1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2502170 Search Results

The site of the Musee des Monuments Francais, Cite de l'architecture et du patrimoine, Palais de Chaillot, 1 place du Trocadero, Paris 16th. All the renovation and renovation works were entrusted to the architect Jean Francois Bodin, at the end of 2007. Photography 2003.
The site of the Musee des Monuments Francais, Cite de l'architecture et du patrimoine, Palais de Chaillot, 1 place du Trocadero, Paris 16th. All the renovation and renovation works were entrusted to the architect Jean Francois Bodin, at the end of 2007. Photography 2003.

JSN4625394: The site of the Musee des Monuments Francais, Cite de l'architecture et du patrimoine, Palais de Chaillot, 1 place du Trocadero, Paris 16th. All the renovation and renovation works were entrusted to the architect Jean Francois Bodin, at the end of 2007. Photography 2003., Salmon, Jacqueline / Bridgeman Images

ID: JSN4625394

The site of the Musee des Monuments Francais, Cite de l'architecture et du patrimoine, Palais de Chaillot, 1 place du Trocadero, Paris 16th. All the renovation and renovation works were entrusted to the architect Jean Francois Bodin, at the end of 2007. Photography 2003.

Salmon, Jacqueline

Illustration from the book
Illustration from the book

JLJ4625425: Illustration from the book "Le bon roy Henri": Portrait of Charles de Lorraine (1554-1611) (litho), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: JLJ4625425

Illustration from the book "Le bon roy Henri": Portrait of Charles de Lorraine (1554-1611) (litho)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

Illustration from the book
Illustration from the book

JLJ4625432: Illustration from the book " Le bon roy Henri" (litho), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: JLJ4625432

Illustration from the book " Le bon roy Henri" (litho)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

Saturn and Titan - Illustration - Saturn from Titan orbit - The planet Saturn seen from the orbit of its Titan satellite. This is how Saturn and Titan might look from a position in orbit around Titan. While in reality Saturn is vastly larger than Titan, it appears smaller here because Titan's orbit puts Saturn at a distance of about 700 thousand miles. Sunlight filtering through Titan's upper atmospheric haze - - extending over 300 miles above the surface - - gives a bluish cast to its limb
Saturn and Titan - Illustration - Saturn from Titan orbit - The planet Saturn seen from the orbit of its Titan satellite. This is how Saturn and Titan might look from a position in orbit around Titan. While in reality Saturn is vastly larger than Titan, it appears smaller here because Titan's orbit puts Saturn at a distance of about 700 thousand miles. Sunlight filtering through Titan's upper atmospheric haze - - extending over 300 miles above the surface - - gives a bluish cast to its limb

PIX4626066: Saturn and Titan - Illustration - Saturn from Titan orbit - The planet Saturn seen from the orbit of its Titan satellite. This is how Saturn and Titan might look from a position in orbit around Titan. While in reality Saturn is vastly larger than Titan, it appears smaller here because Titan's orbit puts Saturn at a distance of about 700 thousand miles. Sunlight filtering through Titan's upper atmospheric haze - - extending over 300 miles above the surface - - gives a bluish cast to its limb / Bridgeman Images

ID: PIX4626066

Saturn and Titan - Illustration - Saturn from Titan orbit - The planet Saturn seen from the orbit of its Titan satellite. This is how Saturn and Titan might look from a position in orbit around Titan. While in reality Saturn is vastly larger than Titan, it appears smaller here because Titan's orbit puts Saturn at a distance of about 700 thousand miles. Sunlight filtering through Titan's upper atmospheric haze - - extending over 300 miles above the surface - - gives a bluish cast to its limb

The National Theatre of Chaillot, Paris 16th arrondissement. Architects Leon Azema (1888-1978), Jacques Carlu (1890-1976) and Louis-Hippolyte (Louis Hippolyte) Boileau (1878-1948), 1937. The works of the foyer are entrusted to Louis Sue and Gustave Jaulmes, both teams having been laureates of the interior design competition. Photography 10/01/01.
The National Theatre of Chaillot, Paris 16th arrondissement. Architects Leon Azema (1888-1978), Jacques Carlu (1890-1976) and Louis-Hippolyte (Louis Hippolyte) Boileau (1878-1948), 1937. The works of the foyer are entrusted to Louis Sue and Gustave Jaulmes, both teams having been laureates of the interior design competition. Photography 10/01/01.

LBY4626084: The National Theatre of Chaillot, Paris 16th arrondissement. Architects Leon Azema (1888-1978), Jacques Carlu (1890-1976) and Louis-Hippolyte (Louis Hippolyte) Boileau (1878-1948), 1937. The works of the foyer are entrusted to Louis Sue and Gustave Jaulmes, both teams having been laureates of the interior design competition. Photography 10/01/01. / Bridgeman Images

ID: LBY4626084

The National Theatre of Chaillot, Paris 16th arrondissement. Architects Leon Azema (1888-1978), Jacques Carlu (1890-1976) and Louis-Hippolyte (Louis Hippolyte) Boileau (1878-1948), 1937. The works of the foyer are entrusted to Louis Sue and Gustave Jaulmes, both teams having been laureates of the interior design competition. Photography 10/01/01.

Astronauts on Titan - Illustration - Releasing a weather balloon on Titan - Astronauts make meteorological measurements on the surface of Titan. A titanian explorer prepares to release a weather balloon while another direct a flood lamp to illuminate the activity. On the left is a supply cart with a portable weather station, featuring an interactive control panel designed to accommodate hands enclosed in thick gloves. All exposed hardware would have to function at temperatures of minus 300* F and below. With an atmosphere 10 times denser than the Earth's, weather would be of keen interest to Titan's visitors. High in Titan's atmosphere wind velocities in excess of 400 mph have been detected. While not much is known about winds and weather at Triton's surface, terrain features resembling dune fields have been observed, suggesting surface winds have occurred at some locations. Fogs of methane gas would likely be present at the surface as well
Astronauts on Titan - Illustration - Releasing a weather balloon on Titan - Astronauts make meteorological measurements on the surface of Titan. A titanian explorer prepares to release a weather balloon while another direct a flood lamp to illuminate the activity. On the left is a supply cart with a portable weather station, featuring an interactive control panel designed to accommodate hands enclosed in thick gloves. All exposed hardware would have to function at temperatures of minus 300* F and below. With an atmosphere 10 times denser than the Earth's, weather would be of keen interest to Titan's visitors. High in Titan's atmosphere wind velocities in excess of 400 mph have been detected. While not much is known about winds and weather at Triton's surface, terrain features resembling dune fields have been observed, suggesting surface winds have occurred at some locations. Fogs of methane gas would likely be present at the surface as well

PIX4626113: Astronauts on Titan - Illustration - Releasing a weather balloon on Titan - Astronauts make meteorological measurements on the surface of Titan. A titanian explorer prepares to release a weather balloon while another direct a flood lamp to illuminate the activity. On the left is a supply cart with a portable weather station, featuring an interactive control panel designed to accommodate hands enclosed in thick gloves. All exposed hardware would have to function at temperatures of minus 300* F and below. With an atmosphere 10 times denser than the Earth's, weather would be of keen interest to Titan's visitors. High in Titan's atmosphere wind velocities in excess of 400 mph have been detected. While not much is known about winds and weather at Triton's surface, terrain features resembling dune fields have been observed, suggesting surface winds have occurred at some locations. Fogs of methane gas would likely be present at the surface as well / Bridgeman Images

ID: PIX4626113

Astronauts on Titan - Illustration - Releasing a weather balloon on Titan - Astronauts make meteorological measurements on the surface of Titan. A titanian explorer prepares to release a weather balloon while another direct a flood lamp to illuminate the activity. On the left is a supply cart with a portable weather station, featuring an interactive control panel designed to accommodate hands enclosed in thick gloves. All exposed hardware would have to function at temperatures of minus 300* F and below. With an atmosphere 10 times denser than the Earth's, weather would be of keen interest to Titan's visitors. High in Titan's atmosphere wind velocities in excess of 400 mph have been detected. While not much is known about winds and weather at Triton's surface, terrain features resembling dune fields have been observed, suggesting surface winds have occurred at some locations. Fogs of methane gas would likely be present at the surface as well

Astronauts on Titan - Illustration - First steps on Titan - Astronauts explore Titan's surface. Perhaps some day in the far future humans will set foot on Saturn's mysterious moon Titan, one of the most interesting worlds in the Solar System. Larger than the planet Mercury, Earth's moon, and the dwarf planet Pluto, and second only in size to Jupiter's satellite Ganymede, Titan is the only known extraterrestrial world with a dense atmosphere that realistically could be visited by humans. A visit to Titan would require a space journey of a year or more and traverse over 700 million miles. Beneath Titan's 350 miles of atmosphere, intrepid explorers would likely find a dark, forbidding landscape of rock, ice, and possibly tarry layers of hydrocarbons and lakes of liquid ethane and/or methane (AKA natural gas). The Surface temperature would be around minus 300* F, cold enough to freeze exposed human tissue within seconds. There would be no oxygen to breathe, and any water to be found would be as hard and dense as granite. Despite these harsh conditions, Titan could yet yield secrets regarding the origin of life itself as it is believed that, with the exception of the extreme cold, Titan resemble the primordial Earth at the time living organisms first appeared. In this image, Titan's first human visitors are protected by thick suits and helmets to shield them from the extreme cold - - and possibly toxic compounds such as hydrogen cyanide. They carry their own oxygen as Titan's atmosphere is primarily nitrogen with lesser amounts of argon, methane and other gases. Each explorer also carries “” head”” lights attached to their helmets to help them navigate a terrain that receives only 1/1000th the Sun's illumination on the Earth; while this means that noon on Titan would appear relatively dim, it would yet be over 300 times brighter than the Earth under a full moon
Astronauts on Titan - Illustration - First steps on Titan - Astronauts explore Titan's surface. Perhaps some day in the far future humans will set foot on Saturn's mysterious moon Titan, one of the most interesting worlds in the Solar System. Larger than the planet Mercury, Earth's moon, and the dwarf planet Pluto, and second only in size to Jupiter's satellite Ganymede, Titan is the only known extraterrestrial world with a dense atmosphere that realistically could be visited by humans. A visit to Titan would require a space journey of a year or more and traverse over 700 million miles. Beneath Titan's 350 miles of atmosphere, intrepid explorers would likely find a dark, forbidding landscape of rock, ice, and possibly tarry layers of hydrocarbons and lakes of liquid ethane and/or methane (AKA natural gas). The Surface temperature would be around minus 300* F, cold enough to freeze exposed human tissue within seconds. There would be no oxygen to breathe, and any water to be found would be as hard and dense as granite. Despite these harsh conditions, Titan could yet yield secrets regarding the origin of life itself as it is believed that, with the exception of the extreme cold, Titan resemble the primordial Earth at the time living organisms first appeared. In this image, Titan's first human visitors are protected by thick suits and helmets to shield them from the extreme cold - - and possibly toxic compounds such as hydrogen cyanide. They carry their own oxygen as Titan's atmosphere is primarily nitrogen with lesser amounts of argon, methane and other gases. Each explorer also carries “” head”” lights attached to their helmets to help them navigate a terrain that receives only 1/1000th the Sun's illumination on the Earth; while this means that noon on Titan would appear relatively dim, it would yet be over 300 times brighter than the Earth under a full moon

PIX4626158: Astronauts on Titan - Illustration - First steps on Titan - Astronauts explore Titan's surface. Perhaps some day in the far future humans will set foot on Saturn's mysterious moon Titan, one of the most interesting worlds in the Solar System. Larger than the planet Mercury, Earth's moon, and the dwarf planet Pluto, and second only in size to Jupiter's satellite Ganymede, Titan is the only known extraterrestrial world with a dense atmosphere that realistically could be visited by humans. A visit to Titan would require a space journey of a year or more and traverse over 700 million miles. Beneath Titan's 350 miles of atmosphere, intrepid explorers would likely find a dark, forbidding landscape of rock, ice, and possibly tarry layers of hydrocarbons and lakes of liquid ethane and/or methane (AKA natural gas). The Surface temperature would be around minus 300* F, cold enough to freeze exposed human tissue within seconds. There would be no oxygen to breathe, and any water to be found would be as hard and dense as granite. Despite these harsh conditions, Titan could yet yield secrets regarding the origin of life itself as it is believed that, with the exception of the extreme cold, Titan resemble the primordial Earth at the time living organisms first appeared. In this image, Titan's first human visitors are protected by thick suits and helmets to shield them from the extreme cold - - and possibly toxic compounds such as hydrogen cyanide. They carry their own oxygen as Titan's atmosphere is primarily nitrogen with lesser amounts of argon, methane and other gases. Each explorer also carries “” head”” lights attached to their helmets to help them navigate a terrain that receives only 1/1000th the Sun's illumination on the Earth; while this means that noon on Titan would appear relatively dim, it would yet be over 300 times brighter than the Earth under a full moon / Bridgeman Images

ID: PIX4626158

Astronauts on Titan - Illustration - First steps on Titan - Astronauts explore Titan's surface. Perhaps some day in the far future humans will set foot on Saturn's mysterious moon Titan, one of the most interesting worlds in the Solar System. Larger than the planet Mercury, Earth's moon, and the dwarf planet Pluto, and second only in size to Jupiter's satellite Ganymede, Titan is the only known extraterrestrial world with a dense atmosphere that realistically could be visited by humans. A visit to Titan would require a space journey of a year or more and traverse over 700 million miles. Beneath Titan's 350 miles of atmosphere, intrepid explorers would likely find a dark, forbidding landscape of rock, ice, and possibly tarry layers of hydrocarbons and lakes of liquid ethane and/or methane (AKA natural gas). The Surface temperature would be around minus 300* F, cold enough to freeze exposed human tissue within seconds. There would be no oxygen to breathe, and any water to be found would

“The Memorial of Saint Helene
“The Memorial of Saint Helene

JLJ4626384: “The Memorial of Saint Helene": The Imperial Guard: Guard of Honour (1813-1814) and Constable of Ordinance (1806-1807) (litho), Bombled, Louis Charles (1862-1927) / Bridgeman Images

ID: JLJ4626384

“The Memorial of Saint Helene": The Imperial Guard: Guard of Honour (1813-1814) and Constable of Ordinance (1806-1807) (litho)

Bombled, Louis Charles (1862-1927)

JLJ4626423: "The Memorial of Saint Helene": Bavarian Military (lithograph), Bombled, Louis Charles (1862-1927) / Bridgeman Images

ID: JLJ4626423

"The Memorial of Saint Helene": Bavarian Military (lithograph)

Bombled, Louis Charles (1862-1927)

School Elementaire HQE, Rue Lafontaine, Paris 16th. Architects Jean and Aline Harari and Yannick Issaly, 2009. Photo: 01/09/09.
School Elementaire HQE, Rue Lafontaine, Paris 16th. Architects Jean and Aline Harari and Yannick Issaly, 2009. Photo: 01/09/09.

MDA4626495: School Elementaire HQE, Rue Lafontaine, Paris 16th. Architects Jean and Aline Harari and Yannick Issaly, 2009. Photo: 01/09/09. / Bridgeman Images

ID: MDA4626495

School Elementaire HQE, Rue Lafontaine, Paris 16th. Architects Jean and Aline Harari and Yannick Issaly, 2009. Photo: 01/09/09.

Unjust kings are invited by an angel to enter the Underworld 13th Century Orthodox Monastery of Milesevo, Serbia
Unjust kings are invited by an angel to enter the Underworld 13th Century Orthodox Monastery of Milesevo, Serbia

LRI4626452: Unjust kings are invited by an angel to enter the Underworld 13th Century Orthodox Monastery of Milesevo, Serbia, Unknown Artist, (13th century) / Bridgeman Images

ID: LRI4626452

Unjust kings are invited by an angel to enter the Underworld 13th Century Orthodox Monastery of Milesevo, Serbia

Unknown Artist, (13th century)

The Decorative Art Collection of the Musee d'Art Moderne de la Ville de Paris, Avenue du President Wilson, Paris 75016. Architecture by Jean-Claude Dondel, Andre Aubert, Paul Viard and Marcel Dastugue, 1937. Artist Jean Dunand (1877 - 1942) and Andre Arbus
The Decorative Art Collection of the Musee d'Art Moderne de la Ville de Paris, Avenue du President Wilson, Paris 75016. Architecture by Jean-Claude Dondel, Andre Aubert, Paul Viard and Marcel Dastugue, 1937. Artist Jean Dunand (1877 - 1942) and Andre Arbus

ITR4626547: The Decorative Art Collection of the Musee d'Art Moderne de la Ville de Paris, Avenue du President Wilson, Paris 75016. Architecture by Jean-Claude Dondel, Andre Aubert, Paul Viard and Marcel Dastugue, 1937. Artist Jean Dunand (1877 - 1942) and Andre Arbus, Lemaitre, Pascal / Bridgeman Images

ID: ITR4626547

The Decorative Art Collection of the Musee d'Art Moderne de la Ville de Paris, Avenue du President Wilson, Paris 75016. Architecture by Jean-Claude Dondel, Andre Aubert, Paul Viard and Marcel Dastugue, 1937. Artist Jean Dunand (1877 - 1942) and Andre Arbus

Lemaitre, Pascal

Crab Nebula seen in different wavelength - The Crab Nebula in multi wavelength: M1, the Crab Nebula, is the rest of a supernova that exploded on July 4, 1054. It is located about 6500 light years from Earth in the constellation Taurus. At the heart of this nebula is a pulsar. To obtain this photo, different observatories and telescopes combined their observations; the VLA provided the radio image (in red), the Spitzer telescope the infrared image (in yellow), the Hubble telescope for the visible part (here in green), XMM-Newton the ultraviolet image (in blue) and the Chandra telescope for X-ray data (purple). The pulsar is the bright spot in the center of the image. The unusual image was produced by combining data from telescopes spanning almost the entire electromagnetic spectrum, from radio waves to X-rays. The Karl G. Jansky Very Large Array (VLA) provided information about the nebula gathered in the radio regime (colored in red). Nasa's Spitzer Space Telescope took images in the infrared (yellow). The NASA/ESA Hubble Space Telescope provided the images made in optical wavelengths (colored in green). ESA's XMM-Newton telescope observed the Crab Nebula in the ultraviolet (blue) and Nasa's Chandra X-ray Observatory provided the data for X-ray radiation (purple). The Crab Nebula, located 6500 light-years from Earth in the constellation of Taurus, is the result of a supernova explosion which was observed by Chinese and other astronomers in 1054. At its centre is a pulsar: a super-dense neutron star, spinning once every 33 milliseconds, shooting out rotating light-like beams of radio waves and visible light. Surrounding the pulsar lies a mix of material; some of it was originally expelled from the star before it went supernova, and the rest was ejected during the explosion itself. Fast-moving winds of particles fly off from the neutron star, energising the dust and gas around it.
Crab Nebula seen in different wavelength - The Crab Nebula in multi wavelength: M1, the Crab Nebula, is the rest of a supernova that exploded on July 4, 1054. It is located about 6500 light years from Earth in the constellation Taurus. At the heart of this nebula is a pulsar. To obtain this photo, different observatories and telescopes combined their observations; the VLA provided the radio image (in red), the Spitzer telescope the infrared image (in yellow), the Hubble telescope for the visible part (here in green), XMM-Newton the ultraviolet image (in blue) and the Chandra telescope for X-ray data (purple). The pulsar is the bright spot in the center of the image. The unusual image was produced by combining data from telescopes spanning almost the entire electromagnetic spectrum, from radio waves to X-rays. The Karl G. Jansky Very Large Array (VLA) provided information about the nebula gathered in the radio regime (colored in red). Nasa's Spitzer Space Telescope took images in the infrared (yellow). The NASA/ESA Hubble Space Telescope provided the images made in optical wavelengths (colored in green). ESA's XMM-Newton telescope observed the Crab Nebula in the ultraviolet (blue) and Nasa's Chandra X-ray Observatory provided the data for X-ray radiation (purple). The Crab Nebula, located 6500 light-years from Earth in the constellation of Taurus, is the result of a supernova explosion which was observed by Chinese and other astronomers in 1054. At its centre is a pulsar: a super-dense neutron star, spinning once every 33 milliseconds, shooting out rotating light-like beams of radio waves and visible light. Surrounding the pulsar lies a mix of material; some of it was originally expelled from the star before it went supernova, and the rest was ejected during the explosion itself. Fast-moving winds of particles fly off from the neutron star, energising the dust and gas around it.

PIX4626499: Crab Nebula seen in different wavelength - The Crab Nebula in multi wavelength: M1, the Crab Nebula, is the rest of a supernova that exploded on July 4, 1054. It is located about 6500 light years from Earth in the constellation Taurus. At the heart of this nebula is a pulsar. To obtain this photo, different observatories and telescopes combined their observations; the VLA provided the radio image (in red), the Spitzer telescope the infrared image (in yellow), the Hubble telescope for the visible part (here in green), XMM-Newton the ultraviolet image (in blue) and the Chandra telescope for X-ray data (purple). The pulsar is the bright spot in the center of the image. The unusual image was produced by combining data from telescopes spanning almost the entire electromagnetic spectrum, from radio waves to X-rays. The Karl G. Jansky Very Large Array (VLA) provided information about the nebula gathered in the radio regime (colored in red). Nasa's Spitzer Space Telescope took images in the infrared (yellow). The NASA/ESA Hubble Space Telescope provided the images made in optical wavelengths (colored in green). ESA's XMM-Newton telescope observed the Crab Nebula in the ultraviolet (blue) and Nasa's Chandra X-ray Observatory provided the data for X-ray radiation (purple). The Crab Nebula, located 6500 light-years from Earth in the constellation of Taurus, is the result of a supernova explosion which was observed by Chinese and other astronomers in 1054. At its centre is a pulsar: a super-dense neutron star, spinning once every 33 milliseconds, shooting out rotating light-like beams of radio waves and visible light. Surrounding the pulsar lies a mix of material; some of it was originally expelled from the star before it went supernova, and the rest was ejected during the explosion itself. Fast-moving winds of particles fly off from the neutron star, energising the dust and gas around it. / Bridgeman Images

ID: PIX4626499

Crab Nebula seen in different wavelength - The Crab Nebula in multi wavelength: M1, the Crab Nebula, is the rest of a supernova that exploded on July 4, 1054. It is located about 6500 light years from Earth in the constellation Taurus. At the heart of this nebula is a pulsar. To obtain this photo, different observatories and telescopes combined their observations; the VLA provided the radio image (in red), the Spitzer telescope the infrared image (in yellow), the Hubble telescope for the visible part (here in green), XMM-Newton the ultraviolet image (in blue) and the Chandra telescope for X-ray data (purple). The pulsar is the bright spot in the center of the image. The unusual image was produced by combining data from telescopes spanning almost the entire electromagnetic spectrum, from radio waves to X-rays. The Karl G. Jansky Very Large Array (VLA) provided information about the nebula gathered in the radio regime (colored in red). Nasa's Spitzer Space Telescope took images in the in

Art Renaissance: Pulpit of Evangelists: Bronze Caryatid of Saint John Evangelist depicting an eagle carved by Francesco Brambilla (1560-1599) - (pulpit of the Evangelists: bronze caryatid of st John representing an eagle) Milan, Duomo (Cathedral) Italy
Art Renaissance: Pulpit of Evangelists: Bronze Caryatid of Saint John Evangelist depicting an eagle carved by Francesco Brambilla (1560-1599) - (pulpit of the Evangelists: bronze caryatid of st John representing an eagle) Milan, Duomo (Cathedral) Italy

LRI4626610: Art Renaissance: Pulpit of Evangelists: Bronze Caryatid of Saint John Evangelist depicting an eagle carved by Francesco Brambilla (1560-1599) - (pulpit of the Evangelists: bronze caryatid of st John representing an eagle) Milan, Duomo (Cathedral) Italy, Brambilla, Francesco (1585-1599) / Bridgeman Images

ID: LRI4626610

Art Renaissance: Pulpit of Evangelists: Bronze Caryatid of Saint John Evangelist depicting an eagle carved by Francesco Brambilla (1560-1599) - (pulpit of the Evangelists: bronze caryatid of st John representing an eagle) Milan, Duomo (Cathedral) Italy

Brambilla, Francesco (1585-1599)

“The Memorial of Saint Helene
“The Memorial of Saint Helene

JLJ4626630: “The Memorial of Saint Helene": Armee Francaise: Scout and hunter of the young guard 1813-1815 (litho), Bombled, Louis Charles (1862-1927) / Bridgeman Images

ID: JLJ4626630

“The Memorial of Saint Helene": Armee Francaise: Scout and hunter of the young guard 1813-1815 (litho)

Bombled, Louis Charles (1862-1927)

The site of the Musee des Monuments Francais in Paris. Cite of architecture and heritage, Palais de Chaillot, 1 place du Trocadero, Paris 16th arrondissement. All the renovation and renovation works were entrusted to the architect Jean Francois Bodin, 2007. Photography 2003.
The site of the Musee des Monuments Francais in Paris. Cite of architecture and heritage, Palais de Chaillot, 1 place du Trocadero, Paris 16th arrondissement. All the renovation and renovation works were entrusted to the architect Jean Francois Bodin, 2007. Photography 2003.

JSN4625829: The site of the Musee des Monuments Francais in Paris. Cite of architecture and heritage, Palais de Chaillot, 1 place du Trocadero, Paris 16th arrondissement. All the renovation and renovation works were entrusted to the architect Jean Francois Bodin, 2007. Photography 2003., Salmon, Jacqueline / Bridgeman Images

ID: JSN4625829

The site of the Musee des Monuments Francais in Paris. Cite of architecture and heritage, Palais de Chaillot, 1 place du Trocadero, Paris 16th arrondissement. All the renovation and renovation works were entrusted to the architect Jean Francois Bodin, 2007. Photography 2003.

Salmon, Jacqueline

JLJ4625838: "The Memorial of Saint Helene": Napoleon donated a boat to a Dutch pilot during his visit to Holland, 1811 (lithograph), Bombled, Louis Charles (1862-1927) / Bridgeman Images

ID: JLJ4625838

"The Memorial of Saint Helene": Napoleon donated a boat to a Dutch pilot during his visit to Holland, 1811 (lithograph)

Bombled, Louis Charles (1862-1927)

La Maison de la Radio, 116 avenue du President Kennedy, Paris 16th arrondissement. Architect Henry Bernard, 1963. The construction was decided by General de Gaulle as a sign of the organization of the concentration and cohesion of radio and television. The facade is covered with stamped aluminium panels.
La Maison de la Radio, 116 avenue du President Kennedy, Paris 16th arrondissement. Architect Henry Bernard, 1963. The construction was decided by General de Gaulle as a sign of the organization of the concentration and cohesion of radio and television. The facade is covered with stamped aluminium panels.

LBY4626027: La Maison de la Radio, 116 avenue du President Kennedy, Paris 16th arrondissement. Architect Henry Bernard, 1963. The construction was decided by General de Gaulle as a sign of the organization of the concentration and cohesion of radio and television. The facade is covered with stamped aluminium panels., Bernard, Henry (1912-1994) / Bridgeman Images

ID: LBY4626027

La Maison de la Radio, 116 avenue du President Kennedy, Paris 16th arrondissement. Architect Henry Bernard, 1963. The construction was decided by General de Gaulle as a sign of the organization of the concentration and cohesion of radio and television. The facade is covered with stamped aluminium panels.

Bernard, Henry (1912-1994)

Church of the Holy Spirit, Avenue Daumesnil in Paris. Architect Paul Tournon (1881-1964), 1935.
Church of the Holy Spirit, Avenue Daumesnil in Paris. Architect Paul Tournon (1881-1964), 1935.

TEC4627842: Church of the Holy Spirit, Avenue Daumesnil in Paris. Architect Paul Tournon (1881-1964), 1935. / Bridgeman Images

ID: TEC4627842

Church of the Holy Spirit, Avenue Daumesnil in Paris. Architect Paul Tournon (1881-1964), 1935.

The Eastern Armee of Eugene Sergeant, dit Grenest, 1870 (engraving)
The Eastern Armee of Eugene Sergeant, dit Grenest, 1870 (engraving)

JLJ4628807: The Eastern Armee of Eugene Sergeant, dit Grenest, 1870 (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

ID: JLJ4628807

The Eastern Armee of Eugene Sergeant, dit Grenest, 1870 (engraving)

Bombled, Louis Charles (1862-1927)

Concertated area of Bercy in Paris. Architect Fernando Montes.
Concertated area of Bercy in Paris. Architect Fernando Montes.

TEC4627915: Concertated area of Bercy in Paris. Architect Fernando Montes. / Bridgeman Images

ID: TEC4627915

Concertated area of Bercy in Paris. Architect Fernando Montes.

Facade of residential building, Rue de Charenton in Paris 12th arrondissement.
Facade of residential building, Rue de Charenton in Paris 12th arrondissement.

MDA4628872: Facade of residential building, Rue de Charenton in Paris 12th arrondissement. / Bridgeman Images

ID: MDA4628872

Facade of residential building, Rue de Charenton in Paris 12th arrondissement.

“The Memorial of Saint Helene
“The Memorial of Saint Helene

JLJ4628001: “The Memorial of Saint Helene": Eugene de Beauharnais (1781-1824) claims the sword of his father in Bonaparte (litho), Bombled, Louis Charles (1862-1927) / Bridgeman Images

ID: JLJ4628001

“The Memorial of Saint Helene": Eugene de Beauharnais (1781-1824) claims the sword of his father in Bonaparte (litho)

Bombled, Louis Charles (1862-1927)

Pont sur la Seine in the 12th arrondissement of Paris.
Pont sur la Seine in the 12th arrondissement of Paris.

MDA4628890: Pont sur la Seine in the 12th arrondissement of Paris. / Bridgeman Images

ID: MDA4628890

Pont sur la Seine in the 12th arrondissement of Paris.

Prologue of Bellerophon, lyrical tragedy. 1714 (engraving)
Prologue of Bellerophon, lyrical tragedy. 1714 (engraving)

LRI4628076: Prologue of Bellerophon, lyrical tragedy. 1714 (engraving), Unknown artist, (18th century) / Bridgeman Images

ID: LRI4628076

Prologue of Bellerophon, lyrical tragedy. 1714 (engraving)

Unknown artist, (18th century)

Place de la Bastille in Paris.
Place de la Bastille in Paris.

TEC4628078: Place de la Bastille in Paris. / Bridgeman Images

ID: TEC4628078

Place de la Bastille in Paris.

Bercy Village, Paris 12th arrondissement. Installed on part of Bercy's old warehouses, which declined until the sixties. This new commercial urbanism wanted to keep some traces of the old wine and spirits trading center. Shops have opened in old cellars and traces of railway tracks carrying wine have been preserved.
Bercy Village, Paris 12th arrondissement. Installed on part of Bercy's old warehouses, which declined until the sixties. This new commercial urbanism wanted to keep some traces of the old wine and spirits trading center. Shops have opened in old cellars and traces of railway tracks carrying wine have been preserved.

TEC4628124: Bercy Village, Paris 12th arrondissement. Installed on part of Bercy's old warehouses, which declined until the sixties. This new commercial urbanism wanted to keep some traces of the old wine and spirits trading center. Shops have opened in old cellars and traces of railway tracks carrying wine have been preserved. / Bridgeman Images

ID: TEC4628124

Bercy Village, Paris 12th arrondissement. Installed on part of Bercy's old warehouses, which declined until the sixties. This new commercial urbanism wanted to keep some traces of the old wine and spirits trading center. Shops have opened in old cellars and traces of railway tracks carrying wine have been preserved.

Bercy Village, Paris 12th arrondissement. Installed on part of Bercy's old warehouses, which declined until the sixties. This new commercial urbanism wanted to keep some traces of the old wine and spirits trading center. Shops have opened in old cellars and traces of railway tracks carrying wine have been preserved.
Bercy Village, Paris 12th arrondissement. Installed on part of Bercy's old warehouses, which declined until the sixties. This new commercial urbanism wanted to keep some traces of the old wine and spirits trading center. Shops have opened in old cellars and traces of railway tracks carrying wine have been preserved.

TEC4628135: Bercy Village, Paris 12th arrondissement. Installed on part of Bercy's old warehouses, which declined until the sixties. This new commercial urbanism wanted to keep some traces of the old wine and spirits trading center. Shops have opened in old cellars and traces of railway tracks carrying wine have been preserved. / Bridgeman Images

ID: TEC4628135

Bercy Village, Paris 12th arrondissement. Installed on part of Bercy's old warehouses, which declined until the sixties. This new commercial urbanism wanted to keep some traces of the old wine and spirits trading center. Shops have opened in old cellars and traces of railway tracks carrying wine have been preserved.

The Conquest of Brittany by the Duke of Normandy William the Conqueror; The capture of Rennes, Bayeux Tapestry (wool embroidery on linen)
The Conquest of Brittany by the Duke of Normandy William the Conqueror; The capture of Rennes, Bayeux Tapestry (wool embroidery on linen)

JLJ4628230: The Conquest of Brittany by the Duke of Normandy William the Conqueror; The capture of Rennes, Bayeux Tapestry (wool embroidery on linen), English School, (11th century) / Bridgeman Images

ID: JLJ4628230

The Conquest of Brittany by the Duke of Normandy William the Conqueror; The capture of Rennes, Bayeux Tapestry (wool embroidery on linen)

English School, (11th century)

Partial Eclipse of Soleil 20/03/2015 - Partial Solar Eclipse - March 20 2015 - Partial Eclipse of Sun of 20 March 2015 seen in Italy. The partially eclipsed Sun seen in Italy. Mar 20, 201
Partial Eclipse of Soleil 20/03/2015 - Partial Solar Eclipse - March 20 2015 - Partial Eclipse of Sun of 20 March 2015 seen in Italy. The partially eclipsed Sun seen in Italy. Mar 20, 201

PIX4628372: Partial Eclipse of Soleil 20/03/2015 - Partial Solar Eclipse - March 20 2015 - Partial Eclipse of Sun of 20 March 2015 seen in Italy. The partially eclipsed Sun seen in Italy. Mar 20, 201 / Bridgeman Images

ID: PIX4628372

Partial Eclipse of Soleil 20/03/2015 - Partial Solar Eclipse - March 20 2015 - Partial Eclipse of Sun of 20 March 2015 seen in Italy. The partially eclipsed Sun seen in Italy. Mar 20, 201

Art Nouveau: gold brooch, enamel and diamond decorates a woman's face with a baroque pearl. Atelier Beaudoin. 1900 Parma, private collection — Art Nouveau: gold, enamel and diamond brooch decorated with a woman's face with a baroque pearl. Beaudoin workshop. 1900. Private collection, Parma, Italy
Art Nouveau: gold brooch, enamel and diamond decorates a woman's face with a baroque pearl. Atelier Beaudoin. 1900 Parma, private collection — Art Nouveau: gold, enamel and diamond brooch decorated with a woman's face with a baroque pearl. Beaudoin workshop. 1900. Private collection, Parma, Italy

LRI4628813: Art Nouveau: gold brooch, enamel and diamond decorates a woman's face with a baroque pearl. Atelier Beaudoin. 1900 Parma, private collection — Art Nouveau: gold, enamel and diamond brooch decorated with a woman's face with a baroque pearl. Beaudoin workshop. 1900. Private collection, Parma, Italy, Beaudoin worshop (19th-20th century) / Bridgeman Images

ID: LRI4628813

Art Nouveau: gold brooch, enamel and diamond decorates a woman's face with a baroque pearl. Atelier Beaudoin. 1900 Parma, private collection — Art Nouveau: gold, enamel and diamond brooch decorated with a woman's face with a baroque pearl. Beaudoin workshop. 1900. Private collection, Parma, Italy

Beaudoin worshop (19th-20th century)

The Viaduc des Arts, the Coulee Verte at rue Hector Malot, Paris 12th arrondissement. In 1990, the former viaduct of Paris was renoved by Patrick Berger. Built in 1859, it connected the Bastille by rail to Vincenne. The construction of Opera Bastille will lead to the rehabilitation of the viaduct rachete at the SNCF by the City Hall of Paris. The vaults of ormais restaurees are home to artisans of art and creation. The railway tracks are replaced by hanging gardens, designed by Philippe Mathieux and baptises promenade plantee.
The Viaduc des Arts, the Coulee Verte at rue Hector Malot, Paris 12th arrondissement. In 1990, the former viaduct of Paris was renoved by Patrick Berger. Built in 1859, it connected the Bastille by rail to Vincenne. The construction of Opera Bastille will lead to the rehabilitation of the viaduct rachete at the SNCF by the City Hall of Paris. The vaults of ormais restaurees are home to artisans of art and creation. The railway tracks are replaced by hanging gardens, designed by Philippe Mathieux and baptises promenade plantee.

MDA4628882: The Viaduc des Arts, the Coulee Verte at rue Hector Malot, Paris 12th arrondissement. In 1990, the former viaduct of Paris was renoved by Patrick Berger. Built in 1859, it connected the Bastille by rail to Vincenne. The construction of Opera Bastille will lead to the rehabilitation of the viaduct rachete at the SNCF by the City Hall of Paris. The vaults of ormais restaurees are home to artisans of art and creation. The railway tracks are replaced by hanging gardens, designed by Philippe Mathieux and baptises promenade plantee. / Bridgeman Images

ID: MDA4628882

The Viaduc des Arts, the Coulee Verte at rue Hector Malot, Paris 12th arrondissement. In 1990, the former viaduct of Paris was renoved by Patrick Berger. Built in 1859, it connected the Bastille by rail to Vincenne. The construction of Opera Bastille will lead to the rehabilitation of the viaduct rachete at the SNCF by the City Hall of Paris. The vaults of ormais restaurees are home to artisans of art and creation. The railway tracks are replaced by hanging gardens, designed by Philippe Mathieux and baptises promenade plantee.

View of the arcs avenue Daumesnil in Paris. In 1990, the former Viaduct of Paris was renoved by Patrick Berger. Built in 1859, it connected the Bastille by rail to Vincennes. The construction of the Opera Bastille will lead to the rehabilitation of the Viaduc rachete at the SNCF by the Paris City Hall. The vaults desormais restaurees are home to artisans of art and creation.
View of the arcs avenue Daumesnil in Paris. In 1990, the former Viaduct of Paris was renoved by Patrick Berger. Built in 1859, it connected the Bastille by rail to Vincennes. The construction of the Opera Bastille will lead to the rehabilitation of the Viaduc rachete at the SNCF by the Paris City Hall. The vaults desormais restaurees are home to artisans of art and creation.

MDA4628917: View of the arcs avenue Daumesnil in Paris. In 1990, the former Viaduct of Paris was renoved by Patrick Berger. Built in 1859, it connected the Bastille by rail to Vincennes. The construction of the Opera Bastille will lead to the rehabilitation of the Viaduc rachete at the SNCF by the Paris City Hall. The vaults desormais restaurees are home to artisans of art and creation. / Bridgeman Images

ID: MDA4628917

View of the arcs avenue Daumesnil in Paris. In 1990, the former Viaduct of Paris was renoved by Patrick Berger. Built in 1859, it connected the Bastille by rail to Vincennes. The construction of the Opera Bastille will lead to the rehabilitation of the Viaduc rachete at the SNCF by the Paris City Hall. The vaults desormais restaurees are home to artisans of art and creation.

An artisan workshop in one of the restored vaults of the viaduct des Arts in Paris 1st arrondissement. In 1990, the old viaduct of Paris was rebuilt by Patrick Berger, built in 1859, connecting the Bastille by rail to Vincenne.
An artisan workshop in one of the restored vaults of the viaduct des Arts in Paris 1st arrondissement. In 1990, the old viaduct of Paris was rebuilt by Patrick Berger, built in 1859, connecting the Bastille by rail to Vincenne.

MDA4628939: An artisan workshop in one of the restored vaults of the viaduct des Arts in Paris 1st arrondissement. In 1990, the old viaduct of Paris was rebuilt by Patrick Berger, built in 1859, connecting the Bastille by rail to Vincenne. / Bridgeman Images

ID: MDA4628939

An artisan workshop in one of the restored vaults of the viaduct des Arts in Paris 1st arrondissement. In 1990, the old viaduct of Paris was rebuilt by Patrick Berger, built in 1859, connecting the Bastille by rail to Vincenne.

Bombonnel and his freeshooters blow up Armancon bridge near Nuits sous Rivers on Dijon-Paris railway line (engraving)
Bombonnel and his freeshooters blow up Armancon bridge near Nuits sous Rivers on Dijon-Paris railway line (engraving)

JLJ4629071: Bombonnel and his freeshooters blow up Armancon bridge near Nuits sous Rivers on Dijon-Paris railway line (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

ID: JLJ4629071

Bombonnel and his freeshooters blow up Armancon bridge near Nuits sous Rivers on Dijon-Paris railway line (engraving)

Bombled, Louis Charles (1862-1927)

The Evangelist Saint Mark, early 20th century (print)
The Evangelist Saint Mark, early 20th century (print)

LRI4629158: The Evangelist Saint Mark, early 20th century (print) / Bridgeman Images

ID: LRI4629158

The Evangelist Saint Mark, early 20th century (print)


Back to top