Illustration of a school book, 1932. / Bridgeman Images

ID: PCT4264626

Eye by the fire: an old man tells a story to two children in front of a chimney. Illustration of a school book, 1932.

The sun and the frogs: La Fontaine fable illustrated by Grandville. Edition Garnier 1860.
The sun and the frogs: La Fontaine fable illustrated by Grandville. Edition Garnier 1860.

PCT4269306: The sun and the frogs: La Fontaine fable illustrated by Grandville. Edition Garnier 1860. / Bridgeman Images

ID: PCT4269306

The sun and the frogs: La Fontaine fable illustrated by Grandville. Edition Garnier 1860.

Class of a boys' school around 1930. Engraving a school book: schoolchildren and teacher.
Class of a boys' school around 1930. Engraving a school book: schoolchildren and teacher.

PCT4269402: Class of a boys' school around 1930. Engraving a school book: schoolchildren and teacher. / Bridgeman Images

ID: PCT4269402

Class of a boys' school around 1930. Engraving a school book: schoolchildren and teacher.

Coat of arms of Spain, showing the 4 regions that make up the country: Castilla, Leon, Aragon, Navarra (Castile, Leon, Aragon, Navarra).
Coat of arms of Spain, showing the 4 regions that make up the country: Castilla, Leon, Aragon, Navarra (Castile, Leon, Aragon, Navarra).

PCT4269412: Coat of arms of Spain, showing the 4 regions that make up the country: Castilla, Leon, Aragon, Navarra (Castile, Leon, Aragon, Navarra). / Bridgeman Images

ID: PCT4269412

Coat of arms of Spain, showing the 4 regions that make up the country: Castilla, Leon, Aragon, Navarra (Castile, Leon, Aragon, Navarra).

Allegory, patriotism and religion. “” France, by this sign (the Cross) you will overcome”””. Illustration for the “national patriotic novel” by A. de Lamothe “Le taureau des Vosges”” published in the newspaper “L'ouvrier””, May 1871.
Allegory, patriotism and religion. “” France, by this sign (the Cross) you will overcome”””. Illustration for the “national patriotic novel” by A. de Lamothe “Le taureau des Vosges”” published in the newspaper “L'ouvrier””, May 1871.

PCT4269423: Allegory, patriotism and religion. “” France, by this sign (the Cross) you will overcome”””. Illustration for the “national patriotic novel” by A. de Lamothe “Le taureau des Vosges”” published in the newspaper “L'ouvrier””, May 1871. / Bridgeman Images

ID: PCT4269423

Allegory, patriotism and religion. “” France, by this sign (the Cross) you will overcome”””. Illustration for the “national patriotic novel” by A. de Lamothe “Le taureau des Vosges”” published in the newspaper “L'ouvrier””, May 1871.

Marat before the extraordinary criminal court. Engraving of the newspaper “The Worker””, illustrating A. Quinton's novel “The Gentleman of 89”, 18 February 1871.
Marat before the extraordinary criminal court. Engraving of the newspaper “The Worker””, illustrating A. Quinton's novel “The Gentleman of 89”, 18 February 1871.

PCT4269462: Marat before the extraordinary criminal court. Engraving of the newspaper “The Worker””, illustrating A. Quinton's novel “The Gentleman of 89”, 18 February 1871. / Bridgeman Images

ID: PCT4269462

Marat before the extraordinary criminal court. Engraving of the newspaper “The Worker””, illustrating A. Quinton's novel “The Gentleman of 89”, 18 February 1871.


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