2491516 Search Results
STC2962498: The Devonshire, or Most Approved Method of Securing Votes, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2962501: Wit's Last Stake, or The Cobling Voters and Abject Canvassers, pub. (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NBY3673498: Two men with wounded man, Gokliz, Frederick (c.1863-1901) / Bridgeman Images
NBY3673529: Bear hunt, Gokliz, Frederick (c.1863-1901) / Bridgeman Images
XMV2962696: Trophy of the Hunt, c.1901 (oil on canvas), Goodwin, Richard la Barre (1840-1910) / Bridgeman Images
XMV2962718: Lake George (oil on canvas), Cropsey, Jasper Francis (1823-1900) / Bridgeman Images
STC2962808: Chateau d'Anet, 1570s (engraving), Ducerceau, J. Androuet (du Cerceau) (1510-84) / Bridgeman Images
STC2962816: Bosquet du Salle de Bal, Versailles, c.1715 (engraving), French School, (18th century) / Bridgeman Images
STC2962826: Terrace covered with cement, and bower designed by Danjoy, c.1880 (etching), Boussard, J. (19th century) / Bridgeman Images
STC2962832: Aviary for songbirds, from a volume of designs by various architects, pub. Morel & Cie, Paris, c.1880 (etching), Boussard, J. (19th century) / Bridgeman Images
XMV2963031: The Birmingham Mail near Aylesbury, engraved by Robert Havell, 1837 (coloured engraving), Alken, Henry Thomas (1785-1851) (after) / Bridgeman Images
MOR2963156: The countryside near Ostia, Rome, Italy in the late 19th century. From Italian Pictures by Rev. Samuel Manning, published c.1890., Manning, Reverend Samuel (fl.1880s) / Bridgeman Images
MOR2963194: Bronze and terra-cotta lamps from Pompeii. From Italian Pictures by Rev. Samuel Manning, published c.1890., Manning, Reverend Samuel (fl.1880s) / Bridgeman Images
BPA2963347: Grey Kiwi, from 'A History of the birds of of New Zealand', by Walter Buller, pub. London, 1873 (hand-coloured litho) , Keulemans, Johan Gerard (1842-1912) / Bridgeman Images
STC2963350: Detail from 'Captives and Spoil from the City of Lachich', illustration from 'Monuments of Nineveh', 1858 (engraving), Layard, Austen Henry (1817-94) / Bridgeman Images
XOS3696968: The Girl with the Marmot, c.1785-8 (watercolour and sanguine over black chalk on paper), Fragonard, Jean-Honore (1732-1806) / Bridgeman Images
NYH3697614: Patchin Place, leading off from 10th Street, New York, USA, 1916 (gelatin silver photo), Beals, Jessie Tarbox (1871-1942) / Bridgeman Images
NYH3697632: Crowd in Union Square at Suffrage Meeting, c.1905-11 (gelatin silver photo), Beals, Jessie Tarbox (1871-1942) / Bridgeman Images
NYH3697638: Mark Twain, 1906 (gelatin silver photo), Beals, Jessie Tarbox (1871-1942) / Bridgeman Images
NYH3697699: Karl Bitter artist, 1906 (gelatin silver photo), Beals, Jessie Tarbox (1871-1942) / Bridgeman Images
NYH3697702: Grace Duffy Boylan author, c.1905-17 (gelatin silver photo), Beals, Jessie Tarbox (1871-1942) / Bridgeman Images
STC2963353: First Side of Obelisk, illustration from 'Monuments of Nineveh', 1849 (engraving), Layard, Austen Henry (1817-94) / Bridgeman Images
JMT2963362: The sixth-rate ship 'Saudadoes' in a light breeze, with a royal yacht behind firing a salute (oil on canvas), Velde, Willem van de, the Younger (1633-1707) / Bridgeman Images
JMT2963377: The Jungfrau seen from near Interlaken, Bernese Oberland, Switzerland, 1852 (oil on canvas), Calame, Alexandre (1810-64) / Bridgeman Images
JMT2963381: Les Grandes Mulets et le Mont-Blanc, Chamonix, 1885 (carbon dichromate print), Charnaux, Florentin (1832-83) / Bridgeman Images
JMT2963429: A still life of roses, convolvulus, Canterbury bells and other flowers (oil on canvas), Monnoyer, Jean-Baptiste (1636-99) / Bridgeman Images
JMT2963441: San Sebastian, northern Spain, from the north-west, with Mount Urgell in the distance (pencil, pen & ink & watercolour on paper), Serres, John Thomas (1759-1825) / Bridgeman Images
STC2966797: State Jugglers, pub. 1788 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2966878: Tiddy-Doll, the great French Gingerbread-Baker, drawing a new Batch of Kings. - his Man Hopping Talley, mixing up the Dough, pub. 1806 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
TW2967364: Sword, late second or very early third century (iron), Roman / Bridgeman Images
ZSL2967829: A Veiled or Yemen Chameleon at the end of a leafy branch at London Zoo, June 1924 (b/w photo), Bond, Frederick William (1887-1942) / Bridgeman Images
KWE2967904: Death custom. The body of an archbishop of Burma left lying in state for two years prior to cremation. After a 19th century photograph. From Customs of The World, published c.1913., Unknown photographer, (19th century) / Bridgeman Images
XCC2968213: Versailles, (Vase), 1905 (albumen print), Atget, Eugene (1856-1927) / Bridgeman Images
XCC2968242: Charles Gounod, 1841 (graphite on ivory wove paper, discolored to cream), Ingres, Jean Auguste Dominique (1780-1867) / Bridgeman Images
XCC2968345: Plate Five from Evenings in Rome, 1763-64 (etching in black on off-white laid paper, tipped onto tan laid paper), Robert, Hubert (1733-1808) / Bridgeman Images
XCC2968348: Plate Eight from Evenings in Rome, 1763-64 (etching in black on off-white laid paper, tipped onto tan laid paper), Robert, Hubert (1733-1808) / Bridgeman Images
