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2501809 Search Results

Building, c.1520 (woodcut)
Building, c.1520 (woodcut)

XJF3037897: Building, c.1520 (woodcut), German School, (16th century) / Bridgeman Images

ID: XJF3037897

Building, c.1520 (woodcut)

German School, (16th century)

Shepherd and shepherdess with cattle, 1653 (etching)
Shepherd and shepherdess with cattle, 1653 (etching)

XOS3038297: Shepherd and shepherdess with cattle, 1653 (etching), Velde, Adriaen van de (1636-72) / Bridgeman Images

ID: XOS3038297

Shepherd and shepherdess with cattle, 1653 (etching)

Velde, Adriaen van de (1636-72)

Venus et l'Amour, c.1864 (terracotta)
Venus et l'Amour, c.1864 (terracotta)

MHB3076440: Venus et l'Amour, c.1864 (terracotta), Carrier-Belleuse, Albert-Ernest (1824-1887) / Bridgeman Images

ID: MHB3076440

Venus et l'Amour, c.1864 (terracotta)

Carrier-Belleuse, Albert-Ernest (1824-1887)

'The Gentleman's Magazine', 1731
'The Gentleman's Magazine', 1731

XJF3037919: 'The Gentleman's Magazine', 1731 , English School, (18th century) / Bridgeman Images

ID: XJF3037919

'The Gentleman's Magazine', 1731

English School, (18th century)

Montagu House, c.1700 (pen and ink)
Montagu House, c.1700 (pen and ink)

XJF3038357: Montagu House, c.1700 (pen and ink), Gasselin, Noel (fl.1677) / Bridgeman Images

ID: XJF3038357

Montagu House, c.1700 (pen and ink)

Gasselin, Noel (fl.1677)

View in Kingsway during the progress of the Improvement, 1905 (photo)
View in Kingsway during the progress of the Improvement, 1905 (photo)

XJF3038392: View in Kingsway during the progress of the Improvement, 1905 (photo), English Photographer, (20th century) / Bridgeman Images

ID: XJF3038392

View in Kingsway during the progress of the Improvement, 1905 (photo)

English Photographer, (20th century)

IL3038770: "Thy drugs are quick. Thus with a kiss I die"., illustration from'Romeo and Juliet', (colour litho), Marchetti, Ludovico (1853-1909) / Bridgeman Images

ID: IL3038770

"Thy drugs are quick. Thus with a kiss I die"., illustration from'Romeo and Juliet', (colour litho)

Marchetti, Ludovico (1853-1909)

Cossack scouts gathering information from a Korean captive, illustration from'Cassells History of the Russo-Japanese War Vol 1', c.1900
Cossack scouts gathering information from a Korean captive, illustration from'Cassells History of the Russo-Japanese War Vol 1', c.1900

IL3039693: Cossack scouts gathering information from a Korean captive, illustration from'Cassells History of the Russo-Japanese War Vol 1', c.1900, Prater, Ernest (fl.1885-1937) / Bridgeman Images

ID: IL3039693

Cossack scouts gathering information from a Korean captive, illustration from'Cassells History of the Russo-Japanese War Vol 1', c.1900

Prater, Ernest (fl.1885-1937)

Japanese engineers constructing a timber road for troops, illustration from'Cassells History of the Russo-Japanese War Vol 1', c.1900
Japanese engineers constructing a timber road for troops, illustration from'Cassells History of the Russo-Japanese War Vol 1', c.1900

IL3039727: Japanese engineers constructing a timber road for troops, illustration from'Cassells History of the Russo-Japanese War Vol 1', c.1900, Koekkoek, Johannes Hermann Barend (1840-1912) / Bridgeman Images

ID: IL3039727

Japanese engineers constructing a timber road for troops, illustration from'Cassells History of the Russo-Japanese War Vol 1', c.1900

Koekkoek, Johannes Hermann Barend (1840-1912)

He demanded an audience of the Grand Vizier. From the Boy who could see Footsteps, illustration from'Childrens Stories from Indian Legends', c.1930's (colour litho)
He demanded an audience of the Grand Vizier. From the Boy who could see Footsteps, illustration from'Childrens Stories from Indian Legends', c.1930's (colour litho)

IL3039747: He demanded an audience of the Grand Vizier. From the Boy who could see Footsteps, illustration from'Childrens Stories from Indian Legends', c.1930's (colour litho), Theaker, Harry George (1873-1954) / Bridgeman Images

ID: IL3039747

He demanded an audience of the Grand Vizier. From the Boy who could see Footsteps, illustration from'Childrens Stories from Indian Legends', c.1930's (colour litho)

Theaker, Harry George (1873-1954)

Rock Carved by Drifting Sand, Below Fortification Rock, Arizona, 1871 (albumen print)
Rock Carved by Drifting Sand, Below Fortification Rock, Arizona, 1871 (albumen print)

XCC2971269: Rock Carved by Drifting Sand, Below Fortification Rock, Arizona, 1871 (albumen print), O'Sullivan, Timothy (1840-82) / Bridgeman Images

ID: XCC2971269

Rock Carved by Drifting Sand, Below Fortification Rock, Arizona, 1871 (albumen print)

O'Sullivan, Timothy (1840-82)

Blessed Art Thou Among Women, 1899 (photogravure, from american pictorial photography, series ii (1901), edition 34/150)
Blessed Art Thou Among Women, 1899 (photogravure, from american pictorial photography, series ii (1901), edition 34/150)

XCC2971363: Blessed Art Thou Among Women, 1899 (photogravure, from american pictorial photography, series ii (1901), edition 34/150), Käsebier, Gertrude (1852-1934) / Bridgeman Images

ID: XCC2971363

Blessed Art Thou Among Women, 1899 (photogravure, from american pictorial photography, series ii (1901), edition 34/150)

Käsebier, Gertrude (1852-1934)

Study for The Martyrdom of Saint Bartholomew, 1635-36 (pen and brown ink, with brush and brown wash, on buff laid paper, laid down on ivory laid paper, edge mounted under blue wove paper)
Study for The Martyrdom of Saint Bartholomew, 1635-36 (pen and brown ink, with brush and brown wash, on buff laid paper, laid down on ivory laid paper, edge mounted under blue wove paper)

XCC2971511: Study for The Martyrdom of Saint Bartholomew, 1635-36 (pen and brown ink, with brush and brown wash, on buff laid paper, laid down on ivory laid paper, edge mounted under blue wove paper), Guercino (Giovanni Francesco Barbieri) (1591-1666) / Bridgeman Images

ID: XCC2971511

Study for The Martyrdom of Saint Bartholomew, 1635-36 (pen and brown ink, with brush and brown wash, on buff laid paper, laid down on ivory laid paper, edge mounted under blue wove paper)

Guercino (Giovanni Francesco Barbieri) (1591-1666)

A Pagan Sacrifice, c.1645-50 (oil on paper)
A Pagan Sacrifice, c.1645-50 (oil on paper)

XCC2971677: A Pagan Sacrifice, c.1645-50 (oil on paper), Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64) / Bridgeman Images

ID: XCC2971677

A Pagan Sacrifice, c.1645-50 (oil on paper)

Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64)

Study of a Male Nude (red chalk over black chalk on cream laid paper)
Study of a Male Nude (red chalk over black chalk on cream laid paper)

XCC2972452: Study of a Male Nude (red chalk over black chalk on cream laid paper), Velde, Adriaen van de (1636-72) / Bridgeman Images

ID: XCC2972452

Study of a Male Nude (red chalk over black chalk on cream laid paper)

Velde, Adriaen van de (1636-72)

Triumph of Neptune and Amphitrite, 1706-07 (black chalk, heightened with white chalk, on grey-brown paper)
Triumph of Neptune and Amphitrite, 1706-07 (black chalk, heightened with white chalk, on grey-brown paper)

XCC2972552: Triumph of Neptune and Amphitrite, 1706-07 (black chalk, heightened with white chalk, on grey-brown paper), Boullongne, Louis de (the Younger) (1654-1733) / Bridgeman Images

ID: XCC2972552

Triumph of Neptune and Amphitrite, 1706-07 (black chalk, heightened with white chalk, on grey-brown paper)

Boullongne, Louis de (the Younger) (1654-1733)

Bacchus (pen & black ink with brush & brown wash, on cream laid paper, laid down on brown laid paper)
Bacchus (pen & black ink with brush & brown wash, on cream laid paper, laid down on brown laid paper)

XCC2972579: Bacchus (pen & black ink with brush & brown wash, on cream laid paper, laid down on brown laid paper), Cipriani, Giovanni Battista (1727-85) (attr.to) / Bridgeman Images

ID: XCC2972579

Bacchus (pen & black ink with brush & brown wash, on cream laid paper, laid down on brown laid paper)

Cipriani, Giovanni Battista (1727-85) (attr.to)

Sketch of Fortress on Hill (black chalk, heightened with white chalk, on blue laid paper, perimeter mounted to gray wove card)
Sketch of Fortress on Hill (black chalk, heightened with white chalk, on blue laid paper, perimeter mounted to gray wove card)

XCC2972585: Sketch of Fortress on Hill (black chalk, heightened with white chalk, on blue laid paper, perimeter mounted to gray wove card), Wilson, Richard (1714-82) (attr.to) / Bridgeman Images

ID: XCC2972585

Sketch of Fortress on Hill (black chalk, heightened with white chalk, on blue laid paper, perimeter mounted to gray wove card)

Wilson, Richard (1714-82) (attr.to)

Overgrown courtyard of ruined castle (brush & grey wash, with traces of black chalk, on laid paper)
Overgrown courtyard of ruined castle (brush & grey wash, with traces of black chalk, on laid paper)

XCC2972597: Overgrown courtyard of ruined castle (brush & grey wash, with traces of black chalk, on laid paper), Netherlandish School, (17th century) / Bridgeman Images

ID: XCC2972597

Overgrown courtyard of ruined castle (brush & grey wash, with traces of black chalk, on laid paper)

Netherlandish School, (17th century)

The Little Abbot Reading the Ramayana, 1883 (charcoal with black chalk, stumping, scraping & erasing, on dark cream wove paper, discolored to tan. ruled in pale red-orange pastel, offset impression of tadpole, verso.)
The Little Abbot Reading the Ramayana, 1883 (charcoal with black chalk, stumping, scraping & erasing, on dark cream wove paper, discolored to tan. ruled in pale red-orange pastel, offset impression of tadpole, verso.)

XCC2972610: The Little Abbot Reading the Ramayana, 1883 (charcoal with black chalk, stumping, scraping & erasing, on dark cream wove paper, discolored to tan. ruled in pale red-orange pastel, offset impression of tadpole, verso.), Redon, Odilon (1840-1916) / Bridgeman Images

ID: XCC2972610

The Little Abbot Reading the Ramayana, 1883 (charcoal with black chalk, stumping, scraping & erasing, on dark cream wove paper, discolored to tan. ruled in pale red-orange pastel, offset impression of tadpole, verso.)

Redon, Odilon (1840-1916)

The Shepherd's Dream, c.1820 (pen & black ink, with brush, black & grey wash, over graphite, on ivory wove paper)
The Shepherd's Dream, c.1820 (pen & black ink, with brush, black & grey wash, over graphite, on ivory wove paper)

XCC2972621: The Shepherd's Dream, c.1820 (pen & black ink, with brush, black & grey wash, over graphite, on ivory wove paper), North, Lady Georgina (1798-1835) (attr.to) / Bridgeman Images

ID: XCC2972621

The Shepherd's Dream, c.1820 (pen & black ink, with brush, black & grey wash, over graphite, on ivory wove paper)

North, Lady Georgina (1798-1835) (attr.to)

Portrait of Honoré Daumier, 1862 (lithograph in black, with scraping on stone, on light grey china paper laid down using chine collé on white wove paper)
Portrait of Honoré Daumier, 1862 (lithograph in black, with scraping on stone, on light grey china paper laid down using chine collé on white wove paper)

XCC2972663: Portrait of Honoré Daumier, 1862 (lithograph in black, with scraping on stone, on light grey china paper laid down using chine collé on white wove paper), Carjat, Etienne (1828-1906) / Bridgeman Images

ID: XCC2972663

Portrait of Honoré Daumier, 1862 (lithograph in black, with scraping on stone, on light grey china paper laid down using chine collé on white wove paper)

Carjat, Etienne (1828-1906)

Spring, 1650 (etching on ivory paper)
Spring, 1650 (etching on ivory paper)

XCC2972670: Spring, 1650 (etching on ivory paper), Saftleven, Herman the Younger (1609-85) / Bridgeman Images

ID: XCC2972670

Spring, 1650 (etching on ivory paper)

Saftleven, Herman the Younger (1609-85)

Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper)
Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper)

XCC2972681: Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XCC2972681

Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper)

Whistler, James Abbott McNeill (1834-1903)

Studies of Warriors, Horsemen, and Lions, 1528-33 (pen & iron gall ink, on ivory laid paper, prepared with a red chalk wash)
Studies of Warriors, Horsemen, and Lions, 1528-33 (pen & iron gall ink, on ivory laid paper, prepared with a red chalk wash)

XCC2972687: Studies of Warriors, Horsemen, and Lions, 1528-33 (pen & iron gall ink, on ivory laid paper, prepared with a red chalk wash), Vaga, Perino del (Pietro Buonaccorsi) (1501-47) / Bridgeman Images

ID: XCC2972687

Studies of Warriors, Horsemen, and Lions, 1528-33 (pen & iron gall ink, on ivory laid paper, prepared with a red chalk wash)

Vaga, Perino del (Pietro Buonaccorsi) (1501-47)

Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board)
Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board)

XCC2972702: Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XCC2972702

Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board)

Whistler, James Abbott McNeill (1834-1903)

Masonic Temple, Boston, 1832 (litho on cream wove paper)
Masonic Temple, Boston, 1832 (litho on cream wove paper)

XCC2972749: Masonic Temple, Boston, 1832 (litho on cream wove paper), Nutting, Benjamin F. (c.1803-87) / Bridgeman Images

ID: XCC2972749

Masonic Temple, Boston, 1832 (litho on cream wove paper)

Nutting, Benjamin F. (c.1803-87)

Large Leaf Verdure with Animals and Birds, 1525-50 (wool, slit, single dovetailed & double interlocking tapestry weave)
Large Leaf Verdure with Animals and Birds, 1525-50 (wool, slit, single dovetailed & double interlocking tapestry weave)

XCC2972829: Large Leaf Verdure with Animals and Birds, 1525-50 (wool, slit, single dovetailed & double interlocking tapestry weave), Flemish School, (16th century) / Bridgeman Images

ID: XCC2972829

Large Leaf Verdure with Animals and Birds, 1525-50 (wool, slit, single dovetailed & double interlocking tapestry weave)

Flemish School, (16th century)

The Arrival of Telemachus on Calypso's Island, from The Story of Telemachus, after 1776 (wool, silk & linen)
The Arrival of Telemachus on Calypso's Island, from The Story of Telemachus, after 1776 (wool, silk & linen)

XCC2972835: The Arrival of Telemachus on Calypso's Island, from The Story of Telemachus, after 1776 (wool, silk & linen), Boucher, Francois (1703-70) (after) / Bridgeman Images

ID: XCC2972835

The Arrival of Telemachus on Calypso's Island, from The Story of Telemachus, after 1776 (wool, silk & linen)

Boucher, Francois (1703-70) (after)

Prudentia (Prudence), from Los Honores, 1525-32 (textile)
Prudentia (Prudence), from Los Honores, 1525-32 (textile)

XCC2972841: Prudentia (Prudence), from Los Honores, 1525-32 (textile), Flemish School, (16th century) / Bridgeman Images

ID: XCC2972841

Prudentia (Prudence), from Los Honores, 1525-32 (textile)

Flemish School, (16th century)

The woman who touched the hem of the garment, illustration from'Harold Copping Pictures: The Crown Series', c.1920's (colour litho)
The woman who touched the hem of the garment, illustration from'Harold Copping Pictures: The Crown Series', c.1920's (colour litho)

IL3039795: The woman who touched the hem of the garment, illustration from'Harold Copping Pictures: The Crown Series', c.1920's (colour litho), Copping, Harold (1863-1932) / Bridgeman Images

ID: IL3039795

The woman who touched the hem of the garment, illustration from'Harold Copping Pictures: The Crown Series', c.1920's (colour litho)

Copping, Harold (1863-1932)

An operation at Charing Cross Teaching Hospital, London, 1901 (print)
An operation at Charing Cross Teaching Hospital, London, 1901 (print)

KWE3039848: An operation at Charing Cross Teaching Hospital, London, 1901 (print) / Bridgeman Images

ID: KWE3039848

An operation at Charing Cross Teaching Hospital, London, 1901 (print)

Drawing retorts by hand in the South Metropolitan Gas Company, London, 19th century (photo)
Drawing retorts by hand in the South Metropolitan Gas Company, London, 19th century (photo)

KWE3039853: Drawing retorts by hand in the South Metropolitan Gas Company, London, 19th century (photo) / Bridgeman Images

ID: KWE3039853

Drawing retorts by hand in the South Metropolitan Gas Company, London, 19th century (photo)

Gran Sala D'Armi, set design for the Opera 'I Cavalieri di Valenza' by Giovanni Pacini (colour litho)
Gran Sala D'Armi, set design for the Opera 'I Cavalieri di Valenza' by Giovanni Pacini (colour litho)

LRI3043022: Gran Sala D'Armi, set design for the Opera 'I Cavalieri di Valenza' by Giovanni Pacini (colour litho), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

ID: LRI3043022

Gran Sala D'Armi, set design for the Opera 'I Cavalieri di Valenza' by Giovanni Pacini (colour litho)

Sanquirico, Alessandro (1777-1849)

Glengarry badge, c.1874-81 (metal)
Glengarry badge, c.1874-81 (metal)

NAM3043105: Glengarry badge, c.1874-81 (metal), English School, (19th century) / Bridgeman Images

ID: NAM3043105

Glengarry badge, c.1874-81 (metal)

English School, (19th century)

Glengarry badge, c.1874-81 (metal)
Glengarry badge, c.1874-81 (metal)

NAM3043242: Glengarry badge, c.1874-81 (metal), English School, (19th century) / Bridgeman Images

ID: NAM3043242

Glengarry badge, c.1874-81 (metal)

English School, (19th century)


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