Dore, Gustave (1832-83) Assets (2603 in total)

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Ruggiero fights the marine monster (dragon) that threatens Olimpia bare tie to a tree, blocks his jaws with an anchor and saves Olimpia (chant 11 stance 37) - Engraving by Gustave Dore (1832-1883) illustrating “The Furious Roland” (1878) by Ludovico Ariosto (1474-1533) said the Ariosta - Ggiero locks the sea monster's jaws with an anchor and save Olimpia, illustration by Gustave Dore for Ariosto's Orlando furioso -
Ruggiero fights the marine monster (dragon) that threatens Olimpia bare tie to a tree, blocks his jaws with an anchor and saves Olimpia (chant 11 stance 37) - Engraving by Gustave Dore (1832-1883) illustrating “The Furious Roland” (1878) by Ludovico Ariosto (1474-1533) said the Ariosta - Ggiero locks the sea monster's jaws with an anchor and save Olimpia, illustration by Gustave Dore for Ariosto's Orlando furioso -

PCT4285051: Ruggiero fights the marine monster (dragon) that threatens Olimpia bare tie to a tree, blocks his jaws with an anchor and saves Olimpia (chant 11 stance 37) - Engraving by Gustave Dore (1832-1883) illustrating “The Furious Roland” (1878) by Ludovico Ariosto (1474-1533) said the Ariosta - Ggiero locks the sea monster's jaws with an anchor and save Olimpia, illustration by Gustave Dore for Ariosto's Orlando furioso -, Dore, Gustave (1832-83) / Bridgeman Images

Jacquemin Lampourde, the gun in his hand, came at a point in the battle. Engraving by Gustave Dore illustrating the picaresque novel of cape and epee by Theophile Gautier “” Le capitaine Fracasse””, edition Charpentier 1863.
Jacquemin Lampourde, the gun in his hand, came at a point in the battle. Engraving by Gustave Dore illustrating the picaresque novel of cape and epee by Theophile Gautier “” Le capitaine Fracasse””, edition Charpentier 1863.

PCT4271497: Jacquemin Lampourde, the gun in his hand, came at a point in the battle. Engraving by Gustave Dore illustrating the picaresque novel of cape and epee by Theophile Gautier “” Le capitaine Fracasse””, edition Charpentier 1863., Dore, Gustave (1832-83) / Bridgeman Images

Engraving by Gustave Dore in frontispiece of the novel by Theophile Gautier “” The Captain Fracasse””. Charpentier Edition 1863. The Chateau de la Misere, home of the Baron de Sigognac.
Engraving by Gustave Dore in frontispiece of the novel by Theophile Gautier “” The Captain Fracasse””. Charpentier Edition 1863. The Chateau de la Misere, home of the Baron de Sigognac.

PCT4271561: Engraving by Gustave Dore in frontispiece of the novel by Theophile Gautier “” The Captain Fracasse””. Charpentier Edition 1863. The Chateau de la Misere, home of the Baron de Sigognac., Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Paradiso, Canto 14: Dante and Beatrice translated to the sphere of Mars - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Paradiso, Canto 14: Dante and Beatrice translated to the sphere of Mars - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145426: The Divine Comedy (La Divina Commedia, La Divine Comedie), Paradiso, Canto 14: Dante and Beatrice translated to the sphere of Mars - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 30: Beatrice among the angels - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 30: Beatrice among the angels - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145451: The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 30: Beatrice among the angels - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Comedia, La Divine Comedie), Purgatorio, Canto 5: Dante speaks with Pia de Tolomei (Tolommei) - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Comedia, La Divine Comedie), Purgatorio, Canto 5: Dante speaks with Pia de Tolomei (Tolommei) - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145533: The Divine Comedy (La Divina Comedia, La Divine Comedie), Purgatorio, Canto 5: Dante speaks with Pia de Tolomei (Tolommei) - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Comedia, La Divine Comedie), Purgatorio, Canto 5: The body of Buonconte da Montefeltro in the Arno - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Comedia, La Divine Comedie), Purgatorio, Canto 5: The body of Buonconte da Montefeltro in the Arno - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145537: The Divine Comedy (La Divina Comedia, La Divine Comedie), Purgatorio, Canto 5: The body of Buonconte da Montefeltro in the Arno - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 17: The descent into the abyss on Geryon's back - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 17: The descent into the abyss on Geryon's back - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145662: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 17: The descent into the abyss on Geryon's back - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 17: Geryon, symbol of deceit - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 17: Geryon, symbol of deceit - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145665: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 17: Geryon, symbol of deceit - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 13: The Harpies in the forest of suicides - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 13: The Harpies in the forest of suicides - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145679: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 13: The Harpies in the forest of suicides - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 3: Charon (Caron) on the River Acheron - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 3: Charon (Caron) on the River Acheron - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145751: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 3: Charon (Caron) on the River Acheron - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

Jonah urges Ninivitesa penitence - Jonah encourages Ninivites to do penitence - illustration from Gustave Dore's 'The Holy Bible', engraved by Pannemaker, 1866
Jonah urges Ninivitesa penitence - Jonah encourages Ninivites to do penitence - illustration from Gustave Dore's 'The Holy Bible', engraved by Pannemaker, 1866

XEE4156977: Jonah urges Ninivitesa penitence - Jonah encourages Ninivites to do penitence - illustration from Gustave Dore's 'The Holy Bible', engraved by Pannemaker, 1866, Dore, Gustave (1832-83) / Bridgeman Images

Moses finds Jewish people worshipping the golden calf and breaks the tables of the law - Moses Breaking The Tablets Of The Law - Gustave Dore (1832-1883)
Moses finds Jewish people worshipping the golden calf and breaks the tables of the law - Moses Breaking The Tablets Of The Law - Gustave Dore (1832-1883)

XEE4156996: Moses finds Jewish people worshipping the golden calf and breaks the tables of the law - Moses Breaking The Tablets Of The Law - Gustave Dore (1832-1883), Dore, Gustave (1832-83) / Bridgeman Images

Micah the Moreshite prophet preaching to the Israelites, engraving by Gustave Dore - “The prophete Michee exhorting the people of Israel to penitence”” Engraving from 'The Bible” by Gustave Dore (1832-1883) Around 1860
Micah the Moreshite prophet preaching to the Israelites, engraving by Gustave Dore - “The prophete Michee exhorting the people of Israel to penitence”” Engraving from 'The Bible” by Gustave Dore (1832-1883) Around 1860

XEE4160075: Micah the Moreshite prophet preaching to the Israelites, engraving by Gustave Dore - “The prophete Michee exhorting the people of Israel to penitence”” Engraving from 'The Bible” by Gustave Dore (1832-1883) Around 1860, Dore, Gustave (1832-83) / Bridgeman Images

Battle of Arsur - Richard I Lion Heart (1157-1199), King of England participating in the 3rd Crusade - Richard the Lionheart in the Battle of Arsuf (1191), Third Crusade, engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud
Battle of Arsur - Richard I Lion Heart (1157-1199), King of England participating in the 3rd Crusade - Richard the Lionheart in the Battle of Arsuf (1191), Third Crusade, engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud

XEE4161274: Battle of Arsur - Richard I Lion Heart (1157-1199), King of England participating in the 3rd Crusade - Richard the Lionheart in the Battle of Arsuf (1191), Third Crusade, engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud, Dore, Gustave (1832-83) / Bridgeman Images

Portrait of Rabelais - illustration from 'Gargantua and Pantagruel', by Francois Rabelais - engraving by Gustave Dore (1832-1883)
Portrait of Rabelais - illustration from 'Gargantua and Pantagruel', by Francois Rabelais - engraving by Gustave Dore (1832-1883)

XEE4162086: Portrait of Rabelais - illustration from 'Gargantua and Pantagruel', by Francois Rabelais - engraving by Gustave Dore (1832-1883), Dore, Gustave (1832-83) / Bridgeman Images

The siege of Ptolemais during the third crusade 1189 - engraving by Gustave Dore from History of the Crusades by Joseph-Francois Michaud - Le siege de Saint Jean d'Acre (Israel), in 1191. During the 3rd Crusade, soldiers in armor surround the fortified city, trying to climb the ramparts with ladders.
The siege of Ptolemais during the third crusade 1189 - engraving by Gustave Dore from History of the Crusades by Joseph-Francois Michaud - Le siege de Saint Jean d'Acre (Israel), in 1191. During the 3rd Crusade, soldiers in armor surround the fortified city, trying to climb the ramparts with ladders.

XEE4161219: The siege of Ptolemais during the third crusade 1189 - engraving by Gustave Dore from History of the Crusades by Joseph-Francois Michaud - Le siege de Saint Jean d'Acre (Israel), in 1191. During the 3rd Crusade, soldiers in armor surround the fortified city, trying to climb the ramparts with ladders., Dore, Gustave (1832-83) / Bridgeman Images

As he crossed the dark forests, he himself saw 3 spirits crazy with joy jumping to the side of the road on a large flower (a knight of the round table meeting the three spirits in the forest of Brocéliande) - in “” Junièvre”” by Alfred Tennyson, ill. by Gustave Doré Paris, Librairie Hachette et Cie
As he crossed the dark forests, he himself saw 3 spirits crazy with joy jumping to the side of the road on a large flower (a knight of the round table meeting the three spirits in the forest of Brocéliande) - in “” Junièvre”” by Alfred Tennyson, ill. by Gustave Doré Paris, Librairie Hachette et Cie

LSE4095610: As he crossed the dark forests, he himself saw 3 spirits crazy with joy jumping to the side of the road on a large flower (a knight of the round table meeting the three spirits in the forest of Brocéliande) - in “” Junièvre”” by Alfred Tennyson, ill. by Gustave Doré Paris, Librairie Hachette et Cie, Dore, Gustave (1832-83) / Bridgeman Images

The workmen's train, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Quesnel, pub. 1872 (engraving)
The workmen's train, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Quesnel, pub. 1872 (engraving)

STC377552: The workmen's train, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Quesnel, pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Asleep under the Stars, illustration from 'London, a Pilgrimage', 1872 (engraving)
Asleep under the Stars, illustration from 'London, a Pilgrimage', 1872 (engraving)

XJF394292: Asleep under the Stars, illustration from 'London, a Pilgrimage', 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

An evening's entertainment at Mansion House, London (engraving)
An evening's entertainment at Mansion House, London (engraving)

LLJ603962: An evening's entertainment at Mansion House, London (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 19 : The poets ascend to the fifth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 19 : The poets ascend to the fifth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745649: Purgatorio, Canto 19 : The poets ascend to the fifth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 22 : Alichino and Calcabrina grapple above the pitch, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 22 : Alichino and Calcabrina grapple above the pitch, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745689: Inferno, Canto 22 : Alichino and Calcabrina grapple above the pitch, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 9 : The angel opens the gates, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 9 : The angel opens the gates, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745716: Inferno, Canto 9 : The angel opens the gates, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 5 : Francesca Da Rimini describes her death, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 5 : Francesca Da Rimini describes her death, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745733: Inferno, Canto 5 : Francesca Da Rimini describes her death, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Paradiso, Canto 21  : The luminous souls sing, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Paradiso, Canto 21  : The luminous souls sing, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745793: Paradiso, Canto 21 : The luminous souls sing, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Paradiso, Canto 21  : Beatrice and Dante in the sphere of Saturn, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Paradiso, Canto 21  : Beatrice and Dante in the sphere of Saturn, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

GIA745616: Paradiso, Canto 21 : Beatrice and Dante in the sphere of Saturn, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Paradiso, Canto 5 : The host of myriad glowing souls in the second realm, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Paradiso, Canto 5 : The host of myriad glowing souls in the second realm, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745625: Paradiso, Canto 5 : The host of myriad glowing souls in the second realm, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Confusion of Tongues, by Gustave Doré, 1832 - 1883, French. Engraving for the Bible. 1870, Art, Artist, Holy Book, Religion, Religious, Christianity, Christian. Romanticism, Colour, Color Engraving
The Confusion of Tongues, by Gustave Doré, 1832 - 1883, French. Engraving for the Bible. 1870, Art, Artist, Holy Book, Religion, Religious, Christianity, Christian. Romanticism, Colour, Color Engraving

LZT1035664: The Confusion of Tongues, by Gustave Doré, 1832 - 1883, French. Engraving for the Bible. 1870, Art, Artist, Holy Book, Religion, Religious, Christianity, Christian. Romanticism, Colour, Color Engraving, Dore, Gustave (1832-83) / Bridgeman Images

The Vultures and the Pigeons, by Gustave Doré, 1832 - 1883, French. Engraving for Fables by Jean De La Fontaine. 1870, Art, Artist, Romanticism, Colour, Color Engraving
The Vultures and the Pigeons, by Gustave Doré, 1832 - 1883, French. Engraving for Fables by Jean De La Fontaine. 1870, Art, Artist, Romanticism, Colour, Color Engraving

LZT1035672: The Vultures and the Pigeons, by Gustave Doré, 1832 - 1883, French. Engraving for Fables by Jean De La Fontaine. 1870, Art, Artist, Romanticism, Colour, Color Engraving, Dore, Gustave (1832-83) / Bridgeman Images

Chactas Seeking for the Graves of Father Aubry and Atala, by Gustave Doré, 1832 - 1883, French. Engraving for Atala by Chateaubriand. 1870, Art, Artist, Romanticism, Colour, Color Engraving
Chactas Seeking for the Graves of Father Aubry and Atala, by Gustave Doré, 1832 - 1883, French. Engraving for Atala by Chateaubriand. 1870, Art, Artist, Romanticism, Colour, Color Engraving

LZT1035674: Chactas Seeking for the Graves of Father Aubry and Atala, by Gustave Doré, 1832 - 1883, French. Engraving for Atala by Chateaubriand. 1870, Art, Artist, Romanticism, Colour, Color Engraving, Dore, Gustave (1832-83) / Bridgeman Images

Tigris, at the Foot of Paradise, by Gustave Doré, 1832 - 1883, French. Engraving for Paradise Lost by Milton. 1870, Art, Artist, Romanticism, Colour, Color Engraving
Tigris, at the Foot of Paradise, by Gustave Doré, 1832 - 1883, French. Engraving for Paradise Lost by Milton. 1870, Art, Artist, Romanticism, Colour, Color Engraving

LZT1035744: Tigris, at the Foot of Paradise, by Gustave Doré, 1832 - 1883, French. Engraving for Paradise Lost by Milton. 1870, Art, Artist, Romanticism, Colour, Color Engraving, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote, 1863 (engraving)
Don Quixote, 1863 (engraving)

XRH1730526: Don Quixote, 1863 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Madame Adelina Patti (oil &  charcoal on canvas)
Madame Adelina Patti (oil &  charcoal on canvas)

GNV5673180: Madame Adelina Patti (oil & charcoal on canvas), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book I, line 331 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book I, line 331 (engraving)

LLM5222964: Illustration by Gustave Dore for Milton's Paradise Lost, Book I, line 331 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book II, lines 1, 2 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book II, lines 1, 2 (engraving)

LLM5222967: Illustration by Gustave Dore for Milton's Paradise Lost, Book II, lines 1, 2 (engraving), Dore, Gustave (1832-83) / Bridgeman Images


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