Wyeth, Newell Convers (1882-1945) Assets (292 in total)
Results
IL5323449: The wounded Helen, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL5323451: Wallace draws the king's sword, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
TBM143863: Visions of New York, 1926 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
FLP2563318: The King's Herald, 1940 (oil on Renaissance panel), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
FLP2563321: Snow-Drop (oil on Renaissance panel), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
FLP2563323: The Old Woman Tost Up in a Bucket, 1940 (oil on Renaissance panel), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
FLP2563324: Rip Van Winkle, 1921 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
FLP2563325: The Ship Bounty (oil on Renaissance panel), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
XMV2639864: Three Fishermen, 1938 (oil on panel), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
XMV2653593: Deer and Stream, 1945 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
CH202347: Three Hunters and Hounds (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL1218846: The Hostage: For all the world, I was led by a dancing bear (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL1192282: Long at the window he stood, and wistfully gazed on the landscape, Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL2920400: Captain Tennant: Sturdy, composed, unhurried, he stood on the top step in the full uniform of an officer of the line , 1928 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL2920402: Johnn'ys defeat at the dock: He supported Johnny down the lane. The others followed calling out obscenities in low malignant tones, 1928 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL2920407: The fight for the foretop, 1928 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL2920196: "Now mark me mine host" Sir Donald said, "follow but mine orders and I shall be your good Lord ever", 1916 (litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
GIA4723083: Illustration of 1911 by Newell Convers Wyeth (1882-1945) for the novel “L'île au tresor” (Treasure island) by Robert Louis Stevenson (1850-1894) published in 1883, Wyeth, Newell Convers (1882-1945) / Bridgeman Images
STC311049: Johnny's Fight with Cherry, from 'Drums' by James W. Boyd (1888-1944), pub. 1927 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL5323448: The battle of Stirling Castle, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL5323453: Death of Edwin, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
BRR5896177: "The eight miners followed the treacherous trail cautiously, the wind whipping the red and blue into their faces.", 1906 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
BRR5896181: The boarders swarmed over the fence like monkeys, 1911 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
BRR5896185: The battle of Stirling Castle, 1921 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
BRR5896194: John Teel, Port Clyde, c.1934 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
![One last tremendous cut which would certainly have split him to the chin[e] had it not been intercepted by our big signboard of Admiral Benbow, 1911 (oil on canvas)](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.BRR.79399850.7055475/5896218.jpg?old-wm)
BRR5896218: One last tremendous cut which would certainly have split him to the chin[e] had it not been intercepted by our big signboard of Admiral Benbow, 1911 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
BRR5896262: After a long look I saw that he did not resume his narrative. By that I knew that the stranger was troubling him., 1911 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
BRR5896313: Our lives depended upon our helmsman, 1940 (oil on hardboard), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
BRR5896036: Magua Captures Alice He hesitated a moment; and then catching the light and senseless form of Alice in his arms, the subtle Indian moved swiftly across the plain toward the woods, 1919 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
BRR5896075: Pyle's Barn, c.1917-1921 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
BRR5896087: The War Letter, 1944 (tempera and oil on hardboard), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
BRR5896115: On the October Trail. (A Navajo family.), 1907 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
