Hankey, William Lee (1869-1952) Assets (191 in total)

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Gateway into Grasse, (oil on canvas)
Gateway into Grasse, (oil on canvas)

CH657524: Gateway into Grasse, (oil on canvas), Hankey, William Lee (1869-1952) / Bridgeman Images

Le Repos, (watercolour)
Le Repos, (watercolour)

CH657595: Le Repos, (watercolour), Hankey, William Lee (1869-1952) / Bridgeman Images

The Ferry, Concarneau, (oil on canvas)
The Ferry, Concarneau, (oil on canvas)

CH657909: The Ferry, Concarneau, (oil on canvas), Hankey, William Lee (1869-1952) / Bridgeman Images

A Square in Paris (oil on canvas)
A Square in Paris (oil on canvas)

MIG692942: A Square in Paris (oil on canvas), Hankey, William Lee (1869-1952) / Bridgeman Images

Notre Dame, Paris, (oil on canvas)
Notre Dame, Paris, (oil on canvas)

CH657219: Notre Dame, Paris, (oil on canvas), Hankey, William Lee (1869-1952) / Bridgeman Images

Mussel Boats, Honfleur, (oil on canvas)
Mussel Boats, Honfleur, (oil on canvas)

CH657451: Mussel Boats, Honfleur, (oil on canvas), Hankey, William Lee (1869-1952) / Bridgeman Images

Mother and Child (w/c on paper)
Mother and Child (w/c on paper)

MIG97767: Mother and Child (w/c on paper), Hankey, William Lee (1869-1952) / Bridgeman Images

Virgin Mary with the Infant Christ (hand coloured drypoint)
Virgin Mary with the Infant Christ (hand coloured drypoint)

MIG97771: Virgin Mary with the Infant Christ (hand coloured drypoint), Hankey, William Lee (1869-1952) / Bridgeman Images

Man Carrying his Possessions
Man Carrying his Possessions

FLF36347: Man Carrying his Possessions, Hankey, William Lee (1869-1952) / Bridgeman Images

On the Dykes, c.1910 (oil on canvas)
On the Dykes, c.1910 (oil on canvas)

BRA33355: On the Dykes, c.1910 (oil on canvas), Hankey, William Lee (1869-1952) / Bridgeman Images

In the Silent Woody Places by the Home that Gave me Birth, undated (oil on canvas)
In the Silent Woody Places by the Home that Gave me Birth, undated (oil on canvas)

SAG59075: In the Silent Woody Places by the Home that Gave me Birth, undated (oil on canvas), Hankey, William Lee (1869-1952) / Bridgeman Images

The Flower Market, Dieppe (oil on canvas)
The Flower Market, Dieppe (oil on canvas)

BSG346809: The Flower Market, Dieppe (oil on canvas), Hankey, William Lee (1869-1952) / Bridgeman Images

Mother and Children (oil on canvas)
Mother and Children (oil on canvas)

BSG346808: Mother and Children (oil on canvas), Hankey, William Lee (1869-1952) / Bridgeman Images

The Family, 1902 (w/c on paper)
The Family, 1902 (w/c on paper)

XPG379885: The Family, 1902 (w/c on paper), Hankey, William Lee (1869-1952) / Bridgeman Images

Stratford Upon Avon (oil on canvas)
Stratford Upon Avon (oil on canvas)

XPG379890: Stratford Upon Avon (oil on canvas), Hankey, William Lee (1869-1952) / Bridgeman Images

Hay Time (oil on canvas)
Hay Time (oil on canvas)

XPG379882: Hay Time (oil on canvas), Hankey, William Lee (1869-1952) / Bridgeman Images

Illustration for The Compleat Angler by Izaak Walton (colour litho)
Illustration for The Compleat Angler by Izaak Walton (colour litho)

LLM5992119: Illustration for The Compleat Angler by Izaak Walton (colour litho), Hankey, William Lee (1869-1952) / Bridgeman Images

Illustration for The Deserted Village by Oliver Goldsmith (colour litho)
Illustration for The Deserted Village by Oliver Goldsmith (colour litho)

LLM5992170: Illustration for The Deserted Village by Oliver Goldsmith (colour litho), Hankey, William Lee (1869-1952) / Bridgeman Images

Illustration for The Compleat Angler by Izaak Walton (colour litho)
Illustration for The Compleat Angler by Izaak Walton (colour litho)

LLM5992118: Illustration for The Compleat Angler by Izaak Walton (colour litho), Hankey, William Lee (1869-1952) / Bridgeman Images

Illustration for The Compleat Angler by Izaak Walton (colour litho)
Illustration for The Compleat Angler by Izaak Walton (colour litho)

LLM5992124: Illustration for The Compleat Angler by Izaak Walton (colour litho), Hankey, William Lee (1869-1952) / Bridgeman Images

Illustration for The Deserted Village by Oliver Goldsmith (colour litho)
Illustration for The Deserted Village by Oliver Goldsmith (colour litho)

LLM5992130: Illustration for The Deserted Village by Oliver Goldsmith (colour litho), Hankey, William Lee (1869-1952) / Bridgeman Images

Illustration for The Deserted Village by Oliver Goldsmith (colour litho)
Illustration for The Deserted Village by Oliver Goldsmith (colour litho)

LLM5992160: Illustration for The Deserted Village by Oliver Goldsmith (colour litho), Hankey, William Lee (1869-1952) / Bridgeman Images

Illustration for The Deserted Village by Oliver Goldsmith (colour litho)
Illustration for The Deserted Village by Oliver Goldsmith (colour litho)

LLM5992178: Illustration for The Deserted Village by Oliver Goldsmith (colour litho), Hankey, William Lee (1869-1952) / Bridgeman Images

Poverty (oil on canvas)
Poverty (oil on canvas)

LEA92328: Poverty (oil on canvas), Hankey, William Lee (1869-1952) / Bridgeman Images

The Inner Harbour, Dieppe, (oil on canvas)
The Inner Harbour, Dieppe, (oil on canvas)

CH656957: The Inner Harbour, Dieppe, (oil on canvas), Hankey, William Lee (1869-1952) / Bridgeman Images

Bateau de Peche, La Rochelle, (oil on canvas)
Bateau de Peche, La Rochelle, (oil on canvas)

CH657452: Bateau de Peche, La Rochelle, (oil on canvas), Hankey, William Lee (1869-1952) / Bridgeman Images

Getting Ready, (oil on canvas)
Getting Ready, (oil on canvas)

CH657594: Getting Ready, (oil on canvas), Hankey, William Lee (1869-1952) / Bridgeman Images

Near the Mouth of the Seine, (oil on canvas)
Near the Mouth of the Seine, (oil on canvas)

CH657910: Near the Mouth of the Seine, (oil on canvas), Hankey, William Lee (1869-1952) / Bridgeman Images

She only left of all harless train, the sad historian of the pensive plain (colour litho)
She only left of all harless train, the sad historian of the pensive plain (colour litho)

IL955959: She only left of all harless train, the sad historian of the pensive plain (colour litho), Hankey, William Lee (1869-1952) / Bridgeman Images

If, to some common's fenceless limits strayed, he drives his flock to pick the scanty blade (colour litho)
If, to some common's fenceless limits strayed, he drives his flock to pick the scanty blade (colour litho)

IL955975: If, to some common's fenceless limits strayed, he drives his flock to pick the scanty blade (colour litho), Hankey, William Lee (1869-1952) / Bridgeman Images

The dancing pair, that simply sought renown, by holding out to tire each other down (colour litho)
The dancing pair, that simply sought renown, by holding out to tire each other down (colour litho)

IL955948: The dancing pair, that simply sought renown, by holding out to tire each other down (colour litho), Hankey, William Lee (1869-1952) / Bridgeman Images

A man severe he was, and stern to view (colour litho)
A man severe he was, and stern to view (colour litho)

IL955966: A man severe he was, and stern to view (colour litho), Hankey, William Lee (1869-1952) / Bridgeman Images

Wept o'er his wounds, or tales of sorrow done, shouldered his crutch, and showed how fields were won (colour litho)
Wept o'er his wounds, or tales of sorrow done, shouldered his crutch, and showed how fields were won (colour litho)

IL955963: Wept o'er his wounds, or tales of sorrow done, shouldered his crutch, and showed how fields were won (colour litho), Hankey, William Lee (1869-1952) / Bridgeman Images

His lovely daughter, lovelier in her tears (colour litho)
His lovely daughter, lovelier in her tears (colour litho)

IL955981: His lovely daughter, lovelier in her tears (colour litho), Hankey, William Lee (1869-1952) / Bridgeman Images

A Market in Brittany, 1920 (w/c on paper)
A Market in Brittany, 1920 (w/c on paper)

GG128246: A Market in Brittany, 1920 (w/c on paper), Hankey, William Lee (1869-1952) / Bridgeman Images

The Stile, 1899 (w/c on paper)
The Stile, 1899 (w/c on paper)

XPG379887: The Stile, 1899 (w/c on paper), Hankey, William Lee (1869-1952) / Bridgeman Images


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