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A Hindu religious beggar. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
A Hindu religious beggar. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4328788: A Hindu religious beggar. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328788

A Hindu religious beggar. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

A night walk in Edo (Tokyo), the rice auction, sale to the encheres of a harvest, which creates a tumultuous gathering in front of a building surmounted by a huge torch of braided straw, with a sign with gold letters and the coat of arms of the collector. Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
A night walk in Edo (Tokyo), the rice auction, sale to the encheres of a harvest, which creates a tumultuous gathering in front of a building surmounted by a huge torch of braided straw, with a sign with gold letters and the coat of arms of the collector. Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4328833: A night walk in Edo (Tokyo), the rice auction, sale to the encheres of a harvest, which creates a tumultuous gathering in front of a building surmounted by a huge torch of braided straw, with a sign with gold letters and the coat of arms of the collector. Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328833

A night walk in Edo (Tokyo), the rice auction, sale to the encheres of a harvest, which creates a tumultuous gathering in front of a building surmounted by a huge torch of braided straw, with a sign with gold letters and the coat of arms of the collector. Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

The pipe tapping machine in his workshop, he uses to tap the pipes a simple board drilled with holes of inegale size, set in iron spiral. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
The pipe tapping machine in his workshop, he uses to tap the pipes a simple board drilled with holes of inegale size, set in iron spiral. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328656: The pipe tapping machine in his workshop, he uses to tap the pipes a simple board drilled with holes of inegale size, set in iron spiral. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328656

The pipe tapping machine in his workshop, he uses to tap the pipes a simple board drilled with holes of inegale size, set in iron spiral. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

The breeding and trade of cocoons of silk worms: a magneerie for sericiculture, with in the background the cultivation of muriers, indispensable for feeding bombyx. Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The breeding and trade of cocoons of silk worms: a magneerie for sericiculture, with in the background the cultivation of muriers, indispensable for feeding bombyx. Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4328855: The breeding and trade of cocoons of silk worms: a magneerie for sericiculture, with in the background the cultivation of muriers, indispensable for feeding bombyx. Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328855

The breeding and trade of cocoons of silk worms: a magneerie for sericiculture, with in the background the cultivation of muriers, indispensable for feeding bombyx. Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

Fish traps, placed on the banks of the Yukon River (extreme northern Canada). Engraving to illustrate the voyage and adventures in English Colombia, Vancouver Island and Alaska, by Frederick Whymper, 1864-1867, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Fish traps, placed on the banks of the Yukon River (extreme northern Canada). Engraving to illustrate the voyage and adventures in English Colombia, Vancouver Island and Alaska, by Frederick Whymper, 1864-1867, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328864: Fish traps, placed on the banks of the Yukon River (extreme northern Canada). Engraving to illustrate the voyage and adventures in English Colombia, Vancouver Island and Alaska, by Frederick Whymper, 1864-1867, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328864

Fish traps, placed on the banks of the Yukon River (extreme northern Canada). Engraving to illustrate the voyage and adventures in English Colombia, Vancouver Island and Alaska, by Frederick Whymper, 1864-1867, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Unknown Artist, (19th century)

Traditional costume of Croatian women from military borders. Engraving to illustrate the memories of travel among the southern Slavs, by Georges Perrot, in 1868, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Traditional costume of Croatian women from military borders. Engraving to illustrate the memories of travel among the southern Slavs, by Georges Perrot, in 1868, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329004: Traditional costume of Croatian women from military borders. Engraving to illustrate the memories of travel among the southern Slavs, by Georges Perrot, in 1868, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329004

Traditional costume of Croatian women from military borders. Engraving to illustrate the memories of travel among the southern Slavs, by Georges Perrot, in 1868, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

Traditional costume of shepherds from the borders of Hungary, smoking the pipe, with his dog, his weapons and his herd. Engraving to illustrate the memories of travel among the southern Slavs, by Georges Perrot, in 1868, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Traditional costume of shepherds from the borders of Hungary, smoking the pipe, with his dog, his weapons and his herd. Engraving to illustrate the memories of travel among the southern Slavs, by Georges Perrot, in 1868, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329023: Traditional costume of shepherds from the borders of Hungary, smoking the pipe, with his dog, his weapons and his herd. Engraving to illustrate the memories of travel among the southern Slavs, by Georges Perrot, in 1868, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329023

Traditional costume of shepherds from the borders of Hungary, smoking the pipe, with his dog, his weapons and his herd. Engraving to illustrate the memories of travel among the southern Slavs, by Georges Perrot, in 1868, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

Portrait of Osceola (1804-1838), leader of seminoles, at the head of the Indian resistance against the United States during the Florida War (1835-1842). Engraving to illustrate the story four months in Florida, by Achille Pousselgue in 1851-1852, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Portrait of Osceola (1804-1838), leader of seminoles, at the head of the Indian resistance against the United States during the Florida War (1835-1842). Engraving to illustrate the story four months in Florida, by Achille Pousselgue in 1851-1852, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329051: Portrait of Osceola (1804-1838), leader of seminoles, at the head of the Indian resistance against the United States during the Florida War (1835-1842). Engraving to illustrate the story four months in Florida, by Achille Pousselgue in 1851-1852, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329051

Portrait of Osceola (1804-1838), leader of seminoles, at the head of the Indian resistance against the United States during the Florida War (1835-1842). Engraving to illustrate the story four months in Florida, by Achille Pousselgue in 1851-1852, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Unknown Artist, (19th century)

The production of pottery in Saniaboury (Laos). Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant de Vaissseau, in 1866-1868, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The production of pottery in Saniaboury (Laos). Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant de Vaissseau, in 1866-1868, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329130: The production of pottery in Saniaboury (Laos). Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant de Vaissseau, in 1866-1868, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329130

The production of pottery in Saniaboury (Laos). Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant de Vaissseau, in 1866-1868, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

The inspection of recruits at the threshold of the church of Marcapata (Peru), by the pastor of the village, who verify the state of health and strength of the complacent Indians, to form the team of the author's bearers. Engravure pour illustrrer le voyage dans les vallees de Quinquinas, by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The inspection of recruits at the threshold of the church of Marcapata (Peru), by the pastor of the village, who verify the state of health and strength of the complacent Indians, to form the team of the author's bearers. Engravure pour illustrrer le voyage dans les vallees de Quinquinas, by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4328938: The inspection of recruits at the threshold of the church of Marcapata (Peru), by the pastor of the village, who verify the state of health and strength of the complacent Indians, to form the team of the author's bearers. Engravure pour illustrrer le voyage dans les vallees de Quinquinas, by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328938

The inspection of recruits at the threshold of the church of Marcapata (Peru), by the pastor of the village, who verify the state of health and strength of the complacent Indians, to form the team of the author's bearers. Engravure pour illustrrer le voyage dans les vallees de Quinquinas, by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

A peaceful interview between the author's expedition and some Siriniris Indians (tribe of Peru, on the Bolivian border), attracted by the opportunity to barter hunting objects for hardware, they turn at themselves, shouting and gestulating. Engravure pour illustrrer le voyage dans les vallees de Quinquinas (Peru), by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
A peaceful interview between the author's expedition and some Siriniris Indians (tribe of Peru, on the Bolivian border), attracted by the opportunity to barter hunting objects for hardware, they turn at themselves, shouting and gestulating. Engravure pour illustrrer le voyage dans les vallees de Quinquinas (Peru), by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329149: A peaceful interview between the author's expedition and some Siriniris Indians (tribe of Peru, on the Bolivian border), attracted by the opportunity to barter hunting objects for hardware, they turn at themselves, shouting and gestulating. Engravure pour illustrrer le voyage dans les vallees de Quinquinas (Peru), by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329149

A peaceful interview between the author's expedition and some Siriniris Indians (tribe of Peru, on the Bolivian border), attracted by the opportunity to barter hunting objects for hardware, they turn at themselves, shouting and gestulating. Engravure pour illustrrer le voyage dans les vallees de Quinquinas (Peru), by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

Burmese merchants selling fabrics and perfumes to Laotian women at the door of a pagoda in Muong Mai. Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant de Vaissseau, in 1866-1868, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Burmese merchants selling fabrics and perfumes to Laotian women at the door of a pagoda in Muong Mai. Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant de Vaissseau, in 1866-1868, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329135: Burmese merchants selling fabrics and perfumes to Laotian women at the door of a pagoda in Muong Mai. Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant de Vaissseau, in 1866-1868, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329135

Burmese merchants selling fabrics and perfumes to Laotian women at the door of a pagoda in Muong Mai. Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant de Vaissseau, in 1866-1868, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

Sarakolese and Kassonkese women, populations of Upper Senegal, in traditional clothes. Engraving to illustrate a cruise on the coast of Africa, by Vice-Admiral Fleuriot de Langle, in 1868, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Sarakolese and Kassonkese women, populations of Upper Senegal, in traditional clothes. Engraving to illustrate a cruise on the coast of Africa, by Vice-Admiral Fleuriot de Langle, in 1868, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329216: Sarakolese and Kassonkese women, populations of Upper Senegal, in traditional clothes. Engraving to illustrate a cruise on the coast of Africa, by Vice-Admiral Fleuriot de Langle, in 1868, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329216

Sarakolese and Kassonkese women, populations of Upper Senegal, in traditional clothes. Engraving to illustrate a cruise on the coast of Africa, by Vice-Admiral Fleuriot de Langle, in 1868, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

The two cocks are crowns. Cover in “” L'Eclipse”” by Gill, December 31, 1871, Paris.
The two cocks are crowns. Cover in “” L'Eclipse”” by Gill, December 31, 1871, Paris.

LSE4319814: The two cocks are crowns. Cover in “” L'Eclipse”” by Gill, December 31, 1871, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4319814

The two cocks are crowns. Cover in “” L'Eclipse”” by Gill, December 31, 1871, Paris.

Gill, Andre (1840-85)

Former voto (ex voto) sailor, popular offer as a pledge of devotion and gratitude of the sailor surviving to the dangers of the sea coming from the Church of the Blessed Virgin of the Arch of Naples (Madonna dell'arco) 19th century Italy
Former voto (ex voto) sailor, popular offer as a pledge of devotion and gratitude of the sailor surviving to the dangers of the sea coming from the Church of the Blessed Virgin of the Arch of Naples (Madonna dell'arco) 19th century Italy

LSE4319643: Former voto (ex voto) sailor, popular offer as a pledge of devotion and gratitude of the sailor surviving to the dangers of the sea coming from the Church of the Blessed Virgin of the Arch of Naples (Madonna dell'arco) 19th century Italy, Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4319643

Former voto (ex voto) sailor, popular offer as a pledge of devotion and gratitude of the sailor surviving to the dangers of the sea coming from the Church of the Blessed Virgin of the Arch of Naples (Madonna dell'arco) 19th century Italy

Unknown Artist, (19th century)

Portrait of Alexis Grippenberg (1852-1927), Russian general.
Portrait of Alexis Grippenberg (1852-1927), Russian general.

LSE4315323: Portrait of Alexis Grippenberg (1852-1927), Russian general., French Photographer, (20th century) / Bridgeman Images

ID: LSE4315323

Portrait of Alexis Grippenberg (1852-1927), Russian general.

French Photographer, (20th century)

The lark. Painting by Pal Szinyei Merse (1845-1920), Oil On Canvas, 1882. Hungarian art, 19th century. Magyar Nemzeti Galleria, Budapest, Hungary.
The lark. Painting by Pal Szinyei Merse (1845-1920), Oil On Canvas, 1882. Hungarian art, 19th century. Magyar Nemzeti Galleria, Budapest, Hungary.

LSE4315329: The lark. Painting by Pal Szinyei Merse (1845-1920), Oil On Canvas, 1882. Hungarian art, 19th century. Magyar Nemzeti Galleria, Budapest, Hungary., Szinyei Merse, Pal (1845-1920) / Bridgeman Images

ID: LSE4315329

The lark. Painting by Pal Szinyei Merse (1845-1920), Oil On Canvas, 1882. Hungarian art, 19th century. Magyar Nemzeti Galleria, Budapest, Hungary.

Szinyei Merse, Pal (1845-1920)

A theatre lodge. Painting by Honore Daumier (1808-1879), circa 1865. Art francais, 19th century, Kunsthalle Hamburg (Germany).
A theatre lodge. Painting by Honore Daumier (1808-1879), circa 1865. Art francais, 19th century, Kunsthalle Hamburg (Germany).

LSE4315395: A theatre lodge. Painting by Honore Daumier (1808-1879), circa 1865. Art francais, 19th century, Kunsthalle Hamburg (Germany)., Daumier, Honore (1808-79) / Bridgeman Images

ID: LSE4315395

A theatre lodge. Painting by Honore Daumier (1808-1879), circa 1865. Art francais, 19th century, Kunsthalle Hamburg (Germany).

Daumier, Honore (1808-79)

At the gates of Meknes. Painting by Henri Rousseau (1875-1933), oil on canvas (55 x 75 cm), 1925. Art francais 20th century. Museum of Fine Arts in Mulhouse.
At the gates of Meknes. Painting by Henri Rousseau (1875-1933), oil on canvas (55 x 75 cm), 1925. Art francais 20th century. Museum of Fine Arts in Mulhouse.

LSE4315498: At the gates of Meknes. Painting by Henri Rousseau (1875-1933), oil on canvas (55 x 75 cm), 1925. Art francais 20th century. Museum of Fine Arts in Mulhouse., Rousseau, Henri Emilien (1875-1933) / Bridgeman Images

ID: LSE4315498

At the gates of Meknes. Painting by Henri Rousseau (1875-1933), oil on canvas (55 x 75 cm), 1925. Art francais 20th century. Museum of Fine Arts in Mulhouse.

Rousseau, Henri Emilien (1875-1933)

Portrait of Jules Eugene Lenepveu (1819-1898), French painter.
Portrait of Jules Eugene Lenepveu (1819-1898), French painter.

LSE4315588: Portrait of Jules Eugene Lenepveu (1819-1898), French painter., French Photographer, (19th century) / Bridgeman Images

ID: LSE4315588

Portrait of Jules Eugene Lenepveu (1819-1898), French painter.

French Photographer, (19th century)

Marianne Offrey, green screaming. Painting by Alfred Roll (1846-1919), oil on canvas, before 1885. Museum of Fine Arts in Pau.
Marianne Offrey, green screaming. Painting by Alfred Roll (1846-1919), oil on canvas, before 1885. Museum of Fine Arts in Pau.

LSE4315614: Marianne Offrey, green screaming. Painting by Alfred Roll (1846-1919), oil on canvas, before 1885. Museum of Fine Arts in Pau., Roll, Alfred (1846-1919) / Bridgeman Images

ID: LSE4315614

Marianne Offrey, green screaming. Painting by Alfred Roll (1846-1919), oil on canvas, before 1885. Museum of Fine Arts in Pau.

Roll, Alfred (1846-1919)

Scipio the African (Publius Cornelius Scipio Africanus, 235-183 BC), (Scipione l'Africano) general and Roman statesman. Painting by Antonio Da Negroponte (or Antonios Chalkideus or Antonio Falier) (active in Venice between 1450-1470). Italian art, renaissance, Quattrocento. National Gallery, Sternberg Palace, Prague (Czech Republic).
Scipio the African (Publius Cornelius Scipio Africanus, 235-183 BC), (Scipione l'Africano) general and Roman statesman. Painting by Antonio Da Negroponte (or Antonios Chalkideus or Antonio Falier) (active in Venice between 1450-1470). Italian art, renaissance, Quattrocento. National Gallery, Sternberg Palace, Prague (Czech Republic).

LSE4315622: Scipio the African (Publius Cornelius Scipio Africanus, 235-183 BC), (Scipione l'Africano) general and Roman statesman. Painting by Antonio Da Negroponte (or Antonios Chalkideus or Antonio Falier) (active in Venice between 1450-1470). Italian art, renaissance, Quattrocento. National Gallery, Sternberg Palace, Prague (Czech Republic)., Negroponte, Antonio da (15th century) / Bridgeman Images

ID: LSE4315622

Scipio the African (Publius Cornelius Scipio Africanus, 235-183 BC), (Scipione l'Africano) general and Roman statesman. Painting by Antonio Da Negroponte (or Antonios Chalkideus or Antonio Falier) (active in Venice between 1450-1470). Italian art, renaissance, Quattrocento. National Gallery, Sternberg Palace, Prague (Czech Republic).

Negroponte, Antonio da (15th century)

Chinoiserie. Artwork by Francois Boucher (1703-1770), oil on paper maroufle on canvas, circa 1750. Art francais 18th century. Museum of Fine Arts Rotterdam (Netherlands).
Chinoiserie. Artwork by Francois Boucher (1703-1770), oil on paper maroufle on canvas, circa 1750. Art francais 18th century. Museum of Fine Arts Rotterdam (Netherlands).

LSE4315672: Chinoiserie. Artwork by Francois Boucher (1703-1770), oil on paper maroufle on canvas, circa 1750. Art francais 18th century. Museum of Fine Arts Rotterdam (Netherlands)., Boucher, Francois (1703-70) / Bridgeman Images

ID: LSE4315672

Chinoiserie. Artwork by Francois Boucher (1703-1770), oil on paper maroufle on canvas, circa 1750. Art francais 18th century. Museum of Fine Arts Rotterdam (Netherlands).

Boucher, Francois (1703-70)

Saint Christopher carrying Jesus Christ on his shoulders. Painting by Giovanni Di Paolo Di Grazia (Giovanni dal Poggio, 1399-1482), tempera on poplar, between 1450 and 1460. Italian Art, 15th century, Sienese Renaissance. Staatsgalerie, Stuttgart (Germany).
Saint Christopher carrying Jesus Christ on his shoulders. Painting by Giovanni Di Paolo Di Grazia (Giovanni dal Poggio, 1399-1482), tempera on poplar, between 1450 and 1460. Italian Art, 15th century, Sienese Renaissance. Staatsgalerie, Stuttgart (Germany).

LSE4315782: Saint Christopher carrying Jesus Christ on his shoulders. Painting by Giovanni Di Paolo Di Grazia (Giovanni dal Poggio, 1399-1482), tempera on poplar, between 1450 and 1460. Italian Art, 15th century, Sienese Renaissance. Staatsgalerie, Stuttgart (Germany)., Giovanni di Paolo di Grazia (1403-82) / Bridgeman Images

ID: LSE4315782

Saint Christopher carrying Jesus Christ on his shoulders. Painting by Giovanni Di Paolo Di Grazia (Giovanni dal Poggio, 1399-1482), tempera on poplar, between 1450 and 1460. Italian Art, 15th century, Sienese Renaissance. Staatsgalerie, Stuttgart (Germany).

Giovanni di Paolo di Grazia (1403-82)

Saint Catherine of Alexandria (ca. 290- martyr 307). Painting by Bernardo Strozzi, known as Cappucino (1581-1644), oil on canvas, before 1630. Italian art 17th century. Staatsgalerie, Stuttgart (Germany).
Saint Catherine of Alexandria (ca. 290- martyr 307). Painting by Bernardo Strozzi, known as Cappucino (1581-1644), oil on canvas, before 1630. Italian art 17th century. Staatsgalerie, Stuttgart (Germany).

LSE4315854: Saint Catherine of Alexandria (ca. 290- martyr 307). Painting by Bernardo Strozzi, known as Cappucino (1581-1644), oil on canvas, before 1630. Italian art 17th century. Staatsgalerie, Stuttgart (Germany)., Strozzi, Bernardo (1581-1644) / Bridgeman Images

ID: LSE4315854

Saint Catherine of Alexandria (ca. 290- martyr 307). Painting by Bernardo Strozzi, known as Cappucino (1581-1644), oil on canvas, before 1630. Italian art 17th century. Staatsgalerie, Stuttgart (Germany).

Strozzi, Bernardo (1581-1644)

Portrait of a young man with a cap, at the Abbey of Septfontaines (Haute Marne). Photograph, circa 1886, by Paul Emile Theodore Ducos (1849-1913).
Portrait of a young man with a cap, at the Abbey of Septfontaines (Haute Marne). Photograph, circa 1886, by Paul Emile Theodore Ducos (1849-1913).

LSE4316073: Portrait of a young man with a cap, at the Abbey of Septfontaines (Haute Marne). Photograph, circa 1886, by Paul Emile Theodore Ducos (1849-1913)., Ducos, Paul Emile Theodore (1849-1913) / Bridgeman Images

ID: LSE4316073

Portrait of a young man with a cap, at the Abbey of Septfontaines (Haute Marne). Photograph, circa 1886, by Paul Emile Theodore Ducos (1849-1913).

Ducos, Paul Emile Theodore (1849-1913)

Portrait of a group of young women from the countryside, at the Abbey of Septfontaines (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).
Portrait of a group of young women from the countryside, at the Abbey of Septfontaines (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

LSE4316137: Portrait of a group of young women from the countryside, at the Abbey of Septfontaines (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913)., Ducos, Paul Emile Theodore (1849-1913) / Bridgeman Images

ID: LSE4316137

Portrait of a group of young women from the countryside, at the Abbey of Septfontaines (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

Ducos, Paul Emile Theodore (1849-1913)

Portrait of a rider, with gloves, whip and top hat, on his horse, in the courtyard of Count Ducos's Parisian home. Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).
Portrait of a rider, with gloves, whip and top hat, on his horse, in the courtyard of Count Ducos's Parisian home. Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

LSE4316204: Portrait of a rider, with gloves, whip and top hat, on his horse, in the courtyard of Count Ducos's Parisian home. Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913)., Ducos, Paul Emile Theodore (1849-1913) / Bridgeman Images

ID: LSE4316204

Portrait of a rider, with gloves, whip and top hat, on his horse, in the courtyard of Count Ducos's Parisian home. Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

Ducos, Paul Emile Theodore (1849-1913)

The Legend of Gil Paes (14th century), Captain General of Torres Nova (Portugal) - During the invasion of the Castilians in 1372, the son of Gil Paes is captured by the Spaniards and killed at the gates of the siege castle in front of the refusal to surrender - Panel of tiles in the street of Torres Novas
The Legend of Gil Paes (14th century), Captain General of Torres Nova (Portugal) - During the invasion of the Castilians in 1372, the son of Gil Paes is captured by the Spaniards and killed at the gates of the siege castle in front of the refusal to surrender - Panel of tiles in the street of Torres Novas

LSE4317292: The Legend of Gil Paes (14th century), Captain General of Torres Nova (Portugal) - During the invasion of the Castilians in 1372, the son of Gil Paes is captured by the Spaniards and killed at the gates of the siege castle in front of the refusal to surrender - Panel of tiles in the street of Torres Novas, Portuguese School / Bridgeman Images

ID: LSE4317292

The Legend of Gil Paes (14th century), Captain General of Torres Nova (Portugal) - During the invasion of the Castilians in 1372, the son of Gil Paes is captured by the Spaniards and killed at the gates of the siege castle in front of the refusal to surrender - Panel of tiles in the street of Torres Novas

Portuguese School

Woman with veil hat, cape and umbrella. Brittany (France), photography 1912-1913.
Woman with veil hat, cape and umbrella. Brittany (France), photography 1912-1913.

LSE4316474: Woman with veil hat, cape and umbrella. Brittany (France), photography 1912-1913., French Photographer, (20th century) / Bridgeman Images

ID: LSE4316474

Woman with veil hat, cape and umbrella. Brittany (France), photography 1912-1913.

French Photographer, (20th century)

Brittany (France), photography 1917.
Brittany (France), photography 1917.

LSE4316552: Brittany (France), photography 1917., French Photographer, (20th century) / Bridgeman Images

ID: LSE4316552

Brittany (France), photography 1917.

French Photographer, (20th century)

Fruit tasting near a lake in Asia - Azulejos, painted faience, 18th century (Oriental scene, azulejos 18th century) - University of Evora, Portugal -
Fruit tasting near a lake in Asia - Azulejos, painted faience, 18th century (Oriental scene, azulejos 18th century) - University of Evora, Portugal -

LSE4317508: Fruit tasting near a lake in Asia - Azulejos, painted faience, 18th century (Oriental scene, azulejos 18th century) - University of Evora, Portugal -, Portuguese School, (18th century) / Bridgeman Images

ID: LSE4317508

Fruit tasting near a lake in Asia - Azulejos, painted faience, 18th century (Oriental scene, azulejos 18th century) - University of Evora, Portugal -

Portuguese School, (18th century)

The archeological site of cromlech M Zora, in Sidi El Yamani (Morocco). Neolithic burial mound (2000 BC), surrounded by 167 monoliths.
The archeological site of cromlech M Zora, in Sidi El Yamani (Morocco). Neolithic burial mound (2000 BC), surrounded by 167 monoliths.

LSE4317760: The archeological site of cromlech M Zora, in Sidi El Yamani (Morocco). Neolithic burial mound (2000 BC), surrounded by 167 monoliths., Prehistoric / Bridgeman Images

ID: LSE4317760

The archeological site of cromlech M Zora, in Sidi El Yamani (Morocco). Neolithic burial mound (2000 BC), surrounded by 167 monoliths.

Prehistoric

General Alphonse June (1888-1967) and H.E. Kajetan Morawski (1892-1973) Ambassador of Poland during the Franco-Polish ceremony at the Arc de Triomphe, Paris. Photograph on 26/2/1945.
General Alphonse June (1888-1967) and H.E. Kajetan Morawski (1892-1973) Ambassador of Poland during the Franco-Polish ceremony at the Arc de Triomphe, Paris. Photograph on 26/2/1945.

LSE4316632: General Alphonse June (1888-1967) and H.E. Kajetan Morawski (1892-1973) Ambassador of Poland during the Franco-Polish ceremony at the Arc de Triomphe, Paris. Photograph on 26/2/1945., Unknown photographer, (20th century) / Bridgeman Images

ID: LSE4316632

General Alphonse June (1888-1967) and H.E. Kajetan Morawski (1892-1973) Ambassador of Poland during the Franco-Polish ceremony at the Arc de Triomphe, Paris. Photograph on 26/2/1945.

Unknown photographer, (20th century)

Reception of the Champagne1/5 group by the city of Reims, 27, 28 and 29/04/1946. Passing a Yabe plane. Photography, 1946.
Reception of the Champagne1/5 group by the city of Reims, 27, 28 and 29/04/1946. Passing a Yabe plane. Photography, 1946.

LSE4316788: Reception of the Champagne1/5 group by the city of Reims, 27, 28 and 29/04/1946. Passing a Yabe plane. Photography, 1946., Unknown photographer, (20th century) / Bridgeman Images

ID: LSE4316788

Reception of the Champagne1/5 group by the city of Reims, 27, 28 and 29/04/1946. Passing a Yabe plane. Photography, 1946.

Unknown photographer, (20th century)

A review of French detachments, General Alphonse June (1888-1967) has just received Mr. Alexander Bogomolov (1900-1969), ambassador of the USSR and accompanies him to the podium, Campo Square, Siena, Italy. Photograph, July 14, 1944.
A review of French detachments, General Alphonse June (1888-1967) has just received Mr. Alexander Bogomolov (1900-1969), ambassador of the USSR and accompanies him to the podium, Campo Square, Siena, Italy. Photograph, July 14, 1944.

LSE4316845: A review of French detachments, General Alphonse June (1888-1967) has just received Mr. Alexander Bogomolov (1900-1969), ambassador of the USSR and accompanies him to the podium, Campo Square, Siena, Italy. Photograph, July 14, 1944., Unknown photographer, (20th century) / Bridgeman Images

ID: LSE4316845

A review of French detachments, General Alphonse June (1888-1967) has just received Mr. Alexander Bogomolov (1900-1969), ambassador of the USSR and accompanies him to the podium, Campo Square, Siena, Italy. Photograph, July 14, 1944.

Unknown photographer, (20th century)


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