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Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) with American economist Parley Parker Christensen (1869-1954), in his work cabinet in the Kremlin, Moscow, 28 November 1921 -
Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) with American economist Parley Parker Christensen (1869-1954), in his work cabinet in the Kremlin, Moscow, 28 November 1921 -

LSE4318013: Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) with American economist Parley Parker Christensen (1869-1954), in his work cabinet in the Kremlin, Moscow, 28 November 1921 -, Russian Photographer, (20th century) / Bridgeman Images

ID: LSE4318013

Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) with American economist Parley Parker Christensen (1869-1954), in his work cabinet in the Kremlin, Moscow, 28 November 1921 -

Russian Photographer, (20th century)

Oedipus cycle: Oedipus at Thebes - Oedipus consults the Delphic oracle and learns of his fate - On the left, on his way to Beotia, he meets Laios and kills him - On the right, the inhabitants of Thebes are frightened and prevented from entering the city by the sphinx - Tapestry, (412 x 430 cm), carton attributed to Bernard van Orley (Barend, Barent, Bernaert van Brussel, 1488-1541) and to the workshop of Pieter Coecke van Aelst the Elder (1502-1555), 1525-1535 - Belgian art, 16th century - Musee de Lamego (Portugal)
Oedipus cycle: Oedipus at Thebes - Oedipus consults the Delphic oracle and learns of his fate - On the left, on his way to Beotia, he meets Laios and kills him - On the right, the inhabitants of Thebes are frightened and prevented from entering the city by the sphinx - Tapestry, (412 x 430 cm), carton attributed to Bernard van Orley (Barend, Barent, Bernaert van Brussel, 1488-1541) and to the workshop of Pieter Coecke van Aelst the Elder (1502-1555), 1525-1535 - Belgian art, 16th century - Musee de Lamego (Portugal)

LSE4317501: Oedipus cycle: Oedipus at Thebes - Oedipus consults the Delphic oracle and learns of his fate - On the left, on his way to Beotia, he meets Laios and kills him - On the right, the inhabitants of Thebes are frightened and prevented from entering the city by the sphinx - Tapestry, (412 x 430 cm), carton attributed to Bernard van Orley (Barend, Barent, Bernaert van Brussel, 1488-1541) and to the workshop of Pieter Coecke van Aelst the Elder (1502-1555), 1525-1535 - Belgian art, 16th century - Musee de Lamego (Portugal), Orley, Bernart van (c.1488-1541) (attr. to) / Bridgeman Images

ID: LSE4317501

Oedipus cycle: Oedipus at Thebes - Oedipus consults the Delphic oracle and learns of his fate - On the left, on his way to Beotia, he meets Laios and kills him - On the right, the inhabitants of Thebes are frightened and prevented from entering the city by the sphinx - Tapestry, (412 x 430 cm), carton attributed to Bernard van Orley (Barend, Barent, Bernaert van Brussel, 1488-1541) and to the workshop of Pieter Coecke van Aelst the Elder (1502-1555), 1525-1535 - Belgian art, 16th century - Musee de Lamego (Portugal)

Orley, Bernart van (c.1488-1541) (attr. to)

Allegory of the Earth - Azulejos, painted faience, 18th century (Earth, azulejos 18th century) - University of Evora, Portugal -
Allegory of the Earth - Azulejos, painted faience, 18th century (Earth, azulejos 18th century) - University of Evora, Portugal -

LSE4317553: Allegory of the Earth - Azulejos, painted faience, 18th century (Earth, azulejos 18th century) - University of Evora, Portugal -, Portuguese School, (18th century) / Bridgeman Images

ID: LSE4317553

Allegory of the Earth - Azulejos, painted faience, 18th century (Earth, azulejos 18th century) - University of Evora, Portugal -

Portuguese School, (18th century)

Portrait of Bartolome de Las Casas (1472-1566), Spanish Dominican brother and eveque of Chiapas. in “” Portraits of Useful Men””, 1833-1836.
Portrait of Bartolome de Las Casas (1472-1566), Spanish Dominican brother and eveque of Chiapas. in “” Portraits of Useful Men””, 1833-1836.

LSE4317637: Portrait of Bartolome de Las Casas (1472-1566), Spanish Dominican brother and eveque of Chiapas. in “” Portraits of Useful Men””, 1833-1836., French School, (19th century) / Bridgeman Images

ID: LSE4317637

Portrait of Bartolome de Las Casas (1472-1566), Spanish Dominican brother and eveque of Chiapas. in “” Portraits of Useful Men””, 1833-1836.

French School, (19th century)

View of Seville - Painting attributed to Louis de Caulery (1580-1621), oil on canvas, beginning 17th century - Museum of Fine Arts of Seville, Spain
View of Seville - Painting attributed to Louis de Caulery (1580-1621), oil on canvas, beginning 17th century - Museum of Fine Arts of Seville, Spain

LSE4317661: View of Seville - Painting attributed to Louis de Caulery (1580-1621), oil on canvas, beginning 17th century - Museum of Fine Arts of Seville, Spain, Caulery, Louis de (fl.1594-1620) / Bridgeman Images

ID: LSE4317661

View of Seville - Painting attributed to Louis de Caulery (1580-1621), oil on canvas, beginning 17th century - Museum of Fine Arts of Seville, Spain

Caulery, Louis de (fl.1594-1620)

Florists in the Park of Maria Luisa - Painting by Jose Rico Cejudo (1864-1939), Oil On Canvas, 1920 - Museum of Fine Arts of Seville, Spain
Florists in the Park of Maria Luisa - Painting by Jose Rico Cejudo (1864-1939), Oil On Canvas, 1920 - Museum of Fine Arts of Seville, Spain

LSE4317742: Florists in the Park of Maria Luisa - Painting by Jose Rico Cejudo (1864-1939), Oil On Canvas, 1920 - Museum of Fine Arts of Seville, Spain, Rico y Cejudo, Jose (1864-1939) / Bridgeman Images

ID: LSE4317742

Florists in the Park of Maria Luisa - Painting by Jose Rico Cejudo (1864-1939), Oil On Canvas, 1920 - Museum of Fine Arts of Seville, Spain

Rico y Cejudo, Jose (1864-1939)

Les Peuples, with Clement Duvernois (1836-1879), Pierre-Joseph Proudhon (1809-1865), and Jules Valles (1832-1885), writers and politicians. Cover in “” L'Eclipse”” by Gill, February 21, 1869, Paris.
Les Peuples, with Clement Duvernois (1836-1879), Pierre-Joseph Proudhon (1809-1865), and Jules Valles (1832-1885), writers and politicians. Cover in “” L'Eclipse”” by Gill, February 21, 1869, Paris.

LSE4318749: Les Peuples, with Clement Duvernois (1836-1879), Pierre-Joseph Proudhon (1809-1865), and Jules Valles (1832-1885), writers and politicians. Cover in “” L'Eclipse”” by Gill, February 21, 1869, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4318749

Les Peuples, with Clement Duvernois (1836-1879), Pierre-Joseph Proudhon (1809-1865), and Jules Valles (1832-1885), writers and politicians. Cover in “” L'Eclipse”” by Gill, February 21, 1869, Paris.

Gill, Andre (1840-85)

Chinoiserie. Cover in “” L'Eclipse”” by Gill, January 31, 1869, Paris.
Chinoiserie. Cover in “” L'Eclipse”” by Gill, January 31, 1869, Paris.

LSE4318766: Chinoiserie. Cover in “” L'Eclipse”” by Gill, January 31, 1869, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4318766

Chinoiserie. Cover in “” L'Eclipse”” by Gill, January 31, 1869, Paris.

Gill, Andre (1840-85)

Cover in “” L'Eclipse” by Regamey, March 7, 1869, Paris.
Cover in “” L'Eclipse” by Regamey, March 7, 1869, Paris.

LSE4318777: Cover in “” L'Eclipse” by Regamey, March 7, 1869, Paris., Regamey, Felix Elie (1844-1907) / Bridgeman Images

ID: LSE4318777

Cover in “” L'Eclipse” by Regamey, March 7, 1869, Paris.

Regamey, Felix Elie (1844-1907)

Leo Lespes dit Timothy Trim (1815-1875), French journalist. Cover in “” L'Eclipse”” by Gill, March 28, 1869, Paris.
Leo Lespes dit Timothy Trim (1815-1875), French journalist. Cover in “” L'Eclipse”” by Gill, March 28, 1869, Paris.

LSE4318785: Leo Lespes dit Timothy Trim (1815-1875), French journalist. Cover in “” L'Eclipse”” by Gill, March 28, 1869, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4318785

Leo Lespes dit Timothy Trim (1815-1875), French journalist. Cover in “” L'Eclipse”” by Gill, March 28, 1869, Paris.

Gill, Andre (1840-85)

Andre Gill (1840-1885), French cartoonist and F. Polo, director of “” L'Eclipse””. Cover in “” L'Eclipse”” by Gill, July 24, 1869, Paris.
Andre Gill (1840-1885), French cartoonist and F. Polo, director of “” L'Eclipse””. Cover in “” L'Eclipse”” by Gill, July 24, 1869, Paris.

LSE4318841: Andre Gill (1840-1885), French cartoonist and F. Polo, director of “” L'Eclipse””. Cover in “” L'Eclipse”” by Gill, July 24, 1869, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4318841

Andre Gill (1840-1885), French cartoonist and F. Polo, director of “” L'Eclipse””. Cover in “” L'Eclipse”” by Gill, July 24, 1869, Paris.

Gill, Andre (1840-85)

Adolphe Cremieux (1796-1880), lawyer, politician and president of the Israeli Universal Alliance. Cover in “” L'Eclipse”” by Gill, November 28, 1869, Paris.
Adolphe Cremieux (1796-1880), lawyer, politician and president of the Israeli Universal Alliance. Cover in “” L'Eclipse”” by Gill, November 28, 1869, Paris.

LSE4318911: Adolphe Cremieux (1796-1880), lawyer, politician and president of the Israeli Universal Alliance. Cover in “” L'Eclipse”” by Gill, November 28, 1869, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4318911

Adolphe Cremieux (1796-1880), lawyer, politician and president of the Israeli Universal Alliance. Cover in “” L'Eclipse”” by Gill, November 28, 1869, Paris.

Gill, Andre (1840-85)

Shoes Nationales, Otto von Bismarck (1815-1898) exchanging his boots for the clogs of the Moselle. Cover in “” L'Eclipse”” by Gill, August 1st, 1870, Paris.
Shoes Nationales, Otto von Bismarck (1815-1898) exchanging his boots for the clogs of the Moselle. Cover in “” L'Eclipse”” by Gill, August 1st, 1870, Paris.

LSE4318980: Shoes Nationales, Otto von Bismarck (1815-1898) exchanging his boots for the clogs of the Moselle. Cover in “” L'Eclipse”” by Gill, August 1st, 1870, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4318980

Shoes Nationales, Otto von Bismarck (1815-1898) exchanging his boots for the clogs of the Moselle. Cover in “” L'Eclipse”” by Gill, August 1st, 1870, Paris.

Gill, Andre (1840-85)

Baron Antoine Augustin Parmentier (1737-1813), French pharmacist, dietetician and agronomist. in “Portraits des Hommes Useilles”, 1833-1836, Paris.
Baron Antoine Augustin Parmentier (1737-1813), French pharmacist, dietetician and agronomist. in “Portraits des Hommes Useilles”, 1833-1836, Paris.

LSE4318109: Baron Antoine Augustin Parmentier (1737-1813), French pharmacist, dietetician and agronomist. in “Portraits des Hommes Useilles”, 1833-1836, Paris., French School, (19th century) / Bridgeman Images

ID: LSE4318109

Baron Antoine Augustin Parmentier (1737-1813), French pharmacist, dietetician and agronomist. in “Portraits des Hommes Useilles”, 1833-1836, Paris.

French School, (19th century)

On the front of the Vosges, the resident general of France in Morocco, General Edgar Puaud (1889-disappeared in 1945) attends the passing of a Moroccan tabor along with General Chevillon (?) and Colonel Massiet Du Biest (?) - Photography 27/12/1944
On the front of the Vosges, the resident general of France in Morocco, General Edgar Puaud (1889-disappeared in 1945) attends the passing of a Moroccan tabor along with General Chevillon (?) and Colonel Massiet Du Biest (?) - Photography 27/12/1944

LSE4318114: On the front of the Vosges, the resident general of France in Morocco, General Edgar Puaud (1889-disappeared in 1945) attends the passing of a Moroccan tabor along with General Chevillon (?) and Colonel Massiet Du Biest (?) - Photography 27/12/1944, Unknown photographer, (20th century) / Bridgeman Images

ID: LSE4318114

On the front of the Vosges, the resident general of France in Morocco, General Edgar Puaud (1889-disappeared in 1945) attends the passing of a Moroccan tabor along with General Chevillon (?) and Colonel Massiet Du Biest (?) - Photography 27/12/1944

Unknown photographer, (20th century)

Anniversary of the liberation of Strasbourg, arrivee by Felix Gouin (1884-1977) - Photography on 24/03/1946
Anniversary of the liberation of Strasbourg, arrivee by Felix Gouin (1884-1977) - Photography on 24/03/1946

LSE4318165: Anniversary of the liberation of Strasbourg, arrivee by Felix Gouin (1884-1977) - Photography on 24/03/1946, Unknown photographer, (20th century) / Bridgeman Images

ID: LSE4318165

Anniversary of the liberation of Strasbourg, arrivee by Felix Gouin (1884-1977) - Photography on 24/03/1946

Unknown photographer, (20th century)

Portrait of Joseph Pitton de Tournefort (1656-1708), French traveler and botanist. In “” Portraits of Useful Men””, 1833-1836.
Portrait of Joseph Pitton de Tournefort (1656-1708), French traveler and botanist. In “” Portraits of Useful Men””, 1833-1836.

LSE4318180: Portrait of Joseph Pitton de Tournefort (1656-1708), French traveler and botanist. In “” Portraits of Useful Men””, 1833-1836., French School, (19th century) / Bridgeman Images

ID: LSE4318180

Portrait of Joseph Pitton de Tournefort (1656-1708), French traveler and botanist. In “” Portraits of Useful Men””, 1833-1836.

French School, (19th century)

Portrait of James Watt (1736-1819), Scottish engineer and mechanic. in “” Portraits des Hommes Useful”, 1833-1836.
Portrait of James Watt (1736-1819), Scottish engineer and mechanic. in “” Portraits des Hommes Useful”, 1833-1836.

LSE4318199: Portrait of James Watt (1736-1819), Scottish engineer and mechanic. in “” Portraits des Hommes Useful”, 1833-1836., French School, (19th century) / Bridgeman Images

ID: LSE4318199

Portrait of James Watt (1736-1819), Scottish engineer and mechanic. in “” Portraits des Hommes Useful”, 1833-1836.

French School, (19th century)

Portrait of Abbe Gaultier (1746-1818), professor and methodologist of French general education. In “” Portraits of Useful Men””, 1833-1836.
Portrait of Abbe Gaultier (1746-1818), professor and methodologist of French general education. In “” Portraits of Useful Men””, 1833-1836.

LSE4318213: Portrait of Abbe Gaultier (1746-1818), professor and methodologist of French general education. In “” Portraits of Useful Men””, 1833-1836., Gaultier, Leonard (1561-1641) / Bridgeman Images

ID: LSE4318213

Portrait of Abbe Gaultier (1746-1818), professor and methodologist of French general education. In “” Portraits of Useful Men””, 1833-1836.

Gaultier, Leonard (1561-1641)

Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) delivers a speech on the occasion of the inauguration of a temporary monument in Stepane Razine, Red Square, Moscow, May 1, 1919-
Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) delivers a speech on the occasion of the inauguration of a temporary monument in Stepane Razine, Red Square, Moscow, May 1, 1919-

LSE4317896: Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) delivers a speech on the occasion of the inauguration of a temporary monument in Stepane Razine, Red Square, Moscow, May 1, 1919-, Russian Photographer, (20th century) / Bridgeman Images

ID: LSE4317896

Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) delivers a speech on the occasion of the inauguration of a temporary monument in Stepane Razine, Red Square, Moscow, May 1, 1919-

Russian Photographer, (20th century)

The demonstration, the fete of the dead at the cemetery of Montmartre, drawing from nature. Cover in “” L'Eclipse”” by Gill, November 12, 1871, Paris.
The demonstration, the fete of the dead at the cemetery of Montmartre, drawing from nature. Cover in “” L'Eclipse”” by Gill, November 12, 1871, Paris.

LSE4319373: The demonstration, the fete of the dead at the cemetery of Montmartre, drawing from nature. Cover in “” L'Eclipse”” by Gill, November 12, 1871, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4319373

The demonstration, the fete of the dead at the cemetery of Montmartre, drawing from nature. Cover in “” L'Eclipse”” by Gill, November 12, 1871, Paris.

Gill, Andre (1840-85)

The Grape of 1868, evocation of exceptional harvest. Cover in “” L'Eclipse”” by Gill, September 27, 1868, Paris.
The Grape of 1868, evocation of exceptional harvest. Cover in “” L'Eclipse”” by Gill, September 27, 1868, Paris.

LSE4318650: The Grape of 1868, evocation of exceptional harvest. Cover in “” L'Eclipse”” by Gill, September 27, 1868, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4318650

The Grape of 1868, evocation of exceptional harvest. Cover in “” L'Eclipse”” by Gill, September 27, 1868, Paris.

Gill, Andre (1840-85)

Portrait of a group of young people certain with band instruments., in the Abbey of Septfontaines (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).
Portrait of a group of young people certain with band instruments., in the Abbey of Septfontaines (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

LSE4316116: Portrait of a group of young people certain with band instruments., in the Abbey of Septfontaines (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913)., Ducos, Paul Emile Theodore (1849-1913) / Bridgeman Images

ID: LSE4316116

Portrait of a group of young people certain with band instruments., in the Abbey of Septfontaines (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

Ducos, Paul Emile Theodore (1849-1913)

Portrait of a woman embroidering on the doorstep, Paris. Photograph, circa 1870, by Paul Emile Theodore Ducos (1849-1913).
Portrait of a woman embroidering on the doorstep, Paris. Photograph, circa 1870, by Paul Emile Theodore Ducos (1849-1913).

LSE4316150: Portrait of a woman embroidering on the doorstep, Paris. Photograph, circa 1870, by Paul Emile Theodore Ducos (1849-1913)., Ducos, Paul Emile Theodore (1849-1913) / Bridgeman Images

ID: LSE4316150

Portrait of a woman embroidering on the doorstep, Paris. Photograph, circa 1870, by Paul Emile Theodore Ducos (1849-1913).

Ducos, Paul Emile Theodore (1849-1913)

Demiac monster. Replica of a fragment of a painted wall from Cave 15 of Bezeklik, Tourfan (China), 10th-12th century. National Museum of Korea, Seoul (South Korea).
Demiac monster. Replica of a fragment of a painted wall from Cave 15 of Bezeklik, Tourfan (China), 10th-12th century. National Museum of Korea, Seoul (South Korea).

LSE4316340: Demiac monster. Replica of a fragment of a painted wall from Cave 15 of Bezeklik, Tourfan (China), 10th-12th century. National Museum of Korea, Seoul (South Korea)., Chinese School, (12th century) / Bridgeman Images

ID: LSE4316340

Demiac monster. Replica of a fragment of a painted wall from Cave 15 of Bezeklik, Tourfan (China), 10th-12th century. National Museum of Korea, Seoul (South Korea).

Chinese School, (12th century)

Magic camel. Painted miniature, circa 1750, art of Rajasthan and Pahari (India). National Museum of Korea, Seoul (South Korea).
Magic camel. Painted miniature, circa 1750, art of Rajasthan and Pahari (India). National Museum of Korea, Seoul (South Korea).

LSE4316343: Magic camel. Painted miniature, circa 1750, art of Rajasthan and Pahari (India). National Museum of Korea, Seoul (South Korea)., Indian School, (18th century) / Bridgeman Images

ID: LSE4316343

Magic camel. Painted miniature, circa 1750, art of Rajasthan and Pahari (India). National Museum of Korea, Seoul (South Korea).

Indian School, (18th century)

Arhat. Polychrome carved wood, Joseon period (Choson), 14th-20th century, ritual object of the Kim Chong Hak collection. National Museum of Korea, Seoul (South Korea).
Arhat. Polychrome carved wood, Joseon period (Choson), 14th-20th century, ritual object of the Kim Chong Hak collection. National Museum of Korea, Seoul (South Korea).

LSE4316384: Arhat. Polychrome carved wood, Joseon period (Choson), 14th-20th century, ritual object of the Kim Chong Hak collection. National Museum of Korea, Seoul (South Korea)., Korean School / Bridgeman Images

ID: LSE4316384

Arhat. Polychrome carved wood, Joseon period (Choson), 14th-20th century, ritual object of the Kim Chong Hak collection. National Museum of Korea, Seoul (South Korea).

Korean School

Brittany (France), photography, 1919-1920.
Brittany (France), photography, 1919-1920.

LSE4316554: Brittany (France), photography, 1919-1920., French Photographer, (20th century) / Bridgeman Images

ID: LSE4316554

Brittany (France), photography, 1919-1920.

French Photographer, (20th century)

The youth of the military preparation received their flag from Mr. Alexandre Bachelet (1866-1945). General view. Photography 7/05/1945.
The youth of the military preparation received their flag from Mr. Alexandre Bachelet (1866-1945). General view. Photography 7/05/1945.

LSE4316642: The youth of the military preparation received their flag from Mr. Alexandre Bachelet (1866-1945). General view. Photography 7/05/1945., Unknown photographer, (20th century) / Bridgeman Images

ID: LSE4316642

The youth of the military preparation received their flag from Mr. Alexandre Bachelet (1866-1945). General view. Photography 7/05/1945.

Unknown photographer, (20th century)

Presentation of the Commander's Cross of the Order of Orange Nassau by Prince Bernard of Holland (Bernhard Leopold zur Lippe Biesterfeld, 1911-2004) to Colonel Levy, of the Air Force, at the Embassy of Holland in Paris. Photography 5/07/1946.
Presentation of the Commander's Cross of the Order of Orange Nassau by Prince Bernard of Holland (Bernhard Leopold zur Lippe Biesterfeld, 1911-2004) to Colonel Levy, of the Air Force, at the Embassy of Holland in Paris. Photography 5/07/1946.

LSE4316767: Presentation of the Commander's Cross of the Order of Orange Nassau by Prince Bernard of Holland (Bernhard Leopold zur Lippe Biesterfeld, 1911-2004) to Colonel Levy, of the Air Force, at the Embassy of Holland in Paris. Photography 5/07/1946., Unknown photographer, (20th century) / Bridgeman Images

ID: LSE4316767

Presentation of the Commander's Cross of the Order of Orange Nassau by Prince Bernard of Holland (Bernhard Leopold zur Lippe Biesterfeld, 1911-2004) to Colonel Levy, of the Air Force, at the Embassy of Holland in Paris. Photography 5/07/1946.

Unknown photographer, (20th century)

Portrait of Albrecht Daniel Thaer (1752-1828), German doctor and agronomist. In “” Portraits of Useful Men””, 1833-1836.
Portrait of Albrecht Daniel Thaer (1752-1828), German doctor and agronomist. In “” Portraits of Useful Men””, 1833-1836.

LSE4316791: Portrait of Albrecht Daniel Thaer (1752-1828), German doctor and agronomist. In “” Portraits of Useful Men””, 1833-1836., French School, (19th century) / Bridgeman Images

ID: LSE4316791

Portrait of Albrecht Daniel Thaer (1752-1828), German doctor and agronomist. In “” Portraits of Useful Men””, 1833-1836.

French School, (19th century)

In Geilenkirchen (Germany), the last German soldiers surrender - Photography 25 November 1944
In Geilenkirchen (Germany), the last German soldiers surrender - Photography 25 November 1944

LSE4316819: In Geilenkirchen (Germany), the last German soldiers surrender - Photography 25 November 1944, Unknown photographer, (20th century) / Bridgeman Images

ID: LSE4316819

In Geilenkirchen (Germany), the last German soldiers surrender - Photography 25 November 1944

Unknown photographer, (20th century)

Arrival of the first Liberty Ships, American cargo ships, at Le Havre (Seine Maritime). Photography May 1945.
Arrival of the first Liberty Ships, American cargo ships, at Le Havre (Seine Maritime). Photography May 1945.

LSE4316847: Arrival of the first Liberty Ships, American cargo ships, at Le Havre (Seine Maritime). Photography May 1945., Unknown photographer, (20th century) / Bridgeman Images

ID: LSE4316847

Arrival of the first Liberty Ships, American cargo ships, at Le Havre (Seine Maritime). Photography May 1945.

Unknown photographer, (20th century)

Maurits Huygens, Secretary of State in Lahaye (Netherlands). Painting by Harmensz van Rijn Rembrandt (1606-1669), oil on wood, 1632. Dutch art, 17th century. Kunsthalle, Hamburg, Germany.
Maurits Huygens, Secretary of State in Lahaye (Netherlands). Painting by Harmensz van Rijn Rembrandt (1606-1669), oil on wood, 1632. Dutch art, 17th century. Kunsthalle, Hamburg, Germany.

LSE4315472: Maurits Huygens, Secretary of State in Lahaye (Netherlands). Painting by Harmensz van Rijn Rembrandt (1606-1669), oil on wood, 1632. Dutch art, 17th century. Kunsthalle, Hamburg, Germany., Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: LSE4315472

Maurits Huygens, Secretary of State in Lahaye (Netherlands). Painting by Harmensz van Rijn Rembrandt (1606-1669), oil on wood, 1632. Dutch art, 17th century. Kunsthalle, Hamburg, Germany.

Rembrandt Harmensz. van Rijn (1606-69)

Pecheurs of Saint Yves (Morbihan). Painting by Anders Zorn (1860-1920), oil on canvas, late 19th-20th century. Museum of Fine Arts in Pau.
Pecheurs of Saint Yves (Morbihan). Painting by Anders Zorn (1860-1920), oil on canvas, late 19th-20th century. Museum of Fine Arts in Pau.

LSE4315620: Pecheurs of Saint Yves (Morbihan). Painting by Anders Zorn (1860-1920), oil on canvas, late 19th-20th century. Museum of Fine Arts in Pau., Zorn, Anders Leonard (1860-1920) / Bridgeman Images

ID: LSE4315620

Pecheurs of Saint Yves (Morbihan). Painting by Anders Zorn (1860-1920), oil on canvas, late 19th-20th century. Museum of Fine Arts in Pau.

Zorn, Anders Leonard (1860-1920)

The old fool. Painting by Lucas Cranach the former (1472-1553), circa 1530. Flemish art 16th century. National Gallery, Sternberg Palace, Prague (Czech Republic).
The old fool. Painting by Lucas Cranach the former (1472-1553), circa 1530. Flemish art 16th century. National Gallery, Sternberg Palace, Prague (Czech Republic).

LSE4315644: The old fool. Painting by Lucas Cranach the former (1472-1553), circa 1530. Flemish art 16th century. National Gallery, Sternberg Palace, Prague (Czech Republic)., Cranach, Lucas the Elder (1472-1553) / Bridgeman Images

ID: LSE4315644

The old fool. Painting by Lucas Cranach the former (1472-1553), circa 1530. Flemish art 16th century. National Gallery, Sternberg Palace, Prague (Czech Republic).

Cranach, Lucas the Elder (1472-1553)


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