Wyeth, Newell Convers (1882-1945) Assets (292 in total)

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Headlong he leaped on the boaster, and, snatching his knife from his scabbard
Headlong he leaped on the boaster, and, snatching his knife from his scabbard

IL1192288: Headlong he leaped on the boaster, and, snatching his knife from his scabbard, Wyeth, Newell Convers (1882-1945) / Bridgeman Images

The Fourth Man,  (oil on canvas)
The Fourth Man,  (oil on canvas)

CH984857: The Fourth Man, (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

The Seeker, 1933 (oil on canvas)
The Seeker, 1933 (oil on canvas)

CH984869: The Seeker, 1933 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

The boarders swarmed over the fence like monkeys, an illustration from 'Treasure Island' by Robert Louis Stevenson, pub. by Charles Scribner's Sons, 1911 (colour litho)
The boarders swarmed over the fence like monkeys, an illustration from 'Treasure Island' by Robert Louis Stevenson, pub. by Charles Scribner's Sons, 1911 (colour litho)

STC321027: The boarders swarmed over the fence like monkeys, an illustration from 'Treasure Island' by Robert Louis Stevenson, pub. by Charles Scribner's Sons, 1911 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

About half way down the slope to the stockade, they were collected in a group, an illustration from 'Treasure Island' by Robert Louis Stevenson, pub. by Charles Scribner's Sons, 1911 (colour litho)
About half way down the slope to the stockade, they were collected in a group, an illustration from 'Treasure Island' by Robert Louis Stevenson, pub. by Charles Scribner's Sons, 1911 (colour litho)

STC321031: About half way down the slope to the stockade, they were collected in a group, an illustration from 'Treasure Island' by Robert Louis Stevenson, pub. by Charles Scribner's Sons, 1911 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Visions of New York, 1926 (oil on canvas)
Visions of New York, 1926 (oil on canvas)

TBM143863: Visions of New York, 1926 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Arion and the Dolphin, 1938 (oil on Renaissance panel)
Arion and the Dolphin, 1938 (oil on Renaissance panel)

FLP2563314: Arion and the Dolphin, 1938 (oil on Renaissance panel), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Advert for the Cream of Wheat Company, 1907 (colour litho)
Advert for the Cream of Wheat Company, 1907 (colour litho)

PNP390799: Advert for the Cream of Wheat Company, 1907 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Supply Wagons, 1905 (oil on canvas)
Supply Wagons, 1905 (oil on canvas)

CH823093: Supply Wagons, 1905 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Front cover design, 1928 (colour litho)
Front cover design, 1928 (colour litho)

IL2920391: Front cover design, 1928 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Title page, 1928 (colour litho)
Title page, 1928 (colour litho)

IL2920393: Title page, 1928 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

The Indian long thought!
The Indian long thought!

IL2920398: The Indian long thought! "All night they drum, and never cease until sun, the bloody hunter, sets the hills on fire, 1928 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

The mother of John Paul Jones: A woman drawn, sad face appeared at the door; she picked up the package and weighed it in her hands , 1928 (colour litho)
The mother of John Paul Jones: A woman drawn, sad face appeared at the door; she picked up the package and weighed it in her hands , 1928 (colour litho)

IL2920404: The mother of John Paul Jones: A woman drawn, sad face appeared at the door; she picked up the package and weighed it in her hands , 1928 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

The Beggars Fight, 1929 (litho)
The Beggars Fight, 1929 (litho)

DGC3060285: The Beggars Fight, 1929 (litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Proteus, the old man of the sea, 1929 (litho)
Proteus, the old man of the sea, 1929 (litho)

DGC3060292: Proteus, the old man of the sea, 1929 (litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

There were seven or eight assailants, and but one to keep head against them, 1916 (colour litho)
There were seven or eight assailants, and but one to keep head against them, 1916 (colour litho)

IL2920203: There were seven or eight assailants, and but one to keep head against them, 1916 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Peter Minuet, 1926 (oil on canvas)
Peter Minuet, 1926 (oil on canvas)

CH3527315: Peter Minuet, 1926 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

The Dusty Bottle, 1924 (oil on canvas)
The Dusty Bottle, 1924 (oil on canvas)

BRR5896022: The Dusty Bottle, 1924 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

N. C. Wyeth's Studio, Chadds Ford, Pennsylvania, c.1912 (oil on canvas)
N. C. Wyeth's Studio, Chadds Ford, Pennsylvania, c.1912 (oil on canvas)

BRR5896032: N. C. Wyeth's Studio, Chadds Ford, Pennsylvania, c.1912 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

The pledge, 1921 (oil on canvas)
The pledge, 1921 (oil on canvas)

BRR5896034: The pledge, 1921 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

The Termagant   Throwing back her light vestment, she stretched forth her long skinny arm, in derision, 1919 (oil on canvas)
The Termagant   Throwing back her light vestment, she stretched forth her long skinny arm, in derision, 1919 (oil on canvas)

BRR5896037: The Termagant Throwing back her light vestment, she stretched forth her long skinny arm, in derision, 1919 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

The Last of the Chestnuts, c.1916 (oil on canvas)
The Last of the Chestnuts, c.1916 (oil on canvas)

BRR5896076: The Last of the Chestnuts, c.1916 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

In the Crystal Depths, 1906 (oil on canvas)
In the Crystal Depths, 1906 (oil on canvas)

BRR5896081: In the Crystal Depths, 1906 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

And putting their mouths to the level of a starry pool, they drank their fill, 1916 (oil on canvas)
And putting their mouths to the level of a starry pool, they drank their fill, 1916 (oil on canvas)

BRR5896084: And putting their mouths to the level of a starry pool, they drank their fill, 1916 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

BRR5896090: "Oh, gentle knight," said la Belle Isolde, "full woe am I of thy departing", 1917 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Dying Winter, 1934 (oil on canvas)
Dying Winter, 1934 (oil on canvas)

BRR5896094: Dying Winter, 1934 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

The wounded Helen, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho)
The wounded Helen, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho)

IL5323449: The wounded Helen, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Wallace draws the king's sword, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho)
Wallace draws the king's sword, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho)

IL5323451: Wallace draws the king's sword, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Then the king . . . ran towards Sir Mordred, crying,
Then the king . . . ran towards Sir Mordred, crying,

BRR5896240: Then the king . . . ran towards Sir Mordred, crying, "Traitor, now is thy death day come", 1917 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

The Battle at Glens Falls    Each of the combatants threw all his energies into that effort, and the result was, that both tottered on the brink of the precipice, 1919 (oil on canvas)
The Battle at Glens Falls    Each of the combatants threw all his energies into that effort, and the result was, that both tottered on the brink of the precipice, 1919 (oil on canvas)

BRR5896137: The Battle at Glens Falls Each of the combatants threw all his energies into that effort, and the result was, that both tottered on the brink of the precipice, 1919 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

The Meeting of the Generals, 1919 (oil on canvas)
As soon as this slight salutation had passed, Montcalm moved towards them with a quick but graceful step, baring his head to the veteran and dropping his spotless plume nearly to the earth in courtesy
The Meeting of the Generals, 1919 (oil on canvas)
As soon as this slight salutation had passed, Montcalm moved towards them with a quick but graceful step, baring his head to the veteran and dropping his spotless plume nearly to the earth in courtesy

BRR5896140: The Meeting of the Generals, 1919 (oil on canvas) As soon as this slight salutation had passed, Montcalm moved towards them with a quick but graceful step, baring his head to the veteran and dropping his spotless plume nearly to the earth in courtesy, Wyeth, Newell Convers (1882-1945) / Bridgeman Images

The Siege of the Round-House
It came all of a sudden when it did, with a rush of feet and a roar, and then a shout from Alan, 1913 (oil on canvas)
The Siege of the Round-House
It came all of a sudden when it did, with a rush of feet and a roar, and then a shout from Alan, 1913 (oil on canvas)

BRR5896142: The Siege of the Round-House It came all of a sudden when it did, with a rush of feet and a roar, and then a shout from Alan, 1913 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Captain Harding slays a convict, 1918 (oil on canvas)
Captain Harding slays a convict, 1918 (oil on canvas)

BRR5896157: Captain Harding slays a convict, 1918 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

They were now fighting above the knees in the spume and bubble of the breakers, 1916 (oil on canvas)
They were now fighting above the knees in the spume and bubble of the breakers, 1916 (oil on canvas)

BRR5896166: They were now fighting above the knees in the spume and bubble of the breakers, 1916 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

Then, climbing on the roof, he had with his own hand bent and run up the colors, 1911 (oil on canvas)
Then, climbing on the roof, he had with his own hand bent and run up the colors, 1911 (oil on canvas)

BRR5896182: Then, climbing on the roof, he had with his own hand bent and run up the colors, 1911 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

It was after this attack that the High Command published to the German army:
It was after this attack that the High Command published to the German army:

BRR5896186: It was after this attack that the High Command published to the German army: "The moral effect of our own gunfire can not seriously impede the advance of the American Infantry.", 1930 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images


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