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The church of Lanslevillard and sundial - Sundial on a church in France - Sundial of the church of Lanslevillard (Savoie). The main dial dates from 1745. The motto is a little erased. It says in Latin: “De mane usque ad vesperam finies me” (From morning to evening, here's my limits). Old sundial (1745) on the church of Lanslevillard, Savoie, France
The church of Lanslevillard and sundial - Sundial on a church in France - Sundial of the church of Lanslevillard (Savoie). The main dial dates from 1745. The motto is a little erased. It says in Latin: “De mane usque ad vesperam finies me” (From morning to evening, here's my limits). Old sundial (1745) on the church of Lanslevillard, Savoie, France

PIX4585215: The church of Lanslevillard and sundial - Sundial on a church in France - Sundial of the church of Lanslevillard (Savoie). The main dial dates from 1745. The motto is a little erased. It says in Latin: “De mane usque ad vesperam finies me” (From morning to evening, here's my limits). Old sundial (1745) on the church of Lanslevillard, Savoie, France / Bridgeman Images

Sundial of the Lycee Louis le Grand in Paris - Sundial. Louis le Grand School - Dial of Lycee Louis le Grand, in Paris, indicating European and astronomical times. This dial shows the local solar time, numbered at the bottom in Roman numerals. The declination lines are drawn in dots and bear the signs of the Zodiac at their extremity. Some lines have a chaotic trace, the effect of the unfortunate restoration of 1988. This dial dates from the construction of the tower, around 1679. Sundial of 17th century in Lycee Henri IV, Paris
Sundial of the Lycee Louis le Grand in Paris - Sundial. Louis le Grand School - Dial of Lycee Louis le Grand, in Paris, indicating European and astronomical times. This dial shows the local solar time, numbered at the bottom in Roman numerals. The declination lines are drawn in dots and bear the signs of the Zodiac at their extremity. Some lines have a chaotic trace, the effect of the unfortunate restoration of 1988. This dial dates from the construction of the tower, around 1679. Sundial of 17th century in Lycee Henri IV, Paris

PIX4585327: Sundial of the Lycee Louis le Grand in Paris - Sundial. Louis le Grand School - Dial of Lycee Louis le Grand, in Paris, indicating European and astronomical times. This dial shows the local solar time, numbered at the bottom in Roman numerals. The declination lines are drawn in dots and bear the signs of the Zodiac at their extremity. Some lines have a chaotic trace, the effect of the unfortunate restoration of 1988. This dial dates from the construction of the tower, around 1679. Sundial of 17th century in Lycee Henri IV, Paris / Bridgeman Images

La rue Barthelemy Paris 15th arrondissement.
La rue Barthelemy Paris 15th arrondissement.

LBY4585454: La rue Barthelemy Paris 15th arrondissement. / Bridgeman Images

Herb variete - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Bristly or pink honeysuckle, Lonicera hispidula (Caprifolium hispidulum) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1835
Herb variete - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Bristly or pink honeysuckle, Lonicera hispidula (Caprifolium hispidulum) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1835

FLO4587827: Herb variete - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Bristly or pink honeysuckle, Lonicera hispidula (Caprifolium hispidulum) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1835, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Dyckia, succulent plant with orange flowers, native of Brazil - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Scattered-flowered dyckia, Dyckia rariflora - Engraving by S. Watts after an illustration by Miss Drake from Sydake from Sydake Enham Edwards' ' The Botanical Register,” London, Ridgway, 1835
Dyckia, succulent plant with orange flowers, native of Brazil - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Scattered-flowered dyckia, Dyckia rariflora - Engraving by S. Watts after an illustration by Miss Drake from Sydake from Sydake Enham Edwards' ' The Botanical Register,” London, Ridgway, 1835

FLO4587972: Dyckia, succulent plant with orange flowers, native of Brazil - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Scattered-flowered dyckia, Dyckia rariflora - Engraving by S. Watts after an illustration by Miss Drake from Sydake from Sydake Enham Edwards' ' The Botanical Register,” London, Ridgway, 1835, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Variete d'Ipomee - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Fig-leaved morning glory, Ipomoea ficifolia (Mr. Aiton's ipomoea, Ipomoea aitoni) - Engraving by S. Watts after an illustration by S. Watts after an illustration by Miss Drake from Sydenham Edwards' Botanical Register,” London, Ridgway, 1835
Variete d'Ipomee - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Fig-leaved morning glory, Ipomoea ficifolia (Mr. Aiton's ipomoea, Ipomoea aitoni) - Engraving by S. Watts after an illustration by S. Watts after an illustration by Miss Drake from Sydenham Edwards' Botanical Register,” London, Ridgway, 1835

FLO4588051: Variete d'Ipomee - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Fig-leaved morning glory, Ipomoea ficifolia (Mr. Aiton's ipomoea, Ipomoea aitoni) - Engraving by S. Watts after an illustration by S. Watts after an illustration by Miss Drake from Sydenham Edwards' Botanical Register,” London, Ridgway, 1835, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Mimule variete, called monkey flower or musk flower - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Variegated monkey-flower, Mimulus luteus var. variegatus - Engraving by S. Watts after an illustration by Miss Drake from Denham Edwards' “” The Botanical Register,” London, Ridgway, 1835
Mimule variete, called monkey flower or musk flower - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Variegated monkey-flower, Mimulus luteus var. variegatus - Engraving by S. Watts after an illustration by Miss Drake from Denham Edwards' “” The Botanical Register,” London, Ridgway, 1835

FLO4588072: Mimule variete, called monkey flower or musk flower - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Variegated monkey-flower, Mimulus luteus var. variegatus - Engraving by S. Watts after an illustration by Miss Drake from Denham Edwards' “” The Botanical Register,” London, Ridgway, 1835, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Hibiscus rose from China - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Single-flowered Chinese rose mallow, Hibiscus rose-sinensis - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,” London, Ridgway, 1835
Hibiscus rose from China - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Single-flowered Chinese rose mallow, Hibiscus rose-sinensis - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,” London, Ridgway, 1835

FLO4588256: Hibiscus rose from China - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Single-flowered Chinese rose mallow, Hibiscus rose-sinensis - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,” London, Ridgway, 1835, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Scarab gold ring, 4th Century BC
Scarab gold ring, 4th Century BC

LRI4588295: Scarab gold ring, 4th Century BC, Etruscan, (4th century BC) / Bridgeman Images

Etruscan civilization: fibule a dragon (fibula a drago) in gold from Marsiliana d'Albegna, Italy (Golden dragoon shaped brooch) 675-650 BC Dim 12.5 cm Florence Museo archeologico
Etruscan civilization: fibule a dragon (fibula a drago) in gold from Marsiliana d'Albegna, Italy (Golden dragoon shaped brooch) 675-650 BC Dim 12.5 cm Florence Museo archeologico

LRI4588486: Etruscan civilization: fibule a dragon (fibula a drago) in gold from Marsiliana d'Albegna, Italy (Golden dragoon shaped brooch) 675-650 BC Dim 12.5 cm Florence Museo archeologico, Etruscan, (7th century BC) / Bridgeman Images

Gold necklace pendant, 475-450 BC
Gold necklace pendant, 475-450 BC

LRI4588556: Gold necklace pendant, 475-450 BC, Etruscan, (5th century BC) / Bridgeman Images

Tiger lily, Tigridia meleagris (Spotted waterband, Hydrotaenia meleagris). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1842.
Tiger lily, Tigridia meleagris (Spotted waterband, Hydrotaenia meleagris). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1842.

FLO4588560: Tiger lily, Tigridia meleagris (Spotted waterband, Hydrotaenia meleagris). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1842. / Bridgeman Images

Bauletto (bag) earring, 475-450 BC
Bauletto (bag) earring, 475-450 BC

LRI4588568: Bauletto (bag) earring, 475-450 BC, Etruscan, (5th century BC) / Bridgeman Images

Etruscan Art: Chimera of Arezzo injured by Bellerophon (Chimera ferita by Bellerofonte) - Bronze sculpture, 400-350 BC - Archaeological Museum of Florence — Chimaera of Arezzo or the Chimaera wounded by Bellerophon (detail of the head) - Bronze sculpture, Etruscan art, 380-360 BC - Museo Archeologico, Florence, Italy
Etruscan Art: Chimera of Arezzo injured by Bellerophon (Chimera ferita by Bellerofonte) - Bronze sculpture, 400-350 BC - Archaeological Museum of Florence — Chimaera of Arezzo or the Chimaera wounded by Bellerophon (detail of the head) - Bronze sculpture, Etruscan art, 380-360 BC - Museo Archeologico, Florence, Italy

LRI4588643: Etruscan Art: Chimera of Arezzo injured by Bellerophon (Chimera ferita by Bellerofonte) - Bronze sculpture, 400-350 BC - Archaeological Museum of Florence — Chimaera of Arezzo or the Chimaera wounded by Bellerophon (detail of the head) - Bronze sculpture, Etruscan art, 380-360 BC - Museo Archeologico, Florence, Italy, Etruscan, (4th century BC) / Bridgeman Images

Charming godetie or clarkie agreable or satin flower - Farewell to sping, Clarkia amoena subsp. lindleyi (Large-flowered godetia, Godetia grandiflora). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1842.
Charming godetie or clarkie agreable or satin flower - Farewell to sping, Clarkia amoena subsp. lindleyi (Large-flowered godetia, Godetia grandiflora). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1842.

FLO4588729: Charming godetie or clarkie agreable or satin flower - Farewell to sping, Clarkia amoena subsp. lindleyi (Large-flowered godetia, Godetia grandiflora). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1842. / Bridgeman Images

Etruscan civilization: “” offeror figure”” bronze sculpture, coming from Montalcino, Italy 300 BC Dim 26 cm (Etruscan art, offering woman, bronze sculpture, from Montalcino, Italy, 300 BC, Dim 26 cm) Florence, Museo Archeologico
Etruscan civilization: “” offeror figure”” bronze sculpture, coming from Montalcino, Italy 300 BC Dim 26 cm (Etruscan art, offering woman, bronze sculpture, from Montalcino, Italy, 300 BC, Dim 26 cm) Florence, Museo Archeologico

LRI4588853: Etruscan civilization: “” offeror figure”” bronze sculpture, coming from Montalcino, Italy 300 BC Dim 26 cm (Etruscan art, offering woman, bronze sculpture, from Montalcino, Italy, 300 BC, Dim 26 cm) Florence, Museo Archeologico, Etruscan (3rd century BC) / Bridgeman Images

Variete of passionflower or grenadilla - Banana passionfruit, Passiflora mollissima (Soft-leaved tacsonia, Tacsonia mollissima). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846.
Variete of passionflower or grenadilla - Banana passionfruit, Passiflora mollissima (Soft-leaved tacsonia, Tacsonia mollissima). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846.

FLO4588871: Variete of passionflower or grenadilla - Banana passionfruit, Passiflora mollissima (Soft-leaved tacsonia, Tacsonia mollissima). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846. / Bridgeman Images

Indigotier de Chine - Comely indigo, Indigofera decora. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846.
Indigotier de Chine - Comely indigo, Indigofera decora. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846.

FLO4588965: Indigotier de Chine - Comely indigo, Indigofera decora. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846. / Bridgeman Images

Tall buckwheat, Fagopyrum acutatum (Loose-flowered buckwheat, Fagopyrum cymosum). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846.
Tall buckwheat, Fagopyrum acutatum (Loose-flowered buckwheat, Fagopyrum cymosum). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846.

FLO4588995: Tall buckwheat, Fagopyrum acutatum (Loose-flowered buckwheat, Fagopyrum cymosum). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846. / Bridgeman Images

Philibertia campanulata (Bell-shaped sarcostem, Sarcostemma campanulata). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846.
Philibertia campanulata (Bell-shaped sarcostem, Sarcostemma campanulata). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846.

FLO4589068: Philibertia campanulata (Bell-shaped sarcostem, Sarcostemma campanulata). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846. / Bridgeman Images

Begonia has red and white flowers - White and scarlet begonia, Begonia albococcinea. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846.
Begonia has red and white flowers - White and scarlet begonia, Begonia albococcinea. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846.

FLO4589088: Begonia has red and white flowers - White and scarlet begonia, Begonia albococcinea. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846. / Bridgeman Images

Etruscan civilization: “
Etruscan civilization: “

LRI4589191: Etruscan civilization: “" figure of offering "” Bronze sculpture, 625-600 BC Dim 9 cm (Etruscan art, offering figure, bronze sculpture, 625-600 BC, Dim 9 cm) Arezzo, Museo Archeologico Clinio Mecenate, Etruscan, (7th century BC) / Bridgeman Images

Spiny calicotoma or spiny cytitis - Spiny broom, Calicotoma spinosa (Spiny calycotoma, Calycotoma spinosa). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846.
Spiny calicotoma or spiny cytitis - Spiny broom, Calicotoma spinosa (Spiny calycotoma, Calycotoma spinosa). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846.

FLO4589246: Spiny calicotoma or spiny cytitis - Spiny broom, Calicotoma spinosa (Spiny calycotoma, Calycotoma spinosa). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846. / Bridgeman Images

Spotless purple torenia, Torenia concolor. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846.
Spotless purple torenia, Torenia concolor. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846.

FLO4589311: Spotless purple torenia, Torenia concolor. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846. / Bridgeman Images

Offering man, bronze sculpture, 500 BC
Offering man, bronze sculpture, 500 BC

LRI4589377: Offering man, bronze sculpture, 500 BC, Etruscan, (6th century BC) / Bridgeman Images

Pyxis decorated with athletes practicing javelin throw (painted terracotta)
Pyxis decorated with athletes practicing javelin throw (painted terracotta)

LRI4589485: Pyxis decorated with athletes practicing javelin throw (painted terracotta), Etruscan / Bridgeman Images

Hydria with representation of Zeus kidnapping Europa, terracotta, 550-500 BC
Hydria with representation of Zeus kidnapping Europa, terracotta, 550-500 BC

LRI4589539: Hydria with representation of Zeus kidnapping Europa, terracotta, 550-500 BC, Etruscan, (6th century BC) / Bridgeman Images

Many-flowered chaenostome, Chaenostoma polyanthum. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.
Many-flowered chaenostome, Chaenostoma polyanthum. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.

FLO4589627: Many-flowered chaenostome, Chaenostoma polyanthum. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847. / Bridgeman Images

Krater representing Neoptoleme, Astyanax, Helene of Troy, 4th century BC (terracotta)
Krater representing Neoptoleme, Astyanax, Helene of Troy, 4th century BC (terracotta)

LRI4589712: Krater representing Neoptoleme, Astyanax, Helene of Troy, 4th century BC (terracotta), Etruscan, (4th century BC) / Bridgeman Images

Terracotta fragment of kylix representing a maenad and a satyr, 350 BC
Terracotta fragment of kylix representing a maenad and a satyr, 350 BC

LRI4589806: Terracotta fragment of kylix representing a maenad and a satyr, 350 BC, Etruscan, (4th century BC) / Bridgeman Images

Terracotta column krater with a portrait of a woman, between two horses, a young lady with a naked man, 310-300 BC
Terracotta column krater with a portrait of a woman, between two horses, a young lady with a naked man, 310-300 BC

LRI4589828: Terracotta column krater with a portrait of a woman, between two horses, a young lady with a naked man, 310-300 BC, Etruscan, (4th century BC) / Bridgeman Images

Shopfront to Martin's caterers, 50 rue St. Jacques de la Boucherie, Paris, circa 1800.Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris, Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.
Shopfront to Martin's caterers, 50 rue St. Jacques de la Boucherie, Paris, circa 1800.Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris, Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.

FLO4589865: Shopfront to Martin's caterers, 50 rue St. Jacques de la Boucherie, Paris, circa 1800.Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris, Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. / Bridgeman Images

Shopfront of Cafe Tesse, 1 Quai Voltaire, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.
Shopfront of Cafe Tesse, 1 Quai Voltaire, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.

FLO4589916: Shopfront of Cafe Tesse, 1 Quai Voltaire, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. / Bridgeman Images

Shopfront of Monsieur Fargeon's perfumery to the Empress Josephine, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. Â
Shopfront of Monsieur Fargeon's perfumery to the Empress Josephine, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. Â

FLO4589945: Shopfront of Monsieur Fargeon's perfumery to the Empress Josephine, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. Â / Bridgeman Images

Shopfront of Monsieur Taillebosq's fabric store, 38 rue St. Denis, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.
Shopfront of Monsieur Taillebosq's fabric store, 38 rue St. Denis, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.

FLO4589930: Shopfront of Monsieur Taillebosq's fabric store, 38 rue St. Denis, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. / Bridgeman Images

The Virgin, the Child Jesus, Saint John the Baptist Child and Saint Bernard of Clairvaux, 1463 (tempera on wood)
The Virgin, the Child Jesus, Saint John the Baptist Child and Saint Bernard of Clairvaux, 1463 (tempera on wood)

JLJ4585042: The Virgin, the Child Jesus, Saint John the Baptist Child and Saint Bernard of Clairvaux, 1463 (tempera on wood), Lippi, Fra Filippo (c.1406-69) / Bridgeman Images


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