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Elephant headed god Ganesh (oil on cloth)
Elephant headed god Ganesh (oil on cloth)

DND277524: Elephant headed god Ganesh (oil on cloth), Indian School / Bridgeman Images

ID: DND277524

Elephant headed god Ganesh (oil on cloth)

Indian School

The childhood of Charles V, a reading of Erasmus in Brussels in 1511, 1863 (oil on canvas)
The childhood of Charles V, a reading of Erasmus in Brussels in 1511, 1863 (oil on canvas)

JLJ4592775: The childhood of Charles V, a reading of Erasmus in Brussels in 1511, 1863 (oil on canvas), Hamman, Edouard Jean Conrad (1819-88) / Bridgeman Images

ID: JLJ4592775

The childhood of Charles V, a reading of Erasmus in Brussels in 1511, 1863 (oil on canvas)

Hamman, Edouard Jean Conrad (1819-88)

Nicolas Copernicus (engraving)
Nicolas Copernicus (engraving)

XEE4353978: Nicolas Copernicus (engraving), Unknown Artist / Bridgeman Images

ID: XEE4353978

Nicolas Copernicus (engraving)

Unknown Artist

Portrait of Nostradamus (Michael de Nostre-Dame, 1503-1566), doctor and astrologer francais
Portrait of Nostradamus (Michael de Nostre-Dame, 1503-1566), doctor and astrologer francais

JEB4825979: Portrait of Nostradamus (Michael de Nostre-Dame, 1503-1566), doctor and astrologer francais, French School, (16th century) / Bridgeman Images

ID: JEB4825979

Portrait of Nostradamus (Michael de Nostre-Dame, 1503-1566), doctor and astrologer francais

French School, (16th century)

The Battle of Valmy, 20 September 1792, 1826 (oil on canvas)
The Battle of Valmy, 20 September 1792, 1826 (oil on canvas)

XOS5378384: The Battle of Valmy, 20 September 1792, 1826 (oil on canvas), Vernet, Horace (1789-1863) / Bridgeman Images

ID: XOS5378384

The Battle of Valmy, 20 September 1792, 1826 (oil on canvas)

Vernet, Horace (1789-1863)

Storming of Delhi 1857, from 'The Campaign in India 1857-58 from drawings made during the eventful period of the Great Mutiny, illustrating the military operations before Delhi and its neighbourhood', engraved by George McCulloch, published by Day & Son, c.1857 (colour litho)
Storming of Delhi 1857, from 'The Campaign in India 1857-58 from drawings made during the eventful period of the Great Mutiny, illustrating the military operations before Delhi and its neighbourhood', engraved by George McCulloch, published by Day & Son, c.1857 (colour litho)

NAM261136: Storming of Delhi 1857, from 'The Campaign in India 1857-58 from drawings made during the eventful period of the Great Mutiny, illustrating the military operations before Delhi and its neighbourhood', engraved by George McCulloch, published by Day & Son, c.1857 (colour litho), Atkinson, George Francklin (1822-59) (after) / Bridgeman Images

ID: NAM261136

Storming of Delhi 1857, from 'The Campaign in India 1857-58 from drawings made during the eventful period of the Great Mutiny, illustrating the military operations before Delhi and its neighbourhood', engraved by George McCulloch, published by Day & Son, c.1857 (colour litho)

Atkinson, George Francklin (1822-59) (after)

The Alarm, 1935-36 (oil on canvas)
The Alarm, 1935-36 (oil on canvas)

CH257491: The Alarm, 1935-36 (oil on canvas), Schjerfbeck, Helene (1862-1946) / Bridgeman Images

ID: CH257491

The Alarm, 1935-36 (oil on canvas)

Schjerfbeck, Helene (1862-1946)

The Entrance to the Great Temple of Aboo Simble, Nubia, titlepage of Volume I of 'Egypt and Nubia', engraved by Louis Haghe (1806-85) published in London, 1846 (colour litho)
The Entrance to the Great Temple of Aboo Simble, Nubia, titlepage of Volume I of 'Egypt and Nubia', engraved by Louis Haghe (1806-85) published in London, 1846 (colour litho)

XCF266242: The Entrance to the Great Temple of Aboo Simble, Nubia, titlepage of Volume I of 'Egypt and Nubia', engraved by Louis Haghe (1806-85) published in London, 1846 (colour litho), Roberts, David (1796-1864) (after) / Bridgeman Images

ID: XCF266242

The Entrance to the Great Temple of Aboo Simble, Nubia, titlepage of Volume I of 'Egypt and Nubia', engraved by Louis Haghe (1806-85) published in London, 1846 (colour litho)

Roberts, David (1796-1864) (after)

Illustration for 'The Nose' by Nikolai Gogol (1809-52) 1904 (w/c, gouache, white colour & ink on paper)
Illustration for 'The Nose' by Nikolai Gogol (1809-52) 1904 (w/c, gouache, white colour & ink on paper)

XAB265702: Illustration for 'The Nose' by Nikolai Gogol (1809-52) 1904 (w/c, gouache, white colour & ink on paper), Bakst, Leon (1866-1924) / Bridgeman Images

ID: XAB265702

Illustration for 'The Nose' by Nikolai Gogol (1809-52) 1904 (w/c, gouache, white colour & ink on paper)

Bakst, Leon (1866-1924)

The Garden of Earthly Delights, 1490-1500 (oil on panel)
The Garden of Earthly Delights, 1490-1500 (oil on panel)

XIR259730: The Garden of Earthly Delights, 1490-1500 (oil on panel), Bosch, Hieronymus (fl.1418-1516) (workshop of) / Bridgeman Images

ID: XIR259730

The Garden of Earthly Delights, 1490-1500 (oil on panel)

Bosch, Hieronymus (fl.1418-1516) (workshop of)

Two Women among the Flowers, 1875 (oil on canvas)
Two Women among the Flowers, 1875 (oil on canvas)

XOS5614485: Two Women among the Flowers, 1875 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: XOS5614485

Two Women among the Flowers, 1875 (oil on canvas)

Monet, Claude (1840-1926)

Map of the New Island of Utopia from a 1518 edition of 'Utopia' by Sir Thomas More (1478-1535), first published in 1516. Woodcut by Ambrosius Holbein (c. 1494-c. 1519) showing the island with protagonist Raphael Hythloday bottom left describing the ideal society found on the island.
Map of the New Island of Utopia from a 1518 edition of 'Utopia' by Sir Thomas More (1478-1535), first published in 1516. Woodcut by Ambrosius Holbein (c. 1494-c. 1519) showing the island with protagonist Raphael Hythloday bottom left describing the ideal society found on the island.

AFF5615727: Map of the New Island of Utopia from a 1518 edition of 'Utopia' by Sir Thomas More (1478-1535), first published in 1516. Woodcut by Ambrosius Holbein (c. 1494-c. 1519) showing the island with protagonist Raphael Hythloday bottom left describing the ideal society found on the island., Holbein, Ambrosius (c.1493-c.1519) / Bridgeman Images

ID: AFF5615727

Map of the New Island of Utopia from a 1518 edition of 'Utopia' by Sir Thomas More (1478-1535), first published in 1516. Woodcut by Ambrosius Holbein (c. 1494-c. 1519) showing the island with protagonist Raphael Hythloday bottom left describing the ideal society found on the island.

Holbein, Ambrosius (c.1493-c.1519)

Portrait of the Knight Charles D'Eon de Beaumont, illustration by John Conde, 18th century (engraving)
Portrait of the Knight Charles D'Eon de Beaumont, illustration by John Conde, 18th century (engraving)

ELD4831339: Portrait of the Knight Charles D'Eon de Beaumont, illustration by John Conde, 18th century (engraving), Conde, John (1680-1764) / Bridgeman Images

ID: ELD4831339

Portrait of the Knight Charles D'Eon de Beaumont, illustration by John Conde, 18th century (engraving)

Conde, John (1680-1764)

Family Picnic (oil on oilcloth)
Family Picnic (oil on oilcloth)

FIA5405840: Family Picnic (oil on oilcloth), Pirosmani, Niko (1862-1918) / Bridgeman Images

ID: FIA5405840

Family Picnic (oil on oilcloth)

Pirosmani, Niko (1862-1918)

Thadée Natanson and his wife Misia Godebska in the garden of their country home, 'Le Relais', c.1899 (b/w photo)
Thadée Natanson and his wife Misia Godebska in the garden of their country home, 'Le Relais', c.1899 (b/w photo)

CHT694854: Thadée Natanson and his wife Misia Godebska in the garden of their country home, 'Le Relais', c.1899 (b/w photo), French Photographer, (19th century) / Bridgeman Images

ID: CHT694854

Thadée Natanson and his wife Misia Godebska in the garden of their country home, 'Le Relais', c.1899 (b/w photo)

French Photographer, (19th century)

A pair of shoes, 1886 (oil on canvas)
A pair of shoes, 1886 (oil on canvas)

CH433466: A pair of shoes, 1886 (oil on canvas), Gogh, Vincent van (1853-90) / Bridgeman Images

ID: CH433466

A pair of shoes, 1886 (oil on canvas)

Gogh, Vincent van (1853-90)

Color Olivi, plate 14 from 'Nova Reperta', engraved by Philip Galle, c.1580-1605 (engraving)
Color Olivi, plate 14 from 'Nova Reperta', engraved by Philip Galle, c.1580-1605 (engraving)

XJF448291: Color Olivi, plate 14 from 'Nova Reperta', engraved by Philip Galle, c.1580-1605 (engraving), Straet, Jan van der (Giovanni Stradano) (1523-1605) (after) / Bridgeman Images

ID: XJF448291

Color Olivi, plate 14 from 'Nova Reperta', engraved by Philip Galle, c.1580-1605 (engraving)

Straet, Jan van der (Giovanni Stradano) (1523-1605) (after)

Eugen Sandow, in classical ancient Greco-Roman pose, c.1894 (b/w photo)
Eugen Sandow, in classical ancient Greco-Roman pose, c.1894 (b/w photo)

DGC437487: Eugen Sandow, in classical ancient Greco-Roman pose, c.1894 (b/w photo), Falk, Benjamin J. (1853-1925) / Bridgeman Images

ID: DGC437487

Eugen Sandow, in classical ancient Greco-Roman pose, c.1894 (b/w photo)

Falk, Benjamin J. (1853-1925)

Dmitri Shostakovich during the Siege of Leningrad, 1941 (b/w photo)
Dmitri Shostakovich during the Siege of Leningrad, 1941 (b/w photo)

XBH366685: Dmitri Shostakovich during the Siege of Leningrad, 1941 (b/w photo), Russian Photographer, (20th century) / Bridgeman Images

ID: XBH366685

Dmitri Shostakovich during the Siege of Leningrad, 1941 (b/w photo)

Russian Photographer, (20th century)

The Bird Organ or A Woman Varying Her Pleasures, 1751 (oil on canvas)
The Bird Organ or A Woman Varying Her Pleasures, 1751 (oil on canvas)

XIR362980: The Bird Organ or A Woman Varying Her Pleasures, 1751 (oil on canvas), Chardin, Jean-Baptiste Simeon (1699-1779) / Bridgeman Images

ID: XIR362980

The Bird Organ or A Woman Varying Her Pleasures, 1751 (oil on canvas)

Chardin, Jean-Baptiste Simeon (1699-1779)

Urn representing a maize god, Monte Alban III style (pottery)
Urn representing a maize god, Monte Alban III style (pottery)

XBP351811: Urn representing a maize god, Monte Alban III style (pottery), Zapotec / Bridgeman Images

ID: XBP351811

Urn representing a maize god, Monte Alban III style (pottery)

Zapotec

Chinese Ring-necked Pheasants in the Snow, 1910 (w/c & gouache on paper)
Chinese Ring-necked Pheasants in the Snow, 1910 (w/c & gouache on paper)

PNH356607: Chinese Ring-necked Pheasants in the Snow, 1910 (w/c & gouache on paper), Thorburn, Archibald (1860-1935) / Bridgeman Images

ID: PNH356607

Chinese Ring-necked Pheasants in the Snow, 1910 (w/c & gouache on paper)

Thorburn, Archibald (1860-1935)

The Return of the Vikings (colour litho)
The Return of the Vikings (colour litho)

STC358004: The Return of the Vikings (colour litho), Valda, John Harris (1874-1942) / Bridgeman Images

ID: STC358004

The Return of the Vikings (colour litho)

Valda, John Harris (1874-1942)

Hunter Skiing (oil on canvas)
Hunter Skiing (oil on canvas)

OVR371680: Hunter Skiing (oil on canvas), Hansteen, Nils (1855-1912) / Bridgeman Images

ID: OVR371680

Hunter Skiing (oil on canvas)

Hansteen, Nils (1855-1912)

Waterlilies, 1916-19 (oil on canvas)
Waterlilies, 1916-19 (oil on canvas)

XIR382331: Waterlilies, 1916-19 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: XIR382331

Waterlilies, 1916-19 (oil on canvas)

Monet, Claude (1840-1926)

Folio from an unidentified text, Iran, Safavid period (opaque watercolour and gold on paper)
Folio from an unidentified text, Iran, Safavid period (opaque watercolour and gold on paper)

FSG348705: Folio from an unidentified text, Iran, Safavid period (opaque watercolour and gold on paper), Persian School, (16th century) / Bridgeman Images

ID: FSG348705

Folio from an unidentified text, Iran, Safavid period (opaque watercolour and gold on paper)

Persian School, (16th century)

An Imam reading the Koran in the Mosque of the Sultan, Morocco, 1817 (engraving)
An Imam reading the Koran in the Mosque of the Sultan, Morocco, 1817 (engraving)

STC386352: An Imam reading the Koran in the Mosque of the Sultan, Morocco, 1817 (engraving), Keating, Maurice (d.1835) / Bridgeman Images

ID: STC386352

An Imam reading the Koran in the Mosque of the Sultan, Morocco, 1817 (engraving)

Keating, Maurice (d.1835)

Gala Concert given in January 1782 in Venice for the Tsarevich Paul of Russia and his wife, Maria Feodorovna (oil on canvas)
Gala Concert given in January 1782 in Venice for the Tsarevich Paul of Russia and his wife, Maria Feodorovna (oil on canvas)

XIR244965: Gala Concert given in January 1782 in Venice for the Tsarevich Paul of Russia and his wife, Maria Feodorovna (oil on canvas), Guardi, Francesco (1712-93) / Bridgeman Images

ID: XIR244965

Gala Concert given in January 1782 in Venice for the Tsarevich Paul of Russia and his wife, Maria Feodorovna (oil on canvas)

Guardi, Francesco (1712-93)

Alejandro O'Reilly (1722-94) (oil on canvas)
Alejandro O'Reilly (1722-94) (oil on canvas)

XIR240983: Alejandro O'Reilly (1722-94) (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

ID: XIR240983

Alejandro O'Reilly (1722-94) (oil on canvas)

Goya y Lucientes, Francisco Jose de (1746-1828)

The Breakfast Room, Winter Morning, 1911 (oil on canvas)
The Breakfast Room, Winter Morning, 1911 (oil on canvas)

WAM242526: The Breakfast Room, Winter Morning, 1911 (oil on canvas), Hassam, Childe Frederick (1859-1935) / Bridgeman Images

ID: WAM242526

The Breakfast Room, Winter Morning, 1911 (oil on canvas)

Hassam, Childe Frederick (1859-1935)

The Nativity, c.1490 (oil on panel) (detail of 201617)
The Nativity, c.1490 (oil on panel) (detail of 201617)

XIR241272: The Nativity, c.1490 (oil on panel) (detail of 201617), Costa, Lorenzo (1459/60-1535) / Bridgeman Images

ID: XIR241272

The Nativity, c.1490 (oil on panel) (detail of 201617)

Costa, Lorenzo (1459/60-1535)

Virgin and Child 'Madonna with the Iris', 1508 (tempera on panel) (detail of 22578)
Virgin and Child 'Madonna with the Iris', 1508 (tempera on panel) (detail of 22578)

XCF241265: Virgin and Child 'Madonna with the Iris', 1508 (tempera on panel) (detail of 22578), Durer or Duerer, Albrecht (1471-1528) (after) / Bridgeman Images

ID: XCF241265

Virgin and Child 'Madonna with the Iris', 1508 (tempera on panel) (detail of 22578)

Durer or Duerer, Albrecht (1471-1528) (after)

The Waterfall (oil on canvas)
The Waterfall (oil on canvas)

WAM250048: The Waterfall (oil on canvas), Twachtman, John Henry (1853-1902) / Bridgeman Images

ID: WAM250048

The Waterfall (oil on canvas)

Twachtman, John Henry (1853-1902)

Jean Calas (1698-1762) discovering his dead son (engraving)
Jean Calas (1698-1762) discovering his dead son (engraving)

XIR242873: Jean Calas (1698-1762) discovering his dead son (engraving), Eisen, Charles Joseph Dominique (1720-78) (after) / Bridgeman Images

ID: XIR242873

Jean Calas (1698-1762) discovering his dead son (engraving)

Eisen, Charles Joseph Dominique (1720-78) (after)

Two Semi-Nude Women at the Maison de la Rue des Moulins, 1894 (oil on card)
Two Semi-Nude Women at the Maison de la Rue des Moulins, 1894 (oil on card)

XIR243472: Two Semi-Nude Women at the Maison de la Rue des Moulins, 1894 (oil on card), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images

ID: XIR243472

Two Semi-Nude Women at the Maison de la Rue des Moulins, 1894 (oil on card)

Toulouse-Lautrec, Henri de (1864-1901)

The Charge of the Light Brigade at the Battle of Balaclava on 25th October, 1854, illustration from 'British Battles on Land and Sea' edited by Sir Evelyn Wood (1838-1919) 1915 (colour litho)
The Charge of the Light Brigade at the Battle of Balaclava on 25th October, 1854, illustration from 'British Battles on Land and Sea' edited by Sir Evelyn Wood (1838-1919) 1915 (colour litho)

IL243500: The Charge of the Light Brigade at the Battle of Balaclava on 25th October, 1854, illustration from 'British Battles on Land and Sea' edited by Sir Evelyn Wood (1838-1919) 1915 (colour litho), Clark, Christopher (1875-1942) (after) / Bridgeman Images

ID: IL243500

The Charge of the Light Brigade at the Battle of Balaclava on 25th October, 1854, illustration from 'British Battles on Land and Sea' edited by Sir Evelyn Wood (1838-1919) 1915 (colour litho)

Clark, Christopher (1875-1942) (after)


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