Bridgeman Education

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ID: BRR5896195

Untitled (view of Port Clyde Harbor), c.1931/1935 (oil on canvas)

Wyeth, Newell Convers (1882-1945)

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ID: BRR5896200

"They cannot better die than for their natural lord," said Dick, 1916 (oil on canvas)

Wyeth, Newell Convers (1882-1945)

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ID: XOS3366956

Over Yonder, 1909 (oil on canvas)

Wyeth, Newell Convers (1882-1945)

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ID: STC311049

Johnny's Fight with Cherry, from 'Drums' by James W. Boyd (1888-1944), pub. 1927 (colour litho)

Wyeth, Newell Convers (1882-1945)

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ID: FLP2563321

Snow-Drop (oil on Renaissance panel)

Wyeth, Newell Convers (1882-1945)

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ID: FLP2563323

The Old Woman Tost Up in a Bucket, 1940 (oil on Renaissance panel)

Wyeth, Newell Convers (1882-1945)

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ID: FLP2563324

Rip Van Winkle, 1921 (oil on canvas)

Wyeth, Newell Convers (1882-1945)

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ID: FLP2563325

The Ship Bounty (oil on Renaissance panel)

Wyeth, Newell Convers (1882-1945)

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ID: FLP2563318

The King's Herald, 1940 (oil on Renaissance panel)

Wyeth, Newell Convers (1882-1945)

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ID: IL2920400

Captain Tennant: Sturdy, composed, unhurried, he stood on the top step in the full uniform of an officer of the line , 1928 (colour litho)

Wyeth, Newell Convers (1882-1945)

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ID: IL2920402

Johnn'ys defeat at the dock: He supported Johnny down the lane. The others followed calling out obscenities in low malignant tones, 1928 (colour litho)

Wyeth, Newell Convers (1882-1945)

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ID: IL2920407

The fight for the foretop, 1928 (colour litho)

Wyeth, Newell Convers (1882-1945)

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ID: IL2920196

"Now mark me mine host" Sir Donald said, "follow but mine orders and I shall be your good Lord ever", 1916 (litho)

Wyeth, Newell Convers (1882-1945)

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ID: GIA4723083

Illustration of 1911 by Newell Convers Wyeth (1882-1945) for the novel “L'île au tresor” (Treasure island) by Robert Louis Stevenson (1850-1894) published in 1883

Wyeth, Newell Convers (1882-1945)

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ID: IL1218846

The Hostage: For all the world, I was led by a dancing bear (colour litho)

Wyeth, Newell Convers (1882-1945)

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ID: IL1192282

Long at the window he stood, and wistfully gazed on the landscape

Wyeth, Newell Convers (1882-1945)

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ID: CH198720

Supply Wagons, 1905 (oil on canvas)

Wyeth, Newell Convers (1882-1945)

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ID: CH202347

Three Hunters and Hounds (oil on canvas)

Wyeth, Newell Convers (1882-1945)

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ID: CH985099

Arriving Home, (oil on canvas)

Wyeth, Newell Convers (1882-1945)

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ID: IL5323448

The battle of Stirling Castle, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho)

Wyeth, Newell Convers (1882-1945)

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ID: IL5323453

Death of Edwin, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho)

Wyeth, Newell Convers (1882-1945)

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ID: BRR5896313

Our lives depended upon our helmsman, 1940 (oil on hardboard)

Wyeth, Newell Convers (1882-1945)

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ID: BRR5896036

Magua Captures Alice He hesitated a moment; and then catching the light and senseless form of Alice in his arms, the subtle Indian moved swiftly across the plain toward the woods, 1919 (oil on canvas)

Wyeth, Newell Convers (1882-1945)

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ID: BRR5896075

Pyle's Barn, c.1917-1921 (oil on canvas)

Wyeth, Newell Convers (1882-1945)

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ID: BRR5896087

The War Letter, 1944 (tempera and oil on hardboard)

Wyeth, Newell Convers (1882-1945)

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ID: BRR5896218

One last tremendous cut which would certainly have split him to the chin[e] had it not been intercepted by our big signboard of Admiral Benbow, 1911 (oil on canvas)

Wyeth, Newell Convers (1882-1945)