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Party in Sceaux Park in 1873.
Party in Sceaux Park in 1873.

XEE4180817: Party in Sceaux Park in 1873., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4180817

Party in Sceaux Park in 1873.

Unknown Artist, (19th century)

Ovation made to Adolphe Thiers (1797-1877), president of the French Republic by the population of Belfort in 1873.
Ovation made to Adolphe Thiers (1797-1877), president of the French Republic by the population of Belfort in 1873.

XEE4180847: Ovation made to Adolphe Thiers (1797-1877), president of the French Republic by the population of Belfort in 1873., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4180847

Ovation made to Adolphe Thiers (1797-1877), president of the French Republic by the population of Belfort in 1873.

Unknown Artist, (19th century)

Portrait of Jean-Baptiste Firmin Marbeau (Jean Baptiste), French jurisconsult and philanthropist, (1798-1875) founder of the institution of creches in France.
Portrait of Jean-Baptiste Firmin Marbeau (Jean Baptiste), French jurisconsult and philanthropist, (1798-1875) founder of the institution of creches in France.

XEE4180924: Portrait of Jean-Baptiste Firmin Marbeau (Jean Baptiste), French jurisconsult and philanthropist, (1798-1875) founder of the institution of creches in France., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4180924

Portrait of Jean-Baptiste Firmin Marbeau (Jean Baptiste), French jurisconsult and philanthropist, (1798-1875) founder of the institution of creches in France.

Unknown Artist, (19th century)

Theodoric the Great (ca. 454/455-526), king of the Goths, is frightened at the sight of the head of a huge fish serving on his table. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814.
Theodoric the Great (ca. 454/455-526), king of the Goths, is frightened at the sight of the head of a huge fish serving on his table. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814.

XEE4181011: Theodoric the Great (ca. 454/455-526), king of the Goths, is frightened at the sight of the head of a huge fish serving on his table. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4181011

Theodoric the Great (ca. 454/455-526), king of the Goths, is frightened at the sight of the head of a huge fish serving on his table. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814.

Unknown Artist, (19th century)

View of the theatre hall of the Odeon, newly restored. Paris, 1875. Engraving in “The Universe illustrious”, 1875.
View of the theatre hall of the Odeon, newly restored. Paris, 1875. Engraving in “The Universe illustrious”, 1875.

XEE4181211: View of the theatre hall of the Odeon, newly restored. Paris, 1875. Engraving in “The Universe illustrious”, 1875., French School, (19th century) / Bridgeman Images

ID: XEE4181211

View of the theatre hall of the Odeon, newly restored. Paris, 1875. Engraving in “The Universe illustrious”, 1875.

French School, (19th century)

Front and back cover of Emile Zola's book “Au bonheur des dames”, 1906 (print)
Front and back cover of Emile Zola's book “Au bonheur des dames”, 1906 (print)

PCT4266859: Front and back cover of Emile Zola's book “Au bonheur des dames”, 1906 (print), Cartier, Patrice / Bridgeman Images

ID: PCT4266859

Front and back cover of Emile Zola's book “Au bonheur des dames”, 1906 (print)

Cartier, Patrice

Sea baths: the raft. Engraving by Albert Robida, circa 1900.
Sea baths: the raft. Engraving by Albert Robida, circa 1900.

PCT4267112: Sea baths: the raft. Engraving by Albert Robida, circa 1900., Robida, Albert (1848-1926) / Bridgeman Images

ID: PCT4267112

Sea baths: the raft. Engraving by Albert Robida, circa 1900.

Robida, Albert (1848-1926)

The archdeacon Claude Frollo is a pensive addition to his writing: engraving by G. Brion illustrating Victor Hugo's novel “Notre Dame de Paris””, Ollendorff edition beginning 20th century.
The archdeacon Claude Frollo is a pensive addition to his writing: engraving by G. Brion illustrating Victor Hugo's novel “Notre Dame de Paris””, Ollendorff edition beginning 20th century.

PCT4267568: The archdeacon Claude Frollo is a pensive addition to his writing: engraving by G. Brion illustrating Victor Hugo's novel “Notre Dame de Paris””, Ollendorff edition beginning 20th century., Unknown Artist, (20th century) / Bridgeman Images

ID: PCT4267568

The archdeacon Claude Frollo is a pensive addition to his writing: engraving by G. Brion illustrating Victor Hugo's novel “Notre Dame de Paris””, Ollendorff edition beginning 20th century.

Unknown Artist, (20th century)

The god Mars naked on his chariot pulls by 4 horses through the clouds. Anonymous engraving at the end of the 19th century.
The god Mars naked on his chariot pulls by 4 horses through the clouds. Anonymous engraving at the end of the 19th century.

PCT4267714: The god Mars naked on his chariot pulls by 4 horses through the clouds. Anonymous engraving at the end of the 19th century. / Bridgeman Images

ID: PCT4267714

The god Mars naked on his chariot pulls by 4 horses through the clouds. Anonymous engraving at the end of the 19th century.

Illustration of Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. The wooden puppet will be swallowed by a terrible shark, despite the help of the blue fee that has taken the look of a goat perched on a rock in the middle of the sea.
Illustration of Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. The wooden puppet will be swallowed by a terrible shark, despite the help of the blue fee that has taken the look of a goat perched on a rock in the middle of the sea.

PCT4267820: Illustration of Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. The wooden puppet will be swallowed by a terrible shark, despite the help of the blue fee that has taken the look of a goat perched on a rock in the middle of the sea., Chiostri, Carlo (1863-1939) / Bridgeman Images

ID: PCT4267820

Illustration of Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. The wooden puppet will be swallowed by a terrible shark, despite the help of the blue fee that has taken the look of a goat perched on a rock in the middle of the sea.

Chiostri, Carlo (1863-1939)

The actor of the Comedie Francaise Benoist-Constant in 1874 (print)
The actor of the Comedie Francaise Benoist-Constant in 1874 (print)

PCT4267830: The actor of the Comedie Francaise Benoist-Constant in 1874 (print) / Bridgeman Images

ID: PCT4267830

The actor of the Comedie Francaise Benoist-Constant in 1874 (print)

19th century map of the department of Herault (34, Languedoc Roussillon), extracted from the Atlas Migeon de Vuillemin. This map is accompanied by illustrations showing the weapons of Montpellier and a view of the port of Celle (today Sete, dominates by Mont Saint Clair, on the banks of the Lion Gulf). There are also portraits of the two great men of the department: Pierre Paul Riquet, Baron de Bonrepos (1604 or 1609-1680), engineer who created and realised the Canal du Midi in the south of France between the Garonne and the Mediterranean Sea, and Guillaume Louis Figuier (1819 -1894), writer and scientific popularizer.
19th century map of the department of Herault (34, Languedoc Roussillon), extracted from the Atlas Migeon de Vuillemin. This map is accompanied by illustrations showing the weapons of Montpellier and a view of the port of Celle (today Sete, dominates by Mont Saint Clair, on the banks of the Lion Gulf). There are also portraits of the two great men of the department: Pierre Paul Riquet, Baron de Bonrepos (1604 or 1609-1680), engineer who created and realised the Canal du Midi in the south of France between the Garonne and the Mediterranean Sea, and Guillaume Louis Figuier (1819 -1894), writer and scientific popularizer.

PCT4267878: 19th century map of the department of Herault (34, Languedoc Roussillon), extracted from the Atlas Migeon de Vuillemin. This map is accompanied by illustrations showing the weapons of Montpellier and a view of the port of Celle (today Sete, dominates by Mont Saint Clair, on the banks of the Lion Gulf). There are also portraits of the two great men of the department: Pierre Paul Riquet, Baron de Bonrepos (1604 or 1609-1680), engineer who created and realised the Canal du Midi in the south of France between the Garonne and the Mediterranean Sea, and Guillaume Louis Figuier (1819 -1894), writer and scientific popularizer. / Bridgeman Images

ID: PCT4267878

19th century map of the department of Herault (34, Languedoc Roussillon), extracted from the Atlas Migeon de Vuillemin. This map is accompanied by illustrations showing the weapons of Montpellier and a view of the port of Celle (today Sete, dominates by Mont Saint Clair, on the banks of the Lion Gulf). There are also portraits of the two great men of the department: Pierre Paul Riquet, Baron de Bonrepos (1604 or 1609-1680), engineer who created and realised the Canal du Midi in the south of France between the Garonne and the Mediterranean Sea, and Guillaume Louis Figuier (1819 -1894), writer and scientific popularizer.

The charlatan: La Fontaine fable illustrated by Grandville. Edition Garnier 1860. This skipper makes it hard to make every donkey scientist.
The charlatan: La Fontaine fable illustrated by Grandville. Edition Garnier 1860. This skipper makes it hard to make every donkey scientist.

PCT4269311: The charlatan: La Fontaine fable illustrated by Grandville. Edition Garnier 1860. This skipper makes it hard to make every donkey scientist., Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4269311

The charlatan: La Fontaine fable illustrated by Grandville. Edition Garnier 1860. This skipper makes it hard to make every donkey scientist.

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Frogs asking for a king: La Fontaine fable illustrated by Grandville. Edition Garnier 1860.
Frogs asking for a king: La Fontaine fable illustrated by Grandville. Edition Garnier 1860.

PCT4269350: Frogs asking for a king: La Fontaine fable illustrated by Grandville. Edition Garnier 1860. / Bridgeman Images

ID: PCT4269350

Frogs asking for a king: La Fontaine fable illustrated by Grandville. Edition Garnier 1860.

Series of 3 postcards beginning 20th century: school busissoniere. Three young boys climb the wall of a garden whose portal bears a sign “wolf traps””. They denichen birds and steal fruit from an orchard tree, then rip off vegetables from the vegetable garden. One of the pilferers is then caught in a trap.
Series of 3 postcards beginning 20th century: school busissoniere. Three young boys climb the wall of a garden whose portal bears a sign “wolf traps””. They denichen birds and steal fruit from an orchard tree, then rip off vegetables from the vegetable garden. One of the pilferers is then caught in a trap.

PCT4269630: Series of 3 postcards beginning 20th century: school busissoniere. Three young boys climb the wall of a garden whose portal bears a sign “wolf traps””. They denichen birds and steal fruit from an orchard tree, then rip off vegetables from the vegetable garden. One of the pilferers is then caught in a trap., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4269630

Series of 3 postcards beginning 20th century: school busissoniere. Three young boys climb the wall of a garden whose portal bears a sign “wolf traps””. They denichen birds and steal fruit from an orchard tree, then rip off vegetables from the vegetable garden. One of the pilferers is then caught in a trap.

Unknown photographer, (20th century)

Chromo is inspired by the book “Memorials of a donkey” by the Countess of Segur (Rose Library). Offered to customers by Au Bon Marche stores, beginning 20th century. Cadichon donkey saves a child who had fallen into the water of a river.
Chromo is inspired by the book “Memorials of a donkey” by the Countess of Segur (Rose Library). Offered to customers by Au Bon Marche stores, beginning 20th century. Cadichon donkey saves a child who had fallen into the water of a river.

PCT4269791: Chromo is inspired by the book “Memorials of a donkey” by the Countess of Segur (Rose Library). Offered to customers by Au Bon Marche stores, beginning 20th century. Cadichon donkey saves a child who had fallen into the water of a river., Unknown Artist, (20th century) / Bridgeman Images

ID: PCT4269791

Chromo is inspired by the book “Memorials of a donkey” by the Countess of Segur (Rose Library). Offered to customers by Au Bon Marche stores, beginning 20th century. Cadichon donkey saves a child who had fallen into the water of a river.

Unknown Artist, (20th century)

Illustration by Andre Gill (1840-1885) of Henry Murger's book “The Life of Boheme””. Philosophy and Platonic love: “A platonician is a man who does not dare to kiss women,” says Mimi. It's a disease. Mademoiselle Musette said. Illustree bookstore, 19th century.
Illustration by Andre Gill (1840-1885) of Henry Murger's book “The Life of Boheme””. Philosophy and Platonic love: “A platonician is a man who does not dare to kiss women,” says Mimi. It's a disease. Mademoiselle Musette said. Illustree bookstore, 19th century.

PCT4270396: Illustration by Andre Gill (1840-1885) of Henry Murger's book “The Life of Boheme””. Philosophy and Platonic love: “A platonician is a man who does not dare to kiss women,” says Mimi. It's a disease. Mademoiselle Musette said. Illustree bookstore, 19th century. / Bridgeman Images

ID: PCT4270396

Illustration by Andre Gill (1840-1885) of Henry Murger's book “The Life of Boheme””. Philosophy and Platonic love: “A platonician is a man who does not dare to kiss women,” says Mimi. It's a disease. Mademoiselle Musette said. Illustree bookstore, 19th century.

Postcard 1920-1930. Couple of lovers: kiss in the neck. Colour black and white photo.
Postcard 1920-1930. Couple of lovers: kiss in the neck. Colour black and white photo.

PCT4270489: Postcard 1920-1930. Couple of lovers: kiss in the neck. Colour black and white photo., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4270489

Postcard 1920-1930. Couple of lovers: kiss in the neck. Colour black and white photo.

Unknown photographer, (20th century)

Postcard beginning 20th century: peasant song of Berry (in Berrichon patois) by Jean Rameau. The baptism of Little John: “I take a hen and a rabbit - for the baptism of our little John - with a few cakes and a few chopines - it won't cost us too much money.
Postcard beginning 20th century: peasant song of Berry (in Berrichon patois) by Jean Rameau. The baptism of Little John: “I take a hen and a rabbit - for the baptism of our little John - with a few cakes and a few chopines - it won't cost us too much money.

PCT4270675: Postcard beginning 20th century: peasant song of Berry (in Berrichon patois) by Jean Rameau. The baptism of Little John: “I take a hen and a rabbit - for the baptism of our little John - with a few cakes and a few chopines - it won't cost us too much money., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4270675

Postcard beginning 20th century: peasant song of Berry (in Berrichon patois) by Jean Rameau. The baptism of Little John: “I take a hen and a rabbit - for the baptism of our little John - with a few cakes and a few chopines - it won't cost us too much money.

Unknown photographer, (20th century)

Traditional Bresse baptism with the sound of the old wheel and the accordeon, at the beginning of the 20th century. Postcard from Macon July 22, 1900.
Traditional Bresse baptism with the sound of the old wheel and the accordeon, at the beginning of the 20th century. Postcard from Macon July 22, 1900.

PCT4270688: Traditional Bresse baptism with the sound of the old wheel and the accordeon, at the beginning of the 20th century. Postcard from Macon July 22, 1900. / Bridgeman Images

ID: PCT4270688

Traditional Bresse baptism with the sound of the old wheel and the accordeon, at the beginning of the 20th century. Postcard from Macon July 22, 1900.

Carnac, Brittany. Breton wedding dancing the Ridee. Postcard beginning 20th century. Patrice Cartier Collection
Carnac, Brittany. Breton wedding dancing the Ridee. Postcard beginning 20th century. Patrice Cartier Collection

PCT4270749: Carnac, Brittany. Breton wedding dancing the Ridee. Postcard beginning 20th century. Patrice Cartier Collection, Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4270749

Carnac, Brittany. Breton wedding dancing the Ridee. Postcard beginning 20th century. Patrice Cartier Collection

Unknown photographer, (20th century)

Treaty of Conflans on 5/10/1465 between the King of France Louis XI and Charles de Charolais (later Charles the Temeraire) ending the revolt of nobles or League of Public Good. Engraving in “” Histoire De France En Cent Paintings by Paul Lehugeur “” 1891.
Treaty of Conflans on 5/10/1465 between the King of France Louis XI and Charles de Charolais (later Charles the Temeraire) ending the revolt of nobles or League of Public Good. Engraving in “” Histoire De France En Cent Paintings by Paul Lehugeur “” 1891.

XEE4181480: Treaty of Conflans on 5/10/1465 between the King of France Louis XI and Charles de Charolais (later Charles the Temeraire) ending the revolt of nobles or League of Public Good. Engraving in “” Histoire De France En Cent Paintings by Paul Lehugeur “” 1891., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4181480

Treaty of Conflans on 5/10/1465 between the King of France Louis XI and Charles de Charolais (later Charles the Temeraire) ending the revolt of nobles or League of Public Good. Engraving in “” Histoire De France En Cent Paintings by Paul Lehugeur “” 1891.

Unknown Artist, (19th century)

Gulliver and the dwarves. Tale by Jonathan Swift, 1910 (print)
Gulliver and the dwarves. Tale by Jonathan Swift, 1910 (print)

XEE4181651: Gulliver and the dwarves. Tale by Jonathan Swift, 1910 (print), Vaccari, Alfredo (1877-1933) & Carrey / Bridgeman Images

ID: XEE4181651

Gulliver and the dwarves. Tale by Jonathan Swift, 1910 (print)

Vaccari, Alfredo (1877-1933) & Carrey

Venezia - Venice in 1900: Rialto Bridge.
Venezia - Venice in 1900: Rialto Bridge.

XEE4181863: Venezia - Venice in 1900: Rialto Bridge., Italian Photographer, (20th century) / Bridgeman Images

ID: XEE4181863

Venezia - Venice in 1900: Rialto Bridge.

Italian Photographer, (20th century)

The Impress of the French Eugenie de Montijo (1826-1920) at the baths of Schwalbach (Duche of Nassau, Today in Germany). Engraving in “The Illustrious Universe”, 1864. Private collection.
The Impress of the French Eugenie de Montijo (1826-1920) at the baths of Schwalbach (Duche of Nassau, Today in Germany). Engraving in “The Illustrious Universe”, 1864. Private collection.

XEE4182101: The Impress of the French Eugenie de Montijo (1826-1920) at the baths of Schwalbach (Duche of Nassau, Today in Germany). Engraving in “The Illustrious Universe”, 1864. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4182101

The Impress of the French Eugenie de Montijo (1826-1920) at the baths of Schwalbach (Duche of Nassau, Today in Germany). Engraving in “The Illustrious Universe”, 1864. Private collection.

Unknown Artist, (19th century)

Portrait of Felix Dahn (1834-1912), German writer, professor and historian.
Portrait of Felix Dahn (1834-1912), German writer, professor and historian.

XEE4182237: Portrait of Felix Dahn (1834-1912), German writer, professor and historian., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4182237

Portrait of Felix Dahn (1834-1912), German writer, professor and historian.

Unknown Artist, (19th century)

illustration for the tale 'Aladdin or the wonderful lamp' in 'Arabian Nights, 1929-32 (litho)
illustration for the tale 'Aladdin or the wonderful lamp' in 'Arabian Nights, 1929-32 (litho)

XEE4182328: illustration for the tale 'Aladdin or the wonderful lamp' in 'Arabian Nights, 1929-32 (litho), Neziere, Raymond de la (1865-1953) / Bridgeman Images

ID: XEE4182328

illustration for the tale 'Aladdin or the wonderful lamp' in 'Arabian Nights, 1929-32 (litho)

Neziere, Raymond de la (1865-1953)

Theatre de l'Ambigu comique in Paris: theatre piece “” le crime de faverne””, drama in five acts and seven paintings by Theodore Barriere (1823-1877) and Leon Beauvallet (1828-1885). Act III, second table. Engraving in “” The Illustrious Universe””, 1868. Private collection.
Theatre de l'Ambigu comique in Paris: theatre piece “” le crime de faverne””, drama in five acts and seven paintings by Theodore Barriere (1823-1877) and Leon Beauvallet (1828-1885). Act III, second table. Engraving in “” The Illustrious Universe””, 1868. Private collection.

XEE4182418: Theatre de l'Ambigu comique in Paris: theatre piece “” le crime de faverne””, drama in five acts and seven paintings by Theodore Barriere (1823-1877) and Leon Beauvallet (1828-1885). Act III, second table. Engraving in “” The Illustrious Universe””, 1868. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4182418

Theatre de l'Ambigu comique in Paris: theatre piece “” le crime de faverne””, drama in five acts and seven paintings by Theodore Barriere (1823-1877) and Leon Beauvallet (1828-1885). Act III, second table. Engraving in “” The Illustrious Universe””, 1868. Private collection.

Unknown Artist, (19th century)

Reception by the Vice King of Egypt Ismail Pasha (1830-1895), of the Consul General of the Confederation of Northern Germany. Engraving in “” The Illustrious Universe””, 1868. Private collection.
Reception by the Vice King of Egypt Ismail Pasha (1830-1895), of the Consul General of the Confederation of Northern Germany. Engraving in “” The Illustrious Universe””, 1868. Private collection.

XEE4182460: Reception by the Vice King of Egypt Ismail Pasha (1830-1895), of the Consul General of the Confederation of Northern Germany. Engraving in “” The Illustrious Universe””, 1868. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4182460

Reception by the Vice King of Egypt Ismail Pasha (1830-1895), of the Consul General of the Confederation of Northern Germany. Engraving in “” The Illustrious Universe””, 1868. Private collection.

Unknown Artist, (19th century)

Chemistry course by Guillaume-Francois (Guillaume Francois) Rouelle (1703-1770), French chemist, at the Academy of Sciences in 1744. Engraving from 1861.
Chemistry course by Guillaume-Francois (Guillaume Francois) Rouelle (1703-1770), French chemist, at the Academy of Sciences in 1744. Engraving from 1861.

XEE4182557: Chemistry course by Guillaume-Francois (Guillaume Francois) Rouelle (1703-1770), French chemist, at the Academy of Sciences in 1744. Engraving from 1861., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4182557

Chemistry course by Guillaume-Francois (Guillaume Francois) Rouelle (1703-1770), French chemist, at the Academy of Sciences in 1744. Engraving from 1861.

Unknown Artist, (19th century)

Jardin des Plantes in Paris in 1861: lodge of carnassier animals.
Jardin des Plantes in Paris in 1861: lodge of carnassier animals.

XEE4182610: Jardin des Plantes in Paris in 1861: lodge of carnassier animals., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4182610

Jardin des Plantes in Paris in 1861: lodge of carnassier animals.

Unknown Artist, (19th century)

Tuna fishing (Pesca al tonno) on the coast of Provence.
Tuna fishing (Pesca al tonno) on the coast of Provence.

XEE4182652: Tuna fishing (Pesca al tonno) on the coast of Provence., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4182652

Tuna fishing (Pesca al tonno) on the coast of Provence.

Unknown Artist, (19th century)

Harp and lute players (Cythara and Testudo) in the 16th century. In “” The picturesque store”” 1836
Harp and lute players (Cythara and Testudo) in the 16th century. In “” The picturesque store”” 1836

XEE4182863: Harp and lute players (Cythara and Testudo) in the 16th century. In “” The picturesque store”” 1836, French School, (19th century) / Bridgeman Images

ID: XEE4182863

Harp and lute players (Cythara and Testudo) in the 16th century. In “” The picturesque store”” 1836

French School, (19th century)

Letters Y, Z: Y for Youngsters, Z for Zanzibar train, PUFF PUFF ABC. c.1905 (lithograph)
Letters Y, Z: Y for Youngsters, Z for Zanzibar train, PUFF PUFF ABC. c.1905 (lithograph)

DUV4216871: Letters Y, Z: Y for Youngsters, Z for Zanzibar train, PUFF PUFF ABC. c.1905 (lithograph) / Bridgeman Images

ID: DUV4216871

Letters Y, Z: Y for Youngsters, Z for Zanzibar train, PUFF PUFF ABC. c.1905 (lithograph)

Letters Q: Queen's car, PUFF PUFF ABC. c.1905 (lithograph)
Letters Q: Queen's car, PUFF PUFF ABC. c.1905 (lithograph)

DUV4216924: Letters Q: Queen's car, PUFF PUFF ABC. c.1905 (lithograph) / Bridgeman Images

ID: DUV4216924

Letters Q: Queen's car, PUFF PUFF ABC. c.1905 (lithograph)

Letters K, L: K for Kitchen, L for Level crossing, PUFF PUFF ABC. c.1905 (lithograph)
Letters K, L: K for Kitchen, L for Level crossing, PUFF PUFF ABC. c.1905 (lithograph)

DUV4216953: Letters K, L: K for Kitchen, L for Level crossing, PUFF PUFF ABC. c.1905 (lithograph) / Bridgeman Images

ID: DUV4216953

Letters K, L: K for Kitchen, L for Level crossing, PUFF PUFF ABC. c.1905 (lithograph)


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