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La Nuit de Mai, illustration from 'Les Nuits' by Alfred Musset (1810-57) (w/c on paper)
La Nuit de Mai, illustration from 'Les Nuits' by Alfred Musset (1810-57) (w/c on paper)

CHT164264: La Nuit de Mai, illustration from 'Les Nuits' by Alfred Musset (1810-57) (w/c on paper), Lami, Eugene-Louis (1800-90) / Bridgeman Images

ID: CHT164264

La Nuit de Mai, illustration from 'Les Nuits' by Alfred Musset (1810-57) (w/c on paper)

Lami, Eugene-Louis (1800-90)

Planisphere, from 'Atlas Coelestis', engraved by Pieter Schenk (1660-1719) and Gerard Valk (1651-1726) (colour engraving)
Planisphere, from 'Atlas Coelestis', engraved by Pieter Schenk (1660-1719) and Gerard Valk (1651-1726) (colour engraving)

XIR154166: Planisphere, from 'Atlas Coelestis', engraved by Pieter Schenk (1660-1719) and Gerard Valk (1651-1726) (colour engraving), Cellarius, Andreas (c.1596-1665) (after) / Bridgeman Images

ID: XIR154166

Planisphere, from 'Atlas Coelestis', engraved by Pieter Schenk (1660-1719) and Gerard Valk (1651-1726) (colour engraving)

Cellarius, Andreas (c.1596-1665) (after)

Bertrand-Francois Mahe de la Bourdonnais (1699-1753) (oil on canvas)
Bertrand-Francois Mahe de la Bourdonnais (1699-1753) (oil on canvas)

XIR155397: Bertrand-Francois Mahe de la Bourdonnais (1699-1753) (oil on canvas), French School, (18th century) / Bridgeman Images

ID: XIR155397

Bertrand-Francois Mahe de la Bourdonnais (1699-1753) (oil on canvas)

French School, (18th century)

The Works of Mercy (oil on panel)
The Works of Mercy (oil on panel)

XIR182984: The Works of Mercy (oil on panel), Flemish School, (16th century) / Bridgeman Images

ID: XIR182984

The Works of Mercy (oil on panel)

Flemish School, (16th century)

View of the second floor Loggia at the Vatican, with decoration by Raphael, from 'Delle Loggie di Rafaele nel Vaticano', published as a loose leaf in the edition of 1814 (hand coloured engraving)
View of the second floor Loggia at the Vatican, with decoration by Raphael, from 'Delle Loggie di Rafaele nel Vaticano', published as a loose leaf in the edition of 1814 (hand coloured engraving)

STC176447: View of the second floor Loggia at the Vatican, with decoration by Raphael, from 'Delle Loggie di Rafaele nel Vaticano', published as a loose leaf in the edition of 1814 (hand coloured engraving), Italian School, (18th century) / Bridgeman Images

ID: STC176447

View of the second floor Loggia at the Vatican, with decoration by Raphael, from 'Delle Loggie di Rafaele nel Vaticano', published as a loose leaf in the edition of 1814 (hand coloured engraving)

Italian School, (18th century)

The Finding of Moses (oil on canvas)
The Finding of Moses (oil on canvas)

NGW184266: The Finding of Moses (oil on canvas), Poussin, Nicolas (1594-1665) / Bridgeman Images

ID: NGW184266

The Finding of Moses (oil on canvas)

Poussin, Nicolas (1594-1665)

Ms.1044 f.21v The Man Obliged to Work for a Living, from Ovide Moralise written by Chretien Legouais (vellum)
Ms.1044 f.21v The Man Obliged to Work for a Living, from Ovide Moralise written by Chretien Legouais (vellum)

XIR173605: Ms.1044 f.21v The Man Obliged to Work for a Living, from Ovide Moralise written by Chretien Legouais (vellum), French School, (14th century) / Bridgeman Images

ID: XIR173605

Ms.1044 f.21v The Man Obliged to Work for a Living, from Ovide Moralise written by Chretien Legouais (vellum)

French School, (14th century)

Portrait of Marie-Anne Mancini (1646-1714) Princess Colonna (oil on canvas)
Portrait of Marie-Anne Mancini (1646-1714) Princess Colonna (oil on canvas)

XIR175118: Portrait of Marie-Anne Mancini (1646-1714) Princess Colonna (oil on canvas), Mignard, Pierre (1612-95) (studio of) / Bridgeman Images

ID: XIR175118

Portrait of Marie-Anne Mancini (1646-1714) Princess Colonna (oil on canvas)

Mignard, Pierre (1612-95) (studio of)

The City of Ephesus from Mount Coressus, engraved by T. Picken, 1859 (colour litho)
The City of Ephesus from Mount Coressus, engraved by T. Picken, 1859 (colour litho)

CHT175131: The City of Ephesus from Mount Coressus, engraved by T. Picken, 1859 (colour litho), Falkener, Edward (1814-96) (after) / Bridgeman Images

ID: CHT175131

The City of Ephesus from Mount Coressus, engraved by T. Picken, 1859 (colour litho)

Falkener, Edward (1814-96) (after)

The First Steps (oil on canvas)
The First Steps (oil on canvas)

XAB165725: The First Steps (oil on canvas), Gerard, Marguerite (1761-1837) / Bridgeman Images

ID: XAB165725

The First Steps (oil on canvas)

Gerard, Marguerite (1761-1837)

Marie Madeleine de la Fayette (1634-1693) (colour engraving)
Marie Madeleine de la Fayette (1634-1693) (colour engraving)

XRH1704844: Marie Madeleine de la Fayette (1634-1693) (colour engraving), French School / Bridgeman Images

ID: XRH1704844

Marie Madeleine de la Fayette (1634-1693) (colour engraving)

French School

Sarah Bernhardt in the title role of Victorien Sardou's play
Sarah Bernhardt in the title role of Victorien Sardou's play

XRH1708521: Sarah Bernhardt in the title role of Victorien Sardou's play "La Tosca", Paris, 1887 (b/w photo), Nadar, (Gaspard Felix Tournachon) (1820-1910) / Bridgeman Images

ID: XRH1708521

Sarah Bernhardt in the title role of Victorien Sardou's play "La Tosca", Paris, 1887 (b/w photo)

Nadar, (Gaspard Felix Tournachon) (1820-1910)

Bust of king Sargon of Akkad, Nineveh, c.2300 BC (bronze)
Bust of king Sargon of Akkad, Nineveh, c.2300 BC (bronze)

BLP3288638: Bust of king Sargon of Akkad, Nineveh, c.2300 BC (bronze), Akkadian (c.2350–2150 BC) / Bridgeman Images

ID: BLP3288638

Bust of king Sargon of Akkad, Nineveh, c.2300 BC (bronze)

Akkadian (c.2350–2150 BC)

A Writer Sharpening his Quill; Der Schreiber, eine Feder schneidend, (oil on canvas)
A Writer Sharpening his Quill; Der Schreiber, eine Feder schneidend, (oil on canvas)

CH824406: A Writer Sharpening his Quill; Der Schreiber, eine Feder schneidend, (oil on canvas), Spitzweg, Carl (1808-85) / Bridgeman Images

ID: CH824406

A Writer Sharpening his Quill; Der Schreiber, eine Feder schneidend, (oil on canvas)

Spitzweg, Carl (1808-85)

The Custom House, Dublin, 1792 (hand-coloured engraving)
The Custom House, Dublin, 1792 (hand-coloured engraving)

STC740372: The Custom House, Dublin, 1792 (hand-coloured engraving) , Malton, James (1761-1803) / Bridgeman Images

ID: STC740372

The Custom House, Dublin, 1792 (hand-coloured engraving)

Malton, James (1761-1803)

Portrait of Avicenna (Ibn Sina) (980-1037) Reading (engraving)
Portrait of Avicenna (Ibn Sina) (980-1037) Reading (engraving)

XIR169113: Portrait of Avicenna (Ibn Sina) (980-1037) Reading (engraving), French School, (16th century) / Bridgeman Images

ID: XIR169113

Portrait of Avicenna (Ibn Sina) (980-1037) Reading (engraving)

French School, (16th century)

Four Poster Bed, in the Chinese style, 1750s
Four Poster Bed, in the Chinese style, 1750s

BAL148851: Four Poster Bed, in the Chinese style, 1750s, Linnell, John (1723-99) / Bridgeman Images

ID: BAL148851

Four Poster Bed, in the Chinese style, 1750s

Linnell, John (1723-99)

Tasmanian Wolf or Tiger (thylacinus cynocephalus) (coloured engraving)
Tasmanian Wolf or Tiger (thylacinus cynocephalus) (coloured engraving)

XZL149467: Tasmanian Wolf or Tiger (thylacinus cynocephalus) (coloured engraving), Richter, Henry Constantine (1821-1902) / Bridgeman Images

ID: XZL149467

Tasmanian Wolf or Tiger (thylacinus cynocephalus) (coloured engraving)

Richter, Henry Constantine (1821-1902)

Sunday Reading at a Country School, 1895 (oil on canvas)
Sunday Reading at a Country School, 1895 (oil on canvas)

BAL110494: Sunday Reading at a Country School, 1895 (oil on canvas), Bogdanov-Belsky, Nikolai Petrovich (1868-1945) / Bridgeman Images

ID: BAL110494

Sunday Reading at a Country School, 1895 (oil on canvas)

Bogdanov-Belsky, Nikolai Petrovich (1868-1945)

A View of Boxhill, Surrey, with Dorking in the Distance, 1733 (oil on canvas)
A View of Boxhill, Surrey, with Dorking in the Distance, 1733 (oil on canvas)

XYC111921: A View of Boxhill, Surrey, with Dorking in the Distance, 1733 (oil on canvas), Lambert, George (1700-65) / Bridgeman Images

ID: XYC111921

A View of Boxhill, Surrey, with Dorking in the Distance, 1733 (oil on canvas)

Lambert, George (1700-65)

The Poetess, Bijin, at her Calligraphy Table (colour woodblock print)
The Poetess, Bijin, at her Calligraphy Table (colour woodblock print)

CHT192963: The Poetess, Bijin, at her Calligraphy Table (colour woodblock print), Gakutei, Yashima (c.1786-1868) / Bridgeman Images

ID: CHT192963

The Poetess, Bijin, at her Calligraphy Table (colour woodblock print)

Gakutei, Yashima (c.1786-1868)

The Large Oak, 19th century (oil on canvas)
The Large Oak, 19th century (oil on canvas)

XIR201559: The Large Oak, 19th century (oil on canvas), Courbet, Gustave (1819-77) / Bridgeman Images

ID: XIR201559

The Large Oak, 19th century (oil on canvas)

Courbet, Gustave (1819-77)

Portrait of Clara Schumann (1819-96) 1853 (w/c on paper)
Portrait of Clara Schumann (1819-96) 1853 (w/c on paper)

XIR154957: Portrait of Clara Schumann (1819-96) 1853 (w/c on paper), Laurens, Jean Joseph Bonaventure (1810-90) / Bridgeman Images

ID: XIR154957

Portrait of Clara Schumann (1819-96) 1853 (w/c on paper)

Laurens, Jean Joseph Bonaventure (1810-90)

Building of Avenue de l'Opera, butte des Moulins, from rue Saint-Honore, 9th arrondissement, Paris, 1858-78
Building of Avenue de l'Opera, butte des Moulins, from rue Saint-Honore, 9th arrondissement, Paris, 1858-78

XIR202776: Building of Avenue de l'Opera, butte des Moulins, from rue Saint-Honore, 9th arrondissement, Paris, 1858-78, Marville, Charles (1813-79) / Bridgeman Images

ID: XIR202776

Building of Avenue de l'Opera, butte des Moulins, from rue Saint-Honore, 9th arrondissement, Paris, 1858-78

Marville, Charles (1813-79)

Reliquary of the Heart of Anne of Brittany (1477-1514) Duchess of Brittany, 1514
Reliquary of the Heart of Anne of Brittany (1477-1514) Duchess of Brittany, 1514

XIR160628: Reliquary of the Heart of Anne of Brittany (1477-1514) Duchess of Brittany, 1514, French School, (16th century) / Bridgeman Images

ID: XIR160628

Reliquary of the Heart of Anne of Brittany (1477-1514) Duchess of Brittany, 1514

French School, (16th century)

Virgin and Child with Saints, detail of an open book, c.1509 (oil on panel)
Virgin and Child with Saints, detail of an open book, c.1509 (oil on panel)

XIR206971: Virgin and Child with Saints, detail of an open book, c.1509 (oil on panel), David, Gerard (c.1460-1523) / Bridgeman Images

ID: XIR206971

Virgin and Child with Saints, detail of an open book, c.1509 (oil on panel)

David, Gerard (c.1460-1523)

The Lady of Shalott, 1862 (oil on canvas)
The Lady of Shalott, 1862 (oil on canvas)

XYC152742: The Lady of Shalott, 1862 (oil on canvas), Crane, Walter (1845-1915) / Bridgeman Images

ID: XYC152742

The Lady of Shalott, 1862 (oil on canvas)

Crane, Walter (1845-1915)

Scene in a coal mine, illustration from 'Germinal' by Emile Zola (1840-1902), 1886 (engraving) (b/w photo)
Scene in a coal mine, illustration from 'Germinal' by Emile Zola (1840-1902), 1886 (engraving) (b/w photo)

CHT200425: Scene in a coal mine, illustration from 'Germinal' by Emile Zola (1840-1902), 1886 (engraving) (b/w photo), French School, (19th century) / Bridgeman Images

ID: CHT200425

Scene in a coal mine, illustration from 'Germinal' by Emile Zola (1840-1902), 1886 (engraving) (b/w photo)

French School, (19th century)

Nenuphar side table, c.1900 (wood)
Nenuphar side table, c.1900 (wood)

XIR210459: Nenuphar side table, c.1900 (wood), Galle, Emile (1846-1904) / Bridgeman Images

ID: XIR210459

Nenuphar side table, c.1900 (wood)

Galle, Emile (1846-1904)

Perseus, Florence (watercolour and pencil on paper)
Perseus, Florence (watercolour and pencil on paper)

CH96179: Perseus, Florence (watercolour and pencil on paper), Sargent, John Singer (1856-1925) / Bridgeman Images

ID: CH96179

Perseus, Florence (watercolour and pencil on paper)

Sargent, John Singer (1856-1925)

Axioms, or Laws of Motion, from Volume I of 'The Mathematical Principles of Natural Philosophy' by Sir Isaac Newton (1642-1727) 1777 (engraving)
Axioms, or Laws of Motion, from Volume I of 'The Mathematical Principles of Natural Philosophy' by Sir Isaac Newton (1642-1727) 1777 (engraving)

BAL136316: Axioms, or Laws of Motion, from Volume I of 'The Mathematical Principles of Natural Philosophy' by Sir Isaac Newton (1642-1727) 1777 (engraving), English School, (18th century) / Bridgeman Images

ID: BAL136316

Axioms, or Laws of Motion, from Volume I of 'The Mathematical Principles of Natural Philosophy' by Sir Isaac Newton (1642-1727) 1777 (engraving)

English School, (18th century)

Phylloxera Vastatrix, c. 1850 (litho) (b/w photo)
Phylloxera Vastatrix, c. 1850 (litho) (b/w photo)

CHT163749: Phylloxera Vastatrix, c. 1850 (litho) (b/w photo), French School, (19th century) / Bridgeman Images

ID: CHT163749

Phylloxera Vastatrix, c. 1850 (litho) (b/w photo)

French School, (19th century)

Piotr Ilyich Tchaikovsky (1840-93) 1860 (photo)
Piotr Ilyich Tchaikovsky (1840-93) 1860 (photo)

XIR162362: Piotr Ilyich Tchaikovsky (1840-93) 1860 (photo), Panov, M. (19th Century) / Bridgeman Images

ID: XIR162362

Piotr Ilyich Tchaikovsky (1840-93) 1860 (photo)

Panov, M. (19th Century)

Interior of Cave 26 (photo)
Interior of Cave 26 (photo)

EAM162620: Interior of Cave 26 (photo), Indian School, (6th century) / Bridgeman Images

ID: EAM162620

Interior of Cave 26 (photo)

Indian School, (6th century)

King Louis XIV (1638-1715) taking up Arms on Land and on Sea in 1672, Ceiling Painting from the Galerie des Glaces
King Louis XIV (1638-1715) taking up Arms on Land and on Sea in 1672, Ceiling Painting from the Galerie des Glaces

XIR165143: King Louis XIV (1638-1715) taking up Arms on Land and on Sea in 1672, Ceiling Painting from the Galerie des Glaces, Le Brun, Charles (1619-90) / Bridgeman Images

ID: XIR165143

King Louis XIV (1638-1715) taking up Arms on Land and on Sea in 1672, Ceiling Painting from the Galerie des Glaces

Le Brun, Charles (1619-90)

Set design for 'Atys', from a collection entitled 'Les Menus Plaisirs du Roi' (french chalk, pen & ink and wash)
Set design for 'Atys', from a collection entitled 'Les Menus Plaisirs du Roi' (french chalk, pen & ink and wash)

ARH165876: Set design for 'Atys', from a collection entitled 'Les Menus Plaisirs du Roi' (french chalk, pen & ink and wash), Chauveau, Francois (1613-76) / Bridgeman Images

ID: ARH165876

Set design for 'Atys', from a collection entitled 'Les Menus Plaisirs du Roi' (french chalk, pen & ink and wash)

Chauveau, Francois (1613-76)


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