HEH5854534:
Albion Rose (or The Dance of Albion), c.1793 (colour etching), Blake, William (1757-1827) / Bridgeman Images
ID: HEH5854534
Albion Rose (or The Dance of Albion), c.1793 (colour etching)
Blake, William (1757-1827)
XIR345928:
Avenue des Champs-Elysees and Arc de Triomphe, 1925 (see also 189431), Giraudon, studio (1912-53) / Bridgeman Images
ID: XIR345928
Avenue des Champs-Elysees and Arc de Triomphe, 1925 (see also 189431)
Giraudon, studio (1912-53)
XBP341826:
Djed pillar pectoral and wedjet eye pectoral, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gold cloisonne with glass paste) (see also 149410), Egyptian 18th Dynasty (c.1567-1320 BC) / Bridgeman Images
ID: XBP341826
Djed pillar pectoral and wedjet eye pectoral, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gold cloisonne with glass paste) (see also 149410)
Egyptian 18th Dynasty (c.1567-1320 BC)
MFR348317:
18-inch Hadley quadrant or octant, c.1760 (wood, brass & glass), Adams, George (1750-95) / Bridgeman Images
ID: MFR348317
18-inch Hadley quadrant or octant, c.1760 (wood, brass & glass)
Adams, George (1750-95)
CH349944:
Titlepage of a printed edition of the 'Archimedes Palimpsest', Editio Princeps, 1544 (print), Swiss School, (16th century) / Bridgeman Images
ID: CH349944
Titlepage of a printed edition of the 'Archimedes Palimpsest', Editio Princeps, 1544 (print)
Swiss School, (16th century)
FSG348808:
Folio from an album; A School Scene, Tabriz, Iran, Safavid period, c.1540 (opaque watercolour, ink and gold on paper), Persian School, (16th century) / Bridgeman Images
ID: FSG348808
Folio from an album; A School Scene, Tabriz, Iran, Safavid period, c.1540 (opaque watercolour, ink and gold on paper)
Persian School, (16th century)
FSG348996:
Descending Geese of the Koto, Edo period, c.1766 (colour woodblock print), Harunobu, Suzuki (1725-70) / Bridgeman Images
ID: FSG348996
Descending Geese of the Koto, Edo period, c.1766 (colour woodblock print)
Harunobu, Suzuki (1725-70)
XIR347325:
Deputy Armonville, Robespierre and officials form the period of the French Revolution (gouache), Lesueur, P. A. (1770-1850) & Lesueur, J.B. (1750-1850) / Bridgeman Images
ID: XIR347325
Deputy Armonville, Robespierre and officials form the period of the French Revolution (gouache)
Lesueur, P. A. (1770-1850) & Lesueur, J.B. (1750-1850)
PNH353223:
In Sere and Yellow Leaf, 1879 (oil on canvas), Grimshaw, John Atkinson (1836-93) / Bridgeman Images
ID: PNH353223
In Sere and Yellow Leaf, 1879 (oil on canvas)
Grimshaw, John Atkinson (1836-93)
PNH351383:
Deianira, 1878 (gouache on paper), Morgan, Evelyn De (1855-1919) / Bridgeman Images
ID: PNH351383
Deianira, 1878 (gouache on paper)
Morgan, Evelyn De (1855-1919)
CH376823:
Argenteuil, Late Afternoon, 1872 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images
ID: CH376823
Argenteuil, Late Afternoon, 1872 (oil on canvas)
Monet, Claude (1840-1926)
OVR371479:
Tjugum Church, Balestrand, 1839 (oil on canvas), Fearnley, Thomas (1802-42) / Bridgeman Images
ID: OVR371479
Tjugum Church, Balestrand, 1839 (oil on canvas)
Fearnley, Thomas (1802-42)
XPG379481:
Noon Day, Swanwick, Joseph Harold (1866-1929) / Bridgeman Images
ID: XPG379481
Noon Day
Swanwick, Joseph Harold (1866-1929)
CH368176:
Bacchanal, 1871 (oil on panel), Alma-Tadema, Lawrence (1836-1912) / Bridgeman Images
ID: CH368176
Bacchanal, 1871 (oil on panel)
Alma-Tadema, Lawrence (1836-1912)
XJF365325:
Frontispiece to 'The Picture of Dorian Gray' by Oscar Wilde, published in 1925 (litho), Keen, Henry (fl.1920-30) / Bridgeman Images
ID: XJF365325
Frontispiece to 'The Picture of Dorian Gray' by Oscar Wilde, published in 1925 (litho)
Keen, Henry (fl.1920-30)
XJF354297:
A Pneumatical Engine and it's parts, from Boyle's 'Spring and Weight of the Air' published in 1661 (engraving), English School, (17th century) / Bridgeman Images
ID: XJF354297
A Pneumatical Engine and it's parts, from Boyle's 'Spring and Weight of the Air' published in 1661 (engraving)
English School, (17th century)
CH372093:
The Dinner Party, 1837 (oil on canvas), Paczka, Ferencz (1856-1925) / Bridgeman Images
ID: CH372093
The Dinner Party, 1837 (oil on canvas)
Paczka, Ferencz (1856-1925)
SIT370370:
Poster advertising 'The Pirates of Penzance', c.1930 (lithograph), English School, (20th century) / Bridgeman Images
ID: SIT370370
Poster advertising 'The Pirates of Penzance', c.1930 (lithograph)
English School, (20th century)
XCF282066:
Portrait of Leo X (oil on canvas), Italian School, (16th century) / Bridgeman Images
ID: XCF282066
Portrait of Leo X (oil on canvas)
Italian School, (16th century)
MAN277412:
Catherine of Aragon, from 'Henry VIII' by William Shakespeare, 1866 (oil on canvas), Bromley, William III (c.1815-c.88) / Bridgeman Images
ID: MAN277412
Catherine of Aragon, from 'Henry VIII' by William Shakespeare, 1866 (oil on canvas)
Bromley, William III (c.1815-c.88)
XAB283550:
Portrait of Don John of Austria (oil on canvas), Sanchez Coello, Alonso (c.1531-88) / Bridgeman Images
BAT276799:
Christ in Limbo, 1552 (oil on canvas), Bronzino, Agnolo di Cosimo (1503-72) / Bridgeman Images
ID: BAT276799
Christ in Limbo, 1552 (oil on canvas)
Bronzino, Agnolo di Cosimo (1503-72)
CHT277050:
Ms 782 fol.16v. Map of the world in the form of a globe, miniature from 'Grandes Chroniques de Philippe le Hardi' (vellum), French School, (14th century) / Bridgeman Images
ID: CHT277050
Ms 782 fol.16v. Map of the world in the form of a globe, miniature from 'Grandes Chroniques de Philippe le Hardi' (vellum)
French School, (14th century)
MAN277428:
My Lady Fair, 1903 (oil on canvas), Dicksee, Frank (1853-1928) / Bridgeman Images
ID: MAN277428
My Lady Fair, 1903 (oil on canvas)
Dicksee, Frank (1853-1928)
XIR279477:
Tryptic of the Virgin, central panel (oil on panel), Maestro di Cesi (fl.1300) / Bridgeman Images
ID: XIR279477
Tryptic of the Virgin, central panel (oil on panel)
Maestro di Cesi (fl.1300)
REV287071:
Hysterical epilepsy, attack, contortions, plate XXXVII from 'Iconographie Photographique de La Salpetriere' by Bourneville et P. Regnard, Paris, 1876 (albumen print), Regnard, Paul (1850-1927) / Bridgeman Images
ID: REV287071
Hysterical epilepsy, attack, contortions, plate XXXVII from 'Iconographie Photographique de La Salpetriere' by Bourneville et P. Regnard, Paris, 1876 (albumen print)
Regnard, Paul (1850-1927)
CHT289108:
Portrait of Francois Joseph Talma (1763-1826) as Hamlet (oil on canvas), Lagrenee, Anthelme Francois (1774-1832) / Bridgeman Images
ID: CHT289108
Portrait of Francois Joseph Talma (1763-1826) as Hamlet (oil on canvas)
Lagrenee, Anthelme Francois (1774-1832)
CHT289140:
Portrait of Lola Montez (1821-61), 1846 (w/c on paper), Roqueplan, Camille-Joseph-Etienne (1800-55) / Bridgeman Images
ID: CHT289140
Portrait of Lola Montez (1821-61), 1846 (w/c on paper)
Roqueplan, Camille-Joseph-Etienne (1800-55)
XCF290942:
Kensington Palace (w/c on paper), Buckler, John (1770-1851) / Bridgeman Images
ID: XCF290942
Kensington Palace (w/c on paper)
Buckler, John (1770-1851)
SNM284664:
In the Kitchen Garden, 1883 (w/c on paper), Larsson, Carl (1853-1919) / Bridgeman Images
XIR278791:
Inhabited initial 'D' depicting a fool (watercolour & gold on vellum), Master M.Z.A. (15th century) / Bridgeman Images
ID: XIR278791
Inhabited initial 'D' depicting a fool (watercolour & gold on vellum)
Master M.Z.A. (15th century)
XCK339868:
Woman and Roses, 1879 (oil on canvas), Toulmouche, Auguste (1829-90) / Bridgeman Images
ID: XCK339868
Woman and Roses, 1879 (oil on canvas)
Toulmouche, Auguste (1829-90)
CF332119:
An Exact Representation of the Form and Manner in Which Exposed and Deserted Young Children are admitted into the Foundling Hospital, 1749 (engraving), Parr, Nathaniel (1723-60) / Bridgeman Images
ID: CF332119
An Exact Representation of the Form and Manner in Which Exposed and Deserted Young Children are admitted into the Foundling Hospital, 1749 (engraving)
Parr, Nathaniel (1723-60)
FSG325416:
Solomon and Bilqis sit together and converse frankly, folio from a Haft awrang (Seven thrones) by Jami (d.1492) probably Mashad, Khurasan, Iran, Safavid dynasty, 1556-1565 (ink, opaque watercolour and gold on paper), Persian School, (16th century) / Bridgeman Images
ID: FSG325416
Solomon and Bilqis sit together and converse frankly, folio from a Haft awrang (Seven thrones) by Jami (d.1492) probably Mashad, Khurasan, Iran, Safavid dynasty, 1556-1565 (ink, opaque watercolour and gold on paper)