Dore, Gustave (1832-83) Assets (2599 in total)

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La Belle Au Bois Dormant; Sleeping Beauty (engraving)
La Belle Au Bois Dormant; Sleeping Beauty (engraving)

LLM5989844: La Belle Au Bois Dormant; Sleeping Beauty (engraving), Dore, Gustave (1832-83) / Bridgeman Images

La Belle Au Bois Dormant; Sleeping Beauty (engraving)
La Belle Au Bois Dormant; Sleeping Beauty (engraving)

LLM5989845: La Belle Au Bois Dormant; Sleeping Beauty (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: The burial of Christ (engraving)
Gustave Dore Bible: The burial of Christ (engraving)

LLM5221525: Gustave Dore Bible: The burial of Christ (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: Daniel interpreting the writing on the wall (engraving)
Gustave Dore Bible: Daniel interpreting the writing on the wall (engraving)

LLM5221609: Gustave Dore Bible: Daniel interpreting the writing on the wall (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book I, lines 344, 345 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book I, lines 344, 345 (engraving)

LLM5222965: Illustration by Gustave Dore for Milton's Paradise Lost, Book I, lines 344, 345 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book II, lines 648, 649 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book II, lines 648, 649 (engraving)

LLM5222968: Illustration by Gustave Dore for Milton's Paradise Lost, Book II, lines 648, 649 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book IV, line 247 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book IV, line 247 (engraving)

LLM5222977: Illustration by Gustave Dore for Milton's Paradise Lost, Book IV, line 247 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book VI, lines 207-209 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book VI, lines 207-209 (engraving)

LLM5222985: Illustration by Gustave Dore for Milton's Paradise Lost, Book VI, lines 207-209 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Tavern in Whitechapel, 1869 (oil and bodycolour on paper)
Tavern in Whitechapel, 1869 (oil and bodycolour on paper)

BOO183484: Tavern in Whitechapel, 1869 (oil and bodycolour on paper), Dore, Gustave (1832-83) / Bridgeman Images

The Charity of the Fishmongers (w/c on paper)
The Charity of the Fishmongers (w/c on paper)

XIR212515: The Charity of the Fishmongers (w/c on paper), Dore, Gustave (1832-83) / Bridgeman Images

A Friendly Tournament during the Third Crusade in 1189, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)
A Friendly Tournament during the Third Crusade in 1189, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)

KWE219417: A Friendly Tournament during the Third Crusade in 1189, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho), Dore, Gustave (1832-83) / Bridgeman Images

The Battle of Arsuf in 1191, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)
The Battle of Arsuf in 1191, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)

KWE219450: The Battle of Arsuf in 1191, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho), Dore, Gustave (1832-83) / Bridgeman Images

The Mariner, condemned to travel unceasingly from country to country, is also condemned to relate his story to people he meets, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
The Mariner, condemned to travel unceasingly from country to country, is also condemned to relate his story to people he meets, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393858: The Mariner, condemned to travel unceasingly from country to country, is also condemned to relate his story to people he meets, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Finding of King Arthur, illustration from 'Idylls of the King' by Alfred Tennyson (engraving)
The Finding of King Arthur, illustration from 'Idylls of the King' by Alfred Tennyson (engraving)

XJF394287: The Finding of King Arthur, illustration from 'Idylls of the King' by Alfred Tennyson (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)
Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)

XLA3763817: Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

'The great heroic singer'
'The great heroic singer'

XLE3769044: 'The great heroic singer', Dore, Gustave (1832-83) / Bridgeman Images

Jacob 's vision - Genesis Chapter XXVIII, La Sainte Bible, 1866
Jacob 's vision - Genesis Chapter XXVIII, La Sainte Bible, 1866

XLF3781374: Jacob 's vision - Genesis Chapter XXVIII, La Sainte Bible, 1866, Dore, Gustave (1832-83) / Bridgeman Images

' Orlando Furioso '  by Ludovico Ariosto
' Orlando Furioso '  by Ludovico Ariosto

XLF3781695: ' Orlando Furioso ' by Ludovico Ariosto, Dore, Gustave (1832-83) / Bridgeman Images

Le Vieillard et les trois jeunes hommes
Le Vieillard et les trois jeunes hommes

XLA3758818: Le Vieillard et les trois jeunes hommes, Dore, Gustave (1832-83) / Bridgeman Images

Blondin at Shoreditch, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Gauchard, pub. 1872 (engraving)
Blondin at Shoreditch, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Gauchard, pub. 1872 (engraving)

XJF396042: Blondin at Shoreditch, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Gauchard, pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The angelic spirits leave the dead bodies and appear in their own forms of light, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
The angelic spirits leave the dead bodies and appear in their own forms of light, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393851: The angelic spirits leave the dead bodies and appear in their own forms of light, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 27 : Dante's dream of Leah in the meadow , illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 27 : Dante's dream of Leah in the meadow , illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745639: Purgatorio, Canto 27 : Dante's dream of Leah in the meadow , illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 29 : Charity, Hope, and Faith, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 29 : Charity, Hope, and Faith, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745643: Purgatorio, Canto 29 : Charity, Hope, and Faith, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 23 : The souls of the gluttonous, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 23 : The souls of the gluttonous, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745648: Purgatorio, Canto 23 : The souls of the gluttonous, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 9 : Twilight, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 9 : Twilight, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745662: Purgatorio, Canto 9 : Twilight, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 23 : The hypocrites address Dante, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 23 : The hypocrites address Dante, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745691: Inferno, Canto 23 : The hypocrites address Dante, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 17 : Geryon, symbol of deceit, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 17 : Geryon, symbol of deceit, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745704: Inferno, Canto 17 : Geryon, symbol of deceit, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 18 : Virgil shows Dante the shade of Thais, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 18 : Virgil shows Dante the shade of Thais, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745708: Inferno, Canto 18 : Virgil shows Dante the shade of Thais, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 8 : Virgil and Dante disembark at the citadel of Dis (Dite), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 8 : Virgil and Dante disembark at the citadel of Dis (Dite), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745714: Inferno, Canto 8 : Virgil and Dante disembark at the citadel of Dis (Dite), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 4 : Homer, the poets, and heroes in Limbo, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 4 : Homer, the poets, and heroes in Limbo, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745727: Inferno, Canto 4 : Homer, the poets, and heroes in Limbo, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 1 : The panther at the beginning of the ascent, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 1 : The panther at the beginning of the ascent, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745741: Inferno, Canto 1 : The panther at the beginning of the ascent, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 1 : The she-wolf appears, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 1 : The she-wolf appears, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745743: Inferno, Canto 1 : The she-wolf appears, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 7 : The poet Sordello, astonished, kneels before Virgil, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 7 : The poet Sordello, astonished, kneels before Virgil, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745750: Purgatorio, Canto 7 : The poet Sordello, astonished, kneels before Virgil, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration from 'Gargantua and Pantagruel', by François Rabelais (engraving)
Illustration from 'Gargantua and Pantagruel', by François Rabelais (engraving)

XIR1200182: Illustration from 'Gargantua and Pantagruel', by François Rabelais (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Temple Reconstruction, History of the Holy Bible Mame Edition 1891. Engraving by Gustave Dore.
Temple Reconstruction, History of the Holy Bible Mame Edition 1891. Engraving by Gustave Dore.

XRH1736307: Temple Reconstruction, History of the Holy Bible Mame Edition 1891. Engraving by Gustave Dore., Dore, Gustave (1832-83) / Bridgeman Images

Jesus in the synagogue. Engraving. COLOURed.
Jesus in the synagogue. Engraving. COLOURed.

TRK1149821: Jesus in the synagogue. Engraving. COLOURed., Dore, Gustave (1832-83) / Bridgeman Images


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