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Mexican Revolution: Hammer and Sickle, Mexico City, 1927 (b/w photo)
Mexican Revolution: Hammer and Sickle, Mexico City, 1927 (b/w photo)

GBW472732: Mexican Revolution: Hammer and Sickle, Mexico City, 1927 (b/w photo) , Modotti, Tina (1896-1942) / Bridgeman Images

ID: GBW472732

Mexican Revolution: Hammer and Sickle, Mexico City, 1927 (b/w photo)

Modotti, Tina (1896-1942)

Hands of the puppeteer, 1929 (b/w photo)
Hands of the puppeteer, 1929 (b/w photo)

GBW469877: Hands of the puppeteer, 1929 (b/w photo), Modotti, Tina (1896-1942) / Bridgeman Images

ID: GBW469877

Hands of the puppeteer, 1929 (b/w photo)

Modotti, Tina (1896-1942)

The Rhinemaidens teasing Alberich, illustration from 'The Rhinegold and the Valkyrie', 1910 (colour litho)
The Rhinemaidens teasing Alberich, illustration from 'The Rhinegold and the Valkyrie', 1910 (colour litho)

STC324212: The Rhinemaidens teasing Alberich, illustration from 'The Rhinegold and the Valkyrie', 1910 (colour litho), Rackham, Arthur (1867-1939) / Bridgeman Images

ID: STC324212

The Rhinemaidens teasing Alberich, illustration from 'The Rhinegold and the Valkyrie', 1910 (colour litho)

Rackham, Arthur (1867-1939)

The Freemason's Tavern, 1863 (colour litho)
The Freemason's Tavern, 1863 (colour litho)

NFM315156: The Freemason's Tavern, 1863 (colour litho), English School, (19th century) / Bridgeman Images

ID: NFM315156

The Freemason's Tavern, 1863 (colour litho)

English School, (19th century)

View of the Victory of Samothrace dominating the Daru staircase in Louvre museum, c.1921-22 (photo)
View of the Victory of Samothrace dominating the Daru staircase in Louvre museum, c.1921-22 (photo)

XIR326607: View of the Victory of Samothrace dominating the Daru staircase in Louvre museum, c.1921-22 (photo), Giraudon, studio (1912-53) / Bridgeman Images

ID: XIR326607

View of the Victory of Samothrace dominating the Daru staircase in Louvre museum, c.1921-22 (photo)

Giraudon, studio (1912-53)

Two pages from 'Orbis Sensualium Pictus' by Comenius, 1659 (woodcut)
Two pages from 'Orbis Sensualium Pictus' by Comenius, 1659 (woodcut)

XJF384002: Two pages from 'Orbis Sensualium Pictus' by Comenius, 1659 (woodcut), English School, (17th century) / Bridgeman Images

ID: XJF384002

Two pages from 'Orbis Sensualium Pictus' by Comenius, 1659 (woodcut)

English School, (17th century)

Waterlilies, 1916-19 (oil on canvas)
Waterlilies, 1916-19 (oil on canvas)

XIR382331: Waterlilies, 1916-19 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: XIR382331

Waterlilies, 1916-19 (oil on canvas)

Monet, Claude (1840-1926)

Portrait of Lewis Carroll (photo)
Portrait of Lewis Carroll (photo)

REV382380: Portrait of Lewis Carroll (photo), English Photographer, (19th century) / Bridgeman Images

ID: REV382380

Portrait of Lewis Carroll (photo)

English Photographer, (19th century)

William the Conqueror, from 'Portraits des grands hommes, femmes illustres, et sujets memorables de France, grave et imprimes en couleurs', published by Pierre Blin, 1786-92, Paris (colour engraving)
William the Conqueror, from 'Portraits des grands hommes, femmes illustres, et sujets memorables de France, grave et imprimes en couleurs', published by Pierre Blin, 1786-92, Paris (colour engraving)

STC422613: William the Conqueror, from 'Portraits des grands hommes, femmes illustres, et sujets memorables de France, grave et imprimes en couleurs', published by Pierre Blin, 1786-92, Paris (colour engraving), Sergent-Marceau, Antoine Louis Francois (1751-1847) (after) / Bridgeman Images

ID: STC422613

William the Conqueror, from 'Portraits des grands hommes, femmes illustres, et sujets memorables de France, grave et imprimes en couleurs', published by Pierre Blin, 1786-92, Paris (colour engraving)

Sergent-Marceau, Antoine Louis Francois (1751-1847) (after)

Portrait of William Augustus, Duke of Cumberland, mid 18th century (oil on panel)
Portrait of William Augustus, Duke of Cumberland, mid 18th century (oil on panel)

AMR424760: Portrait of William Augustus, Duke of Cumberland, mid 18th century (oil on panel), English School, (18th century) / Bridgeman Images

ID: AMR424760

Portrait of William Augustus, Duke of Cumberland, mid 18th century (oil on panel)

English School, (18th century)

Composition with the Mona Lisa, 1914 (oil on canvas)
Composition with the Mona Lisa, 1914 (oil on canvas)

NUM445554: Composition with the Mona Lisa, 1914 (oil on canvas), Malevich, Kazimir Severinovich (1878-1935) / Bridgeman Images

ID: NUM445554

Composition with the Mona Lisa, 1914 (oil on canvas)

Malevich, Kazimir Severinovich (1878-1935)

Giovanni da Verrazzano on the river Hudson
Giovanni da Verrazzano on the river Hudson

LLM456906: Giovanni da Verrazzano on the river Hudson, Scarpelli, Tancredi (1866-1937) / Bridgeman Images

ID: LLM456906

Giovanni da Verrazzano on the river Hudson

Scarpelli, Tancredi (1866-1937)

Detail of the Virgin and Child with Canon Joris van der Paele, 1434-36 (oil on panel)
Detail of the Virgin and Child with Canon Joris van der Paele, 1434-36 (oil on panel)

LAF490104: Detail of the Virgin and Child with Canon Joris van der Paele, 1434-36 (oil on panel), Eyck, Jan van (c.1390-1441) / Bridgeman Images

ID: LAF490104

Detail of the Virgin and Child with Canon Joris van der Paele, 1434-36 (oil on panel)

Eyck, Jan van (c.1390-1441)

The Good Samaritan
The Good Samaritan

LLM338266: The Good Samaritan, Copping, Harold (1863-1932) / Bridgeman Images

ID: LLM338266

The Good Samaritan

Copping, Harold (1863-1932)

Barbary Galleys (engraving)
Barbary Galleys (engraving)

XJF336900: Barbary Galleys (engraving), Dutch School, (18th century) / Bridgeman Images

ID: XJF336900

Barbary Galleys (engraving)

Dutch School, (18th century)

The House of Cards (oil on canvas)
The House of Cards (oil on canvas)

XIR81199: The House of Cards (oil on canvas), Chardin, Jean-Baptiste Simeon (1699-1779) / Bridgeman Images

ID: XIR81199

The House of Cards (oil on canvas)

Chardin, Jean-Baptiste Simeon (1699-1779)

Portrait of Titus Livius known as Livy (59BC-17AD) (red chalk)
Portrait of Titus Livius known as Livy (59BC-17AD) (red chalk)

XIR84903: Portrait of Titus Livius known as Livy (59BC-17AD) (red chalk), Flemish School, (16th century) / Bridgeman Images

ID: XIR84903

Portrait of Titus Livius known as Livy (59BC-17AD) (red chalk)

Flemish School, (16th century)

Performance of Bach's The Passion, in the Ancient Conservatory, 16th May 1885 (w/c on paper)
Performance of Bach's The Passion, in the Ancient Conservatory, 16th May 1885 (w/c on paper)

XZO60551: Performance of Bach's The Passion, in the Ancient Conservatory, 16th May 1885 (w/c on paper), Unknown Artist, (19th century) / Bridgeman Images

ID: XZO60551

Performance of Bach's The Passion, in the Ancient Conservatory, 16th May 1885 (w/c on paper)

Unknown Artist, (19th century)

The Market at Sainte-Catherine, Honfleur
The Market at Sainte-Catherine, Honfleur

XNR61627: The Market at Sainte-Catherine, Honfleur, Jongkind, Johan-Barthold (1819-91) / Bridgeman Images

ID: XNR61627

The Market at Sainte-Catherine, Honfleur

Jongkind, Johan-Barthold (1819-91)

The Vision of Endymion, 1902 (oil on canvas)
The Vision of Endymion, 1902 (oil on canvas)

MAN62972: The Vision of Endymion, 1902 (oil on canvas), Poynter, Edward John (1836-1919) / Bridgeman Images

ID: MAN62972

The Vision of Endymion, 1902 (oil on canvas)

Poynter, Edward John (1836-1919)

Angeli Ministrantes (design for a window in Salisbury Cathedral, also for tapestries)
Angeli Ministrantes (design for a window in Salisbury Cathedral, also for tapestries)

FIT63137: Angeli Ministrantes (design for a window in Salisbury Cathedral, also for tapestries), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: FIT63137

Angeli Ministrantes (design for a window in Salisbury Cathedral, also for tapestries)

Burne-Jones, Edward Coley (1833-98)

The Adoration of the Magi (oil on copper)
The Adoration of the Magi (oil on copper)

LVP127600: The Adoration of the Magi (oil on copper), Baellieur, Cornelis de I (1607-71) / Bridgeman Images

ID: LVP127600

The Adoration of the Magi (oil on copper)

Baellieur, Cornelis de I (1607-71)

Negro with Parrots and Monkeys, 1670 (oil on canvas)
Negro with Parrots and Monkeys, 1670 (oil on canvas)

SNM128569: Negro with Parrots and Monkeys, 1670 (oil on canvas), Ehrenstrahl, David Klocker (1629-98) / Bridgeman Images

ID: SNM128569

Negro with Parrots and Monkeys, 1670 (oil on canvas)

Ehrenstrahl, David Klocker (1629-98)

Circassians Patrol, c.1885 (oil on board)
Circassians Patrol, c.1885 (oil on board)

AGR127713: Circassians Patrol, c.1885 (oil on board), Wierusz-Kowalski, Alfred von (1849-1915) / Bridgeman Images

ID: AGR127713

Circassians Patrol, c.1885 (oil on board)

Wierusz-Kowalski, Alfred von (1849-1915)

Bearded head pendant (sand-core glass)
Bearded head pendant (sand-core glass)

BAL125346: Bearded head pendant (sand-core glass) / Bridgeman Images

ID: BAL125346

Bearded head pendant (sand-core glass)

Penelope, 1878 (coloured chalk on paper)
Penelope, 1878 (coloured chalk on paper)

CEC128134: Penelope, 1878 (coloured chalk on paper), Sandys, Anthony Frederick Augustus (1829-1904) / Bridgeman Images

ID: CEC128134

Penelope, 1878 (coloured chalk on paper)

Sandys, Anthony Frederick Augustus (1829-1904)

A Rest by the Way (oil on canvas)
A Rest by the Way (oil on canvas)

DRB128823: A Rest by the Way (oil on canvas), Faed, Thomas (1826-1900) / Bridgeman Images

ID: DRB128823

A Rest by the Way (oil on canvas)

Faed, Thomas (1826-1900)

Map of the Southern Hemisphere, from 'The Celestial Atlas, or The Harmony of the Universe' (Atlas coelestis seu harmonia macrocosmica) pub. by Joannes Janssonius, Amsterdam, 1660-61 (hand coloured engraving)
Map of the Southern Hemisphere, from 'The Celestial Atlas, or The Harmony of the Universe' (Atlas coelestis seu harmonia macrocosmica) pub. by Joannes Janssonius, Amsterdam, 1660-61 (hand coloured engraving)

STC129830: Map of the Southern Hemisphere, from 'The Celestial Atlas, or The Harmony of the Universe' (Atlas coelestis seu harmonia macrocosmica) pub. by Joannes Janssonius, Amsterdam, 1660-61 (hand coloured engraving), Cellarius, Andreas (c.1596-1665) / Bridgeman Images

ID: STC129830

Map of the Southern Hemisphere, from 'The Celestial Atlas, or The Harmony of the Universe' (Atlas coelestis seu harmonia macrocosmica) pub. by Joannes Janssonius, Amsterdam, 1660-61 (hand coloured engraving)

Cellarius, Andreas (c.1596-1665)

Edouard-Rene Laboulaye (1811-83), from 'Galerie Contemporaine', c.1874-78 (b/w photo)
Edouard-Rene Laboulaye (1811-83), from 'Galerie Contemporaine', c.1874-78 (b/w photo)

STC129153: Edouard-Rene Laboulaye (1811-83), from 'Galerie Contemporaine', c.1874-78 (b/w photo), Nadar, (Gaspard Felix Tournachon) (1820-1910) / Bridgeman Images

ID: STC129153

Edouard-Rene Laboulaye (1811-83), from 'Galerie Contemporaine', c.1874-78 (b/w photo)

Nadar, (Gaspard Felix Tournachon) (1820-1910)

Scribe and Painter at Work, from the Hadiqat Al-Haqiqat (The Garden of Truth) by Hakim Sana'i, First Miniature, folio 15, Mughal, 1599-1600 (pen and ink on paper)
Scribe and Painter at Work, from the Hadiqat Al-Haqiqat (The Garden of Truth) by Hakim Sana'i, First Miniature, folio 15, Mughal, 1599-1600 (pen and ink on paper)

BON131795: Scribe and Painter at Work, from the Hadiqat Al-Haqiqat (The Garden of Truth) by Hakim Sana'i, First Miniature, folio 15, Mughal, 1599-1600 (pen and ink on paper), Jaganath (fl.1585-1605) / Bridgeman Images

ID: BON131795

Scribe and Painter at Work, from the Hadiqat Al-Haqiqat (The Garden of Truth) by Hakim Sana'i, First Miniature, folio 15, Mughal, 1599-1600 (pen and ink on paper)

Jaganath (fl.1585-1605)

A Carol For A Wassail Bowl, 1840s (litho)
A Carol For A Wassail Bowl, 1840s (litho)

NAT133839: A Carol For A Wassail Bowl, 1840s (litho), English School, (19th century) / Bridgeman Images

ID: NAT133839

A Carol For A Wassail Bowl, 1840s (litho)

English School, (19th century)

The Travellers, or A Tour Through Europe, engraved by W. Clerk, published by William Spooner, London, 1842 (hand-coloured litho)
The Travellers, or A Tour Through Europe, engraved by W. Clerk, published by William Spooner, London, 1842 (hand-coloured litho)

BAL135467: The Travellers, or A Tour Through Europe, engraved by W. Clerk, published by William Spooner, London, 1842 (hand-coloured litho), English School, (19th century) (after) / Bridgeman Images

ID: BAL135467

The Travellers, or A Tour Through Europe, engraved by W. Clerk, published by William Spooner, London, 1842 (hand-coloured litho)

English School, (19th century) (after)

Shrove-Tide, 1916 (oil on canvas)
Shrove-Tide, 1916 (oil on canvas)

SRM93047: Shrove-Tide, 1916 (oil on canvas), Kustodiev, Boris Mikhailovich (1878-1927) / Bridgeman Images

ID: SRM93047

Shrove-Tide, 1916 (oil on canvas)

Kustodiev, Boris Mikhailovich (1878-1927)

A Showdown - In the 400. Blue-Bloods Playing for Blue Chips, plate 6 from a poker series, pub. by the Truth Company, New York, 1895 (litho)
A Showdown - In the 400. Blue-Bloods Playing for Blue Chips, plate 6 from a poker series, pub. by the Truth Company, New York, 1895 (litho)

MNY94361: A Showdown - In the 400. Blue-Bloods Playing for Blue Chips, plate 6 from a poker series, pub. by the Truth Company, New York, 1895 (litho), Wenzell, Albert Beck (1864-1917) / Bridgeman Images

ID: MNY94361

A Showdown - In the 400. Blue-Bloods Playing for Blue Chips, plate 6 from a poker series, pub. by the Truth Company, New York, 1895 (litho)

Wenzell, Albert Beck (1864-1917)

Those who Inspire Love Extinguish it, or The Philosopher, 1790 (oil on canvas)
Those who Inspire Love Extinguish it, or The Philosopher, 1790 (oil on canvas)

XIR92396: Those who Inspire Love Extinguish it, or The Philosopher, 1790 (oil on canvas), Boilly, Louis Leopold (1761-1845) / Bridgeman Images

ID: XIR92396

Those who Inspire Love Extinguish it, or The Philosopher, 1790 (oil on canvas)

Boilly, Louis Leopold (1761-1845)

The Haycart, or Return from Haymaking, 1641 (oil on canvas)
The Haycart, or Return from Haymaking, 1641 (oil on canvas)

XIR90080: The Haycart, or Return from Haymaking, 1641 (oil on canvas), Le Nain, Louis (1593-1648) / Bridgeman Images

ID: XIR90080

The Haycart, or Return from Haymaking, 1641 (oil on canvas)

Le Nain, Louis (1593-1648)


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