Daumier, Honore (1808-79) Assets (1576 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Frontal view of a lawyer, two defendants and a litigator (pencil, wash, watercolour & ink on paper)
Frontal view of a lawyer, two defendants and a litigator (pencil, wash, watercolour & ink on paper)

XIR384565: Frontal view of a lawyer, two defendants and a litigator (pencil, wash, watercolour & ink on paper), Daumier, Honore (1808-79) / Bridgeman Images

Two Singers; Deux Chanteurs, 1868 (pen and ink with wash on paper)
Two Singers; Deux Chanteurs, 1868 (pen and ink with wash on paper)

CH828209: Two Singers; Deux Chanteurs, 1868 (pen and ink with wash on paper), Daumier, Honore (1808-79) / Bridgeman Images

Le Sauvage Bineau, 1848 (litho)
Le Sauvage Bineau, 1848 (litho)

HST862283: Le Sauvage Bineau, 1848 (litho), Daumier, Honore (1808-79) / Bridgeman Images

A Grandmother (grey wash and pen & ink on paper)
A Grandmother (grey wash and pen & ink on paper)

CH100795: A Grandmother (grey wash and pen & ink on paper), Daumier, Honore (1808-79) / Bridgeman Images

Un Rencontre en pleine eau (An Encounter in open water), from the series
Un Rencontre en pleine eau (An Encounter in open water), from the series

DMW937643: Un Rencontre en pleine eau (An Encounter in open water), from the series "Les Canotiers Parisiens" (The Parisian oarsmen), published in "Le Charivari," June 22, 1843, 1843 (litho), Daumier, Honore (1808-79) / Bridgeman Images

Emperor Nicolas working in his cabinet, plate 94 from Actualités, 1850 (lithograph in black on white wove paper)
Emperor Nicolas working in his cabinet, plate 94 from Actualités, 1850 (lithograph in black on white wove paper)

XCC2971571: Emperor Nicolas working in his cabinet, plate 94 from Actualités, 1850 (lithograph in black on white wove paper), Daumier, Honore (1808-79) / Bridgeman Images

Frontpage of french paper
Frontpage of french paper

PVD1687716: Frontpage of french paper "Floreal Hebdomadaire illustre du monde du travail": september 4, 1920: drawing by Honore Daumier about franco prussian war in 1870, Daumier, Honore (1808-79) / Bridgeman Images

Come against my heart, you are acquitted! between us, you deserved to go to the galleys because you are a proud pig... but it's always sweet to save your fellow men!... , taken from the “Beaux jours de la vie”, a series of cartoons on Justice by Honore Daumier (1808-1879). “Charivari”, 1845.
Come against my heart, you are acquitted! between us, you deserved to go to the galleys because you are a proud pig... but it's always sweet to save your fellow men!... , taken from the “Beaux jours de la vie”, a series of cartoons on Justice by Honore Daumier (1808-1879). “Charivari”, 1845.

LSE4403435: Come against my heart, you are acquitted! between us, you deserved to go to the galleys because you are a proud pig... but it's always sweet to save your fellow men!... , taken from the “Beaux jours de la vie”, a series of cartoons on Justice by Honore Daumier (1808-1879). “Charivari”, 1845., Daumier, Honore (1808-79) / Bridgeman Images

Aspect of the streets of Paris since the owners meant that they would no longer admit in their buildings neither dogs nor children, taken from “” Tenants et Proprietaires”, a series of cartoons by Honore Daumier (1808-1879). “Charivari”, 1856.
Aspect of the streets of Paris since the owners meant that they would no longer admit in their buildings neither dogs nor children, taken from “” Tenants et Proprietaires”, a series of cartoons by Honore Daumier (1808-1879). “Charivari”, 1856.

LSE4403441: Aspect of the streets of Paris since the owners meant that they would no longer admit in their buildings neither dogs nor children, taken from “” Tenants et Proprietaires”, a series of cartoons by Honore Daumier (1808-1879). “Charivari”, 1856., Daumier, Honore (1808-79) / Bridgeman Images

A young man acquiring what is known as an art of charting. Illustration d'Honore Daumier (1808-1879), published in the news in “” Charivari””, dated June 4, 1846.
A young man acquiring what is known as an art of charting. Illustration d'Honore Daumier (1808-1879), published in the news in “” Charivari””, dated June 4, 1846.

LSE4403501: A young man acquiring what is known as an art of charting. Illustration d'Honore Daumier (1808-1879), published in the news in “” Charivari””, dated June 4, 1846., Daumier, Honore (1808-79) / Bridgeman Images

Musicians of Paris: “The sun is so beautiful!... Nasty time!... And then from Brittany, the sky is so beautiful!... Vive Loisa Puget” (1810-1889, composer of romances music). Illustration d'Honore Daumier (1808-1879), published in the news in “” Charivari””, date 14 February 1843.
Musicians of Paris: “The sun is so beautiful!... Nasty time!... And then from Brittany, the sky is so beautiful!... Vive Loisa Puget” (1810-1889, composer of romances music). Illustration d'Honore Daumier (1808-1879), published in the news in “” Charivari””, date 14 February 1843.

LSE4403507: Musicians of Paris: “The sun is so beautiful!... Nasty time!... And then from Brittany, the sky is so beautiful!... Vive Loisa Puget” (1810-1889, composer of romances music). Illustration d'Honore Daumier (1808-1879), published in the news in “” Charivari””, date 14 February 1843., Daumier, Honore (1808-79) / Bridgeman Images

Remembrance of the great festival of orpheonists. Illustration d'Honore Daumier (1808-1879), published in the news, “” Charivari””, dated 28 March 1859.
Remembrance of the great festival of orpheonists. Illustration d'Honore Daumier (1808-1879), published in the news, “” Charivari””, dated 28 March 1859.

LSE4403540: Remembrance of the great festival of orpheonists. Illustration d'Honore Daumier (1808-1879), published in the news, “” Charivari””, dated 28 March 1859., Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808-1879), Eugene Rouher, 1850, lithograph
Honore Daumier (French, 1808-1879), Eugene Rouher, 1850, lithograph

LZT5493460: Honore Daumier (French, 1808-1879), Eugene Rouher, 1850, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808-1879), Oui, monsieur Chapuzot, 1852, lithograph
Honore Daumier (French, 1808-1879), Oui, monsieur Chapuzot, 1852, lithograph

LZT5493851: Honore Daumier (French, 1808-1879), Oui, monsieur Chapuzot, 1852, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808-1879), Le Retour de l'age d'or, 1856, lithograph on newsprint
Honore Daumier (French, 1808-1879), Le Retour de l'age d'or, 1856, lithograph on newsprint

LZT5493880: Honore Daumier (French, 1808-1879), Le Retour de l'age d'or, 1856, lithograph on newsprint, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808-1879), Invention charivarique, 1868, lithograph
Honore Daumier (French, 1808-1879), Invention charivarique, 1868, lithograph

LZT5493988: Honore Daumier (French, 1808-1879), Invention charivarique, 1868, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808-1879), ƒquilibre Europeen, 1867, lithograph
Honore Daumier (French, 1808-1879), ƒquilibre Europeen, 1867, lithograph

LZT5493998: Honore Daumier (French, 1808-1879), ƒquilibre Europeen, 1867, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808-1879), Decidement on ne peut pas, 1870, gillotype on newsprint
Honore Daumier (French, 1808-1879), Decidement on ne peut pas, 1870, gillotype on newsprint

LZT5494116: Honore Daumier (French, 1808-1879), Decidement on ne peut pas, 1870, gillotype on newsprint, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808 - 1879), Two Men Amid Ruins, lithograph
Honore Daumier (French, 1808 - 1879), Two Men Amid Ruins, lithograph

LZT5495788: Honore Daumier (French, 1808 - 1879), Two Men Amid Ruins, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Successor of Charlemagne, 1871, gillotype on newsprint
Successor of Charlemagne, 1871, gillotype on newsprint

LZT5495821: Successor of Charlemagne, 1871, gillotype on newsprint, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808 - 1879), Gare le deraillement!, 1866, lithograph
Honore Daumier (French, 1808 - 1879), Gare le deraillement!, 1866, lithograph

LZT5495828: Honore Daumier (French, 1808 - 1879), Gare le deraillement!, 1866, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808 - 1879), Dialogue des morts, 1867, lithograph
Honore Daumier (French, 1808 - 1879), Dialogue des morts, 1867, lithograph

LZT5495856: Honore Daumier (French, 1808 - 1879), Dialogue des morts, 1867, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808 - 1879), Vous aurez beau faire, ma pauvre presse, 1866, lithograph
Honore Daumier (French, 1808 - 1879), Vous aurez beau faire, ma pauvre presse, 1866, lithograph

LZT5495864: Honore Daumier (French, 1808 - 1879), Vous aurez beau faire, ma pauvre presse, 1866, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808 - 1879), Les Delegues du club central socialiste ont repousse, 1849, lithograph
Honore Daumier (French, 1808 - 1879), Les Delegues du club central socialiste ont repousse, 1849, lithograph

LZT5496478: Honore Daumier (French, 1808 - 1879), Les Delegues du club central socialiste ont repousse, 1849, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808 - 1879), Rifolard est plus charme que jamais, 1848, lithograph
Honore Daumier (French, 1808 - 1879), Rifolard est plus charme que jamais, 1848, lithograph

LZT5496492: Honore Daumier (French, 1808 - 1879), Rifolard est plus charme que jamais, 1848, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808 - 1879), Ovide Remilly, 1850, lithograph
Honore Daumier (French, 1808 - 1879), Ovide Remilly, 1850, lithograph

LZT5496511: Honore Daumier (French, 1808 - 1879), Ovide Remilly, 1850, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808 - 1879), Le Voyage en chemin de fer, 1848, lithograph
Honore Daumier (French, 1808 - 1879), Le Voyage en chemin de fer, 1848, lithograph

LZT5496520: Honore Daumier (French, 1808 - 1879), Le Voyage en chemin de fer, 1848, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808 - 1879), Je n'metonne pas si les femmes ont du gout, 1848, lithograph
Honore Daumier (French, 1808 - 1879), Je n'metonne pas si les femmes ont du gout, 1848, lithograph

LZT5496598: Honore Daumier (French, 1808 - 1879), Je n'metonne pas si les femmes ont du gout, 1848, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808 - 1879), Une Idylle dans les bles, 1847, lithograph on newsprint
Honore Daumier (French, 1808 - 1879), Une Idylle dans les bles, 1847, lithograph on newsprint

LZT5496678: Honore Daumier (French, 1808 - 1879), Une Idylle dans les bles, 1847, lithograph on newsprint, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808 - 1879), Quand le journal est trop interessant, 1846, lithograph on newsprint
Honore Daumier (French, 1808 - 1879), Quand le journal est trop interessant, 1846, lithograph on newsprint

LZT5496756: Honore Daumier (French, 1808 - 1879), Quand le journal est trop interessant, 1846, lithograph on newsprint, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808 - 1879), Un Diner maigre, 1844, lithograph
Honore Daumier (French, 1808 - 1879), Un Diner maigre, 1844, lithograph

LZT5497332: Honore Daumier (French, 1808 - 1879), Un Diner maigre, 1844, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879) Charivari dates from 1865: Serie CRUQUIS PAUIT AU SALON Devant un tableau by Manet “” -Why diable cette grosse femme rouge et en chemise s'est elle appelle Olympia? - But my friend may be the black cat called that? MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879) Charivari dates from 1865: Serie CRUQUIS PAUIT AU SALON Devant un tableau by Manet “” -Why diable cette grosse femme rouge et en chemise s'est elle appelle Olympia? - But my friend may be the black cat called that? MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE

JEB4851346: Artwork by Honore Daumier (1808-1879) Charivari dates from 1865: Serie CRUQUIS PAUIT AU SALON Devant un tableau by Manet “” -Why diable cette grosse femme rouge et en chemise s'est elle appelle Olympia? - But my friend may be the black cat called that? MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari dates from 1852: Serie LES TRAINS DE PLAISURE Appearance of a railway station at the time of departure of a pleasure train MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari dates from 1852: Serie LES TRAINS DE PLAISURE Appearance of a railway station at the time of departure of a pleasure train MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE

JEB4851578: Artwork by Honore Daumier (1808-1879). Charivari dates from 1852: Serie LES TRAINS DE PLAISURE Appearance of a railway station at the time of departure of a pleasure train MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879) Charivari date from 1852: Serie PHYONOMIES DES CHAIN DE FERR Voyageurs affames se precipitant vers le buffet d'un station MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879) Charivari date from 1852: Serie PHYONOMIES DES CHAIN DE FERR Voyageurs affames se precipitant vers le buffet d'un station MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE

JEB4851771: Artwork by Honore Daumier (1808-1879) Charivari date from 1852: Serie PHYONOMIES DES CHAIN DE FERR Voyageurs affames se precipitant vers le buffet d'un station MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari dates from 1864: Serie Sketch Les trains de plaisir “” - When after ten unsuccessful assaults we finally get to conquer a place in a wagon we experience a first and very lively pleasure””” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari dates from 1864: Serie Sketch Les trains de plaisir “” - When after ten unsuccessful assaults we finally get to conquer a place in a wagon we experience a first and very lively pleasure””” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE

JEB4852109: Artwork by Honore Daumier (1808-1879). Charivari dates from 1864: Serie Sketch Les trains de plaisir “” - When after ten unsuccessful assaults we finally get to conquer a place in a wagon we experience a first and very lively pleasure””” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879) Charivari dates from 1854: Serie TENNIQUES ET OWNIRES “” C'est un peu dur d'etre oblige de se lodger dans un tonneau quand on n'est pas pas pour etre Cynique”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879) Charivari dates from 1854: Serie TENNIQUES ET OWNIRES “” C'est un peu dur d'etre oblige de se lodger dans un tonneau quand on n'est pas pas pour etre Cynique”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE

JEB4852224: Artwork by Honore Daumier (1808-1879) Charivari dates from 1854: Serie TENNIQUES ET OWNIRES “” C'est un peu dur d'etre oblige de se lodger dans un tonneau quand on n'est pas pas pour etre Cynique”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images


Back to top