XIR390352:
Jupiter disguised as Diana tries to seduce Callisto, c.1753 (oil on canvas), Fragonard, Jean-Honore (1732-1806) / Bridgeman Images
ID: XIR390352
Jupiter disguised as Diana tries to seduce Callisto, c.1753 (oil on canvas)
Fragonard, Jean-Honore (1732-1806)
KWE387036:
A phrenological map of the human brain, from 'Virtue's Household Physician', published in 1924 (lithograph), English School, (20th century) / Bridgeman Images
ID: KWE387036
A phrenological map of the human brain, from 'Virtue's Household Physician', published in 1924 (lithograph)
English School, (20th century)
CH401565:
Antoinette Herbert looking in the Mirror, c.1844 (oil on canvas), Millet, Jean-Francois (1814-75) / Bridgeman Images
ID: CH401565
Antoinette Herbert looking in the Mirror, c.1844 (oil on canvas)
Millet, Jean-Francois (1814-75)
CH401058:
The Queen of the Night (oil on canvas), Fantin-Latour, Ignace Henri Jean (1836-1904) / Bridgeman Images
ID: CH401058
The Queen of the Night (oil on canvas)
Fantin-Latour, Ignace Henri Jean (1836-1904)
JLJ4682671:
The king touches, God hears you King Henry II (1519-1559), 1547-1550 (miniature), Unknown Artist, (16th century) / Bridgeman Images
ID: JLJ4682671
The king touches, God hears you King Henry II (1519-1559), 1547-1550 (miniature)
Unknown Artist, (16th century)
JVH349271:
A Trompe l'Oeil Letter Rack, 1701 (oil on canvas), Collier, Evert (c.1640-c.1702) / Bridgeman Images
ID: JVH349271
A Trompe l'Oeil Letter Rack, 1701 (oil on canvas)
Collier, Evert (c.1640-c.1702)
CHT365097:
Panoramic view and plan of Sevastopol and the Black Sea Coast at the time of the Crimean War, 1855 (litho), French School, (19th century) / Bridgeman Images
ID: CHT365097
Panoramic view and plan of Sevastopol and the Black Sea Coast at the time of the Crimean War, 1855 (litho)
French School, (19th century)
CH372097:
The Southwest Wing of the Cathedral in Reims, 1826 (oil on canvas), Quaglio, Domenico II (1787-1837) / Bridgeman Images
ID: CH372097
The Southwest Wing of the Cathedral in Reims, 1826 (oil on canvas)
Quaglio, Domenico II (1787-1837)
BAL135994:
Portrait of Pythagoras (c.580-500 BC) engraved by B.Barloccini, 1849 (engraving), Perkins, C.C (19th century) (after) / Bridgeman Images
ID: BAL135994
Portrait of Pythagoras (c.580-500 BC) engraved by B.Barloccini, 1849 (engraving)
Perkins, C.C (19th century) (after)
XIR156711:
The Siege of Tunis or La Goulette by Charles V in 1535 (engraving), Hogenberg, Franz (1540-c.1590) / Bridgeman Images
ID: XIR156711
The Siege of Tunis or La Goulette by Charles V in 1535 (engraving)
Hogenberg, Franz (1540-c.1590)
XIR153754:
Charles d'Albert (1578-1621) Duke of Luynes, High Constable and Falconer, 1834 (oil on canvas), Robert-Fleury, Joseph-Nicolas (1797-1890) / Bridgeman Images
ID: XIR153754
Charles d'Albert (1578-1621) Duke of Luynes, High Constable and Falconer, 1834 (oil on canvas)
Robert-Fleury, Joseph-Nicolas (1797-1890)
CHT164101:
Wood transport on the River Seine, from 'Ordonnances Royaux de la Juridiction de la Prevote des Marchands de la Ville de Paris', 1528 (w/c & gouache on paper), Verard, Antoine (1450-1519) (attr. to) / Bridgeman Images
ID: CHT164101
Wood transport on the River Seine, from 'Ordonnances Royaux de la Juridiction de la Prevote des Marchands de la Ville de Paris', 1528 (w/c & gouache on paper)
Verard, Antoine (1450-1519) (attr. to)
BWM160865:
Architectural capriccio with obelisk, 1768 (oil on canvas), Robert, Hubert (1733-1808) / Bridgeman Images
ID: BWM160865
Architectural capriccio with obelisk, 1768 (oil on canvas)
Robert, Hubert (1733-1808)
JLJ4666010:
Roman antiquite: Sarcophagus of the Muses, 2nd century (marble), Roman / Bridgeman Images
ID: JLJ4666010
Roman antiquite: Sarcophagus of the Muses, 2nd century (marble)
Roman
JLJ4611232:
Industrial Revolution: Overview of Mr Vivian's Copper Factory in Swansea, Wales. Engraving of the 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images
ID: JLJ4611232
Industrial Revolution: Overview of Mr Vivian's Copper Factory in Swansea, Wales. Engraving of the 19th century (engraving)
Unknown Artist, (19th century)
LRI4623501:
Portrait of Alfred de Musset, french poet, 1854 (painting), Landelle, Charles (1821-1908) / Bridgeman Images
ID: LRI4623501
Portrait of Alfred de Musset, french poet, 1854 (painting)
Landelle, Charles (1821-1908)
JEB4876500:
Foundation of Marseille in 600 BC - Les Noces de Protis et Gyptis (oil on canvas), Rave, Joanny (1827-87) / Bridgeman Images
ID: JEB4876500
Foundation of Marseille in 600 BC - Les Noces de Protis et Gyptis (oil on canvas)
Rave, Joanny (1827-87)
XOS3432932:
Notre-Dame-de-la-Garde (La Bonne-Mère), Marseilles, 1905-6 (oil on canvas), Signac, Paul (1863-1935) / Bridgeman Images
ID: XOS3432932
Notre-Dame-de-la-Garde (La Bonne-Mère), Marseilles, 1905-6 (oil on canvas)
Antique Dutch World Map, 1689 (coloured engraving)
Netherlandish School, (17th century)
CH1767241:
The Immaculate Conception with the Fifteen Mysteries of the Rosary (oil on canvas), Cabrera, Miguel (1695-1768) (circle of) / Bridgeman Images
ID: CH1767241
The Immaculate Conception with the Fifteen Mysteries of the Rosary (oil on canvas)
Cabrera, Miguel (1695-1768) (circle of)
CH1199614:
In a Rose Garden, (oil on panel), Alma-Tadema, Lawrence (1836-1912) / Bridgeman Images
ID: CH1199614
In a Rose Garden, (oil on panel)
Alma-Tadema, Lawrence (1836-1912)
SCP38083:
Francis Basset, 1st Baron of Dunstanville, 1778 (oil on canvas), Batoni, Pompeo Girolamo (1708-87) / Bridgeman Images
ID: SCP38083
Francis Basset, 1st Baron of Dunstanville, 1778 (oil on canvas)
Batoni, Pompeo Girolamo (1708-87)
RGS38114:
Compass used by David Livingstone (mixed media), Scottish School, (19th century) / Bridgeman Images
ID: RGS38114
Compass used by David Livingstone (mixed media)
Scottish School, (19th century)
RAF38125:
A View of Dresden, Joli, Antonio (1700-77) / Bridgeman Images
ID: RAF38125
A View of Dresden
Joli, Antonio (1700-77)
WAK64248:
Portrait of Mrs Shakespeare, 1739 (oil on canvas), Mercier, Philippe (1689-1760) / Bridgeman Images
ID: WAK64248
Portrait of Mrs Shakespeare, 1739 (oil on canvas)
Mercier, Philippe (1689-1760)
FIT67022:
The Arno in Florence with the Ponte Vecchio, c.1745 (oil on canvas), Bellotto, Bernardo (1720-80) / Bridgeman Images
ID: FIT67022
The Arno in Florence with the Ponte Vecchio, c.1745 (oil on canvas)
Bellotto, Bernardo (1720-80)
XIR61751:
The Prophet Amos, 1535 (oil on panel), Juan de Borgona, (c.1470-c.1535) / Bridgeman Images
ID: XIR61751
The Prophet Amos, 1535 (oil on panel)
Juan de Borgona, (c.1470-c.1535)
STC61980:
`The Weaving of Flower'd Silks', Two Women at Work, China, late 18th century (woodcut), Chinese School, (18th century) / Bridgeman Images
ID: STC61980
`The Weaving of Flower'd Silks', Two Women at Work, China, late 18th century (woodcut)
Chinese School, (18th century)
MAN62935:
The Establishment of the Flemish Weavers in Manchester in 1363, 1888 (tempera on panel), Brown, Ford Madox (1821-93) / Bridgeman Images
ID: MAN62935
The Establishment of the Flemish Weavers in Manchester in 1363, 1888 (tempera on panel)
Brown, Ford Madox (1821-93)
BEN85141:
St. Francis of Assisi (c. 1182-1226) with scenes from his life, 1235 (panel), Berlinghieri, Bonaventura (fl.1228-74) / Bridgeman Images
ID: BEN85141
St. Francis of Assisi (c. 1182-1226) with scenes from his life, 1235 (panel)
Berlinghieri, Bonaventura (fl.1228-74)
CEC131727:
Study for 'A Column on the March', c.1914 (black and yellow chalk on the march), Nevinson, Christopher Richard Wynne (1889-1946) / Bridgeman Images
ID: CEC131727
Study for 'A Column on the March', c.1914 (black and yellow chalk on the march)
Nevinson, Christopher Richard Wynne (1889-1946)
PWI91067:
Portrait of Francis George Hare, oldest son of Francis Hare Naylor (1753-1815) 1788-9 (oil on canvas), Reynolds, Joshua (1723-92) / Bridgeman Images
ID: PWI91067
Portrait of Francis George Hare, oldest son of Francis Hare Naylor (1753-1815) 1788-9 (oil on canvas)
Reynolds, Joshua (1723-92)
NP125919:
Rosa sulfurea, engraved by Langlois, from 'Les Roses', 1817-24 (coloured aquatint), Redoute, Pierre Joseph (1759-1840) (after) / Bridgeman Images
ID: NP125919
Rosa sulfurea, engraved by Langlois, from 'Les Roses', 1817-24 (coloured aquatint)