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XCC2971677: A Pagan Sacrifice, c.1645-50 (oil on paper), Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64) / Bridgeman Images
XCC2972452: Study of a Male Nude (red chalk over black chalk on cream laid paper), Velde, Adriaen van de (1636-72) / Bridgeman Images
XCC2972552: Triumph of Neptune and Amphitrite, 1706-07 (black chalk, heightened with white chalk, on grey-brown paper), Boullongne, Louis de (the Younger) (1654-1733) / Bridgeman Images
XCC2972579: Bacchus (pen & black ink with brush & brown wash, on cream laid paper, laid down on brown laid paper), Cipriani, Giovanni Battista (1727-85) (attr.to) / Bridgeman Images
XCC2972585: Sketch of Fortress on Hill (black chalk, heightened with white chalk, on blue laid paper, perimeter mounted to gray wove card), Wilson, Richard (1714-82) (attr.to) / Bridgeman Images
XCC2972597: Overgrown courtyard of ruined castle (brush & grey wash, with traces of black chalk, on laid paper), Netherlandish School, (17th century) / Bridgeman Images
XCC2972610: The Little Abbot Reading the Ramayana, 1883 (charcoal with black chalk, stumping, scraping & erasing, on dark cream wove paper, discolored to tan. ruled in pale red-orange pastel, offset impression of tadpole, verso.), Redon, Odilon (1840-1916) / Bridgeman Images
XCC2972621: The Shepherd's Dream, c.1820 (pen & black ink, with brush, black & grey wash, over graphite, on ivory wove paper), North, Lady Georgina (1798-1835) (attr.to) / Bridgeman Images
XCC2972663: Portrait of Honoré Daumier, 1862 (lithograph in black, with scraping on stone, on light grey china paper laid down using chine collé on white wove paper), Carjat, Etienne (1828-1906) / Bridgeman Images
XCC2972670: Spring, 1650 (etching on ivory paper), Saftleven, Herman the Younger (1609-85) / Bridgeman Images
XCC2972681: Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCC2972687: Studies of Warriors, Horsemen, and Lions, 1528-33 (pen & iron gall ink, on ivory laid paper, prepared with a red chalk wash), Vaga, Perino del (Pietro Buonaccorsi) (1501-47) / Bridgeman Images
XCC2972702: Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCC2972749: Masonic Temple, Boston, 1832 (litho on cream wove paper), Nutting, Benjamin F. (c.1803-87) / Bridgeman Images
XCC2972829: Large Leaf Verdure with Animals and Birds, 1525-50 (wool, slit, single dovetailed & double interlocking tapestry weave), Flemish School, (16th century) / Bridgeman Images
XCC2972835: The Arrival of Telemachus on Calypso's Island, from The Story of Telemachus, after 1776 (wool, silk & linen), Boucher, Francois (1703-70) (after) / Bridgeman Images
XCC2972841: Prudentia (Prudence), from Los Honores, 1525-32 (textile), Flemish School, (16th century) / Bridgeman Images
IL3039795: The woman who touched the hem of the garment, illustration from'Harold Copping Pictures: The Crown Series', c.1920's (colour litho), Copping, Harold (1863-1932) / Bridgeman Images
KWE3039848: An operation at Charing Cross Teaching Hospital, London, 1901 (print) / Bridgeman Images
KWE3039853: Drawing retorts by hand in the South Metropolitan Gas Company, London, 19th century (photo) / Bridgeman Images
LRI3043022: Gran Sala D'Armi, set design for the Opera 'I Cavalieri di Valenza' by Giovanni Pacini (colour litho), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
NAM3043105: Glengarry badge, c.1874-81 (metal), English School, (19th century) / Bridgeman Images
NAM3043242: Glengarry badge, c.1874-81 (metal), English School, (19th century) / Bridgeman Images
NAM3043271: Cap badge, c.1898-1921 (metal), English School / Bridgeman Images
FIT3051677: Model sailing boat from the Tomb of Khety (Beni Hasan) Middle Kingdom, c.2010 B.C. - 1950 B.C. (painted wood and linen), Egyptian 12th Dynasty (1991-1786 BC) / Bridgeman Images
NAM3062960: 'Praehagraphy of England, being a map of that Kingdom illustrative of the principle battles fought in it', 1807 (engraving), English School, (19th century) / Bridgeman Images
CTS3063360: Illustration from 'Metamorphosis insectorum Surinamensium. Ofte Verandering der Surinaamsche Insecten', published in 1705 (coloured engraving), Merian, Maria Sibylla Graff (1647-1717) (after) / Bridgeman Images
CTS3063421: Illustration from 'Metamorphosis insectorum Surinamensium. Ofte Verandering der Surinaamsche Insecten', published in 1705 (coloured engraving), Merian, Maria Sibylla Graff (1647-1717) (after) / Bridgeman Images
CTS3063428: Illustration from 'Metamorphosis insectorum Surinamensium. Ofte Verandering der Surinaamsche Insecten', published in 1705 (coloured engraving), Merian, Maria Sibylla Graff (1647-1717) (after) / Bridgeman Images
CTS3063445: Illustration from 'Metamorphosis insectorum Surinamensium. Ofte Verandering der Surinaamsche Insecten', published in 1705 (coloured engraving), Merian, Maria Sibylla Graff (1647-1717) (after) / Bridgeman Images
FMS3066168: George Frederick Samuel, 1st Marquess of Ripon, 1872 (oil on canvas) , Rosenthal, Sigismund (1813-84) / Bridgeman Images
DHM3071337: The Gin shop, c.1836 (litho), Cruikshank, George (1792-1878) / Bridgeman Images
DHM3071351: Act drop for 'The Lighthouse', 1855 (gouache on canvas), Stanfield, William Clarkson (1793-1867) / Bridgeman Images
DHM3071370: Uriah Heep, from 'Charles Dickens: A Gossip about his Life', by Thomas Archer, published c.1880 (litho), Barnard, Frederick (1846-96) / Bridgeman Images
TRK3071391: Eduardo Maristany Gibert (1855-1941). Portrait (engraving) / Bridgeman Images
TRK3071403: Christiaan Huygens (1629-1695). Portrait (coloured engraving) / Bridgeman Images