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Portrait of Guido Reni. Italian painter. engraving of 1859
Portrait of Guido Reni. Italian painter. engraving of 1859

XEE4192004: Portrait of Guido Reni. Italian painter. engraving of 1859, Anonymous / Bridgeman Images

First World War: sailors aboard a cruiser pointing a gun to the sky to shoot down an aircraft. One of the newspaper “Lectures pour tous
First World War: sailors aboard a cruiser pointing a gun to the sky to shoot down an aircraft. One of the newspaper “Lectures pour tous

XEE4165005: First World War: sailors aboard a cruiser pointing a gun to the sky to shoot down an aircraft. One of the newspaper “Lectures pour tous" of February 1, 1915., French School, (20th century) / Bridgeman Images

Portrait of Joseph Marie Jacquard inventor of the weaving machine.
Portrait of Joseph Marie Jacquard inventor of the weaving machine.

XEE4165102: Portrait of Joseph Marie Jacquard inventor of the weaving machine. / Bridgeman Images

First World War: Portrait of General Hugh Lenox Scott, Chief of the American Army Staff.  “Le petit journal
First World War: Portrait of General Hugh Lenox Scott, Chief of the American Army Staff.  “Le petit journal

XEE4166031: First World War: Portrait of General Hugh Lenox Scott, Chief of the American Army Staff. “Le petit journal" of July 22, 1917., French School, (20th century) / Bridgeman Images

First World War: portrait of General Sir Edmund Henry Hynman Allenby, British military,  “The Little Diary”, May 6, 1917.
First World War: portrait of General Sir Edmund Henry Hynman Allenby, British military,  “The Little Diary”, May 6, 1917.

XEE4166078: First World War: portrait of General Sir Edmund Henry Hynman Allenby, British military, “The Little Diary”, May 6, 1917., French School, (20th century) / Bridgeman Images

Fancy postcard beginning 20th century: couple of lovers kissing “” In the ear, it's a tickle”””.
Fancy postcard beginning 20th century: couple of lovers kissing “” In the ear, it's a tickle”””.

PCT4270926: Fancy postcard beginning 20th century: couple of lovers kissing “” In the ear, it's a tickle”””., Unknown photographer, (20th century) / Bridgeman Images

During the Egyptian expedition (1798-1801), soldiers and scientists of the army of Napoleon Bonaparte (Napoleon I) discovered mummies in the tombs. Beginners of Egyptology. Engraving by Paul de Semant 1898.
During the Egyptian expedition (1798-1801), soldiers and scientists of the army of Napoleon Bonaparte (Napoleon I) discovered mummies in the tombs. Beginners of Egyptology. Engraving by Paul de Semant 1898.

PCT4271406: During the Egyptian expedition (1798-1801), soldiers and scientists of the army of Napoleon Bonaparte (Napoleon I) discovered mummies in the tombs. Beginners of Egyptology. Engraving by Paul de Semant 1898. / Bridgeman Images

American painter and illustrator Joseph Pennell (1860-1926) tricycle France and Italy with his wife Elisabeth Robins Pennell (1855-1936) at the end of the 19th century. This couple of artists brought back from these travels as a curious crew the material of many books. The best known is “An italian pilgrimage” (Italy a velocipede), published in 1887, a classic of travel literature. In his works, Joseph Pennell often drew himself with his wife, as he published in “The adventures of an illustrator”, Little Brown 1925.
American painter and illustrator Joseph Pennell (1860-1926) tricycle France and Italy with his wife Elisabeth Robins Pennell (1855-1936) at the end of the 19th century. This couple of artists brought back from these travels as a curious crew the material of many books. The best known is “An italian pilgrimage” (Italy a velocipede), published in 1887, a classic of travel literature. In his works, Joseph Pennell often drew himself with his wife, as he published in “The adventures of an illustrator”, Little Brown 1925.

PCT4271967: American painter and illustrator Joseph Pennell (1860-1926) tricycle France and Italy with his wife Elisabeth Robins Pennell (1855-1936) at the end of the 19th century. This couple of artists brought back from these travels as a curious crew the material of many books. The best known is “An italian pilgrimage” (Italy a velocipede), published in 1887, a classic of travel literature. In his works, Joseph Pennell often drew himself with his wife, as he published in “The adventures of an illustrator”, Little Brown 1925., Pennell, Joseph (1858-1926) / Bridgeman Images

The army of Quaresmeprenant. Soldiers are represented as fish, some of which have only the aretes, by reference to Careme's lean (young) meal. Illustration by Albert Robida (1848-1926) for an episode of the Fourth Livre by Francois Rabelais - Librairie Armand Colin debut 20th century.
The army of Quaresmeprenant. Soldiers are represented as fish, some of which have only the aretes, by reference to Careme's lean (young) meal. Illustration by Albert Robida (1848-1926) for an episode of the Fourth Livre by Francois Rabelais - Librairie Armand Colin debut 20th century.

PCT4272149: The army of Quaresmeprenant. Soldiers are represented as fish, some of which have only the aretes, by reference to Careme's lean (young) meal. Illustration by Albert Robida (1848-1926) for an episode of the Fourth Livre by Francois Rabelais - Librairie Armand Colin debut 20th century., Robida, Albert (1848-1926) / Bridgeman Images

During the picrocholine wars (against Picrochole), Gant Gargantua received a flock of cannonballs that he drove from his hair with his comb. Illustration by Albert Robida (1848-1926) for an episode based on the work of Francois Rabelais - Librairie Armand Colin debut 20th century.
During the picrocholine wars (against Picrochole), Gant Gargantua received a flock of cannonballs that he drove from his hair with his comb. Illustration by Albert Robida (1848-1926) for an episode based on the work of Francois Rabelais - Librairie Armand Colin debut 20th century.

PCT4272195: During the picrocholine wars (against Picrochole), Gant Gargantua received a flock of cannonballs that he drove from his hair with his comb. Illustration by Albert Robida (1848-1926) for an episode based on the work of Francois Rabelais - Librairie Armand Colin debut 20th century., Robida, Albert (1848-1926) / Bridgeman Images

Photograph taken from the magazine 'Le nu ideal' 1905 (print)
Photograph taken from the magazine 'Le nu ideal' 1905 (print)

PCT4272230: Photograph taken from the magazine 'Le nu ideal' 1905 (print) / Bridgeman Images

A dwarf named Fortune, like garlands, participates in a wedding meal. Frontispice of the novel “La Fortune du Poor” by Francois Mussat, edition Mame 1878.
A dwarf named Fortune, like garlands, participates in a wedding meal. Frontispice of the novel “La Fortune du Poor” by Francois Mussat, edition Mame 1878.

PCT4272621: A dwarf named Fortune, like garlands, participates in a wedding meal. Frontispice of the novel “La Fortune du Poor” by Francois Mussat, edition Mame 1878. / Bridgeman Images

Alexandre Dumas pere (1802 - 1870) traveling with a friend. Coppin engraving illustrating the first page of the book “Impressions de voyage” (in Switzerland) 1855.
Alexandre Dumas pere (1802 - 1870) traveling with a friend. Coppin engraving illustrating the first page of the book “Impressions de voyage” (in Switzerland) 1855.

PCT4272894: Alexandre Dumas pere (1802 - 1870) traveling with a friend. Coppin engraving illustrating the first page of the book “Impressions de voyage” (in Switzerland) 1855. / Bridgeman Images

Jupiter to Hell - The god of ancient Greek mythology wielding lightning (lightning) in front of two demons, a devil and a dragon. Chromolithography (chromo) on cardboard 9.5 x 7 cm, beginning 20th century.
Jupiter to Hell - The god of ancient Greek mythology wielding lightning (lightning) in front of two demons, a devil and a dragon. Chromolithography (chromo) on cardboard 9.5 x 7 cm, beginning 20th century.

PCT4273299: Jupiter to Hell - The god of ancient Greek mythology wielding lightning (lightning) in front of two demons, a devil and a dragon. Chromolithography (chromo) on cardboard 9.5 x 7 cm, beginning 20th century., Unknown Artist, (20th century) / Bridgeman Images

Jean de Bethencourt, Norman gentleman, Baron de Saint Martin le Gaillard, conquered and Christianized the Canary Islands in January 1405,   from the magazine “Sur terre et sur mer”” n°28, January 8, 1876 (engraving)
Jean de Bethencourt, Norman gentleman, Baron de Saint Martin le Gaillard, conquered and Christianized the Canary Islands in January 1405,   from the magazine “Sur terre et sur mer”” n°28, January 8, 1876 (engraving)

PCT4273350: Jean de Bethencourt, Norman gentleman, Baron de Saint Martin le Gaillard, conquered and Christianized the Canary Islands in January 1405, from the magazine “Sur terre et sur mer”” n°28, January 8, 1876 (engraving), Cartier, Patrice / Bridgeman Images

Entertainment and celebrations in the Middle Ages: great regattas in Venice in the presence of the Doge. Advertising chromolithography (chromo - claim) of Liebig meat extract, late 19th, early 20th century.
Entertainment and celebrations in the Middle Ages: great regattas in Venice in the presence of the Doge. Advertising chromolithography (chromo - claim) of Liebig meat extract, late 19th, early 20th century.

PCT4273395: Entertainment and celebrations in the Middle Ages: great regattas in Venice in the presence of the Doge. Advertising chromolithography (chromo - claim) of Liebig meat extract, late 19th, early 20th century. / Bridgeman Images

Scapin's Furries. Piece of theatre (comedy) by Moliere, act 3, scene 3: Zerbinette and Geronte. The piece, first presented on 24 May 1671, was played 16 consecutive times. Engraving by Janet-Lange, popular Barba edition, 19th century.
Scapin's Furries. Piece of theatre (comedy) by Moliere, act 3, scene 3: Zerbinette and Geronte. The piece, first presented on 24 May 1671, was played 16 consecutive times. Engraving by Janet-Lange, popular Barba edition, 19th century.

PCT4273578: Scapin's Furries. Piece of theatre (comedy) by Moliere, act 3, scene 3: Zerbinette and Geronte. The piece, first presented on 24 May 1671, was played 16 consecutive times. Engraving by Janet-Lange, popular Barba edition, 19th century. / Bridgeman Images

Two Gascons at the castle fort of Mauvezin (Hautes-Pyrenees - built by the Counts of Bigorre in the 11th century, rebuilt by Gaston Febus around 1380). Gaston III Phoebus, Count of Foix, Lord of Bearn (1331-1391) and Henry IV (1553-1610 noste Henric = our Henri) Postcard beginning 20th century (Bouquet chromolithography)
Two Gascons at the castle fort of Mauvezin (Hautes-Pyrenees - built by the Counts of Bigorre in the 11th century, rebuilt by Gaston Febus around 1380). Gaston III Phoebus, Count of Foix, Lord of Bearn (1331-1391) and Henry IV (1553-1610 noste Henric = our Henri) Postcard beginning 20th century (Bouquet chromolithography)

PCT4274217: Two Gascons at the castle fort of Mauvezin (Hautes-Pyrenees - built by the Counts of Bigorre in the 11th century, rebuilt by Gaston Febus around 1380). Gaston III Phoebus, Count of Foix, Lord of Bearn (1331-1391) and Henry IV (1553-1610 noste Henric = our Henri) Postcard beginning 20th century (Bouquet chromolithography), Unknown Artist, (20th century) / Bridgeman Images

Do you like these happy mortals, become owner? 1929 (print)
Do you like these happy mortals, become owner? 1929 (print)

XEE4183249: Do you like these happy mortals, become owner? 1929 (print), French School, (20th century) / Bridgeman Images

Portrait of the Italian military and politician Giuseppe Garibaldi (1807-1882). Private collection.
Portrait of the Italian military and politician Giuseppe Garibaldi (1807-1882). Private collection.

XEE4183473: Portrait of the Italian military and politician Giuseppe Garibaldi (1807-1882). Private collection., Unknown Artist, (19th century) / Bridgeman Images

The Cathedrale Saint Paul in Liege in Belgium in “The world illustrates 168 views”” Undated (end of 19th century)
The Cathedrale Saint Paul in Liege in Belgium in “The world illustrates 168 views”” Undated (end of 19th century)

XEE4183569: The Cathedrale Saint Paul in Liege in Belgium in “The world illustrates 168 views”” Undated (end of 19th century), Unknown Artist, (19th century) / Bridgeman Images

Journey of Gaston Doumergue to the North of France, 1927 (print)
Journey of Gaston Doumergue to the North of France, 1927 (print)

XEE4183643: Journey of Gaston Doumergue to the North of France, 1927 (print), Anonymous / Bridgeman Images

Mountaineering accident: A man falls into the crater of the Vesuve volcano, 1927 (print)
Mountaineering accident: A man falls into the crater of the Vesuve volcano, 1927 (print)

XEE4183765: Mountaineering accident: A man falls into the crater of the Vesuve volcano, 1927 (print), Anonymous / Bridgeman Images

Simulation of a gas attack: distribution of gas masks to the population of Osaka,  1928.
Simulation of a gas attack: distribution of gas masks to the population of Osaka,  1928.

XEE4184043: Simulation of a gas attack: distribution of gas masks to the population of Osaka, 1928., Anonymous / Bridgeman Images

Budapest, Hungary: view of the thermal baths on the Isle Margaret (Isle Margareth). in “” The world illustrates 168 views”” Undated (end of 19th century)
Budapest, Hungary: view of the thermal baths on the Isle Margaret (Isle Margareth). in “” The world illustrates 168 views”” Undated (end of 19th century)

XEE4184229: Budapest, Hungary: view of the thermal baths on the Isle Margaret (Isle Margareth). in “” The world illustrates 168 views”” Undated (end of 19th century), Unknown Artist, (19th century) / Bridgeman Images

Salzkammergut, Austria: view of the Gastein valley. in “” The world illustrates 168 views”” Undated (end of 19th century)
Salzkammergut, Austria: view of the Gastein valley. in “” The world illustrates 168 views”” Undated (end of 19th century)

XEE4184263: Salzkammergut, Austria: view of the Gastein valley. in “” The world illustrates 168 views”” Undated (end of 19th century), Unknown Artist, (19th century) / Bridgeman Images

Chicago, United States: view from the corner of Prairie Avenue and 22nd Street. in “” The world illustrates 168 views”” Undated (late 19th century)
Chicago, United States: view from the corner of Prairie Avenue and 22nd Street. in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184272: Chicago, United States: view from the corner of Prairie Avenue and 22nd Street. in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Glasgow, Scotland: view of the Broomielaw Bridge. in “” The world illustrates 168 views”” Undated (late 19th century)
Glasgow, Scotland: view of the Broomielaw Bridge. in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184304: Glasgow, Scotland: view of the Broomielaw Bridge. in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Stockholm, Sweden: view of the castle of Drottningholm (Castle Drottningholms). in “” The world illustrates 168 views”” Undated (end of 19th century)
Stockholm, Sweden: view of the castle of Drottningholm (Castle Drottningholms). in “” The world illustrates 168 views”” Undated (end of 19th century)

XEE4184356: Stockholm, Sweden: view of the castle of Drottningholm (Castle Drottningholms). in “” The world illustrates 168 views”” Undated (end of 19th century), Unknown Artist, (19th century) / Bridgeman Images

Budapest, Hungary: view of the magyar kiralyi allavasutsk (railway station). in “” The world illustrates 168 views”” Undated (late 19th century)
Budapest, Hungary: view of the magyar kiralyi allavasutsk (railway station). in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184424: Budapest, Hungary: view of the magyar kiralyi allavasutsk (railway station). in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Saint Petersburg, Russia: view of the Winter Palace in Saint Petersburg. in “” The world illustrates 168 views”” Undated (late 19th century)
Saint Petersburg, Russia: view of the Winter Palace in Saint Petersburg. in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184432: Saint Petersburg, Russia: view of the Winter Palace in Saint Petersburg. in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Paris, France: view of the Madeleine Church. in “” The world illustrates 168 views”” Undated (end 19th century)
Paris, France: view of the Madeleine Church. in “” The world illustrates 168 views”” Undated (end 19th century)

XEE4184446: Paris, France: view of the Madeleine Church. in “” The world illustrates 168 views”” Undated (end 19th century), Unknown Artist, (19th century) / Bridgeman Images

Budapest, Hungary: Old Town Hall. in “” The world illustrates 168 views”” Undated (late 19th century)
Budapest, Hungary: Old Town Hall. in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184458: Budapest, Hungary: Old Town Hall. in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Copenhagen, Denmark: view of the castle of Christiansborg (Castle Christiansborg in Copenhagen). in “” The world illustrates 168 views”” Undated (end of 19th century)
Copenhagen, Denmark: view of the castle of Christiansborg (Castle Christiansborg in Copenhagen). in “” The world illustrates 168 views”” Undated (end of 19th century)

XEE4184470: Copenhagen, Denmark: view of the castle of Christiansborg (Castle Christiansborg in Copenhagen). in “” The world illustrates 168 views”” Undated (end of 19th century), Unknown Artist, (19th century) / Bridgeman Images

Melbourne, Australia: view of Town Hall. in “” The world illustrates 168 views”” Undated (late 19th century)
Melbourne, Australia: view of Town Hall. in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184514: Melbourne, Australia: view of Town Hall. in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Austrian Tyrol: view from the balcony says the Golden Roof (Goldnes Dachel) in Innsbruck. in “” The world illustrates 168 views”” Undated (late 19th century)
Austrian Tyrol: view from the balcony says the Golden Roof (Goldnes Dachel) in Innsbruck. in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184530: Austrian Tyrol: view from the balcony says the Golden Roof (Goldnes Dachel) in Innsbruck. in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images


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