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Jeremy Bentham in an imaginary landscape, 1835 (oil on paper)
Jeremy Bentham in an imaginary landscape, 1835 (oil on paper)

UCL284497: Jeremy Bentham in an imaginary landscape, 1835 (oil on paper), Watts, George Frederic (1817-1904) / Bridgeman Images

ID: UCL284497

Jeremy Bentham in an imaginary landscape, 1835 (oil on paper)

Watts, George Frederic (1817-1904)

Head of a Girl (pencil & chalk on paper)
Head of a Girl (pencil & chalk on paper)

MAA283704: Head of a Girl (pencil & chalk on paper), Dvorak, Franz (1862-1927) / Bridgeman Images

ID: MAA283704

Head of a Girl (pencil & chalk on paper)

Dvorak, Franz (1862-1927)

Satyr Crowning a Bacchante, 1770 (terracotta)
Satyr Crowning a Bacchante, 1770 (terracotta)

XIR232821: Satyr Crowning a Bacchante, 1770 (terracotta), Clodion, Claude Michel (1738-1814) / Bridgeman Images

ID: XIR232821

Satyr Crowning a Bacchante, 1770 (terracotta)

Clodion, Claude Michel (1738-1814)

The Palais du Trocadero at the Exposition Universelle in Paris in 1878 (coloured engraving)
The Palais du Trocadero at the Exposition Universelle in Paris in 1878 (coloured engraving)

XIR232831: The Palais du Trocadero at the Exposition Universelle in Paris in 1878 (coloured engraving), French School, (19th century) / Bridgeman Images

ID: XIR232831

The Palais du Trocadero at the Exposition Universelle in Paris in 1878 (coloured engraving)

French School, (19th century)

Left alone, Rastignac walked a few steps to the highest part of the cemetery', illustration from 'Le Pere Goriot' by Honore de Balzac (1799-1850) (engraving)
Left alone, Rastignac walked a few steps to the highest part of the cemetery', illustration from 'Le Pere Goriot' by Honore de Balzac (1799-1850) (engraving)

XIR239746: Left alone, Rastignac walked a few steps to the highest part of the cemetery', illustration from 'Le Pere Goriot' by Honore de Balzac (1799-1850) (engraving), Laisne (19th century) / Bridgeman Images

ID: XIR239746

Left alone, Rastignac walked a few steps to the highest part of the cemetery', illustration from 'Le Pere Goriot' by Honore de Balzac (1799-1850) (engraving)

Laisne (19th century)

The Apostle Saint John the Evangelist. 1610-1614 (Oil on canvas)
The Apostle Saint John the Evangelist. 1610-1614 (Oil on canvas)

LRI4607067: The Apostle Saint John the Evangelist. 1610-1614 (Oil on canvas), Greco, El (Domenico Theotocopuli) (1541-1614) / Bridgeman Images

ID: LRI4607067

The Apostle Saint John the Evangelist. 1610-1614 (Oil on canvas)

Greco, El (Domenico Theotocopuli) (1541-1614)

Philip IV the Beautiful, a flower of lily in the right hand, c.1555-1566 (miniature)
Philip IV the Beautiful, a flower of lily in the right hand, c.1555-1566 (miniature)

JLJ4690217: Philip IV the Beautiful, a flower of lily in the right hand, c.1555-1566 (miniature), French School, (16th century) / Bridgeman Images

ID: JLJ4690217

Philip IV the Beautiful, a flower of lily in the right hand, c.1555-1566 (miniature)

French School, (16th century)

Last Judgement, c.1435 (tempera on oak)
Last Judgement, c.1435 (tempera on oak)

JLJ4690625: Last Judgement, c.1435 (tempera on oak), Lochner, Stephan (fl.1442-1451) / Bridgeman Images

ID: JLJ4690625

Last Judgement, c.1435 (tempera on oak)

Lochner, Stephan (fl.1442-1451)

Composition with Three Male Nudes, 1910 (ink on paper)
Composition with Three Male Nudes, 1910 (ink on paper)

FIA5386345: Composition with Three Male Nudes, 1910 (ink on paper), Schiele, Egon (1890-1918) / Bridgeman Images

ID: FIA5386345

Composition with Three Male Nudes, 1910 (ink on paper)

Schiele, Egon (1890-1918)

Jezzar Pacha (c.1720-1804) condemning a criminal (colour engraving)
Jezzar Pacha (c.1720-1804) condemning a criminal (colour engraving)

CHT263045: Jezzar Pacha (c.1720-1804) condemning a criminal (colour engraving), Orme, Edward (1774-c.1820) (after) / Bridgeman Images

ID: CHT263045

Jezzar Pacha (c.1720-1804) condemning a criminal (colour engraving)

Orme, Edward (1774-c.1820) (after)

The Steel Balm, engraved by Francois Seraphin Delpech (1778-1825) c.1826 (colour litho)
The Steel Balm, engraved by Francois Seraphin Delpech (1778-1825) c.1826 (colour litho)

CHT235304: The Steel Balm, engraved by Francois Seraphin Delpech (1778-1825) c.1826 (colour litho), Boilly, Louis Leopold (1761-1845) / Bridgeman Images

ID: CHT235304

The Steel Balm, engraved by Francois Seraphin Delpech (1778-1825) c.1826 (colour litho)

Boilly, Louis Leopold (1761-1845)

Hermaphrodite, from a Pompeiian fresco, c.1800 (coloured engraving)
Hermaphrodite, from a Pompeiian fresco, c.1800 (coloured engraving)

CHT235042: Hermaphrodite, from a Pompeiian fresco, c.1800 (coloured engraving), French School, (19th century) / Bridgeman Images

ID: CHT235042

Hermaphrodite, from a Pompeiian fresco, c.1800 (coloured engraving)

French School, (19th century)

The Flayed Angel', from 'Myologie Complette en Couleur et Grandeur Naturelle', 1746 (mezzotint)
The Flayed Angel', from 'Myologie Complette en Couleur et Grandeur Naturelle', 1746 (mezzotint)

CHT235060: The Flayed Angel', from 'Myologie Complette en Couleur et Grandeur Naturelle', 1746 (mezzotint), Gautier d'Agoty, Jacques-Fabien (1710-81) / Bridgeman Images

ID: CHT235060

The Flayed Angel', from 'Myologie Complette en Couleur et Grandeur Naturelle', 1746 (mezzotint)

Gautier d'Agoty, Jacques-Fabien (1710-81)

Ms Lat 6823 fol.19v & 80 Plants from 'De Herbis' by Manfredus de Monte Imperiali, c.1330-40 (vellum)
Ms Lat 6823 fol.19v & 80 Plants from 'De Herbis' by Manfredus de Monte Imperiali, c.1330-40 (vellum)

CHT235135: Ms Lat 6823 fol.19v & 80 Plants from 'De Herbis' by Manfredus de Monte Imperiali, c.1330-40 (vellum), Italian School, (14th century) / Bridgeman Images

ID: CHT235135

Ms Lat 6823 fol.19v & 80 Plants from 'De Herbis' by Manfredus de Monte Imperiali, c.1330-40 (vellum)

Italian School, (14th century)

Pharmaceutical jars for Camphor and Spirit of Wine (glass)
Pharmaceutical jars for Camphor and Spirit of Wine (glass)

CHT237140: Pharmaceutical jars for Camphor and Spirit of Wine (glass), German School, (18th century) / Bridgeman Images

ID: CHT237140

Pharmaceutical jars for Camphor and Spirit of Wine (glass)

German School, (18th century)

Sir Francis Dashwood (1708-81) worshipping Venus (engraving)
Sir Francis Dashwood (1708-81) worshipping Venus (engraving)

XJF245544: Sir Francis Dashwood (1708-81) worshipping Venus (engraving), Knapton, George (1698-1778) (after) / Bridgeman Images

ID: XJF245544

Sir Francis Dashwood (1708-81) worshipping Venus (engraving)

Knapton, George (1698-1778) (after)

Felix Faure (1841-99) late 19th century (b/w photo)
Felix Faure (1841-99) late 19th century (b/w photo)

LRS280104: Felix Faure (1841-99) late 19th century (b/w photo), Pirou, Eugene (fl.1884-1925) / Bridgeman Images

ID: LRS280104

Felix Faure (1841-99) late 19th century (b/w photo)

Pirou, Eugene (fl.1884-1925)

Emperor Alexander III (1845-94) (oil on canvas)
Emperor Alexander III (1845-94) (oil on canvas)

XAB266316: Emperor Alexander III (1845-94) (oil on canvas), Shilder, Andrey Nikolayevich (1861-1919) / Bridgeman Images

ID: XAB266316

Emperor Alexander III (1845-94) (oil on canvas)

Shilder, Andrey Nikolayevich (1861-1919)

Rio dei Mendicanti (oil on canvas)
Rio dei Mendicanti (oil on canvas)

AGN284381: Rio dei Mendicanti (oil on canvas), Guardi, Francesco (1712-93) / Bridgeman Images

ID: AGN284381

Rio dei Mendicanti (oil on canvas)

Guardi, Francesco (1712-93)

Winter, 1890 (marble)
Winter, 1890 (marble)

XIR282799: Winter, 1890 (marble), Peter, Victor (1840-1918) / Bridgeman Images

ID: XIR282799

Winter, 1890 (marble)

Peter, Victor (1840-1918)

Empress Zoe in Hagia Sophia (mosaic)
Empress Zoe in Hagia Sophia (mosaic)

STF251930: Empress Zoe in Hagia Sophia (mosaic) , Byzantine, (11th Century) / Bridgeman Images

ID: STF251930

Empress Zoe in Hagia Sophia (mosaic)

Byzantine, (11th Century)

The Versailles to Paris Railway (coloured engraving)
The Versailles to Paris Railway (coloured engraving)

XIR245779: The Versailles to Paris Railway (coloured engraving), French School, (19th century) / Bridgeman Images

ID: XIR245779

The Versailles to Paris Railway (coloured engraving)

French School, (19th century)

Japanese Crab Apple Blossom, Kew, 1921 (oil on canvas)
Japanese Crab Apple Blossom, Kew, 1921 (oil on canvas)

AGN252256: Japanese Crab Apple Blossom, Kew, 1921 (oil on canvas), Pissarro, Lucien (1863-1944) / Bridgeman Images

ID: AGN252256

Japanese Crab Apple Blossom, Kew, 1921 (oil on canvas)

Pissarro, Lucien (1863-1944)

Fete at Naples on the Occasion of the Marriage of King Ferdinand I (1751-1825) to the Archduchess Maria Carolina of Austria (1752-1814) 1768 (oil on canvas)
Fete at Naples on the Occasion of the Marriage of King Ferdinand I (1751-1825) to the Archduchess Maria Carolina of Austria (1752-1814) 1768 (oil on canvas)

AGN252259: Fete at Naples on the Occasion of the Marriage of King Ferdinand I (1751-1825) to the Archduchess Maria Carolina of Austria (1752-1814) 1768 (oil on canvas), Fabris, Pietro (fl.1768-78) / Bridgeman Images

ID: AGN252259

Fete at Naples on the Occasion of the Marriage of King Ferdinand I (1751-1825) to the Archduchess Maria Carolina of Austria (1752-1814) 1768 (oil on canvas)

Fabris, Pietro (fl.1768-78)

Method of Navigation in New Holland, engraved by F. Fumagalli, illustration from a collection of early 19th Century travel books (coloured engraving)
Method of Navigation in New Holland, engraved by F. Fumagalli, illustration from a collection of early 19th Century travel books (coloured engraving)

STC227352: Method of Navigation in New Holland, engraved by F. Fumagalli, illustration from a collection of early 19th Century travel books (coloured engraving), Parkinson, Sydney (c.1745-71) (after) / Bridgeman Images

ID: STC227352

Method of Navigation in New Holland, engraved by F. Fumagalli, illustration from a collection of early 19th Century travel books (coloured engraving)

Parkinson, Sydney (c.1745-71) (after)

Pair of Belt Clasps with three figures, from Siberian Collection of Peter I, from Altai, 4th Century BC (gold)
Pair of Belt Clasps with three figures, from Siberian Collection of Peter I, from Altai, 4th Century BC (gold)

BOO228305: Pair of Belt Clasps with three figures, from Siberian Collection of Peter I, from Altai, 4th Century BC (gold), Scythian, (4th century BC) / Bridgeman Images

ID: BOO228305

Pair of Belt Clasps with three figures, from Siberian Collection of Peter I, from Altai, 4th Century BC (gold)

Scythian, (4th century BC)

Rune stone outside Gripsholm Castle (stone)
Rune stone outside Gripsholm Castle (stone)

XSP224338: Rune stone outside Gripsholm Castle (stone), Viking / Bridgeman Images

ID: XSP224338

Rune stone outside Gripsholm Castle (stone)

Viking

Fort Saint-Jean, Marseilles, 1907 (oil on canvas)
Fort Saint-Jean, Marseilles, 1907 (oil on canvas)

XIR227621: Fort Saint-Jean, Marseilles, 1907 (oil on canvas), Signac, Paul (1863-1935) / Bridgeman Images

ID: XIR227621

Fort Saint-Jean, Marseilles, 1907 (oil on canvas)

Signac, Paul (1863-1935)

Relief of a dolphin carrying a cross (limestone)
Relief of a dolphin carrying a cross (limestone)

XCZ228769: Relief of a dolphin carrying a cross (limestone), Egyptian School / Bridgeman Images

ID: XCZ228769

Relief of a dolphin carrying a cross (limestone)

Egyptian School

Cashier Counter with coins, 1829 (oil on canvas)
Cashier Counter with coins, 1829 (oil on canvas)

RAF228157: Cashier Counter with coins, 1829 (oil on canvas), Joncherie, Gabriel-Germain (fl.1828-44) / Bridgeman Images

ID: RAF228157

Cashier Counter with coins, 1829 (oil on canvas)

Joncherie, Gabriel-Germain (fl.1828-44)

The Writing Lesson, 1880 (w/c on paper)
The Writing Lesson, 1880 (w/c on paper)

BOL229479: The Writing Lesson, 1880 (w/c on paper), Waterford, Louisa Anne, Marchioness of (1818-91) / Bridgeman Images

ID: BOL229479

The Writing Lesson, 1880 (w/c on paper)

Waterford, Louisa Anne, Marchioness of (1818-91)

The Viola Player, 16th century (oil on canvas)
The Viola Player, 16th century (oil on canvas)

XIR227214: The Viola Player, 16th century (oil on canvas), Zacchia, Paolo (fl.1519-61) / Bridgeman Images

ID: XIR227214

The Viola Player, 16th century (oil on canvas)

Zacchia, Paolo (fl.1519-61)

The Convent of St. Catherine, Mount Sinai (w/c on paper)
The Convent of St. Catherine, Mount Sinai (w/c on paper)

STC255147: The Convent of St. Catherine, Mount Sinai (w/c on paper), Bartlett, William Henry (1809-54) / Bridgeman Images

ID: STC255147

The Convent of St. Catherine, Mount Sinai (w/c on paper)

Bartlett, William Henry (1809-54)

Captain William Kidd burying his Bible, 1844 (engraving)
Captain William Kidd burying his Bible, 1844 (engraving)

XJF261186: Captain William Kidd burying his Bible, 1844 (engraving), English School, (18th century) (after) / Bridgeman Images

ID: XJF261186

Captain William Kidd burying his Bible, 1844 (engraving)

English School, (18th century) (after)

The explorer David Livingstone (1813-73) and his meeting with Stanley (1840-1904) at Ujiji on 27th October 1871, trade card advertising 'Poulain' chocolate (colour litho)
The explorer David Livingstone (1813-73) and his meeting with Stanley (1840-1904) at Ujiji on 27th October 1871, trade card advertising 'Poulain' chocolate (colour litho)

CHT256636: The explorer David Livingstone (1813-73) and his meeting with Stanley (1840-1904) at Ujiji on 27th October 1871, trade card advertising 'Poulain' chocolate (colour litho), French School, (19th century) / Bridgeman Images

ID: CHT256636

The explorer David Livingstone (1813-73) and his meeting with Stanley (1840-1904) at Ujiji on 27th October 1871, trade card advertising 'Poulain' chocolate (colour litho)

French School, (19th century)

Egeria Handing Numa Pompilius His Shield, 1794 (oil on canvas)
Egeria Handing Numa Pompilius His Shield, 1794 (oil on canvas)

CH249878: Egeria Handing Numa Pompilius His Shield, 1794 (oil on canvas), Kauffman, Angelica (1741-1807) / Bridgeman Images

ID: CH249878

Egeria Handing Numa Pompilius His Shield, 1794 (oil on canvas)

Kauffman, Angelica (1741-1807)


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