Leger, Fernand (1881-1955) Assets (538 in total)

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Bather in Grey; Baigneuses en Gris, 1953 (gouache on tan paper)
Bather in Grey; Baigneuses en Gris, 1953 (gouache on tan paper)

CH825707: Bather in Grey; Baigneuses en Gris, 1953 (gouache on tan paper), Leger, Fernand (1881-1955) / Bridgeman Images

The Bather; La Baigneuse, 1930 (oil on canvas)
The Bather; La Baigneuse, 1930 (oil on canvas)

CH825872: The Bather; La Baigneuse, 1930 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

Wrong Composition; Composition a la Faux, 1943-1944 (oil on canvas)
Wrong Composition; Composition a la Faux, 1943-1944 (oil on canvas)

CH825890: Wrong Composition; Composition a la Faux, 1943-1944 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

Still-life with Face; Nature Morte avec Visage, c.1925 (gouache, pen and black ink and pencil on paper)
Still-life with Face; Nature Morte avec Visage, c.1925 (gouache, pen and black ink and pencil on paper)

CH825432: Still-life with Face; Nature Morte avec Visage, c.1925 (gouache, pen and black ink and pencil on paper), Leger, Fernand (1881-1955) / Bridgeman Images

Circus; Cirque, 1950 (lithograph)
Circus; Cirque, 1950 (lithograph)

CH828061: Circus; Cirque, 1950 (lithograph), Leger, Fernand (1881-1955) / Bridgeman Images

Flower and Mandolin (Orange background); Fleur et Mandoline (Fond orange), 1951 (oil on canvas)
Flower and Mandolin (Orange background); Fleur et Mandoline (Fond orange), 1951 (oil on canvas)

CH828108: Flower and Mandolin (Orange background); Fleur et Mandoline (Fond orange), 1951 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

Roses and Compass, 1925 (oil on canvas)
Roses and Compass, 1925 (oil on canvas)

CH988964: Roses and Compass, 1925 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

Woman and Triangle, 1930 (oil on canvas)
Woman and Triangle, 1930 (oil on canvas)

CH990602: Woman and Triangle, 1930 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

Still Life, 1938 (oil on canvas)
Still Life, 1938 (oil on canvas)

CH1196275: Still Life, 1938 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

The Red Fruit Dish (Fruit Bowl of Pears), 1935 (oil on canvas)
The Red Fruit Dish (Fruit Bowl of Pears), 1935 (oil on canvas)

CH1195978: The Red Fruit Dish (Fruit Bowl of Pears), 1935 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

Still Life with Busts; Nature Morte aux Bustes, 1927 (oil on canvas)
Still Life with Busts; Nature Morte aux Bustes, 1927 (oil on canvas)

CH1196171: Still Life with Busts; Nature Morte aux Bustes, 1927 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

The Walking Flower (sculpture)
The Walking Flower (sculpture)

TEC4595756: The Walking Flower (sculpture), Leger, Fernand (1881-1955) / Bridgeman Images

The stained glass windows by Fernand Leger (1881-1955) and the tapestry by Jean Lurcat (1892-1966), in the church of Saint Germain d'Auxerre in Courfaivre in Switzerland. Photography 2000.
The stained glass windows by Fernand Leger (1881-1955) and the tapestry by Jean Lurcat (1892-1966), in the church of Saint Germain d'Auxerre in Courfaivre in Switzerland. Photography 2000.

JSN4653264: The stained glass windows by Fernand Leger (1881-1955) and the tapestry by Jean Lurcat (1892-1966), in the church of Saint Germain d'Auxerre in Courfaivre in Switzerland. Photography 2000., Leger, Fernand (1881-1955) / Bridgeman Images

The church of Notre Dame de Tout Grace at the Plateau d'Assy in Passy (Haute Savoie). Architect Maurice Novarina (1907-2002), 1946. Decor Fernand Leger (1881-1955). The village, located at 1200 meters above sea level, was the village of sanatoriums. In 1935, Canon Devemy, Chaplain of the Sanatarium of Sancellemoz, had the idea of building the church of the sick on the Plateau d'Assy. The entrance facade recalls the famous and robust Savoyard chalets of the Vallee d'Abondance built with the stone of the country. Photography 1989.
The church of Notre Dame de Tout Grace at the Plateau d'Assy in Passy (Haute Savoie). Architect Maurice Novarina (1907-2002), 1946. Decor Fernand Leger (1881-1955). The village, located at 1200 meters above sea level, was the village of sanatoriums. In 1935, Canon Devemy, Chaplain of the Sanatarium of Sancellemoz, had the idea of building the church of the sick on the Plateau d'Assy. The entrance facade recalls the famous and robust Savoyard chalets of the Vallee d'Abondance built with the stone of the country. Photography 1989.

JSN4653317: The church of Notre Dame de Tout Grace at the Plateau d'Assy in Passy (Haute Savoie). Architect Maurice Novarina (1907-2002), 1946. Decor Fernand Leger (1881-1955). The village, located at 1200 meters above sea level, was the village of sanatoriums. In 1935, Canon Devemy, Chaplain of the Sanatarium of Sancellemoz, had the idea of building the church of the sick on the Plateau d'Assy. The entrance facade recalls the famous and robust Savoyard chalets of the Vallee d'Abondance built with the stone of the country. Photography 1989., Leger, Fernand (1881-1955) / Bridgeman Images

The church of Notre Dame de Tout Grace at the Plateau d'Assy in Passy (Haute Savoie). Architect Maurice Novarina (1907-2002), 1946. Decor Fernand Leger (1881-1955). The village, located at 1200 meters above sea level, was the village of sanatoriums. In 1935, Canon Devemy, Chaplain of the Sanatarium of Sancellemoz, had the idea of building the church of the sick on the Plateau d'Assy. The entrance facade recalls the famous and robust Savoyard chalets of the Vallee d'Abondance built with the stone of the country. Photography 1989.
The church of Notre Dame de Tout Grace at the Plateau d'Assy in Passy (Haute Savoie). Architect Maurice Novarina (1907-2002), 1946. Decor Fernand Leger (1881-1955). The village, located at 1200 meters above sea level, was the village of sanatoriums. In 1935, Canon Devemy, Chaplain of the Sanatarium of Sancellemoz, had the idea of building the church of the sick on the Plateau d'Assy. The entrance facade recalls the famous and robust Savoyard chalets of the Vallee d'Abondance built with the stone of the country. Photography 1989.

JSN4653318: The church of Notre Dame de Tout Grace at the Plateau d'Assy in Passy (Haute Savoie). Architect Maurice Novarina (1907-2002), 1946. Decor Fernand Leger (1881-1955). The village, located at 1200 meters above sea level, was the village of sanatoriums. In 1935, Canon Devemy, Chaplain of the Sanatarium of Sancellemoz, had the idea of building the church of the sick on the Plateau d'Assy. The entrance facade recalls the famous and robust Savoyard chalets of the Vallee d'Abondance built with the stone of the country. Photography 1989., Leger, Fernand (1881-1955) / Bridgeman Images

The church of Notre Dame de Tout Grace at the Plateau d'Assy in Passy (Haute Savoie). Architect Maurice Novarina (1907-2002), 1946. Decor Fernand Leger (1881-1955). The village, located at 1200 meters above sea level, was the village of sanatoriums. In 1935, Canon Devemy, Chaplain of the Sanatarium of Sancellemoz, had the idea of building the church of the sick on the Plateau d'Assy. The entrance facade recalls the famous and robust Savoyard chalets of the Vallee d'Abondance built with the stone of the country. Photography 1989.
The church of Notre Dame de Tout Grace at the Plateau d'Assy in Passy (Haute Savoie). Architect Maurice Novarina (1907-2002), 1946. Decor Fernand Leger (1881-1955). The village, located at 1200 meters above sea level, was the village of sanatoriums. In 1935, Canon Devemy, Chaplain of the Sanatarium of Sancellemoz, had the idea of building the church of the sick on the Plateau d'Assy. The entrance facade recalls the famous and robust Savoyard chalets of the Vallee d'Abondance built with the stone of the country. Photography 1989.

JSN4653331: The church of Notre Dame de Tout Grace at the Plateau d'Assy in Passy (Haute Savoie). Architect Maurice Novarina (1907-2002), 1946. Decor Fernand Leger (1881-1955). The village, located at 1200 meters above sea level, was the village of sanatoriums. In 1935, Canon Devemy, Chaplain of the Sanatarium of Sancellemoz, had the idea of building the church of the sick on the Plateau d'Assy. The entrance facade recalls the famous and robust Savoyard chalets of the Vallee d'Abondance built with the stone of the country. Photography 1989., Leger, Fernand (1881-1955) / Bridgeman Images

Stained glass windows by Fernand Leger (1881-1955), 1954, in the church of Saint Germain d'Auxerre in Courfaivre, Switzerland.
Stained glass windows by Fernand Leger (1881-1955), 1954, in the church of Saint Germain d'Auxerre in Courfaivre, Switzerland.

JSN4653398: Stained glass windows by Fernand Leger (1881-1955), 1954, in the church of Saint Germain d'Auxerre in Courfaivre, Switzerland., Leger, Fernand (1881-1955) / Bridgeman Images

The church of Notre Dame de Tout Grace at the Plateau d'Assy in Passy (Haute Savoie). Architect Maurice Novarina (1907-2002), 1938-1939. Decor Fernand Leger (1881-1955). The village, located at 1200 meters above sea level, was the village of sanatoriums. In 1935, Canon Devemy, Chaplain of the Sanatarium of Sancellemoz, had the idea of building the church of the sick on the Plateau d'Assy. The entrance facade recalls the famous and robust Savoyard chalets of the Vallee d'Abondance built with the stone of the country. Photography 1989.
The church of Notre Dame de Tout Grace at the Plateau d'Assy in Passy (Haute Savoie). Architect Maurice Novarina (1907-2002), 1938-1939. Decor Fernand Leger (1881-1955). The village, located at 1200 meters above sea level, was the village of sanatoriums. In 1935, Canon Devemy, Chaplain of the Sanatarium of Sancellemoz, had the idea of building the church of the sick on the Plateau d'Assy. The entrance facade recalls the famous and robust Savoyard chalets of the Vallee d'Abondance built with the stone of the country. Photography 1989.

ITR4653449: The church of Notre Dame de Tout Grace at the Plateau d'Assy in Passy (Haute Savoie). Architect Maurice Novarina (1907-2002), 1938-1939. Decor Fernand Leger (1881-1955). The village, located at 1200 meters above sea level, was the village of sanatoriums. In 1935, Canon Devemy, Chaplain of the Sanatarium of Sancellemoz, had the idea of building the church of the sick on the Plateau d'Assy. The entrance facade recalls the famous and robust Savoyard chalets of the Vallee d'Abondance built with the stone of the country. Photography 1989., Leger, Fernand (1881-1955) / Bridgeman Images

Study of a nude, 1912-13, (oil on paper)
Study of a nude, 1912-13, (oil on paper)

SBL7129426: Study of a nude, 1912-13, (oil on paper), Leger, Fernand (1881-1955) / Bridgeman Images

Our Lady of All Grace, 1938-1950, Plateau d'Assy
Our Lady of All Grace, 1938-1950, Plateau d'Assy

ITR7090372: Our Lady of All Grace, 1938-1950, Plateau d'Assy, Leger, Fernand (1881-1955) / Bridgeman Images

The bather, 1932 (Oil on canvas)
The bather, 1932 (Oil on canvas)

FBU7202351: The bather, 1932 (Oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

Mural composition, 1926 (oil on canvas)
Mural composition, 1926 (oil on canvas)

FBU7202364: Mural composition, 1926 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

Project for a Mural composition, 1952 (oil on canvas)
Project for a Mural composition, 1952 (oil on canvas)

FBU7202366: Project for a Mural composition, 1952 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

The Great Parade on red background, 1953 (oil on canvas)
The Great Parade on red background, 1953 (oil on canvas)

FBU7202374: The Great Parade on red background, 1953 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

The walking flower 1953 (sculpture)
The walking flower 1953 (sculpture)

FBU7202376: The walking flower 1953 (sculpture), Leger, Fernand (1881-1955) / Bridgeman Images

Women with a parrot, 1952 (high relief)
Women with a parrot, 1952 (high relief)

FBU7202375: Women with a parrot, 1952 (high relief), Leger, Fernand (1881-1955) / Bridgeman Images

Women with a parrot on red bachground, 1952 (ceramic)
Women with a parrot on red bachground, 1952 (ceramic)

FBU7202377: Women with a parrot on red bachground, 1952 (ceramic), Leger, Fernand (1881-1955) / Bridgeman Images

FIA5329114: "Composition" Composition With Objects And Tools (Key, Ax, Etagere), 1933 (gouache), Leger, Fernand (1881-1955) / Bridgeman Images

Composition On A Red Background, 1945 (oil on canvas)
Composition On A Red Background, 1945 (oil on canvas)

FIA5379760: Composition On A Red Background, 1945 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

Painting, 1926 (oil on canvas)
Painting, 1926 (oil on canvas)

MAN5669051: Painting, 1926 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

Vases, 1924 (gouache & pencil on paper)
Vases, 1924 (gouache & pencil on paper)

PHL2909278: Vases, 1924 (gouache & pencil on paper), Leger, Fernand (1881-1955) / Bridgeman Images

Study for a Mural, 1925 (w/c & ink over pencil on paper)
Study for a Mural, 1925 (w/c & ink over pencil on paper)

PHL2909279: Study for a Mural, 1925 (w/c & ink over pencil on paper), Leger, Fernand (1881-1955) / Bridgeman Images

Composition, 1923-27 (oil on canvas)
Composition, 1923-27 (oil on canvas)

PHL2909282: Composition, 1923-27 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

Study, 1919 (w/c & gouache, with brush & black ink, over incising on cream wove paper)
Study, 1919 (w/c & gouache, with brush & black ink, over incising on cream wove paper)

INC2972491: Study, 1919 (w/c & gouache, with brush & black ink, over incising on cream wove paper), Leger, Fernand (1881-1955) / Bridgeman Images

Study for the French Line Pier (one of six), 1940 (gouache on paper),
Study for the French Line Pier (one of six), 1940 (gouache on paper),

CH19651: Study for the French Line Pier (one of six), 1940 (gouache on paper),, Leger, Fernand (1881-1955) / Bridgeman Images

Study for 'La Tasse de The', 1921 (pencil on paper)
Study for 'La Tasse de The', 1921 (pencil on paper)

BAL6712: Study for 'La Tasse de The', 1921 (pencil on paper), Leger, Fernand (1881-1955) / Bridgeman Images


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