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National Monument Bandelier - Remains of the troglodytic dwellings of the Ancestral People Pueblo (Anasazi) - 14th - 15th century - North American civilization - Cliff dwellings long house - New Mexico - USA (USA)
National Monument Bandelier - Remains of the troglodytic dwellings of the Ancestral People Pueblo (Anasazi) - 14th - 15th century - North American civilization - Cliff dwellings long house - New Mexico - USA (USA)

FBU4241869: National Monument Bandelier - Remains of the troglodytic dwellings of the Ancestral People Pueblo (Anasazi) - 14th - 15th century - North American civilization - Cliff dwellings long house - New Mexico - USA (USA) / Bridgeman Images

ID: FBU4241869

National Monument Bandelier - Remains of the troglodytic dwellings of the Ancestral People Pueblo (Anasazi) - 14th - 15th century - North American civilization - Cliff dwellings long house - New Mexico - USA (USA)

National Monument Bandelier - Remains of the troglodytic dwellings of the Ancestral People Pueblo (Anasazi) - 14th - 15th century - North American civilization - Cliff dwellings long house - New Mexico - USA (USA)
National Monument Bandelier - Remains of the troglodytic dwellings of the Ancestral People Pueblo (Anasazi) - 14th - 15th century - North American civilization - Cliff dwellings long house - New Mexico - USA (USA)

FBU4241873: National Monument Bandelier - Remains of the troglodytic dwellings of the Ancestral People Pueblo (Anasazi) - 14th - 15th century - North American civilization - Cliff dwellings long house - New Mexico - USA (USA) / Bridgeman Images

ID: FBU4241873

National Monument Bandelier - Remains of the troglodytic dwellings of the Ancestral People Pueblo (Anasazi) - 14th - 15th century - North American civilization - Cliff dwellings long house - New Mexico - USA (USA)

National Monument Bandelier - Remains of the Wrodyte Houses of the Ancestral People Pueblo (Anasazi) - Cliff dwellings long house - New Mexico - USA (USA)
National Monument Bandelier - Remains of the Wrodyte Houses of the Ancestral People Pueblo (Anasazi) - Cliff dwellings long house - New Mexico - USA (USA)

FBU4241898: National Monument Bandelier - Remains of the Wrodyte Houses of the Ancestral People Pueblo (Anasazi) - Cliff dwellings long house - New Mexico - USA (USA) / Bridgeman Images

ID: FBU4241898

National Monument Bandelier - Remains of the Wrodyte Houses of the Ancestral People Pueblo (Anasazi) - Cliff dwellings long house - New Mexico - USA (USA)

National Monument Bandelier - Remains of the troglodytic dwellings of the Ancestral People Pueblo (Anasazi) - 14th - 15th century - North American civilization - Cliff dwellings long house - New Mexico - USA (USA)
National Monument Bandelier - Remains of the troglodytic dwellings of the Ancestral People Pueblo (Anasazi) - 14th - 15th century - North American civilization - Cliff dwellings long house - New Mexico - USA (USA)

FBU4241917: National Monument Bandelier - Remains of the troglodytic dwellings of the Ancestral People Pueblo (Anasazi) - 14th - 15th century - North American civilization - Cliff dwellings long house - New Mexico - USA (USA) / Bridgeman Images

ID: FBU4241917

National Monument Bandelier - Remains of the troglodytic dwellings of the Ancestral People Pueblo (Anasazi) - 14th - 15th century - North American civilization - Cliff dwellings long house - New Mexico - USA (USA)

National Monument Bandelier - Remains of the troglodytic dwellings of the Ancestral People Pueblo (Anasazi) - 14th - 15th century - North American civilization - Cliff dwellings long house - New Mexico - USA (USA)
National Monument Bandelier - Remains of the troglodytic dwellings of the Ancestral People Pueblo (Anasazi) - 14th - 15th century - North American civilization - Cliff dwellings long house - New Mexico - USA (USA)

FBU4241929: National Monument Bandelier - Remains of the troglodytic dwellings of the Ancestral People Pueblo (Anasazi) - 14th - 15th century - North American civilization - Cliff dwellings long house - New Mexico - USA (USA) / Bridgeman Images

ID: FBU4241929

National Monument Bandelier - Remains of the troglodytic dwellings of the Ancestral People Pueblo (Anasazi) - 14th - 15th century - North American civilization - Cliff dwellings long house - New Mexico - USA (USA)

Figures of musical angels, sculpted on the south wall of the choir of the Cathedrale Notre-Dame de Paris built at the beginning of the 14th century Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
Figures of musical angels, sculpted on the south wall of the choir of the Cathedrale Notre-Dame de Paris built at the beginning of the 14th century Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553697: Figures of musical angels, sculpted on the south wall of the choir of the Cathedrale Notre-Dame de Paris built at the beginning of the 14th century Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553697

Figures of musical angels, sculpted on the south wall of the choir of the Cathedrale Notre-Dame de Paris built at the beginning of the 14th century Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

The double ambulatory of the choir of the Cathedrale Notre Dame de Paris. It offers combinations of quadripart or triangular warhead vaults Cathedrale Notre Dame de Paris - Paris 4 - XIIIeme, XIIIeme, XIXeme, rehabilitation by Viollet-le-Duc -
The double ambulatory of the choir of the Cathedrale Notre Dame de Paris. It offers combinations of quadripart or triangular warhead vaults Cathedrale Notre Dame de Paris - Paris 4 - XIIIeme, XIIIeme, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4553743: The double ambulatory of the choir of the Cathedrale Notre Dame de Paris. It offers combinations of quadripart or triangular warhead vaults Cathedrale Notre Dame de Paris - Paris 4 - XIIIeme, XIIIeme, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553743

The double ambulatory of the choir of the Cathedrale Notre Dame de Paris. It offers combinations of quadripart or triangular warhead vaults Cathedrale Notre Dame de Paris - Paris 4 - XIIIeme, XIIIeme, XIXeme, rehabilitation by Viollet-le-Duc -

In front of the great rose of the Cathedrale Notre-Dame de Paris, a statue of the Virgin a Child proclaims the glory of the Incarnation. The statues of Adam and Eve and the gallery of the Kings of Israel and Judah show the long historical preparation that culminates in the manifestation of God in Jesus. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
In front of the great rose of the Cathedrale Notre-Dame de Paris, a statue of the Virgin a Child proclaims the glory of the Incarnation. The statues of Adam and Eve and the gallery of the Kings of Israel and Judah show the long historical preparation that culminates in the manifestation of God in Jesus. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553795: In front of the great rose of the Cathedrale Notre-Dame de Paris, a statue of the Virgin a Child proclaims the glory of the Incarnation. The statues of Adam and Eve and the gallery of the Kings of Israel and Judah show the long historical preparation that culminates in the manifestation of God in Jesus. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553795

In front of the great rose of the Cathedrale Notre-Dame de Paris, a statue of the Virgin a Child proclaims the glory of the Incarnation. The statues of Adam and Eve and the gallery of the Kings of Israel and Judah show the long historical preparation that culminates in the manifestation of God in Jesus. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

On the left burner of the portal of the Coronation of the Virgin, four panels depict sagebrush, walnut, ivy and rose hips. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
On the left burner of the portal of the Coronation of the Virgin, four panels depict sagebrush, walnut, ivy and rose hips. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4553846: On the left burner of the portal of the Coronation of the Virgin, four panels depict sagebrush, walnut, ivy and rose hips. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553846

On the left burner of the portal of the Coronation of the Virgin, four panels depict sagebrush, walnut, ivy and rose hips. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

On the eardrum, Mary sitting on the same throne as her Son participates in her divine life. An angel from Heaven crowns her and Christ bless her and saves her. This scene full of a grandiose serenite is the first manifestation of a new artistic trend, the “hard style”, in the 1220s. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
On the eardrum, Mary sitting on the same throne as her Son participates in her divine life. An angel from Heaven crowns her and Christ bless her and saves her. This scene full of a grandiose serenite is the first manifestation of a new artistic trend, the “hard style”, in the 1220s. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4553850: On the eardrum, Mary sitting on the same throne as her Son participates in her divine life. An angel from Heaven crowns her and Christ bless her and saves her. This scene full of a grandiose serenite is the first manifestation of a new artistic trend, the “hard style”, in the 1220s. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553850

On the eardrum, Mary sitting on the same throne as her Son participates in her divine life. An angel from Heaven crowns her and Christ bless her and saves her. This scene full of a grandiose serenite is the first manifestation of a new artistic trend, the “hard style”, in the 1220s. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

Left-wing of the Saint-Etienne portal at the south arm of the transept of the Cathedrale Notre Dame de Paris, around 1258. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
Left-wing of the Saint-Etienne portal at the south arm of the transept of the Cathedrale Notre Dame de Paris, around 1258. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553902: Left-wing of the Saint-Etienne portal at the south arm of the transept of the Cathedrale Notre Dame de Paris, around 1258. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553902

Left-wing of the Saint-Etienne portal at the south arm of the transept of the Cathedrale Notre Dame de Paris, around 1258. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

Detail of the ornamentation of the left stool of the Saint-Etienne portal at the south arm of the transpet of the Cathedrale Notre Dame de Paris around 1258. Evokes the techniques of goldsmith as these patterns of cupules decorated with flowers, including lilies in the Revolution. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
Detail of the ornamentation of the left stool of the Saint-Etienne portal at the south arm of the transpet of the Cathedrale Notre Dame de Paris around 1258. Evokes the techniques of goldsmith as these patterns of cupules decorated with flowers, including lilies in the Revolution. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553912: Detail of the ornamentation of the left stool of the Saint-Etienne portal at the south arm of the transpet of the Cathedrale Notre Dame de Paris around 1258. Evokes the techniques of goldsmith as these patterns of cupules decorated with flowers, including lilies in the Revolution. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553912

Detail of the ornamentation of the left stool of the Saint-Etienne portal at the south arm of the transpet of the Cathedrale Notre Dame de Paris around 1258. Evokes the techniques of goldsmith as these patterns of cupules decorated with flowers, including lilies in the Revolution. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

Upper part of the facade of the south arm of the transept of the Cathedrale Notre Dame de Paris. Viollet-le-Duc completely took over the gable and rebuilt the rose by turning it slightly with half a petal to give it a stronger seat. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
Upper part of the facade of the south arm of the transept of the Cathedrale Notre Dame de Paris. Viollet-le-Duc completely took over the gable and rebuilt the rose by turning it slightly with half a petal to give it a stronger seat. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553928: Upper part of the facade of the south arm of the transept of the Cathedrale Notre Dame de Paris. Viollet-le-Duc completely took over the gable and rebuilt the rose by turning it slightly with half a petal to give it a stronger seat. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553928

Upper part of the facade of the south arm of the transept of the Cathedrale Notre Dame de Paris. Viollet-le-Duc completely took over the gable and rebuilt the rose by turning it slightly with half a petal to give it a stronger seat. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

Southern flank of the cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
Southern flank of the cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553932: Southern flank of the cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553932

Southern flank of the cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

Do baptismal executed by Louis Bachelet. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
Do baptismal executed by Louis Bachelet. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553954: Do baptismal executed by Louis Bachelet. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553954

Do baptismal executed by Louis Bachelet. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

In the north coast, the chapel of Notre-Dame-de-Guadalupe, dedicated to the patron saint of Mexico. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
In the north coast, the chapel of Notre-Dame-de-Guadalupe, dedicated to the patron saint of Mexico. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553961: In the north coast, the chapel of Notre-Dame-de-Guadalupe, dedicated to the patron saint of Mexico. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553961

In the north coast, the chapel of Notre-Dame-de-Guadalupe, dedicated to the patron saint of Mexico. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

General view of the Chapel Saint-Eloi, whose decor was set up in 1964 by the Parisian goldsmith. Every year, a mass is celebrated at the cathedral and the statue of the saint (to the right of the altar) is carried in procession by the menbres of the jam. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
General view of the Chapel Saint-Eloi, whose decor was set up in 1964 by the Parisian goldsmith. Every year, a mass is celebrated at the cathedral and the statue of the saint (to the right of the altar) is carried in procession by the menbres of the jam. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553965: General view of the Chapel Saint-Eloi, whose decor was set up in 1964 by the Parisian goldsmith. Every year, a mass is celebrated at the cathedral and the statue of the saint (to the right of the altar) is carried in procession by the menbres of the jam. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553965

General view of the Chapel Saint-Eloi, whose decor was set up in 1964 by the Parisian goldsmith. Every year, a mass is celebrated at the cathedral and the statue of the saint (to the right of the altar) is carried in procession by the menbres of the jam. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

Altar of the Chapel of the Missionary Child with the reliquary of St. Paul Chen. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
Altar of the Chapel of the Missionary Child with the reliquary of St. Paul Chen. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553968: Altar of the Chapel of the Missionary Child with the reliquary of St. Paul Chen. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553968

Altar of the Chapel of the Missionary Child with the reliquary of St. Paul Chen. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

View, from the stands, of the high glass of the nave, not figurative and coloured, made by Jacques Le Chevallier in the 1960s. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
View, from the stands, of the high glass of the nave, not figurative and coloured, made by Jacques Le Chevallier in the 1960s. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553979: View, from the stands, of the high glass of the nave, not figurative and coloured, made by Jacques Le Chevallier in the 1960s. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553979

View, from the stands, of the high glass of the nave, not figurative and coloured, made by Jacques Le Chevallier in the 1960s. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

View, from the stands, of the high glass of the nave, not figurative and coloured, made by Jacques Le Chevallier in the years 1960.Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
View, from the stands, of the high glass of the nave, not figurative and coloured, made by Jacques Le Chevallier in the years 1960.Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553981: View, from the stands, of the high glass of the nave, not figurative and coloured, made by Jacques Le Chevallier in the years 1960.Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553981

View, from the stands, of the high glass of the nave, not figurative and coloured, made by Jacques Le Chevallier in the years 1960.Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

On the left, from the nave towards the west: the relatively stale columns contrast with the finesse of the superstructures. The capitals offer variations of the vegetal regne treated with a great plastic sense. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
On the left, from the nave towards the west: the relatively stale columns contrast with the finesse of the superstructures. The capitals offer variations of the vegetal regne treated with a great plastic sense. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4554006: On the left, from the nave towards the west: the relatively stale columns contrast with the finesse of the superstructures. The capitals offer variations of the vegetal regne treated with a great plastic sense. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4554006

On the left, from the nave towards the west: the relatively stale columns contrast with the finesse of the superstructures. The capitals offer variations of the vegetal regne treated with a great plastic sense. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

On the left, from the nave towards the west: the relatively stale columns contrast with the finesse of the superstructures. The capitals offer variations of the vegetal regne treated with a great plastic sense. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
On the left, from the nave towards the west: the relatively stale columns contrast with the finesse of the superstructures. The capitals offer variations of the vegetal regne treated with a great plastic sense. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4554028: On the left, from the nave towards the west: the relatively stale columns contrast with the finesse of the superstructures. The capitals offer variations of the vegetal regne treated with a great plastic sense. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4554028

On the left, from the nave towards the west: the relatively stale columns contrast with the finesse of the superstructures. The capitals offer variations of the vegetal regne treated with a great plastic sense. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

The grand organ in 1992, restoration by Jean-Loup Boisseau, Bertrand Cattiaux, Philippe Emeriau, Michel Giroud and the company Synaptel. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
The grand organ in 1992, restoration by Jean-Loup Boisseau, Bertrand Cattiaux, Philippe Emeriau, Michel Giroud and the company Synaptel. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4554042: The grand organ in 1992, restoration by Jean-Loup Boisseau, Bertrand Cattiaux, Philippe Emeriau, Michel Giroud and the company Synaptel. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4554042

The grand organ in 1992, restoration by Jean-Loup Boisseau, Bertrand Cattiaux, Philippe Emeriau, Michel Giroud and the company Synaptel. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

Entrance hall of the newly restored presbytery. The original decoration carried out on the drawings of Viollet-le-Duc in the 19th century had been very denominated by successive layers of paint and electrical installations. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
Entrance hall of the newly restored presbytery. The original decoration carried out on the drawings of Viollet-le-Duc in the 19th century had been very denominated by successive layers of paint and electrical installations. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4554049: Entrance hall of the newly restored presbytery. The original decoration carried out on the drawings of Viollet-le-Duc in the 19th century had been very denominated by successive layers of paint and electrical installations. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4554049

Entrance hall of the newly restored presbytery. The original decoration carried out on the drawings of Viollet-le-Duc in the 19th century had been very denominated by successive layers of paint and electrical installations. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

The transept of Notre-Dame interrupts the development of the nave from which it reveals the learned structure of five parallel vessels and stands in height. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
The transept of Notre-Dame interrupts the development of the nave from which it reveals the learned structure of five parallel vessels and stands in height. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4554088: The transept of Notre-Dame interrupts the development of the nave from which it reveals the learned structure of five parallel vessels and stands in height. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4554088

The transept of Notre-Dame interrupts the development of the nave from which it reveals the learned structure of five parallel vessels and stands in height. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

The very spacious grandstands of the Notre Dame Cathedral in Paris lead to surprising degagements on the high ship and perspectives degaged in height. Most of the capitals date back to the twelfth century in the choir, as well as the vaults that take up the triangular part of the lower ambulatory. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
The very spacious grandstands of the Notre Dame Cathedral in Paris lead to surprising degagements on the high ship and perspectives degaged in height. Most of the capitals date back to the twelfth century in the choir, as well as the vaults that take up the triangular part of the lower ambulatory. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4554116: The very spacious grandstands of the Notre Dame Cathedral in Paris lead to surprising degagements on the high ship and perspectives degaged in height. Most of the capitals date back to the twelfth century in the choir, as well as the vaults that take up the triangular part of the lower ambulatory. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4554116

The very spacious grandstands of the Notre Dame Cathedral in Paris lead to surprising degagements on the high ship and perspectives degaged in height. Most of the capitals date back to the twelfth century in the choir, as well as the vaults that take up the triangular part of the lower ambulatory. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

The arches of the cloitre are adorned with eighteen verrieres set up in 1867, executed by Gerente after the cards of Steinheil, representing the Life of Saint Genevieve, patron saint of the city of Paris. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
The arches of the cloitre are adorned with eighteen verrieres set up in 1867, executed by Gerente after the cards of Steinheil, representing the Life of Saint Genevieve, patron saint of the city of Paris. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4554162: The arches of the cloitre are adorned with eighteen verrieres set up in 1867, executed by Gerente after the cards of Steinheil, representing the Life of Saint Genevieve, patron saint of the city of Paris. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4554162

The arches of the cloitre are adorned with eighteen verrieres set up in 1867, executed by Gerente after the cards of Steinheil, representing the Life of Saint Genevieve, patron saint of the city of Paris. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

15 March 2013: the new bells of the Cathedrale Notre Dame (Notre-Dame) in Paris for its 850 years: installation of the last of the 8 new bells “Gabriel” in the belfry of the Tower North
15 March 2013: the new bells of the Cathedrale Notre Dame (Notre-Dame) in Paris for its 850 years: installation of the last of the 8 new bells “Gabriel” in the belfry of the Tower North

ITR4556849: 15 March 2013: the new bells of the Cathedrale Notre Dame (Notre-Dame) in Paris for its 850 years: installation of the last of the 8 new bells “Gabriel” in the belfry of the Tower North / Bridgeman Images

ID: ITR4556849

15 March 2013: the new bells of the Cathedrale Notre Dame (Notre-Dame) in Paris for its 850 years: installation of the last of the 8 new bells “Gabriel” in the belfry of the Tower North

Large apartment of King Louis XIV (1638-1715) called the flat of the planets, Venus lounge with intervention by Jules Hardouin-Mansart (1646-1708). Chateau de Versailles (Les Yvelines). Principal architects Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700.
Large apartment of King Louis XIV (1638-1715) called the flat of the planets, Venus lounge with intervention by Jules Hardouin-Mansart (1646-1708). Chateau de Versailles (Les Yvelines). Principal architects Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700.

ITR4561852: Large apartment of King Louis XIV (1638-1715) called the flat of the planets, Venus lounge with intervention by Jules Hardouin-Mansart (1646-1708). Chateau de Versailles (Les Yvelines). Principal architects Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700. / Bridgeman Images

ID: ITR4561852

Large apartment of King Louis XIV (1638-1715) called the flat of the planets, Venus lounge with intervention by Jules Hardouin-Mansart (1646-1708). Chateau de Versailles (Les Yvelines). Principal architects Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700.

Aile du midi, Galerie ouverte dit galerie de pierre, realised from 1678 to 1682 by Jules Hardouin Mansart (1646-1708). Chateau de Versailles (Les Yvelines). Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700.
Aile du midi, Galerie ouverte dit galerie de pierre, realised from 1678 to 1682 by Jules Hardouin Mansart (1646-1708). Chateau de Versailles (Les Yvelines). Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700.

ITR4561891: Aile du midi, Galerie ouverte dit galerie de pierre, realised from 1678 to 1682 by Jules Hardouin Mansart (1646-1708). Chateau de Versailles (Les Yvelines). Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700. / Bridgeman Images

ID: ITR4561891

Aile du midi, Galerie ouverte dit galerie de pierre, realised from 1678 to 1682 by Jules Hardouin Mansart (1646-1708). Chateau de Versailles (Les Yvelines). Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700.

Vault with Corinthian columns of LaChapelle royale began by Jules Hardouin Mansart (1646-1708) in 1699 and completed in 1710 by Robert De Cotte (1656-1735).Chateau de Versailles (Les Yvelines). Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700.
Vault with Corinthian columns of LaChapelle royale began by Jules Hardouin Mansart (1646-1708) in 1699 and completed in 1710 by Robert De Cotte (1656-1735).Chateau de Versailles (Les Yvelines). Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700.

ITR4561893: Vault with Corinthian columns of LaChapelle royale began by Jules Hardouin Mansart (1646-1708) in 1699 and completed in 1710 by Robert De Cotte (1656-1735).Chateau de Versailles (Les Yvelines). Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700. / Bridgeman Images

ID: ITR4561893

Vault with Corinthian columns of LaChapelle royale began by Jules Hardouin Mansart (1646-1708) in 1699 and completed in 1710 by Robert De Cotte (1656-1735).Chateau de Versailles (Les Yvelines). Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700.

Royal chapel began by Jules Hardouin Mansart (1646-1708) in 1699 and completed in 1710 by Robert De Cotte (1656-1735). Chateau de Versailles (Les Yvelines). Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700.
Royal chapel began by Jules Hardouin Mansart (1646-1708) in 1699 and completed in 1710 by Robert De Cotte (1656-1735). Chateau de Versailles (Les Yvelines). Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700.

ITR4561895: Royal chapel began by Jules Hardouin Mansart (1646-1708) in 1699 and completed in 1710 by Robert De Cotte (1656-1735). Chateau de Versailles (Les Yvelines). Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700. / Bridgeman Images

ID: ITR4561895

Royal chapel began by Jules Hardouin Mansart (1646-1708) in 1699 and completed in 1710 by Robert De Cotte (1656-1735). Chateau de Versailles (Les Yvelines). Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700.

Colonnade made in 1684 by Jules Hardouin Mansart (1646-1708), in the park of the castle of Versailles (Yvelines), Andre Le Notre (1613-1700).
Colonnade made in 1684 by Jules Hardouin Mansart (1646-1708), in the park of the castle of Versailles (Yvelines), Andre Le Notre (1613-1700).

ITR4561916: Colonnade made in 1684 by Jules Hardouin Mansart (1646-1708), in the park of the castle of Versailles (Yvelines), Andre Le Notre (1613-1700). / Bridgeman Images

ID: ITR4561916

Colonnade made in 1684 by Jules Hardouin Mansart (1646-1708), in the park of the castle of Versailles (Yvelines), Andre Le Notre (1613-1700).

The Little Trianon, the Queen's room. Architects Jules Hardouin Mansartet Louis Le Vau. Chateau de Versailles (Yvelines), architects Jules Hardouin Mansart (1646-1708) and Louis Le Vau (1612-1670).
The Little Trianon, the Queen's room. Architects Jules Hardouin Mansartet Louis Le Vau. Chateau de Versailles (Yvelines), architects Jules Hardouin Mansart (1646-1708) and Louis Le Vau (1612-1670).

ITR4561929: The Little Trianon, the Queen's room. Architects Jules Hardouin Mansartet Louis Le Vau. Chateau de Versailles (Yvelines), architects Jules Hardouin Mansart (1646-1708) and Louis Le Vau (1612-1670). / Bridgeman Images

ID: ITR4561929

The Little Trianon, the Queen's room. Architects Jules Hardouin Mansartet Louis Le Vau. Chateau de Versailles (Yvelines), architects Jules Hardouin Mansart (1646-1708) and Louis Le Vau (1612-1670).

The Peer Trianon realized for Louis XV (1638-1715) on the advice of Madame de Pompadour (Jeanne Antoinette Poisson, 1721-1764). The architect Ange Jacques Gabriel (1698-1782) completed his masterpiece in 1768. Chateau de Versailles (Les Yvelines), 1660-1700. Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).
The Peer Trianon realized for Louis XV (1638-1715) on the advice of Madame de Pompadour (Jeanne Antoinette Poisson, 1721-1764). The architect Ange Jacques Gabriel (1698-1782) completed his masterpiece in 1768. Chateau de Versailles (Les Yvelines), 1660-1700. Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).

ITR4561944: The Peer Trianon realized for Louis XV (1638-1715) on the advice of Madame de Pompadour (Jeanne Antoinette Poisson, 1721-1764). The architect Ange Jacques Gabriel (1698-1782) completed his masterpiece in 1768. Chateau de Versailles (Les Yvelines), 1660-1700. Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708). / Bridgeman Images

ID: ITR4561944

The Peer Trianon realized for Louis XV (1638-1715) on the advice of Madame de Pompadour (Jeanne Antoinette Poisson, 1721-1764). The architect Ange Jacques Gabriel (1698-1782) completed his masterpiece in 1768. Chateau de Versailles (Les Yvelines), 1660-1700. Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).

Le Potager du Roi is a historical garden created at the request of Louis XIV (1638-1715) by Jean Baptiste de la Quintinie (1624-1688) in 1678. Chateau de Versailles (Les Yvelines), 1660-1700. Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).
Le Potager du Roi is a historical garden created at the request of Louis XIV (1638-1715) by Jean Baptiste de la Quintinie (1624-1688) in 1678. Chateau de Versailles (Les Yvelines), 1660-1700. Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).

ITR4561947: Le Potager du Roi is a historical garden created at the request of Louis XIV (1638-1715) by Jean Baptiste de la Quintinie (1624-1688) in 1678. Chateau de Versailles (Les Yvelines), 1660-1700. Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708). / Bridgeman Images

ID: ITR4561947

Le Potager du Roi is a historical garden created at the request of Louis XIV (1638-1715) by Jean Baptiste de la Quintinie (1624-1688) in 1678. Chateau de Versailles (Les Yvelines), 1660-1700. Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).


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