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XJF3037897: Building, c.1520 (woodcut), German School, (16th century) / Bridgeman Images
XOS3038297: Shepherd and shepherdess with cattle, 1653 (etching), Velde, Adriaen van de (1636-72) / Bridgeman Images
MHB3076440: Venus et l'Amour, c.1864 (terracotta), Carrier-Belleuse, Albert-Ernest (1824-1887) / Bridgeman Images
XJF3037919: 'The Gentleman's Magazine', 1731 , English School, (18th century) / Bridgeman Images
XJF3038357: Montagu House, c.1700 (pen and ink), Gasselin, Noel (fl.1677) / Bridgeman Images
XJF3038392: View in Kingsway during the progress of the Improvement, 1905 (photo), English Photographer, (20th century) / Bridgeman Images
IL3038770: "Thy drugs are quick. Thus with a kiss I die"., illustration from'Romeo and Juliet', (colour litho), Marchetti, Ludovico (1853-1909) / Bridgeman Images
IL3039693: Cossack scouts gathering information from a Korean captive, illustration from'Cassells History of the Russo-Japanese War Vol 1', c.1900, Prater, Ernest (fl.1885-1937) / Bridgeman Images
IL3039727: Japanese engineers constructing a timber road for troops, illustration from'Cassells History of the Russo-Japanese War Vol 1', c.1900, Koekkoek, Johannes Hermann Barend (1840-1912) / Bridgeman Images
IL3039747: He demanded an audience of the Grand Vizier. From the Boy who could see Footsteps, illustration from'Childrens Stories from Indian Legends', c.1930's (colour litho), Theaker, Harry George (1873-1954) / Bridgeman Images
XCC2971269: Rock Carved by Drifting Sand, Below Fortification Rock, Arizona, 1871 (albumen print), O'Sullivan, Timothy (1840-82) / Bridgeman Images
XCC2971363: Blessed Art Thou Among Women, 1899 (photogravure, from american pictorial photography, series ii (1901), edition 34/150), Käsebier, Gertrude (1852-1934) / Bridgeman Images
XCC2971511: Study for The Martyrdom of Saint Bartholomew, 1635-36 (pen and brown ink, with brush and brown wash, on buff laid paper, laid down on ivory laid paper, edge mounted under blue wove paper), Guercino (Giovanni Francesco Barbieri) (1591-1666) / Bridgeman Images
XCC2971677: A Pagan Sacrifice, c.1645-50 (oil on paper), Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64) / Bridgeman Images
XCC2972452: Study of a Male Nude (red chalk over black chalk on cream laid paper), Velde, Adriaen van de (1636-72) / Bridgeman Images
XCC2972552: Triumph of Neptune and Amphitrite, 1706-07 (black chalk, heightened with white chalk, on grey-brown paper), Boullongne, Louis de (the Younger) (1654-1733) / Bridgeman Images
XCC2972579: Bacchus (pen & black ink with brush & brown wash, on cream laid paper, laid down on brown laid paper), Cipriani, Giovanni Battista (1727-85) (attr.to) / Bridgeman Images
XCC2972585: Sketch of Fortress on Hill (black chalk, heightened with white chalk, on blue laid paper, perimeter mounted to gray wove card), Wilson, Richard (1714-82) (attr.to) / Bridgeman Images
XCC2972597: Overgrown courtyard of ruined castle (brush & grey wash, with traces of black chalk, on laid paper), Netherlandish School, (17th century) / Bridgeman Images
XCC2972610: The Little Abbot Reading the Ramayana, 1883 (charcoal with black chalk, stumping, scraping & erasing, on dark cream wove paper, discolored to tan. ruled in pale red-orange pastel, offset impression of tadpole, verso.), Redon, Odilon (1840-1916) / Bridgeman Images
XCC2972621: The Shepherd's Dream, c.1820 (pen & black ink, with brush, black & grey wash, over graphite, on ivory wove paper), North, Lady Georgina (1798-1835) (attr.to) / Bridgeman Images
XCC2972663: Portrait of Honoré Daumier, 1862 (lithograph in black, with scraping on stone, on light grey china paper laid down using chine collé on white wove paper), Carjat, Etienne (1828-1906) / Bridgeman Images
XCC2972670: Spring, 1650 (etching on ivory paper), Saftleven, Herman the Younger (1609-85) / Bridgeman Images
XCC2972681: Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCC2972687: Studies of Warriors, Horsemen, and Lions, 1528-33 (pen & iron gall ink, on ivory laid paper, prepared with a red chalk wash), Vaga, Perino del (Pietro Buonaccorsi) (1501-47) / Bridgeman Images
XCC2972702: Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCC2972749: Masonic Temple, Boston, 1832 (litho on cream wove paper), Nutting, Benjamin F. (c.1803-87) / Bridgeman Images
XCC2972829: Large Leaf Verdure with Animals and Birds, 1525-50 (wool, slit, single dovetailed & double interlocking tapestry weave), Flemish School, (16th century) / Bridgeman Images
XCC2972835: The Arrival of Telemachus on Calypso's Island, from The Story of Telemachus, after 1776 (wool, silk & linen), Boucher, Francois (1703-70) (after) / Bridgeman Images
XCC2972841: Prudentia (Prudence), from Los Honores, 1525-32 (textile), Flemish School, (16th century) / Bridgeman Images
IL3039795: The woman who touched the hem of the garment, illustration from'Harold Copping Pictures: The Crown Series', c.1920's (colour litho), Copping, Harold (1863-1932) / Bridgeman Images
KWE3039848: An operation at Charing Cross Teaching Hospital, London, 1901 (print) / Bridgeman Images
KWE3039853: Drawing retorts by hand in the South Metropolitan Gas Company, London, 19th century (photo) / Bridgeman Images
LRI3043022: Gran Sala D'Armi, set design for the Opera 'I Cavalieri di Valenza' by Giovanni Pacini (colour litho), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
NAM3043105: Glengarry badge, c.1874-81 (metal), English School, (19th century) / Bridgeman Images
NAM3043242: Glengarry badge, c.1874-81 (metal), English School, (19th century) / Bridgeman Images