1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2497527 Search Results

Cattleya Orchid and Three Hummingbirds, 1871 (oil on wood)
Cattleya Orchid and Three Hummingbirds, 1871 (oil on wood)

XOS4073418: Cattleya Orchid and Three Hummingbirds, 1871 (oil on wood), Heade, Martin Johnson (1819-1904) / Bridgeman Images

ID: XOS4073418

Cattleya Orchid and Three Hummingbirds, 1871 (oil on wood)

Heade, Martin Johnson (1819-1904)

Composition with Three Male Nudes, 1910 (ink on paper)
Composition with Three Male Nudes, 1910 (ink on paper)

FIA5386345: Composition with Three Male Nudes, 1910 (ink on paper), Schiele, Egon (1890-1918) / Bridgeman Images

ID: FIA5386345

Composition with Three Male Nudes, 1910 (ink on paper)

Schiele, Egon (1890-1918)

The Dying Gaul (marble)
The Dying Gaul (marble)

LRI4657943: The Dying Gaul (marble), Greco-Roman / Bridgeman Images

ID: LRI4657943

The Dying Gaul (marble)

Greco-Roman

Woman aside (Drawing, 20th century)
Woman aside (Drawing, 20th century)

LRI4615816: Woman aside (Drawing, 20th century), Klee, Paul (1879-1940) / Bridgeman Images

ID: LRI4615816

Woman aside (Drawing, 20th century)

Klee, Paul (1879-1940)

Poster for the Fiera Milano, trade fair and exhibition, 1929
Poster for the Fiera Milano, trade fair and exhibition, 1929

LRI4600770: Poster for the Fiera Milano, trade fair and exhibition, 1929, Italian School, (20th century) / Bridgeman Images

ID: LRI4600770

Poster for the Fiera Milano, trade fair and exhibition, 1929

Italian School, (20th century)

Angel. Baronci Altarpiece. (oil on panel, 1500-1501)
Angel. Baronci Altarpiece. (oil on panel, 1500-1501)

LRI4610430: Angel. Baronci Altarpiece. (oil on panel, 1500-1501), Raphael (Raffaello Sanzio of Urbino) (1483-1520) / Bridgeman Images

ID: LRI4610430

Angel. Baronci Altarpiece. (oil on panel, 1500-1501)

Raphael (Raffaello Sanzio of Urbino) (1483-1520)

Habakkuk (or Elisha). 1423-1435. (marble sculpture)
Habakkuk (or Elisha). 1423-1435. (marble sculpture)

LRI4594401: Habakkuk (or Elisha). 1423-1435. (marble sculpture), Donatello, (c.1386-1466) / Bridgeman Images

ID: LRI4594401

Habakkuk (or Elisha). 1423-1435. (marble sculpture)

Donatello, (c.1386-1466)

The Apostle Saint John the Evangelist. 1610-1614 (Oil on canvas)
The Apostle Saint John the Evangelist. 1610-1614 (Oil on canvas)

LRI4607067: The Apostle Saint John the Evangelist. 1610-1614 (Oil on canvas), Greco, El (Domenico Theotocopuli) (1541-1614) / Bridgeman Images

ID: LRI4607067

The Apostle Saint John the Evangelist. 1610-1614 (Oil on canvas)

Greco, El (Domenico Theotocopuli) (1541-1614)

The Annunciation and the Nativity. High relief of marble carved, 1298-1301
The Annunciation and the Nativity. High relief of marble carved, 1298-1301

LRI4595145: The Annunciation and the Nativity. High relief of marble carved, 1298-1301, Pisano, Giovanni (c.1245-p.1314) / Bridgeman Images

ID: LRI4595145

The Annunciation and the Nativity. High relief of marble carved, 1298-1301

Pisano, Giovanni (c.1245-p.1314)

first heaven: Dante meets Beatrice in Paradise. Illuminated page illustrating a song of Paradise from the “Divina Commedia” by Dante Alighieri (1265-1321). 14th century, Venice, Biblioteca Marciana
first heaven: Dante meets Beatrice in Paradise. Illuminated page illustrating a song of Paradise from the “Divina Commedia” by Dante Alighieri (1265-1321). 14th century, Venice, Biblioteca Marciana

LRI4665992: first heaven: Dante meets Beatrice in Paradise. Illuminated page illustrating a song of Paradise from the “Divina Commedia” by Dante Alighieri (1265-1321). 14th century, Venice, Biblioteca Marciana, Unknown Artist, (14th century) / Bridgeman Images

ID: LRI4665992

first heaven: Dante meets Beatrice in Paradise. Illuminated page illustrating a song of Paradise from the “Divina Commedia” by Dante Alighieri (1265-1321). 14th century, Venice, Biblioteca Marciana

Unknown Artist, (14th century)

Greek Antiquite: “” Portrait of Aristotle (384-322 BC)”” Marble sculpture, Roman replica after a Greek original by Lysippos - Palermo, Museo Archeologico Nazionale - Aristotle (384-322 BC) - Marble sculpture, Roman copy of a Greek original by Lysippos (c.395-c.305 BC) - Museo Archeologico, Palermo
Greek Antiquite: “” Portrait of Aristotle (384-322 BC)”” Marble sculpture, Roman replica after a Greek original by Lysippos - Palermo, Museo Archeologico Nazionale - Aristotle (384-322 BC) - Marble sculpture, Roman copy of a Greek original by Lysippos (c.395-c.305 BC) - Museo Archeologico, Palermo

LRI4659055: Greek Antiquite: “” Portrait of Aristotle (384-322 BC)”” Marble sculpture, Roman replica after a Greek original by Lysippos - Palermo, Museo Archeologico Nazionale - Aristotle (384-322 BC) - Marble sculpture, Roman copy of a Greek original by Lysippos (c.395-c.305 BC) - Museo Archeologico, Palermo, Greek school, (4th century BC) / Bridgeman Images

ID: LRI4659055

Greek Antiquite: “” Portrait of Aristotle (384-322 BC)”” Marble sculpture, Roman replica after a Greek original by Lysippos - Palermo, Museo Archeologico Nazionale - Aristotle (384-322 BC) - Marble sculpture, Roman copy of a Greek original by Lysippos (c.395-c.305 BC) - Museo Archeologico, Palermo

Greek school, (4th century BC)

Michel Houellebecq French writer
Michel Houellebecq French writer

GUF7141689: Michel Houellebecq French writer / Bridgeman Images

ID: GUF7141689

Michel Houellebecq French writer

Paris. Caisse des depots et consignations. Deposit and consignments fund. A french finanzial organization, Paris, France
Paris. Caisse des depots et consignations. Deposit and consignments fund. A french finanzial organization, Paris, France

GNG5276475: Paris. Caisse des depots et consignations. Deposit and consignments fund. A french finanzial organization, Paris, France / Bridgeman Images

ID: GNG5276475

Paris. Caisse des depots et consignations. Deposit and consignments fund. A french finanzial organization, Paris, France

The Great Isaiah Scroll, column 21, Qumram Cave I, c.100 BC (parchment)
The Great Isaiah Scroll, column 21, Qumram Cave I, c.100 BC (parchment)

IMJ340957: The Great Isaiah Scroll, column 21, Qumram Cave I, c.100 BC (parchment) / Bridgeman Images

ID: IMJ340957

The Great Isaiah Scroll, column 21, Qumram Cave I, c.100 BC (parchment)

Medicine chest owned and used by Florence Nightingale in the Crimea (mixed media)
Medicine chest owned and used by Florence Nightingale in the Crimea (mixed media)

FNM336865: Medicine chest owned and used by Florence Nightingale in the Crimea (mixed media) / Bridgeman Images

ID: FNM336865

Medicine chest owned and used by Florence Nightingale in the Crimea (mixed media)

Fluorite
Fluorite

UCL273843: Fluorite / Bridgeman Images

ID: UCL273843

Fluorite

Detail of the floor of the basilica (mosaic)
Detail of the floor of the basilica (mosaic)

SQ144647: Detail of the floor of the basilica (mosaic) / Bridgeman Images

ID: SQ144647

Detail of the floor of the basilica (mosaic)

Detail of Constantinople from the Peutinger map copy
Detail of Constantinople from the Peutinger map copy

XIR416558: Detail of Constantinople from the Peutinger map copy / Bridgeman Images

ID: XIR416558

Detail of Constantinople from the Peutinger map copy

Rebel snipers attacking the City of Juarez, 10th May 1911 (b/w photo)
Rebel snipers attacking the City of Juarez, 10th May 1911 (b/w photo)

STC375617: Rebel snipers attacking the City of Juarez, 10th May 1911 (b/w photo) / Bridgeman Images

ID: STC375617

Rebel snipers attacking the City of Juarez, 10th May 1911 (b/w photo)

Lincoln Cathedral, 1185–1311, View of the nave, built 1215-55, Lincolnshire, UK (photo)
Lincoln Cathedral, 1185–1311, View of the nave, built 1215-55, Lincolnshire, UK (photo)

BAL7963: Lincoln Cathedral, 1185–1311, View of the nave, built 1215-55, Lincolnshire, UK (photo) / Bridgeman Images

ID: BAL7963

Lincoln Cathedral, 1185–1311, View of the nave, built 1215-55, Lincolnshire, UK (photo)

The Devonshire Hunting Tapestries, Boar and Bear Hunt, probably Arras, 1425-50
The Devonshire Hunting Tapestries, Boar and Bear Hunt, probably Arras, 1425-50

BAL13108: The Devonshire Hunting Tapestries, Boar and Bear Hunt, probably Arras, 1425-50 / Bridgeman Images

ID: BAL13108

The Devonshire Hunting Tapestries, Boar and Bear Hunt, probably Arras, 1425-50

Pomander with four open compartments used to hold perfumes or other aromatic substances, silver-gilt, probably English c.1580
Pomander with four open compartments used to hold perfumes or other aromatic substances, silver-gilt, probably English c.1580

MJC33113: Pomander with four open compartments used to hold perfumes or other aromatic substances, silver-gilt, probably English c.1580 / Bridgeman Images

ID: MJC33113

Pomander with four open compartments used to hold perfumes or other aromatic substances, silver-gilt, probably English c.1580

Red sandstone male torso and grey sandstone dancer, Harappa, 2300-1750 BC
Red sandstone male torso and grey sandstone dancer, Harappa, 2300-1750 BC

SCP57219: Red sandstone male torso and grey sandstone dancer, Harappa, 2300-1750 BC / Bridgeman Images

ID: SCP57219

Red sandstone male torso and grey sandstone dancer, Harappa, 2300-1750 BC

Portrait of a tattooed woman, c.1905 (Sepia Photo)
Portrait of a tattooed woman, c.1905 (Sepia Photo)

DGC1073947: Portrait of a tattooed woman, c.1905 (Sepia Photo) / Bridgeman Images

ID: DGC1073947

Portrait of a tattooed woman, c.1905 (Sepia Photo)

Repatriation between Paris and Algiers, 1962 (b/w photo)
Repatriation between Paris and Algiers, 1962 (b/w photo)

XRH1700635: Repatriation between Paris and Algiers, 1962 (b/w photo) / Bridgeman Images

ID: XRH1700635

Repatriation between Paris and Algiers, 1962 (b/w photo)

Departure of the conscripts for the great war, c. late august early september 1914 . notice the graffitis written on the train :
Departure of the conscripts for the great war, c. late august early september 1914 . notice the graffitis written on the train :

DAZ1780588: Departure of the conscripts for the great war, c. late august early september 1914 . notice the graffitis written on the train : "long live Paris!", long live France!", "long live Belgium!" (Belgium was attacked by Germany and Austria on late august), "Back home after the victory or within three years" (they believed in the blitzkrieg or lightning war, and anyway the military duty lasted three years at that time), "To Berlin" (the French thought they could easily invade Berlin) / Bridgeman Images

ID: DAZ1780588

Departure of the conscripts for the great war, c. late august early september 1914 . notice the graffitis written on the train : "long live Paris!", long live France!", "long live Belgium!" (Belgium was attacked by Germany and Austria on late august), "Back home after the victory or within three years" (they believed in the blitzkrieg or lightning war, and anyway the military duty lasted three years at that time), "To Berlin" (the French thought they could easily invade Berlin)

Offices of French national health and pensions organization, Sécurité Sociale, in Paris, 1946 (b/w photo)
Offices of French national health and pensions organization, Sécurité Sociale, in Paris, 1946 (b/w photo)

TAD1755108: Offices of French national health and pensions organization, Sécurité Sociale, in Paris, 1946 (b/w photo) / Bridgeman Images

ID: TAD1755108

Offices of French national health and pensions organization, Sécurité Sociale, in Paris, 1946 (b/w photo)

singer Tino Rossi during recording session c. 1938
singer Tino Rossi during recording session c. 1938

DAZ1780253: singer Tino Rossi during recording session c. 1938 / Bridgeman Images

ID: DAZ1780253

singer Tino Rossi during recording session c. 1938

Crown of the Holy Roman Emperors (gold, pearls and enamel)
Crown of the Holy Roman Emperors (gold, pearls and enamel)

LRI1768741: Crown of the Holy Roman Emperors (gold, pearls and enamel) / Bridgeman Images

ID: LRI1768741

Crown of the Holy Roman Emperors (gold, pearls and enamel)

Head of the Big Man, 1975 (oil on canvas)
Head of the Big Man, 1975 (oil on canvas)

GDK619763: Head of the Big Man, 1975 (oil on canvas), Freud, Lucian (1922-2011) / Bridgeman Images

ID: GDK619763

Head of the Big Man, 1975 (oil on canvas)

Freud, Lucian (1922-2011)

Naked Portrait, 1980-81 (oil on canvas)
Naked Portrait, 1980-81 (oil on canvas)

GDK698396: Naked Portrait, 1980-81 (oil on canvas), Freud, Lucian (1922-2011) / Bridgeman Images

ID: GDK698396

Naked Portrait, 1980-81 (oil on canvas)

Freud, Lucian (1922-2011)

Ak Grand Duchess Alexandra von Mecklenburg Schwerin, Crown, Fan (b/w photo)
Ak Grand Duchess Alexandra von Mecklenburg Schwerin, Crown, Fan (b/w photo)

ARV707804: Ak Grand Duchess Alexandra von Mecklenburg Schwerin, Crown, Fan (b/w photo), German Photographer / Bridgeman Images

ID: ARV707804

Ak Grand Duchess Alexandra von Mecklenburg Schwerin, Crown, Fan (b/w photo)

German Photographer

The Triumph of Truth, c.1598 (oil on copper)
The Triumph of Truth, c.1598 (oil on copper)

DTR360795: The Triumph of Truth, c.1598 (oil on copper), Aachen, Johann or Hans von (1552-1616) / Bridgeman Images

ID: DTR360795

The Triumph of Truth, c.1598 (oil on copper)

Aachen, Johann or Hans von (1552-1616)

Katlijne van Mispelteeren, the Artist's Wife, 1530-35 (oil on panel) (pair of 397494)
Katlijne van Mispelteeren, the Artist's Wife, 1530-35 (oil on panel) (pair of 397494)

ROC397493: Katlijne van Mispelteeren, the Artist's Wife, 1530-35 (oil on panel) (pair of 397494), Cleve, Joos van (c.1485-1541) / Bridgeman Images

ID: ROC397493

Katlijne van Mispelteeren, the Artist's Wife, 1530-35 (oil on panel) (pair of 397494)

Cleve, Joos van (c.1485-1541)

The Game of Cards, c.1660 (oil on canvas)
The Game of Cards, c.1660 (oil on canvas)

DTR397583: The Game of Cards, c.1660 (oil on canvas), Burch, Hendrik van der (1627-c.1666) / Bridgeman Images

ID: DTR397583

The Game of Cards, c.1660 (oil on canvas)

Burch, Hendrik van der (1627-c.1666)

Palace door, c.1920 (wood)
Palace door, c.1920 (wood)

DTR335562: Palace door, c.1920 (wood), Olowe of Ise (c.1875-1938) / Bridgeman Images

ID: DTR335562

Palace door, c.1920 (wood)

Olowe of Ise (c.1875-1938)


Back to top