Daumier, Honore (1808-79) Assets (1569 in total)

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Artwork by Honore Daumier (1808-1879) Charivari date from 1852: Serie PHYONOMIES DES CHAIN DE FERR Voyageurs affames se precipitant vers le buffet d'un station MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879) Charivari date from 1852: Serie PHYONOMIES DES CHAIN DE FERR Voyageurs affames se precipitant vers le buffet d'un station MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE

JEB4851771: Artwork by Honore Daumier (1808-1879) Charivari date from 1852: Serie PHYONOMIES DES CHAIN DE FERR Voyageurs affames se precipitant vers le buffet d'un station MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari dates from 1849: Serie ALL WHAT YOU WILL WILL “” It is not under the Empire that we would dance like this!...”” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari dates from 1849: Serie ALL WHAT YOU WILL WILL “” It is not under the Empire that we would dance like this!...”” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE

JEB4851913: Artwork by Honore Daumier (1808-1879). Charivari dates from 1849: Serie ALL WHAT YOU WILL WILL “” It is not under the Empire that we would dance like this!...”” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari dates from 1840: Serie PROVERBES ET MAXIMES “” We resume our property or we find it””” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari dates from 1840: Serie PROVERBES ET MAXIMES “” We resume our property or we find it””” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE

JEB4852083: Artwork by Honore Daumier (1808-1879). Charivari dates from 1840: Serie PROVERBES ET MAXIMES “” We resume our property or we find it””” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari dates from 1864: Serie Sketch Les trains de plaisir “” - When after ten unsuccessful assaults we finally get to conquer a place in a wagon we experience a first and very lively pleasure””” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari dates from 1864: Serie Sketch Les trains de plaisir “” - When after ten unsuccessful assaults we finally get to conquer a place in a wagon we experience a first and very lively pleasure””” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE

JEB4852109: Artwork by Honore Daumier (1808-1879). Charivari dates from 1864: Serie Sketch Les trains de plaisir “” - When after ten unsuccessful assaults we finally get to conquer a place in a wagon we experience a first and very lively pleasure””” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari dates from 1852: Serie LE PUBLIC DU SALON - “” When sound four hours.- solemn moment or begins the struggle between visitors who have deposited canes and umbrellas”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari dates from 1852: Serie LE PUBLIC DU SALON - “” When sound four hours.- solemn moment or begins the struggle between visitors who have deposited canes and umbrellas”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE

JEB4851299: Artwork by Honore Daumier (1808-1879). Charivari dates from 1852: Serie LE PUBLIC DU SALON - “” When sound four hours.- solemn moment or begins the struggle between visitors who have deposited canes and umbrellas”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari dates from 1865: Serie Sketches Taken at the Salon A whimsical painter. “Here, see how I understand the apotheosis of a martyr... “But I can see only the two feet of your person.- The head is already in heaven... that is what proves that he is a saint!...” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari dates from 1865: Serie Sketches Taken at the Salon A whimsical painter. “Here, see how I understand the apotheosis of a martyr... “But I can see only the two feet of your person.- The head is already in heaven... that is what proves that he is a saint!...” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE

JEB4851328: Artwork by Honore Daumier (1808-1879). Charivari dates from 1865: Serie Sketches Taken at the Salon A whimsical painter. “Here, see how I understand the apotheosis of a martyr... “But I can see only the two feet of your person.- The head is already in heaven... that is what proves that he is a saint!...” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879) Charivari dates from 1865: Serie CRUQUIS PAUIT AU SALON Devant un tableau by Manet “” -Why diable cette grosse femme rouge et en chemise s'est elle appelle Olympia? - But my friend may be the black cat called that? MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879) Charivari dates from 1865: Serie CRUQUIS PAUIT AU SALON Devant un tableau by Manet “” -Why diable cette grosse femme rouge et en chemise s'est elle appelle Olympia? - But my friend may be the black cat called that? MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE

JEB4851346: Artwork by Honore Daumier (1808-1879) Charivari dates from 1865: Serie CRUQUIS PAUIT AU SALON Devant un tableau by Manet “” -Why diable cette grosse femme rouge et en chemise s'est elle appelle Olympia? - But my friend may be the black cat called that? MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari dates from 1858: Serie LES RAILWAYS By Railroad “” -So don't look like that through the door, a misfortune is coming so fast!... “What does it matter to me, since I am insured against accidents on the railway!...” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari dates from 1858: Serie LES RAILWAYS By Railroad “” -So don't look like that through the door, a misfortune is coming so fast!... “What does it matter to me, since I am insured against accidents on the railway!...” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE

JEB4851548: Artwork by Honore Daumier (1808-1879). Charivari dates from 1858: Serie LES RAILWAYS By Railroad “” -So don't look like that through the door, a misfortune is coming so fast!... “What does it matter to me, since I am insured against accidents on the railway!...” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari dates from 1852: Serie LES TRAINS DE PLAISURE Appearance of a railway station at the time of departure of a pleasure train MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari dates from 1852: Serie LES TRAINS DE PLAISURE Appearance of a railway station at the time of departure of a pleasure train MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE

JEB4851578: Artwork by Honore Daumier (1808-1879). Charivari dates from 1852: Serie LES TRAINS DE PLAISURE Appearance of a railway station at the time of departure of a pleasure train MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Bertrand I love industry. LIBRARY OF THE ALCAZAR, MARSEILLE
Artwork by Honore Daumier (1808-1879). Bertrand I love industry. LIBRARY OF THE ALCAZAR, MARSEILLE

JEB4849674: Artwork by Honore Daumier (1808-1879). Bertrand I love industry. LIBRARY OF THE ALCAZAR, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). The bourgeois who flats (dandy). LIBRARY OF THE ALCAZAR, MARSEILLE
Artwork by Honore Daumier (1808-1879). The bourgeois who flats (dandy). LIBRARY OF THE ALCAZAR, MARSEILLE

JEB4849765: Artwork by Honore Daumier (1808-1879). The bourgeois who flats (dandy). LIBRARY OF THE ALCAZAR, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Le Charivari, Satirique en N & B, 1837_4_9: Caricaturana, N* 41, Robert Macaire, architect - Architecture Urbanisme - Robert-Macaire Illustration by Honore Daumier (1808-1879)
Le Charivari, Satirique en N & B, 1837_4_9: Caricaturana, N* 41, Robert Macaire, architect - Architecture Urbanisme - Robert-Macaire Illustration by Honore Daumier (1808-1879)

ICA4840307: Le Charivari, Satirique en N & B, 1837_4_9: Caricaturana, N* 41, Robert Macaire, architect - Architecture Urbanisme - Robert-Macaire Illustration by Honore Daumier (1808-1879), Daumier, Honore (1808-79) / Bridgeman Images

Family On The Barricades, 1848 (oil on canvas)
Family On The Barricades, 1848 (oil on canvas)

FIA5399369: Family On The Barricades, 1848 (oil on canvas), Daumier, Honore (1808-79) / Bridgeman Images

A Fright in the Jardin des Plantes, from 'Les Etrangers a Paris' by Honore Daumier, Aubert et Compagnie, 1844 (colour litho)
A Fright in the Jardin des Plantes, from 'Les Etrangers a Paris' by Honore Daumier, Aubert et Compagnie, 1844 (colour litho)

CH659553: A Fright in the Jardin des Plantes, from 'Les Etrangers a Paris' by Honore Daumier, Aubert et Compagnie, 1844 (colour litho), Daumier, Honore (1808-79) / Bridgeman Images

Two men discussing politics and the usefulness of the Comte de Mole (colour litho)
Two men discussing politics and the usefulness of the Comte de Mole (colour litho)

CHT344089: Two men discussing politics and the usefulness of the Comte de Mole (colour litho), Daumier, Honore (1808-79) / Bridgeman Images

The Grandmother; Une Grand' Maman, (grey wash and pen and black ink on paper)
The Grandmother; Une Grand' Maman, (grey wash and pen and black ink on paper)

CH652626: The Grandmother; Une Grand' Maman, (grey wash and pen and black ink on paper), Daumier, Honore (1808-79) / Bridgeman Images

The Troubadour, 1868-1873 (oil on fabric)
The Troubadour, 1868-1873 (oil on fabric)

XCL499489: The Troubadour, 1868-1873 (oil on fabric) , Daumier, Honore (1808-79) / Bridgeman Images

Les Plaisirs de la Villegiature, illustration from 'Le Charivari', 1858 (litho) (b/w photo)
Les Plaisirs de la Villegiature, illustration from 'Le Charivari', 1858 (litho) (b/w photo)

XIR280122: Les Plaisirs de la Villegiature, illustration from 'Le Charivari', 1858 (litho) (b/w photo), Daumier, Honore (1808-79) / Bridgeman Images

Series 'Actualites', the comet, Ah! ma pauv' madame Chaffarou, plate 392, illustration from 'Le Charivari', 1857 (litho) (b/w photo)
Series 'Actualites', the comet, Ah! ma pauv' madame Chaffarou, plate 392, illustration from 'Le Charivari', 1857 (litho) (b/w photo)

XIR287271: Series 'Actualites', the comet, Ah! ma pauv' madame Chaffarou, plate 392, illustration from 'Le Charivari', 1857 (litho) (b/w photo), Daumier, Honore (1808-79) / Bridgeman Images

Series 'Actualites', Parisians already taking their precautions to avoid being roasted by the comet, plate 573, illustration from 'Le Charivari', 10th June 1857 (litho) (b/w photo)
Series 'Actualites', Parisians already taking their precautions to avoid being roasted by the comet, plate 573, illustration from 'Le Charivari', 10th June 1857 (litho) (b/w photo)

XIR287275: Series 'Actualites', Parisians already taking their precautions to avoid being roasted by the comet, plate 573, illustration from 'Le Charivari', 10th June 1857 (litho) (b/w photo), Daumier, Honore (1808-79) / Bridgeman Images

Series 'Actualites', the comet, Monsieur Babinet decides to personally shut down the sun in order to fulfil his predictions, plate 386, illustration from 'Le Charivari', 15th April 1857 (litho) (b/w photo)
Series 'Actualites', the comet, Monsieur Babinet decides to personally shut down the sun in order to fulfil his predictions, plate 386, illustration from 'Le Charivari', 15th April 1857 (litho) (b/w photo)

XIR287277: Series 'Actualites', the comet, Monsieur Babinet decides to personally shut down the sun in order to fulfil his predictions, plate 386, illustration from 'Le Charivari', 15th April 1857 (litho) (b/w photo), Daumier, Honore (1808-79) / Bridgeman Images

The last cabinet meeting of the ex-ministers, illustration from 'Le Charivari', 9th March 1848 (litho) (b/w photo)
The last cabinet meeting of the ex-ministers, illustration from 'Le Charivari', 9th March 1848 (litho) (b/w photo)

XIR287297: The last cabinet meeting of the ex-ministers, illustration from 'Le Charivari', 9th March 1848 (litho) (b/w photo), Daumier, Honore (1808-79) / Bridgeman Images

Mon cher je t'assure que je te trouve mauvaise mine ce matin... (litho)
Mon cher je t'assure que je te trouve mauvaise mine ce matin... (litho)

SD874972: Mon cher je t'assure que je te trouve mauvaise mine ce matin... (litho), Daumier, Honore (1808-79) / Bridgeman Images

Rue Transnonain, le 15 Avril, 1834, 1834
Rue Transnonain, le 15 Avril, 1834, 1834

MNS883545: Rue Transnonain, le 15 Avril, 1834, 1834, Daumier, Honore (1808-79) / Bridgeman Images

Two Singers; Deux Chanteurs, 1868 (pen and ink with wash on paper)
Two Singers; Deux Chanteurs, 1868 (pen and ink with wash on paper)

CH828209: Two Singers; Deux Chanteurs, 1868 (pen and ink with wash on paper), Daumier, Honore (1808-79) / Bridgeman Images

Le Sauvage Bineau, 1848 (litho)
Le Sauvage Bineau, 1848 (litho)

HST862283: Le Sauvage Bineau, 1848 (litho), Daumier, Honore (1808-79) / Bridgeman Images

Danger de porter des jupons-ballons à l'époque des coups de vent de l'équinoxe, published April 3, 1857 (litho)
Danger de porter des jupons-ballons à l'époque des coups de vent de l'équinoxe, published April 3, 1857 (litho)

HST861869: Danger de porter des jupons-ballons à l'époque des coups de vent de l'équinoxe, published April 3, 1857 (litho), Daumier, Honore (1808-79) / Bridgeman Images

Lovers of classical art more and more convinced that art is lost in France, 1852 (litho)
Lovers of classical art more and more convinced that art is lost in France, 1852 (litho)

SD874590: Lovers of classical art more and more convinced that art is lost in France, 1852 (litho), Daumier, Honore (1808-79) / Bridgeman Images

A Scapin or Comedy Scene, c.1863-1865 (oil on wood)
A Scapin or Comedy Scene, c.1863-1865 (oil on wood)

XIR898732: A Scapin or Comedy Scene, c.1863-1865 (oil on wood), Daumier, Honore (1808-79) / Bridgeman Images

Un Rencontre en pleine eau (An Encounter in open water), from the series
Un Rencontre en pleine eau (An Encounter in open water), from the series

DMW937643: Un Rencontre en pleine eau (An Encounter in open water), from the series "Les Canotiers Parisiens" (The Parisian oarsmen), published in "Le Charivari," June 22, 1843, 1843 (litho), Daumier, Honore (1808-79) / Bridgeman Images

Le Goût (Taste), from the series
Le Goût (Taste), from the series

DMW937645: Le Goût (Taste), from the series "Types Parisiens" (Parisian types), published in "La Carica‡ture Provisoire," June 16, 1839, 1839 (lithograph), Daumier, Honore (1808-79) / Bridgeman Images

The Obligatory New Years Visit to Aunt Rabourdin, 1847 (lithograph)
The Obligatory New Years Visit to Aunt Rabourdin, 1847 (lithograph)

XDM1066828: The Obligatory New Years Visit to Aunt Rabourdin, 1847 (lithograph), Daumier, Honore (1808-79) / Bridgeman Images

Current Events, no. 385: Essential Precaution, Paris, 1857 (litho)
Current Events, no. 385: Essential Precaution, Paris, 1857 (litho)

XDM1067818: Current Events, no. 385: Essential Precaution, Paris, 1857 (litho), Daumier, Honore (1808-79) / Bridgeman Images

Le Alarmistes et les Alarmes, Illustration from 'Le Charivari', 1848 (lithograph)
Le Alarmistes et les Alarmes, Illustration from 'Le Charivari', 1848 (lithograph)

XJF996584: Le Alarmistes et les Alarmes, Illustration from 'Le Charivari', 1848 (lithograph), Daumier, Honore (1808-79) / Bridgeman Images

Frontpage of french paper
Frontpage of french paper

PVD1687716: Frontpage of french paper "Floreal Hebdomadaire illustre du monde du travail": september 4, 1920: drawing by Honore Daumier about franco prussian war in 1870, Daumier, Honore (1808-79) / Bridgeman Images

Emperor Nicolas working in his cabinet, plate 94 from Actualités, 1850 (lithograph in black on white wove paper)
Emperor Nicolas working in his cabinet, plate 94 from Actualités, 1850 (lithograph in black on white wove paper)

XCC2971571: Emperor Nicolas working in his cabinet, plate 94 from Actualités, 1850 (lithograph in black on white wove paper), Daumier, Honore (1808-79) / Bridgeman Images


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