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2497595 Search Results

Evening, 1895 (w/c on paper)
Evening, 1895 (w/c on paper)

XPG382112: Evening, 1895 (w/c on paper), Lloyd, Thomas James (1849-1910) / Bridgeman Images

ID: XPG382112

Evening, 1895 (w/c on paper)

Lloyd, Thomas James (1849-1910)

Titus Livius (engraving)
Titus Livius (engraving)

XJF392682: Titus Livius (engraving), English School, (18th century) / Bridgeman Images

ID: XJF392682

Titus Livius (engraving)

English School, (18th century)

The Westminster Assembly of Divines, illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo)
The Westminster Assembly of Divines, illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo)

STC393402: The Westminster Assembly of Divines, illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo), Herbert, John Rogers (1810-90) / Bridgeman Images

ID: STC393402

The Westminster Assembly of Divines, illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo)

Herbert, John Rogers (1810-90)

Serena reading, 1780-85 (oil on canvas)
Serena reading, 1780-85 (oil on canvas)

HMP394699: Serena reading, 1780-85 (oil on canvas), Romney, George (1734-1802) / Bridgeman Images

ID: HMP394699

Serena reading, 1780-85 (oil on canvas)

Romney, George (1734-1802)

Coronation of the Virgin (oil on canvas)
Coronation of the Virgin (oil on canvas)

XIR391414: Coronation of the Virgin (oil on canvas), Reni, Guido (1575-1642) / Bridgeman Images

ID: XIR391414

Coronation of the Virgin (oil on canvas)

Reni, Guido (1575-1642)

Map of Venice, first half of 17th century (panel) (detail of 64062)
Map of Venice, first half of 17th century (panel) (detail of 64062)

FTB320982: Map of Venice, first half of 17th century (panel) (detail of 64062), Barzenti, G. (17th century) / Bridgeman Images

ID: FTB320982

Map of Venice, first half of 17th century (panel) (detail of 64062)

Barzenti, G. (17th century)

Portrait of George Frederick Handel (oil on canvas)
Portrait of George Frederick Handel (oil on canvas)

OXM374293: Portrait of George Frederick Handel (oil on canvas), Hudson, Thomas (1701-79) (circle of) / Bridgeman Images

ID: OXM374293

Portrait of George Frederick Handel (oil on canvas)

Hudson, Thomas (1701-79) (circle of)

Titlepage to 'Die Traumdeutung' by Sigmund Freud, published in 1899 (print)
Titlepage to 'Die Traumdeutung' by Sigmund Freud, published in 1899 (print)

XJF377245: Titlepage to 'Die Traumdeutung' by Sigmund Freud, published in 1899 (print), German School, (19th century) / Bridgeman Images

ID: XJF377245

Titlepage to 'Die Traumdeutung' by Sigmund Freud, published in 1899 (print)

German School, (19th century)

Still Life with l'Esperance, 1901 (oil on canvas)
Still Life with l'Esperance, 1901 (oil on canvas)

CH376135: Still Life with l'Esperance, 1901 (oil on canvas), Gauguin, Paul (1848-1903) / Bridgeman Images

ID: CH376135

Still Life with l'Esperance, 1901 (oil on canvas)

Gauguin, Paul (1848-1903)

Poseidon Enthroned (oil on canvas)
Poseidon Enthroned (oil on canvas)

CH378307: Poseidon Enthroned (oil on canvas), Fuger, Friedrich Heinrich (1751-1818) / Bridgeman Images

ID: CH378307

Poseidon Enthroned (oil on canvas)

Fuger, Friedrich Heinrich (1751-1818)

The Very Rev. J.H Newman, engraved by John Alfred Vinter, 1850 (engraving)
The Very Rev. J.H Newman, engraved by John Alfred Vinter, 1850 (engraving)

XJF384095: The Very Rev. J.H Newman, engraved by John Alfred Vinter, 1850 (engraving), Giberne, Maria (19th century) (after) / Bridgeman Images

ID: XJF384095

The Very Rev. J.H Newman, engraved by John Alfred Vinter, 1850 (engraving)

Giberne, Maria (19th century) (after)

The Worship of Zeus, an illustration from 'L'Odyssee', by Homer, translated by Victor Berard, 1929-33 (colour litho)
The Worship of Zeus, an illustration from 'L'Odyssee', by Homer, translated by Victor Berard, 1929-33 (colour litho)

STC386310: The Worship of Zeus, an illustration from 'L'Odyssee', by Homer, translated by Victor Berard, 1929-33 (colour litho), Schmied, Francois-Louis (1873-1941) / Bridgeman Images

ID: STC386310

The Worship of Zeus, an illustration from 'L'Odyssee', by Homer, translated by Victor Berard, 1929-33 (colour litho)

Schmied, Francois-Louis (1873-1941)

Descriptive map of London Poverty, 1889 (hand-coloured litho)
Descriptive map of London Poverty, 1889 (hand-coloured litho)

MOL384784: Descriptive map of London Poverty, 1889 (hand-coloured litho), English School, (19th century) / Bridgeman Images

ID: MOL384784

Descriptive map of London Poverty, 1889 (hand-coloured litho)

English School, (19th century)

Brooklyn Bridge, c.1883 (colour litho)
Brooklyn Bridge, c.1883 (colour litho)

XTD75451: Brooklyn Bridge, c.1883 (colour litho), Schwarz, R. (19th century) (after) / Bridgeman Images

ID: XTD75451

Brooklyn Bridge, c.1883 (colour litho)

Schwarz, R. (19th century) (after)

Balthazar, 1929
Balthazar, 1929

CMY75243: Balthazar, 1929, Philpot, Glyn Warren (1884-1937) / Bridgeman Images

ID: CMY75243

Balthazar, 1929

Philpot, Glyn Warren (1884-1937)

Portrait of a Lute Player, c.1593-94 (oil on canvas)
Portrait of a Lute Player, c.1593-94 (oil on canvas)

SKD75325: Portrait of a Lute Player, c.1593-94 (oil on canvas), Carracci, Annibale (1560-1609) / Bridgeman Images

ID: SKD75325

Portrait of a Lute Player, c.1593-94 (oil on canvas)

Carracci, Annibale (1560-1609)

Ecce Homo, 1634 (oil on paper mounted onto canvas)
Ecce Homo, 1634 (oil on paper mounted onto canvas)

BAL75901: Ecce Homo, 1634 (oil on paper mounted onto canvas), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: BAL75901

Ecce Homo, 1634 (oil on paper mounted onto canvas)

Rembrandt Harmensz. van Rijn (1606-69)

King Louis-Philippe (1830-48) Disembarking at Portsmouth, 8th October 1844, 1846 (oil on canvas)
King Louis-Philippe (1830-48) Disembarking at Portsmouth, 8th October 1844, 1846 (oil on canvas)

XIR75710: King Louis-Philippe (1830-48) Disembarking at Portsmouth, 8th October 1844, 1846 (oil on canvas), Isabey, Louis Eugene Gabriel (1803-86) / Bridgeman Images

ID: XIR75710

King Louis-Philippe (1830-48) Disembarking at Portsmouth, 8th October 1844, 1846 (oil on canvas)

Isabey, Louis Eugene Gabriel (1803-86)

2 Samuel 6 1-5 David brings the Ark to Jerusalem, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut)
2 Samuel 6 1-5 David brings the Ark to Jerusalem, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut)

STC67513: 2 Samuel 6 1-5 David brings the Ark to Jerusalem, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut), German School, (15th century) / Bridgeman Images

ID: STC67513

2 Samuel 6 1-5 David brings the Ark to Jerusalem, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut)

German School, (15th century)

Polyphemus the Cyclops, Roman mosaic, early 4th century AD (mosaic)
Polyphemus the Cyclops, Roman mosaic, early 4th century AD (mosaic)

BAL67907: Polyphemus the Cyclops, Roman mosaic, early 4th century AD (mosaic), Roman / Bridgeman Images

ID: BAL67907

Polyphemus the Cyclops, Roman mosaic, early 4th century AD (mosaic)

Roman

Panel from a niche in the chapel of the Tomb of Hezyre, chief of the scribes of the king, from Saqqara, Old Kingdom (wood)
Panel from a niche in the chapel of the Tomb of Hezyre, chief of the scribes of the king, from Saqqara, Old Kingdom (wood)

XIR68317: Panel from a niche in the chapel of the Tomb of Hezyre, chief of the scribes of the king, from Saqqara, Old Kingdom (wood), Egyptian 3rd Dynasty (2700-2620 BC) / Bridgeman Images

ID: XIR68317

Panel from a niche in the chapel of the Tomb of Hezyre, chief of the scribes of the king, from Saqqara, Old Kingdom (wood)

Egyptian 3rd Dynasty (2700-2620 BC)

Anna Maria Mozart, nee Pertl, mother of Wolfgang Amadeus Mozart, 1775
Anna Maria Mozart, nee Pertl, mother of Wolfgang Amadeus Mozart, 1775

XPH73641: Anna Maria Mozart, nee Pertl, mother of Wolfgang Amadeus Mozart, 1775, Lorenzoni, Peter Anton (1721-82) (school of) / Bridgeman Images

ID: XPH73641

Anna Maria Mozart, nee Pertl, mother of Wolfgang Amadeus Mozart, 1775

Lorenzoni, Peter Anton (1721-82) (school of)

Lion Hunt in Morocco, 1854 (oil on canvas)
Lion Hunt in Morocco, 1854 (oil on canvas)

BOO73510: Lion Hunt in Morocco, 1854 (oil on canvas), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

ID: BOO73510

Lion Hunt in Morocco, 1854 (oil on canvas)

Delacroix, Ferdinand Victor Eugene (1798-1863)

The Run Home, 1902
The Run Home, 1902

RCM77706: The Run Home, 1902, Tuke, Henry Scott (1858-1929) / Bridgeman Images

ID: RCM77706

The Run Home, 1902

Tuke, Henry Scott (1858-1929)

Six-Winged Seraph, 1904 (oil on canvas)
Six-Winged Seraph, 1904 (oil on canvas)

SRM76960: Six-Winged Seraph, 1904 (oil on canvas), Vrubel, Mikhail Aleksandrovich (1856-1910) / Bridgeman Images

ID: SRM76960

Six-Winged Seraph, 1904 (oil on canvas)

Vrubel, Mikhail Aleksandrovich (1856-1910)

View of the artist's garden with his daughters, 1903
View of the artist's garden with his daughters, 1903

BAL79033: View of the artist's garden with his daughters, 1903, Uhde, Fritz von (1848-1911) / Bridgeman Images

ID: BAL79033

View of the artist's garden with his daughters, 1903

Uhde, Fritz von (1848-1911)

Woman with two little girls (pastel)
Woman with two little girls (pastel)

PWI82858: Woman with two little girls (pastel), Degas, Edgar (1834-1917) / Bridgeman Images

ID: PWI82858

Woman with two little girls (pastel)

Degas, Edgar (1834-1917)

The Annunciation, c.1570-73 (oil on panel)
The Annunciation, c.1570-73 (oil on panel)

XIR82997: The Annunciation, c.1570-73 (oil on panel), Greco, El (Domenico Theotocopuli) (1541-1614) / Bridgeman Images

ID: XIR82997

The Annunciation, c.1570-73 (oil on panel)

Greco, El (Domenico Theotocopuli) (1541-1614)

f.86v Charles Martel looks after punishment and banishment of two men', from the Grandes Chroniques de France, 1375-79 (vellum)
f.86v Charles Martel looks after punishment and banishment of two men', from the Grandes Chroniques de France, 1375-79 (vellum)

XIR83892: f.86v Charles Martel looks after punishment and banishment of two men', from the Grandes Chroniques de France, 1375-79 (vellum), French School, (14th century) / Bridgeman Images

ID: XIR83892

f.86v Charles Martel looks after punishment and banishment of two men', from the Grandes Chroniques de France, 1375-79 (vellum)

French School, (14th century)

Above the Mountain Peaks, 1917 (gouache)
Above the Mountain Peaks, 1917 (gouache)

HGM81136: Above the Mountain Peaks, 1917 (gouache), Klee, Paul (1879-1940) / Bridgeman Images

ID: HGM81136

Above the Mountain Peaks, 1917 (gouache)

Klee, Paul (1879-1940)

'Harebell' wallpaper, designed 1911 (colour litho)
'Harebell' wallpaper, designed 1911 (colour litho)

WMA82938: 'Harebell' wallpaper, designed 1911 (colour litho), Dearle, John Henry (1860-1932) / Bridgeman Images

ID: WMA82938

'Harebell' wallpaper, designed 1911 (colour litho)

Dearle, John Henry (1860-1932)

Siege of Vienna, 28th October 1848
Siege of Vienna, 28th October 1848

XAM82648: Siege of Vienna, 28th October 1848, Austrian School, (19th century) / Bridgeman Images

ID: XAM82648

Siege of Vienna, 28th October 1848

Austrian School, (19th century)

King Henri III (1551-89) of France visiting Venice in 1574, escorted by Doge Alvise Mocenigo (1570-77) and met by the Patriarch Giovanni Trevisan, from the Room of the Four Doors (oil on canvas)
King Henri III (1551-89) of France visiting Venice in 1574, escorted by Doge Alvise Mocenigo (1570-77) and met by the Patriarch Giovanni Trevisan, from the Room of the Four Doors (oil on canvas)

XIR71525: King Henri III (1551-89) of France visiting Venice in 1574, escorted by Doge Alvise Mocenigo (1570-77) and met by the Patriarch Giovanni Trevisan, from the Room of the Four Doors (oil on canvas), Vicentino, Andrea (Michieli) (1539-1614) / Bridgeman Images

ID: XIR71525

King Henri III (1551-89) of France visiting Venice in 1574, escorted by Doge Alvise Mocenigo (1570-77) and met by the Patriarch Giovanni Trevisan, from the Room of the Four Doors (oil on canvas)

Vicentino, Andrea (Michieli) (1539-1614)

Dinner at the House of Simon, 1737 (oil on canvas)
Dinner at the House of Simon, 1737 (oil on canvas)

XIR71577: Dinner at the House of Simon, 1737 (oil on canvas), Subleyras, Pierre (1699-1749) / Bridgeman Images

ID: XIR71577

Dinner at the House of Simon, 1737 (oil on canvas)

Subleyras, Pierre (1699-1749)

Tippoo Sultan (1749-99) plate from 'Picturesque Scenery in the Kingdom of Mysore', engraved by Edmund Scott (1758-1810) 1805 (engraving)
Tippoo Sultan (1749-99) plate from 'Picturesque Scenery in the Kingdom of Mysore', engraved by Edmund Scott (1758-1810) 1805 (engraving)

STC86343: Tippoo Sultan (1749-99) plate from 'Picturesque Scenery in the Kingdom of Mysore', engraved by Edmund Scott (1758-1810) 1805 (engraving), Orme, Edward (1774-c.1820) (after) / Bridgeman Images

ID: STC86343

Tippoo Sultan (1749-99) plate from 'Picturesque Scenery in the Kingdom of Mysore', engraved by Edmund Scott (1758-1810) 1805 (engraving)

Orme, Edward (1774-c.1820) (after)

Dinner Party at a Mandarin's House, from 'China in a Series of Views' by George Newenham Wright (c.1790-1877) engraved by G. Paterson, 1843 (coloured engraving)
Dinner Party at a Mandarin's House, from 'China in a Series of Views' by George Newenham Wright (c.1790-1877) engraved by G. Paterson, 1843 (coloured engraving)

STC89203: Dinner Party at a Mandarin's House, from 'China in a Series of Views' by George Newenham Wright (c.1790-1877) engraved by G. Paterson, 1843 (coloured engraving), Allom, Thomas (1804-72) (after) / Bridgeman Images

ID: STC89203

Dinner Party at a Mandarin's House, from 'China in a Series of Views' by George Newenham Wright (c.1790-1877) engraved by G. Paterson, 1843 (coloured engraving)

Allom, Thomas (1804-72) (after)


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