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The Music Lesson, c.1670 (oil on canvas)
The Music Lesson, c.1670 (oil on canvas)

XOS1766036: The Music Lesson, c.1670 (oil on canvas) , Borch or Terborch, Gerard ter (1617-81) (follower of) / Bridgeman Images

Detail of Charing Cross from Civitas Londinium (woodblock print)
Detail of Charing Cross from Civitas Londinium (woodblock print)

XJF1766045: Detail of Charing Cross from Civitas Londinium (woodblock print), Agas, Ralph (c.1540-1621) / Bridgeman Images

Madonna and Child, detail
Madonna and Child, detail

MRZ3497001: Madonna and Child, detail, Ambrogio da Fossano (Il Bergognone) (c.1460-1523) / Bridgeman Images

Vault of the central nave, Church of S. Maria Assunta, 1629 (fresco)
Vault of the central nave, Church of S. Maria Assunta, 1629 (fresco)

MRZ3497098: Vault of the central nave, Church of S. Maria Assunta, 1629 (fresco), Crespi, Daniele (1597-1630) / Bridgeman Images

Blessed Art Thou Among Women, 1899 (photogravure, from american pictorial photography, series ii (1901), edition 34/150)
Blessed Art Thou Among Women, 1899 (photogravure, from american pictorial photography, series ii (1901), edition 34/150)

XCC2971363: Blessed Art Thou Among Women, 1899 (photogravure, from american pictorial photography, series ii (1901), edition 34/150), Käsebier, Gertrude (1852-1934) / Bridgeman Images

Balaustion, October 1871 (albumen print)
Balaustion, October 1871 (albumen print)

XCC2971439: Balaustion, October 1871 (albumen print), Cameron, Julia Margaret (1815-79) / Bridgeman Images

Flamborough Head, England, 1882 (graphite & opaque white w/c on medium thick, slightly textured, tan laid paper with red and blue fibres)
Flamborough Head, England, 1882 (graphite & opaque white w/c on medium thick, slightly textured, tan laid paper with red and blue fibres)

XCC2971530: Flamborough Head, England, 1882 (graphite & opaque white w/c on medium thick, slightly textured, tan laid paper with red and blue fibres), Homer, Winslow (1836-1910) / Bridgeman Images

Landscape with a castle, 1716-18 (red chalk on buff laid paper, laid down on cream laid card)
Landscape with a castle, 1716-18 (red chalk on buff laid paper, laid down on cream laid card)

XCC2971547: Landscape with a castle, 1716-18 (red chalk on buff laid paper, laid down on cream laid card), Watteau, Jean Antoine (1684-1721) / Bridgeman Images

Country Fair, 1653 (black chalk, with brush and grey wash, on ivory laid paper)
Country Fair, 1653 (black chalk, with brush and grey wash, on ivory laid paper)

XCC2971561: Country Fair, 1653 (black chalk, with brush and grey wash, on ivory laid paper), Goyen, Jan Josephsz van (1596-1656) / Bridgeman Images

Unfinished Sketch of Lady Haden, 1895 (litho in black ink, with scraping, on cream wove Japanese vellum)
Unfinished Sketch of Lady Haden, 1895 (litho in black ink, with scraping, on cream wove Japanese vellum)

XCC2971987: Unfinished Sketch of Lady Haden, 1895 (litho in black ink, with scraping, on cream wove Japanese vellum), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Sketch of the Peacock Room, 1898 (graphite on cream wove paper)
Sketch of the Peacock Room, 1898 (graphite on cream wove paper)

XCC2972006: Sketch of the Peacock Room, 1898 (graphite on cream wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Fine Pin, plate three from Intimacies, 1898 (woodcut in black with fawn tint on cream wove paper)
The Fine Pin, plate three from Intimacies, 1898 (woodcut in black with fawn tint on cream wove paper)

XCC2972264: The Fine Pin, plate three from Intimacies, 1898 (woodcut in black with fawn tint on cream wove paper), Vallotton, Felix Edouard (1865-1925) / Bridgeman Images

Sketch of Fortress on Hill (black chalk, heightened with white chalk, on blue laid paper, perimeter mounted to gray wove card)
Sketch of Fortress on Hill (black chalk, heightened with white chalk, on blue laid paper, perimeter mounted to gray wove card)

XCC2972585: Sketch of Fortress on Hill (black chalk, heightened with white chalk, on blue laid paper, perimeter mounted to gray wove card), Wilson, Richard (1714-82) (attr.to) / Bridgeman Images

Yacht Tavern, Erith, 1865 (etching from a zinc plate on ivory china paper)
Yacht Tavern, Erith, 1865 (etching from a zinc plate on ivory china paper)

XCC2972657: Yacht Tavern, Erith, 1865 (etching from a zinc plate on ivory china paper), Haden, Francis Seymour (1818-1910) / Bridgeman Images

Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper)
Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper)

XCC2972681: Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Studies of Warriors, Horsemen, and Lions, 1528-33 (pen & iron gall ink, on ivory laid paper, prepared with a red chalk wash)
Studies of Warriors, Horsemen, and Lions, 1528-33 (pen & iron gall ink, on ivory laid paper, prepared with a red chalk wash)

XCC2972687: Studies of Warriors, Horsemen, and Lions, 1528-33 (pen & iron gall ink, on ivory laid paper, prepared with a red chalk wash), Vaga, Perino del (Pietro Buonaccorsi) (1501-47) / Bridgeman Images

Young Girls at a Fountain, c.1790-99  (pen and brown ink with brush and brown wash, on cream laid paper)
Young Girls at a Fountain, c.1790-99  (pen and brown ink with brush and brown wash, on cream laid paper)

XCC2972700: Young Girls at a Fountain, c.1790-99 (pen and brown ink with brush and brown wash, on cream laid paper), Reinhart, Johann Christian (1761-1847) / Bridgeman Images

Allegorie des Mariages Faits par la Ville de Paris a la Naissance du Duc de Bourgogne, 1751 (etching)
Allegorie des Mariages Faits par la Ville de Paris a la Naissance du Duc de Bourgogne, 1751 (etching)

XCC2972733: Allegorie des Mariages Faits par la Ville de Paris a la Naissance du Duc de Bourgogne, 1751 (etching), Saint-Aubin, Gabriel de (1724-80) / Bridgeman Images

The Adoration of the Shepherds, 1611-12 (pen & brown ink, with white heightening, on ivory laid paper prepared with rust-brown wash, partially incised for transfer)
The Adoration of the Shepherds, 1611-12 (pen & brown ink, with white heightening, on ivory laid paper prepared with rust-brown wash, partially incised for transfer)

XCC2972776: The Adoration of the Shepherds, 1611-12 (pen & brown ink, with white heightening, on ivory laid paper prepared with rust-brown wash, partially incised for transfer), Carracci, Ludovico (1555-1619) / Bridgeman Images

The Emperor Sailing, from The Story of the Emperor of China, 1716-22 (wool, silk, & silvered- & gilt-metal-strip-wrapped silk)
The Emperor Sailing, from The Story of the Emperor of China, 1716-22 (wool, silk, & silvered- & gilt-metal-strip-wrapped silk)

XCC2972854: The Emperor Sailing, from The Story of the Emperor of China, 1716-22 (wool, silk, & silvered- & gilt-metal-strip-wrapped silk), Vernansal, Guy-Louis (1648–1729) (after) / Bridgeman Images

Memorienbuch, directory of the prelates, canons, capitulars of Mainz cathedral, 1777-93 (pen & ink on paper) (see also 1630279)
Memorienbuch, directory of the prelates, canons, capitulars of Mainz cathedral, 1777-93 (pen & ink on paper) (see also 1630279)

STF1630278: Memorienbuch, directory of the prelates, canons, capitulars of Mainz cathedral, 1777-93 (pen & ink on paper) (see also 1630279), German School, (18th century) / Bridgeman Images

Maria Catharina von Kesselstatt (1731-1814) (oil on canvas)
Maria Catharina von Kesselstatt (1731-1814) (oil on canvas)

STF1630284: Maria Catharina von Kesselstatt (1731-1814) (oil on canvas), German School, (19th century) / Bridgeman Images

Franz Ludwig Freiherr von Kesselstatt, 1837 (oil on canvas)
Franz Ludwig Freiherr von Kesselstatt, 1837 (oil on canvas)

STF1630295: Franz Ludwig Freiherr von Kesselstatt, 1837 (oil on canvas), Fleuss, H. (b.c.1800) / Bridgeman Images

Maria Anna von Kesselstatt, 1804 (oil on canvas)
Maria Anna von Kesselstatt, 1804 (oil on canvas)

STF1630299: Maria Anna von Kesselstatt, 1804 (oil on canvas), Delaperche, Jean Marie (1771-1843) / Bridgeman Images

Monument to the Fallen of the Black Watch Regiment, 1910 (bronze)
Monument to the Fallen of the Black Watch Regiment, 1910 (bronze)

STF1630322: Monument to the Fallen of the Black Watch Regiment, 1910 (bronze), Rhind, William Birnie (1853-1933) / Bridgeman Images

Pope Gregory I the Great, detail from 'Mass of St. Gregory', c.1520 (tempera on wood) (detail of 1630388)
Pope Gregory I the Great, detail from 'Mass of St. Gregory', c.1520 (tempera on wood) (detail of 1630388)

STF1630391: Pope Gregory I the Great, detail from 'Mass of St. Gregory', c.1520 (tempera on wood) (detail of 1630388), German School, (16th century) / Bridgeman Images

Regalia of St. Stephen: dalmatic or tunicle (silk & velvet) (see also 1630423-9)
Regalia of St. Stephen: dalmatic or tunicle (silk & velvet) (see also 1630423-9)

STF1630428: Regalia of St. Stephen: dalmatic or tunicle (silk & velvet) (see also 1630423-9), German School / Bridgeman Images

Fund Raising Campaign for German Red Cross, 1914 (colour litho)
Fund Raising Campaign for German Red Cross, 1914 (colour litho)

STC1630627: Fund Raising Campaign for German Red Cross, 1914 (colour litho), Munzer, Adolf (1870-1953) / Bridgeman Images

Capture of Fort Fisher, pub. Kurz & Allison, 1890 (colour litho)
Capture of Fort Fisher, pub. Kurz & Allison, 1890 (colour litho)

STC1630639: Capture of Fort Fisher, pub. Kurz & Allison, 1890 (colour litho), American School, (19th century) / Bridgeman Images

Battle of the Thames and the Death of Tecumseh, by the Kentucky Mounted Volunteers led by Colonel Richard M. Johnson, 5th October 1813, 1833 (hand-coloured litho)
Battle of the Thames and the Death of Tecumseh, by the Kentucky Mounted Volunteers led by Colonel Richard M. Johnson, 5th October 1813, 1833 (hand-coloured litho)

STC1630649: Battle of the Thames and the Death of Tecumseh, by the Kentucky Mounted Volunteers led by Colonel Richard M. Johnson, 5th October 1813, 1833 (hand-coloured litho), Emmons, William (b.1792) / Bridgeman Images

The Buff Club at the Pig and Whistle, Avon Street, Bath, from The English Spy, pub. London, 1825 (hand-coloured aquatint)
The Buff Club at the Pig and Whistle, Avon Street, Bath, from The English Spy, pub. London, 1825 (hand-coloured aquatint)

STC1630655: The Buff Club at the Pig and Whistle, Avon Street, Bath, from The English Spy, pub. London, 1825 (hand-coloured aquatint), Cruikshank, Isaac Robert (1789-1856) / Bridgeman Images

Three Ladies Gardening by The Potting Shed c.1820s (engraving)
Three Ladies Gardening by The Potting Shed c.1820s (engraving)

STC1630658: Three Ladies Gardening by The Potting Shed c.1820s (engraving), English School, (19th century) / Bridgeman Images

STC1630661: "The haughty commandant now came ..." from The Adventures of a Post Captain, by a Naval Officer, pub. 1820 (hand-coloured aquatint), Williams, Charles (Ansell) (fl.c.1797-1850) / Bridgeman Images

She was sitting in the hammock, trying to amuse herself with an old atlas and not succeeding at all well (colour litho)
She was sitting in the hammock, trying to amuse herself with an old atlas and not succeeding at all well (colour litho)

IL1630676: She was sitting in the hammock, trying to amuse herself with an old atlas and not succeeding at all well (colour litho), Willcox Smith, Jessie (1863-1935) / Bridgeman Images

And again a rose bud lay at the feet of the knight of the leopard (colour litho)
And again a rose bud lay at the feet of the knight of the leopard (colour litho)

IL1630697: And again a rose bud lay at the feet of the knight of the leopard (colour litho), Vedder, Simon Harmon (1866-1937) / Bridgeman Images

Bullfinch (colour litho)
Bullfinch (colour litho)

IL1630863: Bullfinch (colour litho), Brooks, G. (fl.1940) / Bridgeman Images


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