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Solomon and Bilqis sit together and converse frankly, folio from a Haft awrang (Seven thrones) by Jami (d.1492) probably Mashad, Khurasan, Iran, Safavid dynasty, 1556-1565 (ink, opaque watercolour and gold on paper)
Solomon and Bilqis sit together and converse frankly, folio from a Haft awrang (Seven thrones) by Jami (d.1492) probably Mashad, Khurasan, Iran, Safavid dynasty, 1556-1565 (ink, opaque watercolour and gold on paper)

FSG325416: Solomon and Bilqis sit together and converse frankly, folio from a Haft awrang (Seven thrones) by Jami (d.1492) probably Mashad, Khurasan, Iran, Safavid dynasty, 1556-1565 (ink, opaque watercolour and gold on paper), Persian School, (16th century) / Bridgeman Images

ID: FSG325416

Solomon and Bilqis sit together and converse frankly, folio from a Haft awrang (Seven thrones) by Jami (d.1492) probably Mashad, Khurasan, Iran, Safavid dynasty, 1556-1565 (ink, opaque watercolour and gold on paper)

Persian School, (16th century)

Descending Geese of the Koto, Edo period, c.1766 (colour woodblock print)
Descending Geese of the Koto, Edo period, c.1766 (colour woodblock print)

FSG348996: Descending Geese of the Koto, Edo period, c.1766 (colour woodblock print), Harunobu, Suzuki (1725-70) / Bridgeman Images

ID: FSG348996

Descending Geese of the Koto, Edo period, c.1766 (colour woodblock print)

Harunobu, Suzuki (1725-70)

An Exact Representation of the Form and Manner in Which Exposed and Deserted Young Children are admitted into the Foundling Hospital, 1749 (engraving)
An Exact Representation of the Form and Manner in Which Exposed and Deserted Young Children are admitted into the Foundling Hospital, 1749 (engraving)

CF332119: An Exact Representation of the Form and Manner in Which Exposed and Deserted Young Children are admitted into the Foundling Hospital, 1749 (engraving), Parr, Nathaniel (1723-60) / Bridgeman Images

ID: CF332119

An Exact Representation of the Form and Manner in Which Exposed and Deserted Young Children are admitted into the Foundling Hospital, 1749 (engraving)

Parr, Nathaniel (1723-60)

The miracle of the loaves and fishes
The miracle of the loaves and fishes

LLM338262: The miracle of the loaves and fishes, Copping, Harold (1863-1932) / Bridgeman Images

ID: LLM338262

The miracle of the loaves and fishes

Copping, Harold (1863-1932)

The panel beneath the statue of Apollo in 'The School of Athen's', after a drawing by Raphael (black chalk on paper)
The panel beneath the statue of Apollo in 'The School of Athen's', after a drawing by Raphael (black chalk on paper)

CTS404713: The panel beneath the statue of Apollo in 'The School of Athen's', after a drawing by Raphael (black chalk on paper), Raphael (Raffaello Sanzio of Urbino) (1483-1520) (& studio) / Bridgeman Images

ID: CTS404713

The panel beneath the statue of Apollo in 'The School of Athen's', after a drawing by Raphael (black chalk on paper)

Raphael (Raffaello Sanzio of Urbino) (1483-1520) (& studio)

The Garden Gate (w/c with scratching out on paper)
The Garden Gate (w/c with scratching out on paper)

CH401660: The Garden Gate (w/c with scratching out on paper), Allingham, Helen (1848-1926) / Bridgeman Images

ID: CH401660

The Garden Gate (w/c with scratching out on paper)

Allingham, Helen (1848-1926)

A Venetian woman, 1882 (oil on canvas)
A Venetian woman, 1882 (oil on canvas)

CIN403069: A Venetian woman, 1882 (oil on canvas), Sargent, John Singer (1856-1925) / Bridgeman Images

ID: CIN403069

A Venetian woman, 1882 (oil on canvas)

Sargent, John Singer (1856-1925)

The Mariner regrets his shooting of the Albatross, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
The Mariner regrets his shooting of the Albatross, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393832: The Mariner regrets his shooting of the Albatross, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: XJF393832

The Mariner regrets his shooting of the Albatross, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

Dore, Gustave (1832-83)

Robin Hood and his Merry Men, 1859 (mixed media on paper)
Robin Hood and his Merry Men, 1859 (mixed media on paper)

CH402201: Robin Hood and his Merry Men, 1859 (mixed media on paper), Warren, Edmund George (1834-1909) / Bridgeman Images

ID: CH402201

Robin Hood and his Merry Men, 1859 (mixed media on paper)

Warren, Edmund George (1834-1909)

The Letter (oil on canvas)
The Letter (oil on canvas)

CH402348: The Letter (oil on canvas), Kilburne, George Goodwin (1839-1924) / Bridgeman Images

ID: CH402348

The Letter (oil on canvas)

Kilburne, George Goodwin (1839-1924)

The Lute and White Snake of Benten, Edo Period, 1847 (ink & colour on silk)
The Lute and White Snake of Benten, Edo Period, 1847 (ink & colour on silk)

FSG388793: The Lute and White Snake of Benten, Edo Period, 1847 (ink & colour on silk), Hokusai, Katsushika (1760-1849) / Bridgeman Images

ID: FSG388793

The Lute and White Snake of Benten, Edo Period, 1847 (ink & colour on silk)

Hokusai, Katsushika (1760-1849)

A Mould from Nature, 1887 (oil on canvas)
A Mould from Nature, 1887 (oil on canvas)

CH402628: A Mould from Nature, 1887 (oil on canvas), Dantan, Edouard-Joseph (1848-97) / Bridgeman Images

ID: CH402628

A Mould from Nature, 1887 (oil on canvas)

Dantan, Edouard-Joseph (1848-97)

Group of explorers, Judea District, Palestine, 1867 (b/w photo)
Group of explorers, Judea District, Palestine, 1867 (b/w photo)

PEF320890: Group of explorers, Judea District, Palestine, 1867 (b/w photo), Phillips, Sergeant Henry (fl.1866-67) / Bridgeman Images

ID: PEF320890

Group of explorers, Judea District, Palestine, 1867 (b/w photo)

Phillips, Sergeant Henry (fl.1866-67)

Underground Mining at Dulcoath, Cornwall, 1893 (b/w photo)
Underground Mining at Dulcoath, Cornwall, 1893 (b/w photo)

NGW311346: Underground Mining at Dulcoath, Cornwall, 1893 (b/w photo) / Bridgeman Images

ID: NGW311346

Underground Mining at Dulcoath, Cornwall, 1893 (b/w photo)

Architecture I: Orders of Architecture, engraved by Charles Lawrie (engraving)
Architecture I: Orders of Architecture, engraved by Charles Lawrie (engraving)

XJF314357: Architecture I: Orders of Architecture, engraved by Charles Lawrie (engraving), Waring, John Burley (1823-1875) (after) / Bridgeman Images

ID: XJF314357

Architecture I: Orders of Architecture, engraved by Charles Lawrie (engraving)

Waring, John Burley (1823-1875) (after)

Penelope (Pitt), Viscountess Ligonier, 1770 (oil on canvas)
Penelope (Pitt), Viscountess Ligonier, 1770 (oil on canvas)

HEH416306: Penelope (Pitt), Viscountess Ligonier, 1770 (oil on canvas), Gainsborough, Thomas (1727-88) / Bridgeman Images

ID: HEH416306

Penelope (Pitt), Viscountess Ligonier, 1770 (oil on canvas)

Gainsborough, Thomas (1727-88)

Ganymede, 1886 (w/c & gouache on paper)
Ganymede, 1886 (w/c & gouache on paper)

NUM407677: Ganymede, 1886 (w/c & gouache on paper), Moreau, Gustave (1826-98) / Bridgeman Images

ID: NUM407677

Ganymede, 1886 (w/c & gouache on paper)

Moreau, Gustave (1826-98)

Queen Maev, frontispiece from 'Myths and Legends of the Celtic Race' by T.W. Rolleston, 1911 (colour litho)
Queen Maev, frontispiece from 'Myths and Legends of the Celtic Race' by T.W. Rolleston, 1911 (colour litho)

STC323704: Queen Maev, frontispiece from 'Myths and Legends of the Celtic Race' by T.W. Rolleston, 1911 (colour litho), Leyendecker, Joseph Christian (1874-1951) / Bridgeman Images

ID: STC323704

Queen Maev, frontispiece from 'Myths and Legends of the Celtic Race' by T.W. Rolleston, 1911 (colour litho)

Leyendecker, Joseph Christian (1874-1951)

Job and his friends
Job and his friends

LLM339185: Job and his friends, English School, (20th century) / Bridgeman Images

ID: LLM339185

Job and his friends

English School, (20th century)

Titlepage of a printed edition of the 'Archimedes Palimpsest', Editio Princeps, 1544 (print)
Titlepage of a printed edition of the 'Archimedes Palimpsest', Editio Princeps, 1544 (print)

CH349944: Titlepage of a printed edition of the 'Archimedes Palimpsest', Editio Princeps, 1544 (print), Swiss School, (16th century) / Bridgeman Images

ID: CH349944

Titlepage of a printed edition of the 'Archimedes Palimpsest', Editio Princeps, 1544 (print)

Swiss School, (16th century)

Woman and Roses, 1879 (oil on canvas)
Woman and Roses, 1879 (oil on canvas)

XCK339868: Woman and Roses, 1879 (oil on canvas), Toulmouche, Auguste (1829-90) / Bridgeman Images

ID: XCK339868

Woman and Roses, 1879 (oil on canvas)

Toulmouche, Auguste (1829-90)

18-inch Hadley quadrant or octant, c.1760 (wood, brass & glass)
18-inch Hadley quadrant or octant, c.1760 (wood, brass & glass)

MFR348317: 18-inch Hadley quadrant or octant, c.1760 (wood, brass & glass), Adams, George (1750-95) / Bridgeman Images

ID: MFR348317

18-inch Hadley quadrant or octant, c.1760 (wood, brass & glass)

Adams, George (1750-95)

St. Teresa of Avila (oil on canvas)
St. Teresa of Avila (oil on canvas)

REV345898: St. Teresa of Avila (oil on canvas), Spanish School, (17th century) / Bridgeman Images

ID: REV345898

St. Teresa of Avila (oil on canvas)

Spanish School, (17th century)

Hut in the Trees, 1892 (oil on canvas)
Hut in the Trees, 1892 (oil on canvas)

CH376139: Hut in the Trees, 1892 (oil on canvas), Gauguin, Paul (1848-1903) / Bridgeman Images

ID: CH376139

Hut in the Trees, 1892 (oil on canvas)

Gauguin, Paul (1848-1903)

Tranquility (w/c)
Tranquility (w/c)

XPG379464: Tranquility (w/c), Strachan, Arthur Claude (1865-1935) / Bridgeman Images

ID: XPG379464

Tranquility (w/c)

Strachan, Arthur Claude (1865-1935)

River bank, c.1830 (watercolour on paper)
River bank, c.1830 (watercolour on paper)

XIR360257: River bank, c.1830 (watercolour on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: XIR360257

River bank, c.1830 (watercolour on paper)

Turner, Joseph Mallord William (1775-1851)

Frontispiece and Titlepage to 'Gulliver's Travels' by Jonathan Swift, 1726 (engraving)
Frontispiece and Titlepage to 'Gulliver's Travels' by Jonathan Swift, 1726 (engraving)

XJF380273: Frontispiece and Titlepage to 'Gulliver's Travels' by Jonathan Swift, 1726 (engraving), English School, (18th century) / Bridgeman Images

ID: XJF380273

Frontispiece and Titlepage to 'Gulliver's Travels' by Jonathan Swift, 1726 (engraving)

English School, (18th century)

Frontispiece to 'The Picture of Dorian Gray' by Oscar Wilde, published in 1925 (litho)
Frontispiece to 'The Picture of Dorian Gray' by Oscar Wilde, published in 1925 (litho)

XJF365325: Frontispiece to 'The Picture of Dorian Gray' by Oscar Wilde, published in 1925 (litho), Keen, Henry (fl.1920-30) / Bridgeman Images

ID: XJF365325

Frontispiece to 'The Picture of Dorian Gray' by Oscar Wilde, published in 1925 (litho)

Keen, Henry (fl.1920-30)

Ancient and modern vending (penny-in-the-slot) machines, 1893 (litho)
Ancient and modern vending (penny-in-the-slot) machines, 1893 (litho)

KDC384118: Ancient and modern vending (penny-in-the-slot) machines, 1893 (litho), Sauvert, Albert (b.1860) / Bridgeman Images

ID: KDC384118

Ancient and modern vending (penny-in-the-slot) machines, 1893 (litho)

Sauvert, Albert (b.1860)

The Café-Concert, c.1879 (oil on canvas)
The Café-Concert, c.1879 (oil on canvas)

XWM623036: The Café-Concert, c.1879 (oil on canvas), Manet, Edouard (1832-83) / Bridgeman Images

ID: XWM623036

The Café-Concert, c.1879 (oil on canvas)

Manet, Edouard (1832-83)

Boy Drinking, 1582-83 (oil on canvas)
Boy Drinking, 1582-83 (oil on canvas)

XCL500202: Boy Drinking, 1582-83 (oil on canvas), Carracci, Annibale (1560-1609) / Bridgeman Images

ID: XCL500202

Boy Drinking, 1582-83 (oil on canvas)

Carracci, Annibale (1560-1609)

Christ and the Virgin in the House at Nazareth, c.1640 (oil on canvas)
Christ and the Virgin in the House at Nazareth, c.1640 (oil on canvas)

XCL499516: Christ and the Virgin in the House at Nazareth, c.1640 (oil on canvas) , Zurbaran, Francisco de (1598-1664) / Bridgeman Images

ID: XCL499516

Christ and the Virgin in the House at Nazareth, c.1640 (oil on canvas)

Zurbaran, Francisco de (1598-1664)

Louis-Philippe, Duc d'Orleans, King of France (enamel on porcelain)
Louis-Philippe, Duc d'Orleans, King of France (enamel on porcelain)

STM620713: Louis-Philippe, Duc d'Orleans, King of France (enamel on porcelain), Lienard, Sophie (fl.1842-45) / Bridgeman Images

ID: STM620713

Louis-Philippe, Duc d'Orleans, King of France (enamel on porcelain)

Lienard, Sophie (fl.1842-45)

Portrait of Grand Duchesses Alexandra Pavlovna and Elena Pavlovna of Russia, 1796 (oil on canvas)
Portrait of Grand Duchesses Alexandra Pavlovna and Elena Pavlovna of Russia, 1796 (oil on canvas)

XAB486569: Portrait of Grand Duchesses Alexandra Pavlovna and Elena Pavlovna of Russia, 1796 (oil on canvas), Vigee-Lebrun, Elisabeth Louise (1755-1842) / Bridgeman Images

ID: XAB486569

Portrait of Grand Duchesses Alexandra Pavlovna and Elena Pavlovna of Russia, 1796 (oil on canvas)

Vigee-Lebrun, Elisabeth Louise (1755-1842)

Portrait of Katherine Mansfield, 1918 (oil on canvas)
Portrait of Katherine Mansfield, 1918 (oil on canvas)

TEP474780: Portrait of Katherine Mansfield, 1918 (oil on canvas), Rice, Anne Estelle (1879-1959) / Bridgeman Images

ID: TEP474780

Portrait of Katherine Mansfield, 1918 (oil on canvas)

Rice, Anne Estelle (1879-1959)

Hall of the Two Sisters, Palace of the Lions, Alhambra (photo)
Hall of the Two Sisters, Palace of the Lions, Alhambra (photo)

BEN489797: Hall of the Two Sisters, Palace of the Lions, Alhambra (photo) / Bridgeman Images

ID: BEN489797

Hall of the Two Sisters, Palace of the Lions, Alhambra (photo)


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