PIX4585215: The church of Lanslevillard and sundial - Sundial on a church in France - Sundial of the church of Lanslevillard (Savoie). The main dial dates from 1745. The motto is a little erased. It says in Latin: “De mane usque ad vesperam finies me” (From morning to evening, here's my limits). Old sundial (1745) on the church of Lanslevillard, Savoie, France / Bridgeman Images
PIX4585327: Sundial of the Lycee Louis le Grand in Paris - Sundial. Louis le Grand School - Dial of Lycee Louis le Grand, in Paris, indicating European and astronomical times. This dial shows the local solar time, numbered at the bottom in Roman numerals. The declination lines are drawn in dots and bear the signs of the Zodiac at their extremity. Some lines have a chaotic trace, the effect of the unfortunate restoration of 1988. This dial dates from the construction of the tower, around 1679. Sundial of 17th century in Lycee Henri IV, Paris / Bridgeman Images
FLO4587827: Herb variete - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Bristly or pink honeysuckle, Lonicera hispidula (Caprifolium hispidulum) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1835, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images
FLO4587972: Dyckia, succulent plant with orange flowers, native of Brazil - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Scattered-flowered dyckia, Dyckia rariflora - Engraving by S. Watts after an illustration by Miss Drake from Sydake from Sydake Enham Edwards' ' The Botanical Register,” London, Ridgway, 1835, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images
FLO4588051: Variete d'Ipomee - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Fig-leaved morning glory, Ipomoea ficifolia (Mr. Aiton's ipomoea, Ipomoea aitoni) - Engraving by S. Watts after an illustration by S. Watts after an illustration by Miss Drake from Sydenham Edwards' Botanical Register,” London, Ridgway, 1835, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images
FLO4588072: Mimule variete, called monkey flower or musk flower - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Variegated monkey-flower, Mimulus luteus var. variegatus - Engraving by S. Watts after an illustration by Miss Drake from Denham Edwards' “” The Botanical Register,” London, Ridgway, 1835, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images
FLO4588256: Hibiscus rose from China - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Single-flowered Chinese rose mallow, Hibiscus rose-sinensis - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,” London, Ridgway, 1835, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images
LRI4588643: Etruscan Art: Chimera of Arezzo injured by Bellerophon (Chimera ferita by Bellerofonte) - Bronze sculpture, 400-350 BC - Archaeological Museum of Florence — Chimaera of Arezzo or the Chimaera wounded by Bellerophon (detail of the head) - Bronze sculpture, Etruscan art, 380-360 BC - Museo Archeologico, Florence, Italy, Etruscan, (4th century BC) / Bridgeman Images
FLO4588729: Charming godetie or clarkie agreable or satin flower - Farewell to sping, Clarkia amoena subsp. lindleyi (Large-flowered godetia, Godetia grandiflora). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1842. / Bridgeman Images
FLO4588871: Variete of passionflower or grenadilla - Banana passionfruit, Passiflora mollissima (Soft-leaved tacsonia, Tacsonia mollissima). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846. / Bridgeman Images
FLO4589246: Spiny calicotoma or spiny cytitis - Spiny broom, Calicotoma spinosa (Spiny calycotoma, Calycotoma spinosa). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846. / Bridgeman Images
FLO4589865: Shopfront to Martin's caterers, 50 rue St. Jacques de la Boucherie, Paris, circa 1800.Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris, Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. / Bridgeman Images
FLO4589916: Shopfront of Cafe Tesse, 1 Quai Voltaire, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. / Bridgeman Images
FLO4589945: Shopfront of Monsieur Fargeon's perfumery to the Empress Josephine, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. Â / Bridgeman Images
FLO4589930: Shopfront of Monsieur Taillebosq's fabric store, 38 rue St. Denis, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. / Bridgeman Images