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In the Basque Country in the Pyrenees around 1920: ball players a chistera.
In the Basque Country in the Pyrenees around 1920: ball players a chistera.

XEE4144816: In the Basque Country in the Pyrenees around 1920: ball players a chistera., Unknown photographer, (20th century) / Bridgeman Images

Architecture: exterior view of the castle of Frederiksbourg (circa 1625) in Denmark, 1859. Engraving in “” Le Monde Illustré”” n°141 of 24 December 1859.
Architecture: exterior view of the castle of Frederiksbourg (circa 1625) in Denmark, 1859. Engraving in “” Le Monde Illustré”” n°141 of 24 December 1859.

XEE4144280: Architecture: exterior view of the castle of Frederiksbourg (circa 1625) in Denmark, 1859. Engraving in “” Le Monde Illustré”” n°141 of 24 December 1859., French School, (19th century) / Bridgeman Images

Atonement procession for the cessation of yellow fever in Lisbon, Portugal in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.
Atonement procession for the cessation of yellow fever in Lisbon, Portugal in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.

XEE4144288: Atonement procession for the cessation of yellow fever in Lisbon, Portugal in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Various tools, which the forcats carry when they escape“Histoire des bagnes depuis leur création à nos jours
Various tools, which the forcats carry when they escape“Histoire des bagnes depuis leur création à nos jours

XEE4143408: Various tools, which the forcats carry when they escape“Histoire des bagnes depuis leur création à nos jours" by Pierre Zaccone, Anonymous / Bridgeman Images

Anthelme Collet at the bagne de Rochefort“Histoire des bagnes depuis leur création à nos jours
Anthelme Collet at the bagne de Rochefort“Histoire des bagnes depuis leur création à nos jours

XEE4143436: Anthelme Collet at the bagne de Rochefort“Histoire des bagnes depuis leur création à nos jours" by Pierre Zaccone., Anonymous / Bridgeman Images

The canteen of the Brest bagne in the 19th century“Histoire des bagnes depuis leur création à nos jours
The canteen of the Brest bagne in the 19th century“Histoire des bagnes depuis leur création à nos jours

XEE4143483: The canteen of the Brest bagne in the 19th century“Histoire des bagnes depuis leur création à nos jours" by Pierre Zaccone., Anonymous / Bridgeman Images

Brennus putting his sword in the balance, 390 BC, 19th century (chromo)
Brennus putting his sword in the balance, 390 BC, 19th century (chromo)

XEE4142706: Brennus putting his sword in the balance, 390 BC, 19th century (chromo), Unknown Artist, (19th century) / Bridgeman Images

Joan of Arc's entrance to Orleans in 1429.
Joan of Arc's entrance to Orleans in 1429.

XEE4142824: Joan of Arc's entrance to Orleans in 1429., French School, (19th century) / Bridgeman Images

Sheet music for
Sheet music for

XEE4142852: Sheet music for "Se bouder" lyrics by francis tourte, music by Etienne Arnaud., Anonymous / Bridgeman Images

Sheet music for
Sheet music for

XEE4142866: Sheet music for "chanson de printemps" lyrics by Eugene TOURNEUX music by charles GOUNOD., Anonymous / Bridgeman Images

Exodus of the population of El Salvador after the earthquake and eruptions of the Santa Rita volcano.
Exodus of the population of El Salvador after the earthquake and eruptions of the Santa Rita volcano.

XEE4142923: Exodus of the population of El Salvador after the earthquake and eruptions of the Santa Rita volcano. "La domenica del corriere" 03/01/1937., Beltrame, Achille (1871-1945) / Bridgeman Images

Famous necklaces: Josephine's pearl necklace. Consul Napoleon Bonaparte asks for the origin of the pearl necklace on the neck of his wife, Josephine de Beauharnais (Marie Josephe Rose de Tascher de La Pagerie, 1763-1814). She's lying to him not to tell him she bought them herself. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Famous necklaces: Josephine's pearl necklace. Consul Napoleon Bonaparte asks for the origin of the pearl necklace on the neck of his wife, Josephine de Beauharnais (Marie Josephe Rose de Tascher de La Pagerie, 1763-1814). She's lying to him not to tell him she bought them herself. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143616: Famous necklaces: Josephine's pearl necklace. Consul Napoleon Bonaparte asks for the origin of the pearl necklace on the neck of his wife, Josephine de Beauharnais (Marie Josephe Rose de Tascher de La Pagerie, 1763-1814). She's lying to him not to tell him she bought them herself. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Tong oil lacker in China. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Tong oil lacker in China. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143646: Tong oil lacker in China. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

The Erable of Tons in Switzerland, at the foot of which the Abbe of Dissentis, the Counts of Saxony and Werdenberg and the Baron of Razuns swore in 1424 the Upper League or League of Graubünden, which prepared Helvetic independence. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The Erable of Tons in Switzerland, at the foot of which the Abbe of Dissentis, the Counts of Saxony and Werdenberg and the Baron of Razuns swore in 1424 the Upper League or League of Graubünden, which prepared Helvetic independence. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143663: The Erable of Tons in Switzerland, at the foot of which the Abbe of Dissentis, the Counts of Saxony and Werdenberg and the Baron of Razuns swore in 1424 the Upper League or League of Graubünden, which prepared Helvetic independence. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

The art of turn: the ball. King Henry III (1551-1589) and his cuties playing bilboquet in the street. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The art of turn: the ball. King Henry III (1551-1589) and his cuties playing bilboquet in the street. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143676: The art of turn: the ball. King Henry III (1551-1589) and his cuties playing bilboquet in the street. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Sea squim: manufacture of sea squim pipes. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Sea squim: manufacture of sea squim pipes. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143703: Sea squim: manufacture of sea squim pipes. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

First World War (1914-1918): embarking of a French army wounded on a peniche. In “” the Mirror”” of April 18, 1915.
First World War (1914-1918): embarking of a French army wounded on a peniche. In “” the Mirror”” of April 18, 1915.

XEE4143768: First World War (1914-1918): embarking of a French army wounded on a peniche. In “” the Mirror”” of April 18, 1915., French Photographer, (20th century) / Bridgeman Images

Portrait of Jean Louis Rodolphe Agassiz (1807-1873), American naturalist.
Portrait of Jean Louis Rodolphe Agassiz (1807-1873), American naturalist.

XEE4143783: Portrait of Jean Louis Rodolphe Agassiz (1807-1873), American naturalist., Unknown Artist, (19th century) / Bridgeman Images

The tribute of confedere to Guillaume Tell (William Tell) (legendary heros of Swiss independence) Chromolithography of the late 19th century.
The tribute of confedere to Guillaume Tell (William Tell) (legendary heros of Swiss independence) Chromolithography of the late 19th century.

XEE4143823: The tribute of confedere to Guillaume Tell (William Tell) (legendary heros of Swiss independence) Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Regate of “pacifics” in Arcachon in 1950 (photo)
Regate of “pacifics” in Arcachon in 1950 (photo)

XEE4143554: Regate of “pacifics” in Arcachon in 1950 (photo), Unknown photographer, (20th century) / Bridgeman Images

Manufacture of metal feathers: decoupage workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Manufacture of metal feathers: decoupage workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143596: Manufacture of metal feathers: decoupage workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Gilding of books (covers) in iron in a workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Gilding of books (covers) in iron in a workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143601: Gilding of books (covers) in iron in a workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Gold beater. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Gold beater. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143631: Gold beater. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Napoleon Bonaparte (1769-1821) wrote the word “Battaglia” on the trunk of a laurel tree on the island of Isola Bella on Lake Maggiore (Lago Maggiore), three days before the Battle of Marengo in 1800. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Napoleon Bonaparte (1769-1821) wrote the word “Battaglia” on the trunk of a laurel tree on the island of Isola Bella on Lake Maggiore (Lago Maggiore), three days before the Battle of Marengo in 1800. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143660: Napoleon Bonaparte (1769-1821) wrote the word “Battaglia” on the trunk of a laurel tree on the island of Isola Bella on Lake Maggiore (Lago Maggiore), three days before the Battle of Marengo in 1800. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

A magician using a nutmeg box to make a ball appear and disappear. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
A magician using a nutmeg box to make a ball appear and disappear. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143670: A magician using a nutmeg box to make a ball appear and disappear. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

The art of tour: the Blanchard Tower. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The art of tour: the Blanchard Tower. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143695: The art of tour: the Blanchard Tower. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Rice cultivation in Manila in the Philippines in 1864. Anonymous engraving.
Rice cultivation in Manila in the Philippines in 1864. Anonymous engraving.

XEE4143780: Rice cultivation in Manila in the Philippines in 1864. Anonymous engraving., Anonymous / Bridgeman Images

Visit of the Duke Benito Mussolini to Messina during a trip to Sicily. “La domenica del corriere
Visit of the Duke Benito Mussolini to Messina during a trip to Sicily. “La domenica del corriere

XEE4142968: Visit of the Duke Benito Mussolini to Messina during a trip to Sicily. “La domenica del corriere" of 22/08/1937., Beltrame, Achille (1871-1945) / Bridgeman Images

THE ATTENTION OF THE ARMEME BY THE CESARIANS: Arrest of Paul DEROULEDE and Marcel HABERT in the courtyard of the barracks of Reuilly. Cover of Lyon's “Le progres illustré” of March 1899 (engraving)
THE ATTENTION OF THE ARMEME BY THE CESARIANS: Arrest of Paul DEROULEDE and Marcel HABERT in the courtyard of the barracks of Reuilly. Cover of Lyon's “Le progres illustré” of March 1899 (engraving)

XEE4143017: THE ATTENTION OF THE ARMEME BY THE CESARIANS: Arrest of Paul DEROULEDE and Marcel HABERT in the courtyard of the barracks of Reuilly. Cover of Lyon's “Le progres illustré” of March 1899 (engraving), French School, (19th century) / Bridgeman Images

Napoleonic Wars: Napoleon I (1769-1821) observing the Battle of Brienne-le-Chateau (Brienne le Chateau) (Dawn) on 29 January 1814 during the French campaign. The French army defeated the Prussian troops of General Gebhard Leberecht von Blucher (1742-1819). Chromolithography of the late 19th century
Napoleonic Wars: Napoleon I (1769-1821) observing the Battle of Brienne-le-Chateau (Brienne le Chateau) (Dawn) on 29 January 1814 during the French campaign. The French army defeated the Prussian troops of General Gebhard Leberecht von Blucher (1742-1819). Chromolithography of the late 19th century

XEE4143024: Napoleonic Wars: Napoleon I (1769-1821) observing the Battle of Brienne-le-Chateau (Brienne le Chateau) (Dawn) on 29 January 1814 during the French campaign. The French army defeated the Prussian troops of General Gebhard Leberecht von Blucher (1742-1819). Chromolithography of the late 19th century, French School, (19th century) / Bridgeman Images

100-year war: the army of the Burgundians seized the castle of Pierrefonds by betrayal (14th century), late 19th century (chromo)
100-year war: the army of the Burgundians seized the castle of Pierrefonds by betrayal (14th century), late 19th century (chromo)

XEE4143042: 100-year war: the army of the Burgundians seized the castle of Pierrefonds by betrayal (14th century), late 19th century (chromo), French School, (19th century) / Bridgeman Images

Audience given to the Legat in the king's room (Louis XIV?) at the castle of Versailles. Chromolithography of the late 19th century
Audience given to the Legat in the king's room (Louis XIV?) at the castle of Versailles. Chromolithography of the late 19th century

XEE4143049: Audience given to the Legat in the king's room (Louis XIV?) at the castle of Versailles. Chromolithography of the late 19th century, French School, (19th century) / Bridgeman Images

The delivery of the Commander's Cross of the Legion of Honour to Commander Jean-Baptiste (Jean Baptiste) Marchand (1863-1934) aboard the d'Assas in Djibouti in 1899. Cover of “La petite Gironde” from June 1899 (engraving)
The delivery of the Commander's Cross of the Legion of Honour to Commander Jean-Baptiste (Jean Baptiste) Marchand (1863-1934) aboard the d'Assas in Djibouti in 1899. Cover of “La petite Gironde” from June 1899 (engraving)

XEE4143069: The delivery of the Commander's Cross of the Legion of Honour to Commander Jean-Baptiste (Jean Baptiste) Marchand (1863-1934) aboard the d'Assas in Djibouti in 1899. Cover of “La petite Gironde” from June 1899 (engraving), French School, (19th century) / Bridgeman Images

Modern Appication by a shoemaker of the Pila Vitrea. Glass globe filled with water to be placed between a person and the object they contemplate in order to enlarge it and make it more visible. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Modern Appication by a shoemaker of the Pila Vitrea. Glass globe filled with water to be placed between a person and the object they contemplate in order to enlarge it and make it more visible. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143145: Modern Appication by a shoemaker of the Pila Vitrea. Glass globe filled with water to be placed between a person and the object they contemplate in order to enlarge it and make it more visible. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., French School, (19th century) / Bridgeman Images

Portrait of Jean Baptiste (Jean-Baptiste) Andre Dumas (1800-1884) French chemist.
Portrait of Jean Baptiste (Jean-Baptiste) Andre Dumas (1800-1884) French chemist.

XEE4143167: Portrait of Jean Baptiste (Jean-Baptiste) Andre Dumas (1800-1884) French chemist., French School, (19th century) / Bridgeman Images

Portrait of Theodore de Banville, French poet.
Portrait of Theodore de Banville, French poet.

XEE4143872: Portrait of Theodore de Banville, French poet. "Le petit Parisien" from 1891., Anonymous / Bridgeman Images


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