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John Wesley preaching to the Indians in Georgia in 1736 (engraving)
John Wesley preaching to the Indians in Georgia in 1736 (engraving)

KWE237052: John Wesley preaching to the Indians in Georgia in 1736 (engraving), English School, (19th century) / Bridgeman Images

ID: KWE237052

John Wesley preaching to the Indians in Georgia in 1736 (engraving)

English School, (19th century)

A Merry Moment, 1897 (oil on canvas)
A Merry Moment, 1897 (oil on canvas)

XAB244851: A Merry Moment, 1897 (oil on canvas), Rzhevskaya, Antonina Leonardov (1861-1934) / Bridgeman Images

ID: XAB244851

A Merry Moment, 1897 (oil on canvas)

Rzhevskaya, Antonina Leonardov (1861-1934)

Andre Gide (1869-1951) Joseph Conrad (1857-1924) Valery Larbaud (1881-1957) and Madame Conrad, 1911 (b/w photo)
Andre Gide (1869-1951) Joseph Conrad (1857-1924) Valery Larbaud (1881-1957) and Madame Conrad, 1911 (b/w photo)

CHT224226: Andre Gide (1869-1951) Joseph Conrad (1857-1924) Valery Larbaud (1881-1957) and Madame Conrad, 1911 (b/w photo), French Photographer, (20th century) / Bridgeman Images

ID: CHT224226

Andre Gide (1869-1951) Joseph Conrad (1857-1924) Valery Larbaud (1881-1957) and Madame Conrad, 1911 (b/w photo)

French Photographer, (20th century)

The First Sermon of Buddha, 17th century (wall painting)
The First Sermon of Buddha, 17th century (wall painting)

XIR227667: The First Sermon of Buddha, 17th century (wall painting), Tibetan School, (17th century) / Bridgeman Images

ID: XIR227667

The First Sermon of Buddha, 17th century (wall painting)

Tibetan School, (17th century)

How the Indians Treat Their Sick, from 'Brevis Narratio..', engraved by Theodore de Bry (1528-98) published in Frankfurt, 1591 (coloured engraving)
How the Indians Treat Their Sick, from 'Brevis Narratio..', engraved by Theodore de Bry (1528-98) published in Frankfurt, 1591 (coloured engraving)

XIR223405: How the Indians Treat Their Sick, from 'Brevis Narratio..', engraved by Theodore de Bry (1528-98) published in Frankfurt, 1591 (coloured engraving), Le Moyne, Jacques (de Morgues) (1533-88) (after) / Bridgeman Images

ID: XIR223405

How the Indians Treat Their Sick, from 'Brevis Narratio..', engraved by Theodore de Bry (1528-98) published in Frankfurt, 1591 (coloured engraving)

Le Moyne, Jacques (de Morgues) (1533-88) (after)

St. Francis of Assisi, 1580-95 (oil on canvas)
St. Francis of Assisi, 1580-95 (oil on canvas)

XIR231540: St. Francis of Assisi, 1580-95 (oil on canvas), Greco, El (Domenico Theotocopuli) (1541-1614) / Bridgeman Images

ID: XIR231540

St. Francis of Assisi, 1580-95 (oil on canvas)

Greco, El (Domenico Theotocopuli) (1541-1614)

Portrait of John Campbell (1696-1782) Lord Glenorchy, Later 3rd Earl of Breadalbane, 1720s (oil on canvas)
Portrait of John Campbell (1696-1782) Lord Glenorchy, Later 3rd Earl of Breadalbane, 1720s (oil on canvas)

MOU244399: Portrait of John Campbell (1696-1782) Lord Glenorchy, Later 3rd Earl of Breadalbane, 1720s (oil on canvas), Seeman, Enoch (1694-1744) / Bridgeman Images

ID: MOU244399

Portrait of John Campbell (1696-1782) Lord Glenorchy, Later 3rd Earl of Breadalbane, 1720s (oil on canvas)

Seeman, Enoch (1694-1744)

Statue of the official Ebih-Il, from the Temple of Ishtar at Mari, Syria, Middle Euphrates, Early Dynastic Period, c.2400 BC (gypsum & lapis lazuli)
Statue of the official Ebih-Il, from the Temple of Ishtar at Mari, Syria, Middle Euphrates, Early Dynastic Period, c.2400 BC (gypsum & lapis lazuli)

XIR240902: Statue of the official Ebih-Il, from the Temple of Ishtar at Mari, Syria, Middle Euphrates, Early Dynastic Period, c.2400 BC (gypsum & lapis lazuli), Sumerian / Bridgeman Images

ID: XIR240902

Statue of the official Ebih-Il, from the Temple of Ishtar at Mari, Syria, Middle Euphrates, Early Dynastic Period, c.2400 BC (gypsum & lapis lazuli)

Sumerian

The Virgin of the Annunciation, c.1653-55 (oil on canvas)
The Virgin of the Annunciation, c.1653-55 (oil on canvas)

XIR237954: The Virgin of the Annunciation, c.1653-55 (oil on canvas), Dolci, Carlo (1616-86) / Bridgeman Images

ID: XIR237954

The Virgin of the Annunciation, c.1653-55 (oil on canvas)

Dolci, Carlo (1616-86)

Robert Schumann (1810-56) 1853 (pencil on paper)
Robert Schumann (1810-56) 1853 (pencil on paper)

XIR238778: Robert Schumann (1810-56) 1853 (pencil on paper), Laurens, Jean Joseph Bonaventure (1810-90) / Bridgeman Images

ID: XIR238778

Robert Schumann (1810-56) 1853 (pencil on paper)

Laurens, Jean Joseph Bonaventure (1810-90)

Portrait of Sir Henry Mainwaring (oil on canvas)
Portrait of Sir Henry Mainwaring (oil on canvas)

MOU289024: Portrait of Sir Henry Mainwaring (oil on canvas), Ramsay, Allan (1713-84) / Bridgeman Images

ID: MOU289024

Portrait of Sir Henry Mainwaring (oil on canvas)

Ramsay, Allan (1713-84)

Portrait of Lola Montez (1821-61), 1846 (w/c on paper)
Portrait of Lola Montez (1821-61), 1846 (w/c on paper)

CHT289140: Portrait of Lola Montez (1821-61), 1846 (w/c on paper), Roqueplan, Camille-Joseph-Etienne (1800-55) / Bridgeman Images

ID: CHT289140

Portrait of Lola Montez (1821-61), 1846 (w/c on paper)

Roqueplan, Camille-Joseph-Etienne (1800-55)

Kensington Palace (w/c on paper)
Kensington Palace (w/c on paper)

XCF290942: Kensington Palace (w/c on paper), Buckler, John (1770-1851) / Bridgeman Images

ID: XCF290942

Kensington Palace (w/c on paper)

Buckler, John (1770-1851)

Antonio Salieri (oil on canvas)
Antonio Salieri (oil on canvas)

XPH330609: Antonio Salieri (oil on canvas), Mahler, Joseph Willibrord (1778-1860) / Bridgeman Images

ID: XPH330609

Antonio Salieri (oil on canvas)

Mahler, Joseph Willibrord (1778-1860)

Self-Portrait, c.1780 (oil on canvas)
Self-Portrait, c.1780 (oil on canvas)

XYC306563: Self-Portrait, c.1780 (oil on canvas), Wright of Derby, Joseph (1734-97) / Bridgeman Images

ID: XYC306563

Self-Portrait, c.1780 (oil on canvas)

Wright of Derby, Joseph (1734-97)

Morning Toilet, 1894 (pastel on paper)
Morning Toilet, 1894 (pastel on paper)

CH327707: Morning Toilet, 1894 (pastel on paper), Degas, Edgar (1834-1917) / Bridgeman Images

ID: CH327707

Morning Toilet, 1894 (pastel on paper)

Degas, Edgar (1834-1917)

A Pneumatical Engine and it's parts, from Boyle's 'Spring and Weight of the Air' published in 1661 (engraving)
A Pneumatical Engine and it's parts, from Boyle's 'Spring and Weight of the Air' published in 1661 (engraving)

XJF354297: A Pneumatical Engine and it's parts, from Boyle's 'Spring and Weight of the Air' published in 1661 (engraving), English School, (17th century) / Bridgeman Images

ID: XJF354297

A Pneumatical Engine and it's parts, from Boyle's 'Spring and Weight of the Air' published in 1661 (engraving)

English School, (17th century)

The Last Interview between President Lincoln and General McClellan at Antietam, 1862 (b/w photo)
The Last Interview between President Lincoln and General McClellan at Antietam, 1862 (b/w photo)

STC354349: The Last Interview between President Lincoln and General McClellan at Antietam, 1862 (b/w photo), Brady, Mathew (1823-96) & studio / Bridgeman Images

ID: STC354349

The Last Interview between President Lincoln and General McClellan at Antietam, 1862 (b/w photo)

Brady, Mathew (1823-96) & studio

Avenue des Champs-Elysees and Arc de Triomphe, 1925 (see also 189431)
Avenue des Champs-Elysees and Arc de Triomphe, 1925 (see also 189431)

XIR345928: Avenue des Champs-Elysees and Arc de Triomphe, 1925 (see also 189431), Giraudon, studio (1912-53) / Bridgeman Images

ID: XIR345928

Avenue des Champs-Elysees and Arc de Triomphe, 1925 (see also 189431)

Giraudon, studio (1912-53)

The Battle of Waterloo in 1815, 1831 (w/c & ink on paper)
The Battle of Waterloo in 1815, 1831 (w/c & ink on paper)

XAB351671: The Battle of Waterloo in 1815, 1831 (w/c & ink on paper), Steiben, Charles (1788-1856) / Bridgeman Images

ID: XAB351671

The Battle of Waterloo in 1815, 1831 (w/c & ink on paper)

Steiben, Charles (1788-1856)

Wilhelmine Enke (oil on canvas)
Wilhelmine Enke (oil on canvas)

XPH330310: Wilhelmine Enke (oil on canvas), Therbusch, Anna Dorothea (c.1721-82) / Bridgeman Images

ID: XPH330310

Wilhelmine Enke (oil on canvas)

Therbusch, Anna Dorothea (c.1721-82)

Dogfight (sepia photo)
Dogfight (sepia photo)

STC331247: Dogfight (sepia photo), English Photographer, (20th century) / Bridgeman Images

ID: STC331247

Dogfight (sepia photo)

English Photographer, (20th century)

Djed pillar pectoral and wedjet eye pectoral, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gold cloisonne with glass paste) (see also 149410)
Djed pillar pectoral and wedjet eye pectoral, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gold cloisonne with glass paste) (see also 149410)

XBP341826: Djed pillar pectoral and wedjet eye pectoral, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gold cloisonne with glass paste) (see also 149410), Egyptian 18th Dynasty (c.1567-1320 BC) / Bridgeman Images

ID: XBP341826

Djed pillar pectoral and wedjet eye pectoral, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gold cloisonne with glass paste) (see also 149410)

Egyptian 18th Dynasty (c.1567-1320 BC)

Portrait of Carl Philipp Emanuel Bach, c.1780 (pastel on paper)
Portrait of Carl Philipp Emanuel Bach, c.1780 (pastel on paper)

XPH308421: Portrait of Carl Philipp Emanuel Bach, c.1780 (pastel on paper), Bach, Johann Philipp (1752-1846) / Bridgeman Images

ID: XPH308421

Portrait of Carl Philipp Emanuel Bach, c.1780 (pastel on paper)

Bach, Johann Philipp (1752-1846)

Detail of the goddess Selket from the canopic shrine, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gilded wood) (see also 228567)
Detail of the goddess Selket from the canopic shrine, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gilded wood) (see also 228567)

XBP341810: Detail of the goddess Selket from the canopic shrine, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gilded wood) (see also 228567), Egyptian 18th Dynasty (c.1567-1320 BC) / Bridgeman Images

ID: XBP341810

Detail of the goddess Selket from the canopic shrine, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gilded wood) (see also 228567)

Egyptian 18th Dynasty (c.1567-1320 BC)

Portrait of Georg Philipp Telemann (engraving)
Portrait of Georg Philipp Telemann (engraving)

XPH330319: Portrait of Georg Philipp Telemann (engraving), Lichtensteger, Georg (1700-81) / Bridgeman Images

ID: XPH330319

Portrait of Georg Philipp Telemann (engraving)

Lichtensteger, Georg (1700-81)

Inhabited initial 'D' depicting a fool (watercolour & gold on vellum)
Inhabited initial 'D' depicting a fool (watercolour & gold on vellum)

XIR278791: Inhabited initial 'D' depicting a fool (watercolour & gold on vellum), Master M.Z.A. (15th century) / Bridgeman Images

ID: XIR278791

Inhabited initial 'D' depicting a fool (watercolour & gold on vellum)

Master M.Z.A. (15th century)

Bridge of Sighs, Venice (engraving)
Bridge of Sighs, Venice (engraving)

XJF315738: Bridge of Sighs, Venice (engraving), Therond, Emile Theodore (b.1821) (after) / Bridgeman Images

ID: XJF315738

Bridge of Sighs, Venice (engraving)

Therond, Emile Theodore (b.1821) (after)

Passio Domini nostri J.C. secundum Evangelistam MATTHAEUM BWV 244, 1730s (pen on paper)
Passio Domini nostri J.C. secundum Evangelistam MATTHAEUM BWV 244, 1730s (pen on paper)

XPH308412: Passio Domini nostri J.C. secundum Evangelistam MATTHAEUM BWV 244, 1730s (pen on paper), Bach, Johann Sebastian (1685-1750) / Bridgeman Images

ID: XPH308412

Passio Domini nostri J.C. secundum Evangelistam MATTHAEUM BWV 244, 1730s (pen on paper)

Bach, Johann Sebastian (1685-1750)

Portrait of the Marquis de Marigny and his Wife, Marie-Francoise Constance Julie Filleul, 1769 (oil on canvas)
Portrait of the Marquis de Marigny and his Wife, Marie-Francoise Constance Julie Filleul, 1769 (oil on canvas)

XIR173919: Portrait of the Marquis de Marigny and his Wife, Marie-Francoise Constance Julie Filleul, 1769 (oil on canvas), Loo, Louis Michel van (1707-71) / Bridgeman Images

ID: XIR173919

Portrait of the Marquis de Marigny and his Wife, Marie-Francoise Constance Julie Filleul, 1769 (oil on canvas)

Loo, Louis Michel van (1707-71)

Meeting between Napoleon Bonaparte (1769-1821) and Alexander I (1777-1825) of Russia at Niemen, 25th June 1807, 1808 (oil on canvas)
Meeting between Napoleon Bonaparte (1769-1821) and Alexander I (1777-1825) of Russia at Niemen, 25th June 1807, 1808 (oil on canvas)

XIR165507: Meeting between Napoleon Bonaparte (1769-1821) and Alexander I (1777-1825) of Russia at Niemen, 25th June 1807, 1808 (oil on canvas), Roehn, Adolphe (1780-1867) / Bridgeman Images

ID: XIR165507

Meeting between Napoleon Bonaparte (1769-1821) and Alexander I (1777-1825) of Russia at Niemen, 25th June 1807, 1808 (oil on canvas)

Roehn, Adolphe (1780-1867)

The Holiness of the Sabbath, from a catechism published by 'La Bonne Presse' (colour litho)
The Holiness of the Sabbath, from a catechism published by 'La Bonne Presse' (colour litho)

CHT169699: The Holiness of the Sabbath, from a catechism published by 'La Bonne Presse' (colour litho), French School, (19th century) / Bridgeman Images

ID: CHT169699

The Holiness of the Sabbath, from a catechism published by 'La Bonne Presse' (colour litho)

French School, (19th century)

Self Portrait (oil on canvas)
Self Portrait (oil on canvas)

GRH242121: Self Portrait (oil on canvas), Bacon, Nathaniel (1585-1627) / Bridgeman Images

ID: GRH242121

Self Portrait (oil on canvas)

Bacon, Nathaniel (1585-1627)

Illustration from 'Le Bourgeois Gentilhomme' by Moliere (1622-73) engraved by Jean Sauve (fl.1660-91) (engraving)
Illustration from 'Le Bourgeois Gentilhomme' by Moliere (1622-73) engraved by Jean Sauve (fl.1660-91) (engraving)

XIR213288: Illustration from 'Le Bourgeois Gentilhomme' by Moliere (1622-73) engraved by Jean Sauve (fl.1660-91) (engraving), Brissart, Pierre (17th century) (after) / Bridgeman Images

ID: XIR213288

Illustration from 'Le Bourgeois Gentilhomme' by Moliere (1622-73) engraved by Jean Sauve (fl.1660-91) (engraving)

Brissart, Pierre (17th century) (after)

Gulliver Taking his Final Leave of the Land of the Houyhnhnms, c.1769 (oil on canvas)
Gulliver Taking his Final Leave of the Land of the Houyhnhnms, c.1769 (oil on canvas)

XYC220947: Gulliver Taking his Final Leave of the Land of the Houyhnhnms, c.1769 (oil on canvas), Gilpin, Sawrey (1733-1807) / Bridgeman Images

ID: XYC220947

Gulliver Taking his Final Leave of the Land of the Houyhnhnms, c.1769 (oil on canvas)

Gilpin, Sawrey (1733-1807)

Interior of the Chat Noir Cabaret, rue Victor Masse, c.1900 (b/w photo)
Interior of the Chat Noir Cabaret, rue Victor Masse, c.1900 (b/w photo)

LRS233732: Interior of the Chat Noir Cabaret, rue Victor Masse, c.1900 (b/w photo), Mairet (fl.1898-1933) / Bridgeman Images

ID: LRS233732

Interior of the Chat Noir Cabaret, rue Victor Masse, c.1900 (b/w photo)

Mairet (fl.1898-1933)


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