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View of the Thames at Westminster Bridge, c.1905-06
View of the Thames at Westminster Bridge, c.1905-06

BAL86964: View of the Thames at Westminster Bridge, c.1905-06, Derain, Andre (1880-1954) / Bridgeman Images

Napoleon Francois Joseph Charles Bonaparte, Duke of Reichstadt (1811-32) son of the Emperor Napoleon I, c.1814 (w/c on ivory)
Napoleon Francois Joseph Charles Bonaparte, Duke of Reichstadt (1811-32) son of the Emperor Napoleon I, c.1814 (w/c on ivory)

BAL88596: Napoleon Francois Joseph Charles Bonaparte, Duke of Reichstadt (1811-32) son of the Emperor Napoleon I, c.1814 (w/c on ivory), Isabey, Jean-Baptiste (1767-1855) / Bridgeman Images

A British Soldier Taking Two French Officers at the Battle of the Pyrenees, engraved by Matthew Dubourg (fl.1813-20) from 'Historic, Military and Naval Anecdotes', pub. by Edward Orme (1774-c.1820) 1815 (aquatint)
A British Soldier Taking Two French Officers at the Battle of the Pyrenees, engraved by Matthew Dubourg (fl.1813-20) from 'Historic, Military and Naval Anecdotes', pub. by Edward Orme (1774-c.1820) 1815 (aquatint)

STC88720: A British Soldier Taking Two French Officers at the Battle of the Pyrenees, engraved by Matthew Dubourg (fl.1813-20) from 'Historic, Military and Naval Anecdotes', pub. by Edward Orme (1774-c.1820) 1815 (aquatint), Atkinson, John Augustus (1775-1831) (after) / Bridgeman Images

Village of Portaria, plate 16 from Part 3 of 'Views in Greece', engraved by J. Bailey, 1819 (aquatint)
Village of Portaria, plate 16 from Part 3 of 'Views in Greece', engraved by J. Bailey, 1819 (aquatint)

STC88735: Village of Portaria, plate 16 from Part 3 of 'Views in Greece', engraved by J. Bailey, 1819 (aquatint), Dodwell, Edward (1767-1832) (after) / Bridgeman Images

Plain of Olympia, plate 6 from Part 1 of 'Views in Greece', engraved by J. Bailey, 1820 (aquatint)
Plain of Olympia, plate 6 from Part 1 of 'Views in Greece', engraved by J. Bailey, 1820 (aquatint)

STC88741: Plain of Olympia, plate 6 from Part 1 of 'Views in Greece', engraved by J. Bailey, 1820 (aquatint), Dodwell, Edward (1767-1832) (after) / Bridgeman Images

The Hyperian Fountain at Pherae, plate 23 from Part 4 of 'Views in Greece', engraved by Robert Havell, 1821 (aquatint)
The Hyperian Fountain at Pherae, plate 23 from Part 4 of 'Views in Greece', engraved by Robert Havell, 1821 (aquatint)

STC88743: The Hyperian Fountain at Pherae, plate 23 from Part 4 of 'Views in Greece', engraved by Robert Havell, 1821 (aquatint), Dodwell, Edward (1767-1832) (after) / Bridgeman Images

Cathedrals of the Annunciation and the Archangel, from a panorama of Moscow, engraved by Philippe Benoist (1813-c.1905) and Aubrun, pub. by Lemercier (litho) (detail of 105099)
Cathedrals of the Annunciation and the Archangel, from a panorama of Moscow, engraved by Philippe Benoist (1813-c.1905) and Aubrun, pub. by Lemercier (litho) (detail of 105099)

STC88765: Cathedrals of the Annunciation and the Archangel, from a panorama of Moscow, engraved by Philippe Benoist (1813-c.1905) and Aubrun, pub. by Lemercier (litho) (detail of 105099), Indieitzeff, Dmitri (b.1813) (after) / Bridgeman Images

View of the New Theatre Royal, Haymarket, in London, Opened July 4th 1821, Showing also the Relative Situation of the Old Theatre Previous to its Demolition, engraved by Dale, 1822 (engraving)
View of the New Theatre Royal, Haymarket, in London, Opened July 4th 1821, Showing also the Relative Situation of the Old Theatre Previous to its Demolition, engraved by Dale, 1822 (engraving)

STC88777: View of the New Theatre Royal, Haymarket, in London, Opened July 4th 1821, Showing also the Relative Situation of the Old Theatre Previous to its Demolition, engraved by Dale, 1822 (engraving), Schnebbelie, Robert Blemell (fl.1803-1849) (after) / Bridgeman Images

New Theatre Royal, Haymarket, in London, designed by John Nash in 1821, 1826 (litho)
New Theatre Royal, Haymarket, in London, designed by John Nash in 1821, 1826 (litho)

STC88778: New Theatre Royal, Haymarket, in London, designed by John Nash in 1821, 1826 (litho), Havell, Daniel (1785-1826) / Bridgeman Images

Theatre Royal, Covent Garden, in London, designed by Robert Smirke in 1809, 1826 (litho)
Theatre Royal, Covent Garden, in London, designed by Robert Smirke in 1809, 1826 (litho)

STC88779: Theatre Royal, Covent Garden, in London, designed by Robert Smirke in 1809, 1826 (litho), Havell, Daniel (1785-1826) / Bridgeman Images

Gipsies, plate 25 from Volume I of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1803 (aquatint)
Gipsies, plate 25 from Volume I of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1803 (aquatint)

STC88783: Gipsies, plate 25 from Volume I of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1803 (aquatint), Atkinson, John Augustus (1775-1831) / Bridgeman Images

Tartars Catching Horses, plate 69 from Volume III of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1803 (aquatint)
Tartars Catching Horses, plate 69 from Volume III of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1803 (aquatint)

STC88784: Tartars Catching Horses, plate 69 from Volume III of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1803 (aquatint), Atkinson, John Augustus (1775-1831) / Bridgeman Images

Sorting and Drying Hemp, plate 95 from Volume III of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1804 (aquatint)
Sorting and Drying Hemp, plate 95 from Volume III of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1804 (aquatint)

STC88785: Sorting and Drying Hemp, plate 95 from Volume III of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1804 (aquatint), Atkinson, John Augustus (1775-1831) / Bridgeman Images

View of the Royal Exchange, London, engraved by Pierre Moithey, 1731 (engraving)
View of the Royal Exchange, London, engraved by Pierre Moithey, 1731 (engraving)

STC88796: View of the Royal Exchange, London, engraved by Pierre Moithey, 1731 (engraving), English School, (18th century) / Bridgeman Images

Illustrations of painted designs from the wrappings of the mummies, Hypogees, Thebes, plate 58 from Vol II of `Descriptions of Egypt`, engraved by Willemin, 1822 (aquatint)
Illustrations of painted designs from the wrappings of the mummies, Hypogees, Thebes, plate 58 from Vol II of `Descriptions of Egypt`, engraved by Willemin, 1822 (aquatint)

XCF88822: Illustrations of painted designs from the wrappings of the mummies, Hypogees, Thebes, plate 58 from Vol II of `Descriptions of Egypt`, engraved by Willemin, 1822 (aquatint), Jomard (19th century) (after) / Bridgeman Images

T32835A The Violin Maker (pastel)
T32835A The Violin Maker (pastel)

PFA88837: T32835A The Violin Maker (pastel), Leene, Jules van de (1887-1962) / Bridgeman Images

T33402 Portrait of the Revd. Samuel Rastall, Dean of Killaloe, Ireland (1750-81)
T33402 Portrait of the Revd. Samuel Rastall, Dean of Killaloe, Ireland (1750-81)

PFA88857: T33402 Portrait of the Revd. Samuel Rastall, Dean of Killaloe, Ireland (1750-81), Wright of Derby, Joseph (1734-97) / Bridgeman Images

Missal 515 1r Zoomorphic foliate border, detail from a Choir Book executed before 1449 (vellum) (detail of 88903)
Missal 515 1r Zoomorphic foliate border, detail from a Choir Book executed before 1449 (vellum) (detail of 88903)

BAT88904: Missal 515 1r Zoomorphic foliate border, detail from a Choir Book executed before 1449 (vellum) (detail of 88903), Torelli, Filippo di Matteo (1409-68) / Bridgeman Images

Missal 515 f.13v Fantastical two-legged creature with human face, detail of decorative border from a Choir Book executed before 1449 (vellum) (detail of 56721)
Missal 515 f.13v Fantastical two-legged creature with human face, detail of decorative border from a Choir Book executed before 1449 (vellum) (detail of 56721)

BAT88910: Missal 515 f.13v Fantastical two-legged creature with human face, detail of decorative border from a Choir Book executed before 1449 (vellum) (detail of 56721), Torelli, Filippo di Matteo (1409-68) / Bridgeman Images

Missal 515 f.28v Fantastical bird with human head standing on the corner of an historiated initial, detail from a Choir Book executed before 1449 (vellum) (detail of 56724)
Missal 515 f.28v Fantastical bird with human head standing on the corner of an historiated initial, detail from a Choir Book executed before 1449 (vellum) (detail of 56724)

BAT88912: Missal 515 f.28v Fantastical bird with human head standing on the corner of an historiated initial, detail from a Choir Book executed before 1449 (vellum) (detail of 56724), Torelli, Filippo di Matteo (1409-68) / Bridgeman Images

The Death of St. Jerome with Inghirami as a Donor, detail showing The Heavenly Host and angels, 1459-60 (fresco)
The Death of St. Jerome with Inghirami as a Donor, detail showing The Heavenly Host and angels, 1459-60 (fresco)

KAB87026: The Death of St. Jerome with Inghirami as a Donor, detail showing The Heavenly Host and angels, 1459-60 (fresco), Lippi, Fra Filippo (c.1406-69) / Bridgeman Images

St. Dominic, originally a side panel from a polyptych c.1340 (tempera on panel)
St. Dominic, originally a side panel from a polyptych c.1340 (tempera on panel)

KAB87043: St. Dominic, originally a side panel from a polyptych c.1340 (tempera on panel), Daddi, Bernardo (fl.1327-d.1348) / Bridgeman Images

Madonna and Child, c.1340 (tempera on panel)
Madonna and Child, c.1340 (tempera on panel)

KAB87044: Madonna and Child, c.1340 (tempera on panel), Maestro di Mezzana (Migliore di Cino) (fl.c 1340) / Bridgeman Images

Pulpit with decorative panels by Mino da Fiesole (1430-84) and Antonio Rossellino (1427-79) 1469-73 (marble) (see also 87025)
Pulpit with decorative panels by Mino da Fiesole (1430-84) and Antonio Rossellino (1427-79) 1469-73 (marble) (see also 87025)

KAB87051: Pulpit with decorative panels by Mino da Fiesole (1430-84) and Antonio Rossellino (1427-79) 1469-73 (marble) (see also 87025) / Bridgeman Images

SS. Anthony and Lucy, detail from the tabernacle of the Canto al Mercatale, 1498 (fresco) (see also 87103, 87105)
SS. Anthony and Lucy, detail from the tabernacle of the Canto al Mercatale, 1498 (fresco) (see also 87103, 87105)

KAB87057: SS. Anthony and Lucy, detail from the tabernacle of the Canto al Mercatale, 1498 (fresco) (see also 87103, 87105), Lippi, Filippino (c.1457-1504) / Bridgeman Images

Madonna and Child Enthroned with SS. Stephen, John the Baptist, Francesco Datini (c.1335-1410) and the Ceppo family, 1453 (tempera on wood)
Madonna and Child Enthroned with SS. Stephen, John the Baptist, Francesco Datini (c.1335-1410) and the Ceppo family, 1453 (tempera on wood)

KAB87058: Madonna and Child Enthroned with SS. Stephen, John the Baptist, Francesco Datini (c.1335-1410) and the Ceppo family, 1453 (tempera on wood), Lippi, Fra Filippo (c.1406-69) / Bridgeman Images

Sacra Conversazione (tempera on panel)
Sacra Conversazione (tempera on panel)

KAB87061: Sacra Conversazione (tempera on panel), Signorelli, Luca (c.1450-1523) / Bridgeman Images

SS. Stephen and Margaret, a detail from the tabernacle of the Canto al Mercatale, 1498 (fresco) (see 87057)
SS. Stephen and Margaret, a detail from the tabernacle of the Canto al Mercatale, 1498 (fresco) (see 87057)

KAB87066: SS. Stephen and Margaret, a detail from the tabernacle of the Canto al Mercatale, 1498 (fresco) (see 87057), Lippi, Filippino (c.1457-1504) / Bridgeman Images

The Madonna of the Sacred Girdle with St. Thomas by Lorenzo da Pelago from the Capella Maggiore (Main Chapel) 1459 (stained glass)
The Madonna of the Sacred Girdle with St. Thomas by Lorenzo da Pelago from the Capella Maggiore (Main Chapel) 1459 (stained glass)

KAB87085: The Madonna of the Sacred Girdle with St. Thomas by Lorenzo da Pelago from the Capella Maggiore (Main Chapel) 1459 (stained glass) / Bridgeman Images

Portrait of Vittoria della Rovere dressed as Flora, c.1639
Portrait of Vittoria della Rovere dressed as Flora, c.1639

KAB87088: Portrait of Vittoria della Rovere dressed as Flora, c.1639, Sustermans, Justus (1597-1681) / Bridgeman Images

The Crucifixion, detail of architecture in the background (see also 87046, 87045, 87090) c.1505 (panel)
The Crucifixion, detail of architecture in the background (see also 87046, 87045, 87090) c.1505 (panel)

KAB87090: The Crucifixion, detail of architecture in the background (see also 87046, 87045, 87090) c.1505 (panel), Bellini, Giovanni (c.1430-1516) / Bridgeman Images

Crucifix (tempera on wood)
Crucifix (tempera on wood)

KAB87095: Crucifix (tempera on wood), Botticelli, Sandro (1444/5-1510) (studio of) / Bridgeman Images

The Nativity, detail depicting the Madonna, 1470 (tempera on wood)
The Nativity, detail depicting the Madonna, 1470 (tempera on wood)

KAB87104: The Nativity, detail depicting the Madonna, 1470 (tempera on wood), Lippi, Filippo (c.1406-69) (and workshop) / Bridgeman Images

Two Musical Angels, a detail from The Life of the Virgin and the Sacred Girdle, from the Chapel of the Sacred Girdle, 1392-95 (fresco) (see 87080, 87073, 87072)
Two Musical Angels, a detail from The Life of the Virgin and the Sacred Girdle, from the Chapel of the Sacred Girdle, 1392-95 (fresco) (see 87080, 87073, 87072)

KAB87111: Two Musical Angels, a detail from The Life of the Virgin and the Sacred Girdle, from the Chapel of the Sacred Girdle, 1392-95 (fresco) (see 87080, 87073, 87072), Gaddi, Agnolo (c.1350-96) / Bridgeman Images

Christ served by Angels, detail of angels and cherubs, 1650 (fresco) (see 87042)
Christ served by Angels, detail of angels and cherubs, 1650 (fresco) (see 87042)

KAB87112: Christ served by Angels, detail of angels and cherubs, 1650 (fresco) (see 87042), Franceschini, Baldassare (Il Volterrano) (1611-89) / Bridgeman Images

Detail of the carved capitals on the south porch, 1265-98 (photo)
Detail of the carved capitals on the south porch, 1265-98 (photo)

XJL87116: Detail of the carved capitals on the south porch, 1265-98 (photo), French School, (13th century) / Bridgeman Images


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