Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2502064 Search Results

Theatrical representation of “” La Maratre”” (5th act, last scene) by Honore de Balzac (1799-1850). Paris, Theatre du Vaudeville, 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859.
Theatrical representation of “” La Maratre”” (5th act, last scene) by Honore de Balzac (1799-1850). Paris, Theatre du Vaudeville, 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859.

XEE4143943: Theatrical representation of “” La Maratre”” (5th act, last scene) by Honore de Balzac (1799-1850). Paris, Theatre du Vaudeville, 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859., French School, (19th century) / Bridgeman Images

The enchanting tube. History of Prince Ahmed and the fee Paris-Banou (Pari Banou) (Paribanu). Tale of 1001 nights (tales of the thousand and one nights). Chromolithography of the late 19th century.
The enchanting tube. History of Prince Ahmed and the fee Paris-Banou (Pari Banou) (Paribanu). Tale of 1001 nights (tales of the thousand and one nights). Chromolithography of the late 19th century.

XEE4143966: The enchanting tube. History of Prince Ahmed and the fee Paris-Banou (Pari Banou) (Paribanu). Tale of 1001 nights (tales of the thousand and one nights). Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

The old man of the sea. The wonderful adventures of Sinbad (Sindbad) the sailor. Popular tale of 1001 nights (one thousand and one nights). Chromolithography of the late 19th century.
The old man of the sea. The wonderful adventures of Sinbad (Sindbad) the sailor. Popular tale of 1001 nights (one thousand and one nights). Chromolithography of the late 19th century.

XEE4143978: The old man of the sea. The wonderful adventures of Sinbad (Sindbad) the sailor. Popular tale of 1001 nights (one thousand and one nights). Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Portraits of Siam ambassadors who came to England in 1857. From left to right: Cha mun (Cha-mun) Mondr Bidacks, representing the second king of Siam, Phya Mantri Suriyawanse and Chau Mun Sarbbedh Bhacty, ambassadors of the first king. Engraving In “” The illustrated London News”” of 5 December 1857.
Portraits of Siam ambassadors who came to England in 1857. From left to right: Cha mun (Cha-mun) Mondr Bidacks, representing the second king of Siam, Phya Mantri Suriyawanse and Chau Mun Sarbbedh Bhacty, ambassadors of the first king. Engraving In “” The illustrated London News”” of 5 December 1857.

XEE4143988: Portraits of Siam ambassadors who came to England in 1857. From left to right: Cha mun (Cha-mun) Mondr Bidacks, representing the second king of Siam, Phya Mantri Suriyawanse and Chau Mun Sarbbedh Bhacty, ambassadors of the first king. Engraving In “” The illustrated London News”” of 5 December 1857., Unknown Artist, (19th century) / Bridgeman Images

View of the monastery Mater Ecclesiae on the island of Saint Jules (Saint Jules) (San Giulio) on Lake Orta (Lake Cusio) in Italy. Engraving after a painting by William Collingwood Smith (1815-1887). In “The Illustrated London News” of March 22, 1858.
View of the monastery Mater Ecclesiae on the island of Saint Jules (Saint Jules) (San Giulio) on Lake Orta (Lake Cusio) in Italy. Engraving after a painting by William Collingwood Smith (1815-1887). In “The Illustrated London News” of March 22, 1858.

XEE4144065: View of the monastery Mater Ecclesiae on the island of Saint Jules (Saint Jules) (San Giulio) on Lake Orta (Lake Cusio) in Italy. Engraving after a painting by William Collingwood Smith (1815-1887). In “The Illustrated London News” of March 22, 1858., Unknown Artist, (19th century) / Bridgeman Images

The suicide of General Georges Boulanger at the cemetery of Ixelles in Belgium in front of Madame Bonnemains's tomb
The suicide of General Georges Boulanger at the cemetery of Ixelles in Belgium in front of Madame Bonnemains's tomb

XEE4143856: The suicide of General Georges Boulanger at the cemetery of Ixelles in Belgium in front of Madame Bonnemains's tomb"Le petit Parisien" from 1891., Anonymous / Bridgeman Images

Les Nouvelles ecclesiastiques ou memoires pour servir a l'histoire de la constitution Unigenitus publication weekly francaise janseniste. 1735. Library of Port-Royal. Paris.
Les Nouvelles ecclesiastiques ou memoires pour servir a l'histoire de la constitution Unigenitus publication weekly francaise janseniste. 1735. Library of Port-Royal. Paris.

XEE4144775: Les Nouvelles ecclesiastiques ou memoires pour servir a l'histoire de la constitution Unigenitus publication weekly francaise janseniste. 1735. Library of Port-Royal. Paris., French School, (18th century) / Bridgeman Images

In the Basque Country in the Pyrenees around 1920: dance of the “Fandango
In the Basque Country in the Pyrenees around 1920: dance of the “Fandango

XEE4144828: In the Basque Country in the Pyrenees around 1920: dance of the “Fandango"., Unknown photographer, (20th century) / Bridgeman Images

La Savoie, Rhone Alpes - France and its Colonies, 1876 (engraving)
La Savoie, Rhone Alpes - France and its Colonies, 1876 (engraving)

XEE4144452: La Savoie, Rhone Alpes - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

La Mayenne, Pays de la Loire - France and its Colonies, 1876 (engraving)
La Mayenne, Pays de la Loire - France and its Colonies, 1876 (engraving)

XEE4144505: La Mayenne, Pays de la Loire - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

La Drome, Rhone-Alpes - France and its Colonies, 1876 (engraving)
La Drome, Rhone-Alpes - France and its Colonies, 1876 (engraving)

XEE4144590: La Drome, Rhone-Alpes - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

Department of Ariege, Midi-Pyrenees - France and its Colonies, 1876 (engraving)
Department of Ariege, Midi-Pyrenees - France and its Colonies, 1876 (engraving)

XEE4144639: Department of Ariege, Midi-Pyrenees - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

Jean Dominique Cassini (1625-1712), French astronomer.
Jean Dominique Cassini (1625-1712), French astronomer.

XEE4144734: Jean Dominique Cassini (1625-1712), French astronomer., Unknown Artist, (19th century) / Bridgeman Images

Etienne Marin Melingue (1808-1875), French actor playing sculptor Benvenuto Cellini in Alexandre Dumas pere's “Ascanio”, adapted to the stage by Paul Meurice. Engraving from 1880 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Etienne Marin Melingue (1808-1875), French actor playing sculptor Benvenuto Cellini in Alexandre Dumas pere's “Ascanio”, adapted to the stage by Paul Meurice. Engraving from 1880 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143289: Etienne Marin Melingue (1808-1875), French actor playing sculptor Benvenuto Cellini in Alexandre Dumas pere's “Ascanio”, adapted to the stage by Paul Meurice. Engraving from 1880 in “” Les arts et metiers illustres”” by Adolphe BITARD., French School, (19th century) / Bridgeman Images

Forcats in march at the bagne de Rochefort in the 19th century“Histoire des bagnes depuis leur création à nos jours
Forcats in march at the bagne de Rochefort in the 19th century“Histoire des bagnes depuis leur création à nos jours

XEE4143422: Forcats in march at the bagne de Rochefort in the 19th century“Histoire des bagnes depuis leur création à nos jours" by Pierre Zaccone., Anonymous / Bridgeman Images

Revolution of September 1868 in Spain (Gloriosa): Battle of Alcolea near Cordoba (Cordoba) (September 20, 1868). Victory of Marechal Serrano against the royal troops of Novaliches, causing the fall of Queen Isabella II (Isabella of Bourbon) and the triumph of the Revolution. Engraving in “The Universe illustrious”, 1868.
Revolution of September 1868 in Spain (Gloriosa): Battle of Alcolea near Cordoba (Cordoba) (September 20, 1868). Victory of Marechal Serrano against the royal troops of Novaliches, causing the fall of Queen Isabella II (Isabella of Bourbon) and the triumph of the Revolution. Engraving in “The Universe illustrious”, 1868.

XEE4144232: Revolution of September 1868 in Spain (Gloriosa): Battle of Alcolea near Cordoba (Cordoba) (September 20, 1868). Victory of Marechal Serrano against the royal troops of Novaliches, causing the fall of Queen Isabella II (Isabella of Bourbon) and the triumph of the Revolution. Engraving in “The Universe illustrious”, 1868., Unknown Artist, (19th century) / Bridgeman Images

Parisian canoeists. Regates de Saint-Cloud (Saint Cloud) in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.
Parisian canoeists. Regates de Saint-Cloud (Saint Cloud) in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.

XEE4144299: Parisian canoeists. Regates de Saint-Cloud (Saint Cloud) in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection., Unknown Artist, (19th century) / Bridgeman Images

General view of the beach in Arcachon in 1950 (photo)
General view of the beach in Arcachon in 1950 (photo)

XEE4143549: General view of the beach in Arcachon in 1950 (photo), Unknown photographer, (20th century) / Bridgeman Images

Cutlery: boatmen surround the chair of Marie de Rabutin-Chantal (Rabutin Chantal), Marquise de Sevigne dit Madame de Sevigne (1626-1696) to sell knives to him when he arrived at Nogent (Haute Marne) in 1675. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Cutlery: boatmen surround the chair of Marie de Rabutin-Chantal (Rabutin Chantal), Marquise de Sevigne dit Madame de Sevigne (1626-1696) to sell knives to him when he arrived at Nogent (Haute Marne) in 1675. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143587: Cutlery: boatmen surround the chair of Marie de Rabutin-Chantal (Rabutin Chantal), Marquise de Sevigne dit Madame de Sevigne (1626-1696) to sell knives to him when he arrived at Nogent (Haute Marne) in 1675. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Concert of the Musard orchestra at the Champ Elysees (Champ-Elysees), Paris, 1859. Engraving in “” Le Monde Illustré”” n°121 of 6 August 1859.
Concert of the Musard orchestra at the Champ Elysees (Champ-Elysees), Paris, 1859. Engraving in “” Le Monde Illustré”” n°121 of 6 August 1859.

XEE4143999: Concert of the Musard orchestra at the Champ Elysees (Champ-Elysees), Paris, 1859. Engraving in “” Le Monde Illustré”” n°121 of 6 August 1859., French School, (19th century) / Bridgeman Images

Geographic map of Vancouver Island, 1859, whose borders were the subject of conflict between England and the United States. The map shows the boundaries claimed by both countries. Engraving in “” Le Monde Illustré”” n°135 of 12 November 1859.
Geographic map of Vancouver Island, 1859, whose borders were the subject of conflict between England and the United States. The map shows the boundaries claimed by both countries. Engraving in “” Le Monde Illustré”” n°135 of 12 November 1859.

XEE4144749: Geographic map of Vancouver Island, 1859, whose borders were the subject of conflict between England and the United States. The map shows the boundaries claimed by both countries. Engraving in “” Le Monde Illustré”” n°135 of 12 November 1859., French School, (19th century) / Bridgeman Images

Conquete of Algeria: expedition to Great Kabylia in 1857. Submission of the Beni-Yenni (Beni Yenni) based on a drawing by Mr. Ameller, battalion leader at the 1st Zouave. Engraving in “Le Monde illustrious”” from 1857. Private collection.
Conquete of Algeria: expedition to Great Kabylia in 1857. Submission of the Beni-Yenni (Beni Yenni) based on a drawing by Mr. Ameller, battalion leader at the 1st Zouave. Engraving in “Le Monde illustrious”” from 1857. Private collection.

XEE4144302: Conquete of Algeria: expedition to Great Kabylia in 1857. Submission of the Beni-Yenni (Beni Yenni) based on a drawing by Mr. Ameller, battalion leader at the 1st Zouave. Engraving in “Le Monde illustrious”” from 1857. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Money making: shop for money presses. Engraving in “” Le Monde Illustré”” n°145 of 21 January 1860.
Money making: shop for money presses. Engraving in “” Le Monde Illustré”” n°145 of 21 January 1860.

XEE4144994: Money making: shop for money presses. Engraving in “” Le Monde Illustré”” n°145 of 21 January 1860., French School, (19th century) / Bridgeman Images

Capture of a gang of criminals in Saint-Denis (Saint Denis) in 1898. Cover of “” La petite Gironde”” of May 8, 1898 (engraving)
Capture of a gang of criminals in Saint-Denis (Saint Denis) in 1898. Cover of “” La petite Gironde”” of May 8, 1898 (engraving)

XEE4143271: Capture of a gang of criminals in Saint-Denis (Saint Denis) in 1898. Cover of “” La petite Gironde”” of May 8, 1898 (engraving), French School, (19th century) / Bridgeman Images

Portrait of Louis I the Pious, King of France, 1679 (engraving)
Portrait of Louis I the Pious, King of France, 1679 (engraving)

XEE4147244: Portrait of Louis I the Pious, King of France, 1679 (engraving), de Larmessin (family of engravers) (1600-1799) / Bridgeman Images

Interview of Alexander I of Russia (1777-1825) and Michel Duroc (1772-1813) in Saint Petersburg in April 1801 - Engraving of 1865 in “Histoire du Consulate et de la Empire” by Louis Adolphe Thiers - Conversation between Emperor Alexander I of Russia (1777-1825) and French general Michel Duroc (1772-1813) in Saint Petersburg, April 1801 - Engraving from “” History the Consulate and the Empire”” by Louis Adolphe Thiers, 1865
Interview of Alexander I of Russia (1777-1825) and Michel Duroc (1772-1813) in Saint Petersburg in April 1801 - Engraving of 1865 in “Histoire du Consulate et de la Empire” by Louis Adolphe Thiers - Conversation between Emperor Alexander I of Russia (1777-1825) and French general Michel Duroc (1772-1813) in Saint Petersburg, April 1801 - Engraving from “” History the Consulate and the Empire”” by Louis Adolphe Thiers, 1865

XEE4147570: Interview of Alexander I of Russia (1777-1825) and Michel Duroc (1772-1813) in Saint Petersburg in April 1801 - Engraving of 1865 in “Histoire du Consulate et de la Empire” by Louis Adolphe Thiers - Conversation between Emperor Alexander I of Russia (1777-1825) and French general Michel Duroc (1772-1813) in Saint Petersburg, April 1801 - Engraving from “” History the Consulate and the Empire”” by Louis Adolphe Thiers, 1865, French School, (19th century) / Bridgeman Images

Les Omnibus de Paris in the 19th century: la dame blanche - engraving from 1892
Les Omnibus de Paris in the 19th century: la dame blanche - engraving from 1892

XEE4147685: Les Omnibus de Paris in the 19th century: la dame blanche - engraving from 1892, Unknown Artist, (19th century) / Bridgeman Images

Othello returns victorious to Cyprus, Act I Scene 1 from opera Otello from opera by Giuseppe Verdi, 1813-1901 Italian composer (chromo)
Othello returns victorious to Cyprus, Act I Scene 1 from opera Otello from opera by Giuseppe Verdi, 1813-1901 Italian composer (chromo)

XEE4147488: Othello returns victorious to Cyprus, Act I Scene 1 from opera Otello from opera by Giuseppe Verdi, 1813-1901 Italian composer (chromo), Unknown Artist / Bridgeman Images

Portrait of Mongolian monarch Timur (Tamerlane) (1336-1405) - Tamerlan (1336-1405) (or Timur Lang, “” Timur the lame”””) Engraving of 1861
Portrait of Mongolian monarch Timur (Tamerlane) (1336-1405) - Tamerlan (1336-1405) (or Timur Lang, “” Timur the lame”””) Engraving of 1861

XEE4147445: Portrait of Mongolian monarch Timur (Tamerlane) (1336-1405) - Tamerlan (1336-1405) (or Timur Lang, “” Timur the lame”””) Engraving of 1861, Unknown Artist, (19th century) / Bridgeman Images

Cree de la viande de boucherie au marche de la rue des Prouvaires dans le I arrondissement de Paris - Engraving in “Tableau-de-Paris”” by Edmond Texier 1852
Cree de la viande de boucherie au marche de la rue des Prouvaires dans le I arrondissement de Paris - Engraving in “Tableau-de-Paris”” by Edmond Texier 1852

XEE4147521: Cree de la viande de boucherie au marche de la rue des Prouvaires dans le I arrondissement de Paris - Engraving in “Tableau-de-Paris”” by Edmond Texier 1852, French School, (19th century) / Bridgeman Images

Pope Pius VII (1742-1823) receiving in Rome the French sailors members of the crews of the two bricks “Saint Peter” and Saint Paul”” offered as a gift to the Pope by Bonaparte, August 1802 - Engraving of 1865 in “Histoire du Consulate et de l'Empire” by Louis Adolphe Thiers - Pope Pius VII (1742-1823) meeting after French marine officers in Rome receiving two boats as a gift from Bonaparte, August 1802 - Engraving from “” Histoire du Consulate et de l'Empire” by Louis Adolphe Thiers, 1865
Pope Pius VII (1742-1823) receiving in Rome the French sailors members of the crews of the two bricks “Saint Peter” and Saint Paul”” offered as a gift to the Pope by Bonaparte, August 1802 - Engraving of 1865 in “Histoire du Consulate et de l'Empire” by Louis Adolphe Thiers - Pope Pius VII (1742-1823) meeting after French marine officers in Rome receiving two boats as a gift from Bonaparte, August 1802 - Engraving from “” Histoire du Consulate et de l'Empire” by Louis Adolphe Thiers, 1865

XEE4147565: Pope Pius VII (1742-1823) receiving in Rome the French sailors members of the crews of the two bricks “Saint Peter” and Saint Paul”” offered as a gift to the Pope by Bonaparte, August 1802 - Engraving of 1865 in “Histoire du Consulate et de l'Empire” by Louis Adolphe Thiers - Pope Pius VII (1742-1823) meeting after French marine officers in Rome receiving two boats as a gift from Bonaparte, August 1802 - Engraving from “” Histoire du Consulate et de l'Empire” by Louis Adolphe Thiers, 1865, French School, (19th century) / Bridgeman Images

Transport of the obelisk of Ptolemee Philadelph (Ptolemaios Philadelphos) (Ptolemee II) on the Nile to Alexandria - Engraving in “” Sciences available to all - Popular physics and chemistry”” by Alexis Clerc - End 19th century - Private collection
Transport of the obelisk of Ptolemee Philadelph (Ptolemaios Philadelphos) (Ptolemee II) on the Nile to Alexandria - Engraving in “” Sciences available to all - Popular physics and chemistry”” by Alexis Clerc - End 19th century - Private collection

XEE4147633: Transport of the obelisk of Ptolemee Philadelph (Ptolemaios Philadelphos) (Ptolemee II) on the Nile to Alexandria - Engraving in “” Sciences available to all - Popular physics and chemistry”” by Alexis Clerc - End 19th century - Private collection, French School, (19th century) / Bridgeman Images

Francois Ravaillac (1578-1610) assassin of King Henry IV flying in an inn the knife with which he must hit Henry IV - Engraving of the 19th century
Francois Ravaillac (1578-1610) assassin of King Henry IV flying in an inn the knife with which he must hit Henry IV - Engraving of the 19th century

XEE4147726: Francois Ravaillac (1578-1610) assassin of King Henry IV flying in an inn the knife with which he must hit Henry IV - Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Paul Crampel, French explorer of Central Africa - By Navellier in “The Illustrous Diary
Portrait of Paul Crampel, French explorer of Central Africa - By Navellier in “The Illustrous Diary

XEE4147738: Portrait of Paul Crampel, French explorer of Central Africa - By Navellier in “The Illustrous Diary" of 1891, Navellier, Edouard Felicien Eugene (1865-c.1945) / Bridgeman Images

Portrait of Nellie Melba, Australian soprano - By Navellier in “Le Journal Illustré” of 1891
Portrait of Nellie Melba, Australian soprano - By Navellier in “Le Journal Illustré” of 1891

XEE4147740: Portrait of Nellie Melba, Australian soprano - By Navellier in “Le Journal Illustré” of 1891, Navellier, Edouard Felicien Eugene (1865-c.1945) / Bridgeman Images

Portrait of Andre Theuriet, French novelist, poet and academician - By Navellier in “Le journal illustrious
Portrait of Andre Theuriet, French novelist, poet and academician - By Navellier in “Le journal illustrious

XEE4147784: Portrait of Andre Theuriet, French novelist, poet and academician - By Navellier in “Le journal illustrious" of 1891, Navellier, Edouard Felicien Eugene (1865-c.1945) / Bridgeman Images


Back to top