Leger, Fernand (1881-1955) Assets (538 in total)

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Dish of Fruit, 1925 (gouache, w/c & pencil on paper)
Dish of Fruit, 1925 (gouache, w/c & pencil on paper)

PHL2909280: Dish of Fruit, 1925 (gouache, w/c & pencil on paper), Leger, Fernand (1881-1955) / Bridgeman Images

Green Foliage, 1930 (oil on canvas)
Green Foliage, 1930 (oil on canvas)

PHL2909283: Green Foliage, 1930 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

Pear Tree Root, 1932 (gouache over pencil on cardboard)
Pear Tree Root, 1932 (gouache over pencil on cardboard)

PHL2909284: Pear Tree Root, 1932 (gouache over pencil on cardboard), Leger, Fernand (1881-1955) / Bridgeman Images

Nude Figure, 1911 (ink on paper)
Nude Figure, 1911 (ink on paper)

PHL2909287: Nude Figure, 1911 (ink on paper), Leger, Fernand (1881-1955) / Bridgeman Images

Composition with Keys, 1929 (oil on canvas)
Composition with Keys, 1929 (oil on canvas)

XIR426258: Composition with Keys, 1929 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

Four sketches for UN Assembly Hall, Mural, 1952 (gouache)
Four sketches for UN Assembly Hall, Mural, 1952 (gouache)

MFA404116: Four sketches for UN Assembly Hall, Mural, 1952 (gouache), Leger, Fernand (1881-1955) / Bridgeman Images

Metal Construction - study with yellow background, 1951 (oil on canvas)
Metal Construction - study with yellow background, 1951 (oil on canvas)

MFA404118: Metal Construction - study with yellow background, 1951 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

Still life with starfish (blue background), 1937 (oil on canvas)
Still life with starfish (blue background), 1937 (oil on canvas)

MFA404120: Still life with starfish (blue background), 1937 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

Les fortifications d'Ajaccio, 1907 (oil on canvas)
Les fortifications d'Ajaccio, 1907 (oil on canvas)

PNH354192: Les fortifications d'Ajaccio, 1907 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

The Constructors, 1950 (gouache on paper) (see also 220666)
The Constructors, 1950 (gouache on paper) (see also 220666)

LEF220667: The Constructors, 1950 (gouache on paper) (see also 220666), Leger, Fernand (1881-1955) / Bridgeman Images

Abstract Composition, 1938 (gouache on cardboard)
Abstract Composition, 1938 (gouache on cardboard)

MFA212158: Abstract Composition, 1938 (gouache on cardboard), Leger, Fernand (1881-1955) / Bridgeman Images

Abstract Composition, 1938 (gouache on cardboard)
Abstract Composition, 1938 (gouache on cardboard)

MFA212159: Abstract Composition, 1938 (gouache on cardboard), Leger, Fernand (1881-1955) / Bridgeman Images

Still Life, 1928 (oil on canvas)
Still Life, 1928 (oil on canvas)

PNY156317: Still Life, 1928 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

T30118A The Branches (bronze)
T30118A The Branches (bronze)

PFA84659: T30118A The Branches (bronze), Leger, Fernand (1881-1955) / Bridgeman Images

The City: The Two Birds (print)
The City: The Two Birds (print)

XJL62433: The City: The Two Birds (print), Leger, Fernand (1881-1955) / Bridgeman Images

Odalisques, 1947
Odalisques, 1947

NUM88525: Odalisques, 1947, Leger, Fernand (1881-1955) / Bridgeman Images

Composition, 1919 (oil on canvas)
Composition, 1919 (oil on canvas)

FFA147737: Composition, 1919 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

Le Vase Rouge, 1939 (oil on canvas)
Le Vase Rouge, 1939 (oil on canvas)

AGN252223: Le Vase Rouge, 1939 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

Acrobats, 1952 (gouache and ink on paper)
Acrobats, 1952 (gouache and ink on paper)

XIR47673: Acrobats, 1952 (gouache and ink on paper), Leger, Fernand (1881-1955) / Bridgeman Images

Two Heads, c.1950 (litho)
Two Heads, c.1950 (litho)

NUM118922: Two Heads, c.1950 (litho), Leger, Fernand (1881-1955) / Bridgeman Images

The Medallion, 1950 (oil on canvas)
The Medallion, 1950 (oil on canvas)

NUM117393: The Medallion, 1950 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

The Branch, 1941 (bronze)
The Branch, 1941 (bronze)

NUM118014: The Branch, 1941 (bronze), Leger, Fernand (1881-1955) / Bridgeman Images

Woman with a Bird on a Red Background, 1952 (oil on canvas)
Woman with a Bird on a Red Background, 1952 (oil on canvas)

XAB167036: Woman with a Bird on a Red Background, 1952 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

Madarsson Memorial in Bastogne, Belgium. Architect Georges Dedoyard (1897-1988), 1950, Mosaic by Fernand Leger (1881-1955).
Madarsson Memorial in Bastogne, Belgium. Architect Georges Dedoyard (1897-1988), 1950, Mosaic by Fernand Leger (1881-1955).

JSN4653386: Madarsson Memorial in Bastogne, Belgium. Architect Georges Dedoyard (1897-1988), 1950, Mosaic by Fernand Leger (1881-1955)., Leger, Fernand (1881-1955) / Bridgeman Images

Mosaic of Fernand Leger (1881-1955) at the Maeght Foundation in Saint Paul de Vence (Alpes Maritimes). Architect Jose Luis Sert (1902-1983), end of construction: 1964.
Mosaic of Fernand Leger (1881-1955) at the Maeght Foundation in Saint Paul de Vence (Alpes Maritimes). Architect Jose Luis Sert (1902-1983), end of construction: 1964.

JSN4653442: Mosaic of Fernand Leger (1881-1955) at the Maeght Foundation in Saint Paul de Vence (Alpes Maritimes). Architect Jose Luis Sert (1902-1983), end of construction: 1964., Leger, Fernand (1881-1955) / Bridgeman Images

The church of Notre Dame de Tout Grace at the Plateau d'Assy in Passy (Haute Savoie). Architect Maurice Novarina (1907-2002), 1946. Decor Fernand Leger (1881-1955). The village, located at 1200 meters above sea level, was the village of sanatoriums. In 1935, Canon Devemy, Chaplain of the Sanatarium of Sancellemoz, had the idea of building the church of the sick on the Plateau d'Assy. The entrance facade recalls the famous and robust Savoyard chalets of the Vallee d'Abondance built with the stone of the country. Photography 1989.
The church of Notre Dame de Tout Grace at the Plateau d'Assy in Passy (Haute Savoie). Architect Maurice Novarina (1907-2002), 1946. Decor Fernand Leger (1881-1955). The village, located at 1200 meters above sea level, was the village of sanatoriums. In 1935, Canon Devemy, Chaplain of the Sanatarium of Sancellemoz, had the idea of building the church of the sick on the Plateau d'Assy. The entrance facade recalls the famous and robust Savoyard chalets of the Vallee d'Abondance built with the stone of the country. Photography 1989.

JSN4653288: The church of Notre Dame de Tout Grace at the Plateau d'Assy in Passy (Haute Savoie). Architect Maurice Novarina (1907-2002), 1946. Decor Fernand Leger (1881-1955). The village, located at 1200 meters above sea level, was the village of sanatoriums. In 1935, Canon Devemy, Chaplain of the Sanatarium of Sancellemoz, had the idea of building the church of the sick on the Plateau d'Assy. The entrance facade recalls the famous and robust Savoyard chalets of the Vallee d'Abondance built with the stone of the country. Photography 1989., Leger, Fernand (1881-1955) / Bridgeman Images

Madarsson Memorial in Bastogne, Belgium. Architect Georges Dedoyard (1897-1988), 1950, Mosaic by Fernand Leger (1881-1955).
Madarsson Memorial in Bastogne, Belgium. Architect Georges Dedoyard (1897-1988), 1950, Mosaic by Fernand Leger (1881-1955).

JSN4653374: Madarsson Memorial in Bastogne, Belgium. Architect Georges Dedoyard (1897-1988), 1950, Mosaic by Fernand Leger (1881-1955)., Leger, Fernand (1881-1955) / Bridgeman Images

Madarsson Memorial in Bastogne, Belgium. Architect Georges Dedoyard (1897-1988), 1950, Mosaic by Fernand Leger (1881-1955).
Madarsson Memorial in Bastogne, Belgium. Architect Georges Dedoyard (1897-1988), 1950, Mosaic by Fernand Leger (1881-1955).

JSN4653378: Madarsson Memorial in Bastogne, Belgium. Architect Georges Dedoyard (1897-1988), 1950, Mosaic by Fernand Leger (1881-1955)., Leger, Fernand (1881-1955) / Bridgeman Images

Le Cirque Medrano, 1918 (oil on canvas)
Le Cirque Medrano, 1918 (oil on canvas)

IBE5386307: Le Cirque Medrano, 1918 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

Contrast of forms, 1913 (oil on burlap)
Contrast of forms, 1913 (oil on burlap)

IBE5338528: Contrast of forms, 1913 (oil on burlap), Leger, Fernand (1881-1955) / Bridgeman Images

Clocks (color lithograph)
Clocks (color lithograph)

DMA1067815: Clocks (color lithograph), Leger, Fernand (1881-1955) / Bridgeman Images

Le Sainte Tunique, 1952 (stained glass)
Le Sainte Tunique, 1952 (stained glass)

SBL868167: Le Sainte Tunique, 1952 (stained glass), Leger, Fernand (1881-1955) / Bridgeman Images

Set design for Darius Milhaud 's 'Creation du Monde'
Set design for Darius Milhaud 's 'Creation du Monde'

XLE3748257: Set design for Darius Milhaud 's 'Creation du Monde', Leger, Fernand (1881-1955) / Bridgeman Images

Fernand Leger (1881-1955), English painter in his studio. 1950s (b/w photo)
Fernand Leger (1881-1955), English painter in his studio. 1950s (b/w photo)

RER4396167: Fernand Leger (1881-1955), English painter in his studio. 1950s (b/w photo), Leger, Fernand (1881-1955) / Bridgeman Images

Preparatory study for
Preparatory study for

FBU7202356: Preparatory study for "Transport of power", c. 1936-1937 (Gouache and color pencils on paper), Leger, Fernand (1881-1955) / Bridgeman Images

Forms in space, 1950 (oil on canvas)
Forms in space, 1950 (oil on canvas)

FBU7202367: Forms in space, 1950 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images


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