Hogarth, William (1697-1764) Assets (626 in total)

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A Rake's Progress, Plate 7, 3rd State, 1735 (engraving)
A Rake's Progress, Plate 7, 3rd State, 1735 (engraving)

XDM1071404: A Rake's Progress, Plate 7, 3rd State, 1735 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

The Industrious 'Prentice a Favorite, and Entrusted by his Master, 1747 (engraving)
The Industrious 'Prentice a Favorite, and Entrusted by his Master, 1747 (engraving)

XDM1071412: The Industrious 'Prentice a Favorite, and Entrusted by his Master, 1747 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

A Rake's Progress, Plate 3, 2nd State, 1735 (engraving)
A Rake's Progress, Plate 3, 2nd State, 1735 (engraving)

XDM1071406: A Rake's Progress, Plate 3, 2nd State, 1735 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

A Woman Swearing a Child to a Grave Citizen, c.1730-35 (etching)
A Woman Swearing a Child to a Grave Citizen, c.1730-35 (etching)

XDM1071427: A Woman Swearing a Child to a Grave Citizen, c.1730-35 (etching), Hogarth, William (1697-1764) / Bridgeman Images

A Rake's Progress, Plate 5, 1st State, 1735 (engraving)
A Rake's Progress, Plate 5, 1st State, 1735 (engraving)

XDM1071400: A Rake's Progress, Plate 5, 1st State, 1735 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

The Sleeping Congregation, 1762 (engraving)
The Sleeping Congregation, 1762 (engraving)

XDM1071422: The Sleeping Congregation, 1762 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

The Laughing Audience, 1733 (etching)
The Laughing Audience, 1733 (etching)

XDM1069131: The Laughing Audience, 1733 (etching), Hogarth, William (1697-1764) / Bridgeman Images

Morning, from the series
Morning, from the series

DMW937850: Morning, from the series "Four Times of Day", 1738 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

The Times, Plate I, 1762 (engraving)
The Times, Plate I, 1762 (engraving)

HRP2624855: The Times, Plate I, 1762 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

The Assizes Of Westminster Hall (oil on canvas)
The Assizes Of Westminster Hall (oil on canvas)

IMA1555873: The Assizes Of Westminster Hall (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

Ferdinand courting Miranda from William Shakespeare's 'The Tempest' (Act 1 sc. ii)
Ferdinand courting Miranda from William Shakespeare's 'The Tempest' (Act 1 sc. ii)

USB1162251: Ferdinand courting Miranda from William Shakespeare's 'The Tempest' (Act 1 sc. ii), Hogarth, William (1697-1764) / Bridgeman Images

The Enraged Musician (etching and engraving)
The Enraged Musician (etching and engraving)

IMA1559768: The Enraged Musician (etching and engraving), Hogarth, William (1697-1764) / Bridgeman Images

The Breakfast Scene: Marriage À La Mode, Plate 2 (ecthing and engraving)
The Breakfast Scene: Marriage À La Mode, Plate 2 (ecthing and engraving)

IMA1559767: The Breakfast Scene: Marriage À La Mode, Plate 2 (ecthing and engraving), Hogarth, William (1697-1764) / Bridgeman Images

AUDIENCE - 'The Laughing
AUDIENCE - 'The Laughing

XLE3755107: AUDIENCE - 'The Laughing, Hogarth, William (1697-1764) / Bridgeman Images

'The Laughing Audience'  by William Hogarth
'The Laughing Audience'  by William Hogarth

XLE3759460: 'The Laughing Audience' by William Hogarth, Hogarth, William (1697-1764) / Bridgeman Images

Ticket for The Old Bachelor illustrated by William Hogarth
Ticket for The Old Bachelor illustrated by William Hogarth

XLE3759457: Ticket for The Old Bachelor illustrated by William Hogarth, Hogarth, William (1697-1764) / Bridgeman Images

The Wollaston Family, 1730 (oil on canvas)
The Wollaston Family, 1730 (oil on canvas)

LCM5911509: The Wollaston Family, 1730 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

Sarah Malcolm, 1732-33 (engraving)
Sarah Malcolm, 1732-33 (engraving)

WHT6375712: Sarah Malcolm, 1732-33 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

A Harlot's Fall, designed 1732, printed 1744
Gift of Lloyd Spencer (Etching and engraving)
A Harlot's Fall, designed 1732, printed 1744
Gift of Lloyd Spencer (Etching and engraving)

SEM6370268: A Harlot's Fall, designed 1732, printed 1744 Gift of Lloyd Spencer (Etching and engraving), Hogarth, William (1697-1764) / Bridgeman Images

The Harlot Lodged in Bridewell, 1744 (etching)
The Harlot Lodged in Bridewell, 1744 (etching)

SEM6370269: The Harlot Lodged in Bridewell, 1744 (etching), Hogarth, William (1697-1764) / Bridgeman Images

John Palmer, Barrister of the Inner Temple, 1749 (oil on canvas)
John Palmer, Barrister of the Inner Temple, 1749 (oil on canvas)

XYC134474: John Palmer, Barrister of the Inner Temple, 1749 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

Analysis of Beauty, Plate II, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
Analysis of Beauty, Plate II, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451165: Analysis of Beauty, Plate II, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

Marriage a la Mode, Plate III, The Inspection, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
Marriage a la Mode, Plate III, The Inspection, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451153: Marriage a la Mode, Plate III, The Inspection, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

Times of day, Evening, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
Times of day, Evening, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451175: Times of day, Evening, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

Martin Folkes, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
Martin Folkes, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451224: Martin Folkes, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

England, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
England, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451193: England, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

Marriage a la Mode, Plate VI, The Lady's Death, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
Marriage a la Mode, Plate VI, The Lady's Death, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451156: Marriage a la Mode, Plate VI, The Lady's Death, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

The Committee, from 'Hudibras' by Samuel Butler (1612-80), illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
The Committee, from 'Hudibras' by Samuel Butler (1612-80), illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451203: The Committee, from 'Hudibras' by Samuel Butler (1612-80), illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

Handwriting and signature of William Hogarth, from a letter to Sir Richard Grosvenor concerning his commission of a picture of Sigismunda, June 13, 1757 (pen and ink on paper) (see also 396067)
Handwriting and signature of William Hogarth, from a letter to Sir Richard Grosvenor concerning his commission of a picture of Sigismunda, June 13, 1757 (pen and ink on paper) (see also 396067)

KDC384221: Handwriting and signature of William Hogarth, from a letter to Sir Richard Grosvenor concerning his commission of a picture of Sigismunda, June 13, 1757 (pen and ink on paper) (see also 396067), Hogarth, William (1697-1764) / Bridgeman Images

Scene I: The Rake Taking Possession of his Estate, 1735 (engraving)
Scene I: The Rake Taking Possession of his Estate, 1735 (engraving)

XJF393889: Scene I: The Rake Taking Possession of his Estate, 1735 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

Sancho at the Magnificent Feast, from 'Don Quixote' by Miguel de Cervantes (1547-1616) (pencil & grey wash on paper)
Sancho at the Magnificent Feast, from 'Don Quixote' by Miguel de Cervantes (1547-1616) (pencil & grey wash on paper)

CH376382: Sancho at the Magnificent Feast, from 'Don Quixote' by Miguel de Cervantes (1547-1616) (pencil & grey wash on paper), Hogarth, William (1697-1764) / Bridgeman Images

The Gate of Calais, or O The Roast Beef of Old England, 1749 (engraving)
The Gate of Calais, or O The Roast Beef of Old England, 1749 (engraving)

XJF397628: The Gate of Calais, or O The Roast Beef of Old England, 1749 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

Hudibras Encounters the Skimmington, from 'Hudibras', by Samuel Butler, 1726 (engraving)
Hudibras Encounters the Skimmington, from 'Hudibras', by Samuel Butler, 1726 (engraving)

XJF396051: Hudibras Encounters the Skimmington, from 'Hudibras', by Samuel Butler, 1726 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

An Election Entertainment, 1755 (engraving) (detail of 396068)
An Election Entertainment, 1755 (engraving) (detail of 396068)

XJF396069: An Election Entertainment, 1755 (engraving) (detail of 396068), Hogarth, William (1697-1764) / Bridgeman Images

Scene II: The Rake's Levee, 1735 (engraving)
Scene II: The Rake's Levee, 1735 (engraving)

XJF396054: Scene II: The Rake's Levee, 1735 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

The Five Orders of Perriwigs, 1761 (engraving)
The Five Orders of Perriwigs, 1761 (engraving)

XJF396073: The Five Orders of Perriwigs, 1761 (engraving), Hogarth, William (1697-1764) / Bridgeman Images


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