Wyeth, Newell Convers (1882-1945) Assets (294 in total)

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The Last of the Mohicans, endpaper illustration, 1919 (oil on canvas)
The Last of the Mohicans, endpaper illustration, 1919 (oil on canvas)

BRR5896020: The Last of the Mohicans, endpaper illustration, 1919 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Two Pipers in Balquhidder, 1913 (oil on canvas)
All night long the brose was going and the pipes changing hands
Two Pipers in Balquhidder, 1913 (oil on canvas)
All night long the brose was going and the pipes changing hands

BRR5896143: Two Pipers in Balquhidder, 1913 (oil on canvas) All night long the brose was going and the pipes changing hands, Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Title page design, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho)
Title page design, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho)

IL5323444: Title page design, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

The little cockle dipped into the swell and staggered under every gust of wind, 1916 (litho)
The little cockle dipped into the swell and staggered under every gust of wind, 1916 (litho)

IL2920200: The little cockle dipped into the swell and staggered under every gust of wind, 1916 (litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

On the sea wall with John Paul Jones: For a long moment John Paul gazed out over the shipping along the harbour to the open water , 1928 (colour litho)
On the sea wall with John Paul Jones: For a long moment John Paul gazed out over the shipping along the harbour to the open water , 1928 (colour litho)

IL2920406: On the sea wall with John Paul Jones: For a long moment John Paul gazed out over the shipping along the harbour to the open water , 1928 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

The fight in the cavern: It showed me Hands and his companion locked together in a deadly wrestle (colour litho)
The fight in the cavern: It showed me Hands and his companion locked together in a deadly wrestle (colour litho)

IL1218843: The fight in the cavern: It showed me Hands and his companion locked together in a deadly wrestle (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Said in a tremulous voice,
Said in a tremulous voice,

IL1192284: Said in a tremulous voice, "why don't you speak for yourself, John?", Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Sally Merrillee and Johnny:
Sally Merrillee and Johnny:

IL2920401: Sally Merrillee and Johnny: "I'm glad you think I'm not scared", he said. I haven't talked like this to anyone else, 1928 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Front cover, 1916 (colour litho)
Front cover, 1916 (colour litho)

IL2920193: Front cover, 1916 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

So through the Plymouth woods passed onward the bridal procession
So through the Plymouth woods passed onward the bridal procession

IL1192289: So through the Plymouth woods passed onward the bridal procession, Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Near them was standing an Indian, in attitude stern and defiant
Near them was standing an Indian, in attitude stern and defiant

IL1192285: Near them was standing an Indian, in attitude stern and defiant, Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Thanksgiving with Indians, 1940 (oil on canvas)
Thanksgiving with Indians, 1940 (oil on canvas)

XMV2639914: Thanksgiving with Indians, 1940 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

The Turkey Hunters, 1941 (oil on canvas)
The Turkey Hunters, 1941 (oil on canvas)

XMV2653599: The Turkey Hunters, 1941 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

The Ghost of Admiral Nelson, 1940 (oil on Renaissance panel)
The Ghost of Admiral Nelson, 1940 (oil on Renaissance panel)

FLP2563316: The Ghost of Admiral Nelson, 1940 (oil on Renaissance panel), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Front Cover of 'The Deerslayer' by James Fennimore Cooper (1759-1851) 1929 (colour litho)
Front Cover of 'The Deerslayer' by James Fennimore Cooper (1759-1851) 1929 (colour litho)

PNP245658: Front Cover of 'The Deerslayer' by James Fennimore Cooper (1759-1851) 1929 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Third Liberty Loan Campaign during World War I. Noted artist N.C. Wyeth, stands on a scaffold with others, putting the last touches on the giant battle picture on the Sub-Treasury building. The classic Statue of George Washington is flanked by Uncle Sam and Lady Liberty. New York City. April 1918
Third Liberty Loan Campaign during World War I. Noted artist N.C. Wyeth, stands on a scaffold with others, putting the last touches on the giant battle picture on the Sub-Treasury building. The classic Statue of George Washington is flanked by Uncle Sam and Lady Liberty. New York City. April 1918

EVB2942797: Third Liberty Loan Campaign during World War I. Noted artist N.C. Wyeth, stands on a scaffold with others, putting the last touches on the giant battle picture on the Sub-Treasury building. The classic Statue of George Washington is flanked by Uncle Sam and Lady Liberty. New York City. April 1918, Wyeth, Newell Convers (1882-1945) / Bridgeman Images

A Trapper, c.1910-15 (oil on canvas)
A Trapper, c.1910-15 (oil on canvas)

SEM7088523: A Trapper, c.1910-15 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Title unknown (study of Indian in a canoe) (charcoal on paper)
Title unknown (study of Indian in a canoe) (charcoal on paper)

BRR5896012: Title unknown (study of Indian in a canoe) (charcoal on paper), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

BRR5896164: "From an upper snow platform to which the hard blocks were thrown, a second man heaved them over the bank.", 1906 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Eseldorf was a paradise for us boys, 1916 (oil on canvas)
Eseldorf was a paradise for us boys, 1916 (oil on canvas)

BRR5896149: Eseldorf was a paradise for us boys, 1916 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

The Twentieth Century and the First   The Dramatic Contrast of an English Tank in the Streets of Jerusalem, 1918 (oil on canvas)
The Twentieth Century and the First   The Dramatic Contrast of an English Tank in the Streets of Jerusalem, 1918 (oil on canvas)

BRR5896184: The Twentieth Century and the First The Dramatic Contrast of an English Tank in the Streets of Jerusalem, 1918 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Spring--1918, 1932 (oil on canvas)
Spring--1918, 1932 (oil on canvas)

BRR5896188: Spring--1918, 1932 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Three Fishermen, c.1934 (oil on canvas)
Three Fishermen, c.1934 (oil on canvas)

BRR5896191: Three Fishermen, c.1934 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

The Fight in the Forest   The battle was now entirely terminated, with the exception of the protracted struggle between Le Renard Subtil and Le Gros Serpent, 1919 (oil on canvas)
The Fight in the Forest   The battle was now entirely terminated, with the exception of the protracted struggle between Le Renard Subtil and Le Gros Serpent, 1919 (oil on canvas)

BRR5896025: The Fight in the Forest The battle was now entirely terminated, with the exception of the protracted struggle between Le Renard Subtil and Le Gros Serpent, 1919 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Westward Ho!, cover illustration, 1920 (oil on canvas)
Westward Ho!, cover illustration, 1920 (oil on canvas)

BRR5896127: Westward Ho!, cover illustration, 1920 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Teel's Landing, Port Clyde, Maine, c.1939 (oil on canvas)
Teel's Landing, Port Clyde, Maine, c.1939 (oil on canvas)

BRR5896268: Teel's Landing, Port Clyde, Maine, c.1939 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

The attack on the block house: The boarders swarmed over the fence like monkeys (colour litho)
The attack on the block house: The boarders swarmed over the fence like monkeys (colour litho)

IL1218842: The attack on the block house: The boarders swarmed over the fence like monkeys (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Front Cover
Front Cover

IL1192281: Front Cover, Wyeth, Newell Convers (1882-1945) / Bridgeman Images

So through the Plymouth woods John Alden went on his errand
So through the Plymouth woods John Alden went on his errand

IL1192283: So through the Plymouth woods John Alden went on his errand, Wyeth, Newell Convers (1882-1945) / Bridgeman Images

When, climbing on the roof, he had with his own hand bent and run up the colors, an illustration from 'Treasure Island' by Robert Louis Stevenson, pub. by Charles Scribner's Sons, 1911 (colour litho)
When, climbing on the roof, he had with his own hand bent and run up the colors, an illustration from 'Treasure Island' by Robert Louis Stevenson, pub. by Charles Scribner's Sons, 1911 (colour litho)

STC321026: When, climbing on the roof, he had with his own hand bent and run up the colors, an illustration from 'Treasure Island' by Robert Louis Stevenson, pub. by Charles Scribner's Sons, 1911 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

The pledge, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho)
The pledge, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho)

IL5323446: The pledge, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Wallace and Marion, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho)
Wallace and Marion, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho)

IL5323445: Wallace and Marion, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Front board design, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho)
Front board design, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho)

IL5323443: Front board design, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

First came the bride, a sorry sight, as pale as the winter, clinging to Sir Daniels arm, 1916 (colour litho)
First came the bride, a sorry sight, as pale as the winter, clinging to Sir Daniels arm, 1916 (colour litho)

IL2920202: First came the bride, a sorry sight, as pale as the winter, clinging to Sir Daniels arm, 1916 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Dr Clapton: He ventured no further remark , 1928 (colour litho)
Dr Clapton: He ventured no further remark , 1928 (colour litho)

IL2920396: Dr Clapton: He ventured no further remark , 1928 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

The Horse race: Cursing and whipping like a madman, the scarlet jockey drew up on the turn, hung knee to knee, passed him by, 1928 (colour litho)
The Horse race: Cursing and whipping like a madman, the scarlet jockey drew up on the turn, hung knee to knee, passed him by, 1928 (colour litho)

IL2920399: The Horse race: Cursing and whipping like a madman, the scarlet jockey drew up on the turn, hung knee to knee, passed him by, 1928 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images


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