Dore, Gustave (1832-83) Assets (2603 in total)

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Illustration for The Divine Comedy - Purgatory (La Divina Commedia) by Dante, 1929 (engraving)
Illustration for The Divine Comedy - Purgatory (La Divina Commedia) by Dante, 1929 (engraving)

XLA3757371: Illustration for The Divine Comedy - Purgatory (La Divina Commedia) by Dante, 1929 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)
Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)

XLA3763872: Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Dante and Virgil crossing the cocytus in Inferno, 19th century (engraving)
Dante and Virgil crossing the cocytus in Inferno, 19th century (engraving)

XLA3763888: Dante and Virgil crossing the cocytus in Inferno, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Esther accuses Haman
Esther accuses Haman

XLF3790826: Esther accuses Haman, Dore, Gustave (1832-83) / Bridgeman Images

The New Zealander by Gustave Doré
The New Zealander by Gustave Doré

XLF3789566: The New Zealander by Gustave Doré, Dore, Gustave (1832-83) / Bridgeman Images

Feodalite in the Middle Ages: Serfs working for the Lord - Engraving by Gustave Dore of the 19th century in “” National History illustrated of France from the most ancient times to the present day”” 1876 - Private collection
Feodalite in the Middle Ages: Serfs working for the Lord - Engraving by Gustave Dore of the 19th century in “” National History illustrated of France from the most ancient times to the present day”” 1876 - Private collection

XEE4145943: Feodalite in the Middle Ages: Serfs working for the Lord - Engraving by Gustave Dore of the 19th century in “” National History illustrated of France from the most ancient times to the present day”” 1876 - Private collection, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Paradiso, Canto 18: In the sphere of Jupiter, the blessed souls circle to form letters - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Paradiso, Canto 18: In the sphere of Jupiter, the blessed souls circle to form letters - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145413: The Divine Comedy (La Divina Commedia, La Divine Comedie), Paradiso, Canto 18: In the sphere of Jupiter, the blessed souls circle to form letters - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 15: Brunetto Latini accosts Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 15: Brunetto Latini accosts Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145668: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 15: Brunetto Latini accosts Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and Sancho, on his way to Toboso - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore (1832-1883)
Don Quixote and Sancho, on his way to Toboso - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore (1832-1883)

XEE4156736: Don Quixote and Sancho, on his way to Toboso - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore (1832-1883), Dore, Gustave (1832-83) / Bridgeman Images

Representation of Moses with the new Tablets of the Law on Mount Sinai - engraving by Gustave Dore (1832-1883) - later colouring
Representation of Moses with the new Tablets of the Law on Mount Sinai - engraving by Gustave Dore (1832-1883) - later colouring

XEE4160187: Representation of Moses with the new Tablets of the Law on Mount Sinai - engraving by Gustave Dore (1832-1883) - later colouring, Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book IX, lines 182, 183 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book IX, lines 182, 183 (engraving)

LLM5222999: Illustration by Gustave Dore for Milton's Paradise Lost, Book IX, lines 182, 183 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Le Petit Chaperon Rouge; Little Red Riding Hood (engraving)
Le Petit Chaperon Rouge; Little Red Riding Hood (engraving)

LLM5989835: Le Petit Chaperon Rouge; Little Red Riding Hood (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Le Petit Poucet; Hop-O'-My-Thumb (engraving)
Le Petit Poucet; Hop-O'-My-Thumb (engraving)

LLM5989836: Le Petit Poucet; Hop-O'-My-Thumb (engraving), Dore, Gustave (1832-83) / Bridgeman Images

La Barbe-Bleue; Blue Beard (engraving)
La Barbe-Bleue; Blue Beard (engraving)

LLM5989870: La Barbe-Bleue; Blue Beard (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Jesus and His Disciples in the Corn Field, illustration from Dore's 'The Holy Bible', engraved by Pannemaker, 1866 (engraving)
Jesus and His Disciples in the Corn Field, illustration from Dore's 'The Holy Bible', engraved by Pannemaker, 1866 (engraving)

KWE259192: Jesus and His Disciples in the Corn Field, illustration from Dore's 'The Holy Bible', engraved by Pannemaker, 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Eagles and The Pigeons, illustration from 'Fables' by La Fontaine, 1868 (engraving)
The Eagles and The Pigeons, illustration from 'Fables' by La Fontaine, 1868 (engraving)

DGC308183: The Eagles and The Pigeons, illustration from 'Fables' by La Fontaine, 1868 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Monument to Alexander Dumas pere (1802-70) French novelist and playwright, 1883 (stone and bronze)
Monument to Alexander Dumas pere (1802-70) French novelist and playwright, 1883 (stone and bronze)

PWI98561: Monument to Alexander Dumas pere (1802-70) French novelist and playwright, 1883 (stone and bronze), Dore, Gustave (1832-83) / Bridgeman Images

Boabdil (Muhammad XI) the last Arab King of Granada is exiled in 1542, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)
Boabdil (Muhammad XI) the last Arab King of Granada is exiled in 1542, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)

KWE219423: Boabdil (Muhammad XI) the last Arab King of Granada is exiled in 1542, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho), Dore, Gustave (1832-83) / Bridgeman Images

Death of Baldwin I (1171-1205) the Latin King of Jerusalem, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)
Death of Baldwin I (1171-1205) the Latin King of Jerusalem, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)

KWE219427: Death of Baldwin I (1171-1205) the Latin King of Jerusalem, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho), Dore, Gustave (1832-83) / Bridgeman Images

Geraint and Enid Ride Away, 1868 (gouache & w/c on paper)
Geraint and Enid Ride Away, 1868 (gouache & w/c on paper)

PNH351937: Geraint and Enid Ride Away, 1868 (gouache & w/c on paper), Dore, Gustave (1832-83) / Bridgeman Images

The Bull's-Eye, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Adolphe Francois Pannemaker (b.1822) pub. 1872 (engraving)
The Bull's-Eye, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Adolphe Francois Pannemaker (b.1822) pub. 1872 (engraving)

STC377529: The Bull's-Eye, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Adolphe Francois Pannemaker (b.1822) pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 22 : Ciampolo escapes the demon Alichino in the fifth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 22 : Ciampolo escapes the demon Alichino in the fifth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745712: Inferno, Canto 22 : Ciampolo escapes the demon Alichino in the fifth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Paradiso, Canto 27 : The heavenly host singing
Paradiso, Canto 27 : The heavenly host singing

GIA745611: Paradiso, Canto 27 : The heavenly host singing "Gloria In Excelsis Deo", illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Paradiso, Canto 16 : The soul of Caddiaguida speaks of Florence, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Paradiso, Canto 16 : The soul of Caddiaguida speaks of Florence, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745622: Paradiso, Canto 16 : The soul of Caddiaguida speaks of Florence, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 33 : Dante drinks of the River Eunoe, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 33 : Dante drinks of the River Eunoe, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745638: Purgatorio, Canto 33 : Dante drinks of the River Eunoe, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

'The Webs of the North' ('Les Toiles du Nord'), illustration from 'The History of Holy Russia' ('L'Histoire de la Sainte Russie'), published in Paris, 1854 (woodcut)
'The Webs of the North' ('Les Toiles du Nord'), illustration from 'The History of Holy Russia' ('L'Histoire de la Sainte Russie'), published in Paris, 1854 (woodcut)

CHT695063: 'The Webs of the North' ('Les Toiles du Nord'), illustration from 'The History of Holy Russia' ('L'Histoire de la Sainte Russie'), published in Paris, 1854 (woodcut) , Dore, Gustave (1832-83) / Bridgeman Images

Solomon's Judgment - Solomon makes the judgment to split the baby between the two claimants - Engraving by Gustave Dore (1832 - 1883) - later colouring
Solomon's Judgment - Solomon makes the judgment to split the baby between the two claimants - Engraving by Gustave Dore (1832 - 1883) - later colouring

XEE4160167: Solomon's Judgment - Solomon makes the judgment to split the baby between the two claimants - Engraving by Gustave Dore (1832 - 1883) - later colouring, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Paradiso, Canto 21: Beatrice and Dante in the sphere of Saturn - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Paradiso, Canto 21: Beatrice and Dante in the sphere of Saturn - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145332: The Divine Comedy (La Divina Commedia, La Divine Comedie), Paradiso, Canto 21: Beatrice and Dante in the sphere of Saturn - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 12: Dante views the soul of Arachne - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 12: Dante views the soul of Arachne - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145512: The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 12: Dante views the soul of Arachne - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: The lion suddently confronts Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: The lion suddently confronts Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145768: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: The lion suddently confronts Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

Night duel in the moonlight between Baron de Sigognac and Jacquemin Lampourde, under the equestrian statue of the King of Bronze. Engraving by Gustave Dore illustrating Theophile Gautier's novel “” Le capitaine Fracasse””, edition Charpentier 1863.
Night duel in the moonlight between Baron de Sigognac and Jacquemin Lampourde, under the equestrian statue of the King of Bronze. Engraving by Gustave Dore illustrating Theophile Gautier's novel “” Le capitaine Fracasse””, edition Charpentier 1863.

PCT4271567: Night duel in the moonlight between Baron de Sigognac and Jacquemin Lampourde, under the equestrian statue of the King of Bronze. Engraving by Gustave Dore illustrating Theophile Gautier's novel “” Le capitaine Fracasse””, edition Charpentier 1863., Dore, Gustave (1832-83) / Bridgeman Images

Gioacchino Rossini on his deathbed, 1868 (charcoal & gouache highlights on paper)
Gioacchino Rossini on his deathbed, 1868 (charcoal & gouache highlights on paper)

XIR414918: Gioacchino Rossini on his deathbed, 1868 (charcoal & gouache highlights on paper), Dore, Gustave (1832-83) / Bridgeman Images

The Bull's-Eye, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Adolphe Francois Pannemaker (b.1822) pub. 1872 (engraving)
The Bull's-Eye, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Adolphe Francois Pannemaker (b.1822) pub. 1872 (engraving)

XJF396020: The Bull's-Eye, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Adolphe Francois Pannemaker (b.1822) pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The workmen's train, 1872 (engraving)
The workmen's train, 1872 (engraving)

XJF396027: The workmen's train, 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The mariner sees the band of angelic spirits, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
The mariner sees the band of angelic spirits, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393852: The mariner sees the band of angelic spirits, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Two Goats, from a late 19th century edition of Fables de La Fontaine (wood engraving)
The Two Goats, from a late 19th century edition of Fables de La Fontaine (wood engraving)

KWE2619172: The Two Goats, from a late 19th century edition of Fables de La Fontaine (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images


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