Bridgeman Education

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ID: MDO5031723

Portrait of Pier Paolo Pasolini at the time of shooting the film “” The rabbia”” (La rage) in 1963. (Photographs can only be published in contact sheet format).

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ID: MDO5031744

La Ruche in Paris (15th arrondissement). Polygonal building in the shape of a hive that housed the workshops of artists such as Léger, Zadkine, Soutine and Chagall at the beginning of the century.

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ID: MDO5031783

Assembly in a room at the Sorbonne. May 1968.

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ID: MAJ5031830

The Southern Pole and the surrounding constellations: Among the many constellations of the Southern Pole are the Indian, the Phenix, the Bream, the Octant, the Clock, the Compas and the Ship. Engraving from Camille Flammarion's “Les étoiles et les autres curiosites du ciel”, 1882.

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ID: MAJ5031858

Italian table mirror from the half of the 19th century, mirror in Maple wood and mirror in marquetry frame.

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ID: MAJ5032010

Baron Munchausen drinks the tea with Lithuanian ladies. Illustration by William Strang (1859-1921) and JB Clark from “The Adventures of the Baron of Munchausen (Munchhausen) by Rudolf Erich Raspe (1736-1794) (1789), 1895

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ID: MAJ5032028

The baron greeting a young Turkish woman. Illustration by William Strang (1859-1921) and JB Clark from “The Adventures of the Baron of Munchausen (Munchhausen) by Rudolf Erich Raspe (1736-1794) (1789), 1895

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ID: MAJ5032052

The baron discovers the big birds and rotis on the trees in the United States. Illustration by William Strang (1859-1921) and JB Clark from “The Adventures of the Baron of Munchausen (Munchhausen) by Rudolf Erich Raspe (1736-1794) (1789), 1895

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ID: MDO5033960

Portrait of Renzo Piano Italian architect and urban planner (born 1937). Paris. 1980

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ID: MAJ5034497

Desk lamps. Left: English lamp (1930-1940) in crome metal and lacquer. On the right: German lamp (1920-1930) in copper and metal crome. Bauhaus.

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ID: MAJ5034547

Still life: Christmas decorations.

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ID: MAJ5034581

Decoration and motifs for textile printing: Still life of stamps.

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ID: MRZ5034582

View of the statue of Ranuccio I Farnese made by Francesco Mochi, 1620-1625 Detail of the coat of arms of the city - Piacenza (Piacenza), Italy

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ID: MAJ5034586

Decoration and motifs for textile printing: still life of English stamps.

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ID: MRZ5034661

Wooden choir stalls, church of San Vittore, Milan Italy

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ID: MRZ5034662

Facade of the church of San Fedele in Milan Italy

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ID: MAJ5033323

Still life of brad boxes: the large ones are recipients of “Estratto Olandese Elefante” and “Luigi Rossa”, a caramel substance used to prepare coffee, 1920-1930, the others contained Chicoree, 1906. Grocery order sheets.

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ID: MAJ5033350

Still Life of Brad Boxes: Recipients of “Estratto Olandese Elefante” and “Luigi Rossa”, caramel substance used to prepare coffee, 1927. Small advertising book of 1926 Coffee cup.

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ID: MAJ5033356

Paper fan model with a gouache painting representing the destinations of the Grand Tour, usually a practical journey by artists and intellectuals of the 18th and 19th century in the Mediterranean countries during their youth for their education and enrichment: a view of a temple in Paestum, a castle fortified on the sea and a lighthouse. 1780-1790

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ID: MAJ5033363

Paper fan model with a gouache painting representing the destinations of the Grand Tour, usually a practical journey by artists and intellectuals of the 18th and 19th century in the Mediterranean countries during their youth for their education and enrichment: view of the square and the Basilica of St. Peter (San Pietro) in Rome. 1780-1790

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ID: MAJ5033374

Paper fan model with a gouache painting representing the destinations of the Grand Tour, usually a practical journey by artists and intellectuals of the 18th and 19th century in the Mediterranean countries during their youth for their education and enrichment: view of Naples from the sea. 1790

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ID: MRZ5033397

View of the statue of Alessandro Farnese (1545-1592) made by Francesco Mochi (1580-1654), 1620-1625 Piacenza, Italy Piacenza

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ID: MRZ5032112

High reliefs depicting on the left the animals symbolizing the evangelists surrounding a trone (tetramorph) (1654) and on the right a group of people who are equipped around a bed (1654). Cathedral (dome or duomo) of Milan Italy

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ID: MRZ5032189

High relief depicting Daniel in the lion pit by Francesco Carabelli. 1795. Cathedral (dome or duomo) of Milan Italy

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ID: MAJ5032223

Perspective studies. Per mostrare a che distanza sono gli edifici posti sopra una linea, il pittore fiorentino suggeriva di dipingerli di un'intensita d'azzurro, come l'aria, sempre maggiore in proporzione alla loro lontananza. Engraving from “” Treat de la peinture”” by Leonard de Vinci (1452-1519). “Trattato della pittura di Lionardo da Vinci”, Milano, Societa tipografica, 1804.

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ID: MRZ5032271

Architecture: view of an Atlantean or (telamon), about 1650. Detail of the facade of the Cathedral (dome or duomo) of Milan Italy

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ID: MAJ5032064

The Baron de Munchausen travels on the back of an eagle leaves Dover in England for France. Illustration by William Strang (1859-1921) and JB Clark from “The Adventures of the Baron of Munchausen (Munchhausen) by Rudolf Erich Raspe (1736-1794) (1789), 1895

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ID: MRZ5032174

High relief depicting the angel appearing at Gedeon (Gideon) to liberate the people of Israel from the occupation of the Madianites by Carlo Maria Giudici. 1797. Cathedral (dome or duomo) of Milan Italy

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ID: MRZ5032219

Architecture: statue of St. Thomas by Bartolomeo Ribossi and Pompeo Marchesi. 1813. Detail of the facade of the Cathedral (dome or duomo) of Milan Italy

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ID: MAJ5032244

Il pittore fiorentino utilizza l'immagine di Ercole (heracles) che stringe in un mortale abbraccio Anteo, che sollevato da terra non e piu invincibile, per studiare la figura umana mentre sostiene un peso. Engraving from “” Treat of Painting”” by Leonardo da Vinci (Leonard de Vinci) (1452-1519). “” Trattato della pittura di Lionardo da Vinci,””” Milano, Societa tipografica, 1804.