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Portrait of Enrico Caruso (1873-1921), Italian tenor.
Portrait of Enrico Caruso (1873-1921), Italian tenor.

XEE4408632: Portrait of Enrico Caruso (1873-1921), Italian tenor., Unknown photographer, (20th century) / Bridgeman Images

ID: XEE4408632

Portrait of Enrico Caruso (1873-1921), Italian tenor.

Unknown photographer, (20th century)

A textile workshop with children under Louis Philippe 1830-1848 in the 19th century.
A textile workshop with children under Louis Philippe 1830-1848 in the 19th century.

XEE4167373: A textile workshop with children under Louis Philippe 1830-1848 in the 19th century., French School, (20th century) / Bridgeman Images

ID: XEE4167373

A textile workshop with children under Louis Philippe 1830-1848 in the 19th century.

French School, (20th century)

Taras Shevchenko
Taras Shevchenko

XLA3755778: Taras Shevchenko, Unknown Artist, (19th century) / Bridgeman Images

ID: XLA3755778

Taras Shevchenko

Unknown Artist, (19th century)

Angélique and Cléante's Duet, Act II, 'Le Malade Imaginaire' (oil on canvas)
Angélique and Cléante's Duet, Act II, 'Le Malade Imaginaire' (oil on canvas)

XLA3772867: Angélique and Cléante's Duet, Act II, 'Le Malade Imaginaire' (oil on canvas), Troost, Cornelis (1697-1750) / Bridgeman Images

ID: XLA3772867

Angélique and Cléante's Duet, Act II, 'Le Malade Imaginaire' (oil on canvas)

Troost, Cornelis (1697-1750)

Pavel Haas (b/w photo)
Pavel Haas (b/w photo)

XLE3768669: Pavel Haas (b/w photo), Unknown photographer, (20th century) / Bridgeman Images

ID: XLE3768669

Pavel Haas (b/w photo)

Unknown photographer, (20th century)

Franz Liszt during
Franz Liszt during

XLE3759854: Franz Liszt during, Hosemann, Theodor (1807-75) / Bridgeman Images

ID: XLE3759854

Franz Liszt during

Hosemann, Theodor (1807-75)

Thomas Hardy, from 'Prophets, Priests and Kings', by A.G.G. Gardiner, 1908 (print)
Thomas Hardy, from 'Prophets, Priests and Kings', by A.G.G. Gardiner, 1908 (print)

XLA3761030: Thomas Hardy, from 'Prophets, Priests and Kings', by A.G.G. Gardiner, 1908 (print), English Photographer / Bridgeman Images

ID: XLA3761030

Thomas Hardy, from 'Prophets, Priests and Kings', by A.G.G. Gardiner, 1908 (print)

English Photographer

Monk writing illuminated manuscript
Monk writing illuminated manuscript

XLA3753056: Monk writing illuminated manuscript, Skelton, Joseph Ratcliffe (1865-1927) / Bridgeman Images

ID: XLA3753056

Monk writing illuminated manuscript

Skelton, Joseph Ratcliffe (1865-1927)

Alfred The Great and Dane Guthrum make Peace (print)
Alfred The Great and Dane Guthrum make Peace (print)

XLA3765383: Alfred The Great and Dane Guthrum make Peace (print), English School, (20th century) / Bridgeman Images

ID: XLA3765383

Alfred The Great and Dane Guthrum make Peace (print)

English School, (20th century)

Ludwig van Beethoven (print)
Ludwig van Beethoven (print)

XLE3748400: Ludwig van Beethoven (print), German School / Bridgeman Images

ID: XLE3748400

Ludwig van Beethoven (print)

German School

Edgar Allen Poe, illustration from 'The Bookman', May 1927 (print)
Edgar Allen Poe, illustration from 'The Bookman', May 1927 (print)

XLA3776981: Edgar Allen Poe, illustration from 'The Bookman', May 1927 (print), American School / Bridgeman Images

ID: XLA3776981

Edgar Allen Poe, illustration from 'The Bookman', May 1927 (print)

American School

Establishment of the new philosophy: cafe Procope, first Parisian cafe, n.d. (print)
Establishment of the new philosophy: cafe Procope, first Parisian cafe, n.d. (print)

GIA4712457: Establishment of the new philosophy: cafe Procope, first Parisian cafe, n.d. (print), Unknown Artist / Bridgeman Images

ID: GIA4712457

Establishment of the new philosophy: cafe Procope, first Parisian cafe, n.d. (print)

Unknown Artist

The fruit seller (oil on canvas, 1593)
The fruit seller (oil on canvas, 1593)

LRI4663098: The fruit seller (oil on canvas, 1593), Caravaggio, Michelangelo Merisi da (1571-1610) / Bridgeman Images

ID: LRI4663098

The fruit seller (oil on canvas, 1593)

Caravaggio, Michelangelo Merisi da (1571-1610)

The walk of the square Ravegnana in Bologna with cloth merchant, 15th century (miniature)
The walk of the square Ravegnana in Bologna with cloth merchant, 15th century (miniature)

LRI4667231: The walk of the square Ravegnana in Bologna with cloth merchant, 15th century (miniature), Italian School, (15th century) / Bridgeman Images

ID: LRI4667231

The walk of the square Ravegnana in Bologna with cloth merchant, 15th century (miniature)

Italian School, (15th century)

The Adoration of the Magi, detail, 1475 (tempera on wood)
The Adoration of the Magi, detail, 1475 (tempera on wood)

LRI4570993: The Adoration of the Magi, detail, 1475 (tempera on wood), Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510) / Bridgeman Images

ID: LRI4570993

The Adoration of the Magi, detail, 1475 (tempera on wood)

Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510)

The Mona Lisa (Mona Lisa - Monna Lisa) was found after its flight by Vincenzo Peruggia (1881-1925) in 1911. At the Uffizi Gallery (Uffizi) in Florence, Mr.Poggi, director of the gallery (right), Corrado Frisee, general director of Fine Arts (centre) and restaurateur Luigi Cavenaghi (left), examine the state of conservation of painting. 1913.
The Mona Lisa (Mona Lisa - Monna Lisa) was found after its flight by Vincenzo Peruggia (1881-1925) in 1911. At the Uffizi Gallery (Uffizi) in Florence, Mr.Poggi, director of the gallery (right), Corrado Frisee, general director of Fine Arts (centre) and restaurateur Luigi Cavenaghi (left), examine the state of conservation of painting. 1913.

GIA4755388: The Mona Lisa (Mona Lisa - Monna Lisa) was found after its flight by Vincenzo Peruggia (1881-1925) in 1911. At the Uffizi Gallery (Uffizi) in Florence, Mr.Poggi, director of the gallery (right), Corrado Frisee, general director of Fine Arts (centre) and restaurateur Luigi Cavenaghi (left), examine the state of conservation of painting. 1913. / Bridgeman Images

ID: GIA4755388

The Mona Lisa (Mona Lisa - Monna Lisa) was found after its flight by Vincenzo Peruggia (1881-1925) in 1911. At the Uffizi Gallery (Uffizi) in Florence, Mr.Poggi, director of the gallery (right), Corrado Frisee, general director of Fine Arts (centre) and restaurateur Luigi Cavenaghi (left), examine the state of conservation of painting. 1913.

Roman art: scene of battles between Roman warriors and barbarians during Marcoman wars (or Marcomannic). Relief of the sarcophagus of Portonaccio of a general of Marc Aurele. 180-190. Rome, Museo Nazionale Romano (o delle Terme)
Roman art: scene of battles between Roman warriors and barbarians during Marcoman wars (or Marcomannic). Relief of the sarcophagus of Portonaccio of a general of Marc Aurele. 180-190. Rome, Museo Nazionale Romano (o delle Terme)

LRI4587555: Roman art: scene of battles between Roman warriors and barbarians during Marcoman wars (or Marcomannic). Relief of the sarcophagus of Portonaccio of a general of Marc Aurele. 180-190. Rome, Museo Nazionale Romano (o delle Terme), Roman, (2nd century) / Bridgeman Images

ID: LRI4587555

Roman art: scene of battles between Roman warriors and barbarians during Marcoman wars (or Marcomannic). Relief of the sarcophagus of Portonaccio of a general of Marc Aurele. 180-190. Rome, Museo Nazionale Romano (o delle Terme)

Roman, (2nd century)

Multivers - Multiverse - Multiverse Universe nes des fluctuations du vide Multiple universes emerged in vacuum fluctuations - Artwor
Multivers - Multiverse - Multiverse Universe nes des fluctuations du vide Multiple universes emerged in vacuum fluctuations - Artwor

PIX4634393: Multivers - Multiverse - Multiverse Universe nes des fluctuations du vide Multiple universes emerged in vacuum fluctuations - Artwor / Bridgeman Images

ID: PIX4634393

Multivers - Multiverse - Multiverse Universe nes des fluctuations du vide Multiple universes emerged in vacuum fluctuations - Artwor

Vase of Pronomos. Detail depicting Hercules, the preparatives of a satyric drama in the presence of Dionysus and Ariadne, 400 BC (ceramic)
Vase of Pronomos. Detail depicting Hercules, the preparatives of a satyric drama in the presence of Dionysus and Ariadne, 400 BC (ceramic)

LRI4660608: Vase of Pronomos. Detail depicting Hercules, the preparatives of a satyric drama in the presence of Dionysus and Ariadne, 400 BC (ceramic), Promonos Painter, (5th century BC) / Bridgeman Images

ID: LRI4660608

Vase of Pronomos. Detail depicting Hercules, the preparatives of a satyric drama in the presence of Dionysus and Ariadne, 400 BC (ceramic)

Promonos Painter, (5th century BC)

Hercules Farnese Colossal sculpture of Glycon marble from the thermal baths of Caracalla in Rome from a Greek original of Lysipus of Sicyone, Dim. 3,17 m, 3rd century after JC - Archeological Museum of Naples - The Farnese Hercules - Marble sculpture (H.317 cm), from the baths of Caracalla in Rome (Italy), copy of a greek original by Lysipppos (c.395-c.305 BC), 3rd century BC - Museo Archeologico Nazionale, Naples, Italy
Hercules Farnese Colossal sculpture of Glycon marble from the thermal baths of Caracalla in Rome from a Greek original of Lysipus of Sicyone, Dim. 3,17 m, 3rd century after JC - Archeological Museum of Naples - The Farnese Hercules - Marble sculpture (H.317 cm), from the baths of Caracalla in Rome (Italy), copy of a greek original by Lysipppos (c.395-c.305 BC), 3rd century BC - Museo Archeologico Nazionale, Naples, Italy

LRI4625593: Hercules Farnese Colossal sculpture of Glycon marble from the thermal baths of Caracalla in Rome from a Greek original of Lysipus of Sicyone, Dim. 3,17 m, 3rd century after JC - Archeological Museum of Naples - The Farnese Hercules - Marble sculpture (H.317 cm), from the baths of Caracalla in Rome (Italy), copy of a greek original by Lysipppos (c.395-c.305 BC), 3rd century BC - Museo Archeologico Nazionale, Naples, Italy, Roman, (3rd century AD) / Bridgeman Images

ID: LRI4625593

Hercules Farnese Colossal sculpture of Glycon marble from the thermal baths of Caracalla in Rome from a Greek original of Lysipus of Sicyone, Dim. 3,17 m, 3rd century after JC - Archeological Museum of Naples - The Farnese Hercules - Marble sculpture (H.317 cm), from the baths of Caracalla in Rome (Italy), copy of a greek original by Lysipppos (c.395-c.305 BC), 3rd century BC - Museo Archeologico Nazionale, Naples, Italy

Roman, (3rd century AD)

GEORGE HARRISON, PAUL McCartney, JOHN LENNON and RINGO STARR, London, UK, 1963 (photo)
GEORGE HARRISON, PAUL McCartney, JOHN LENNON and RINGO STARR, London, UK, 1963 (photo)

ZUM4890539: GEORGE HARRISON, PAUL McCartney, JOHN LENNON and RINGO STARR, London, UK, 1963 (photo) / Bridgeman Images

ID: ZUM4890539

GEORGE HARRISON, PAUL McCartney, JOHN LENNON and RINGO STARR, London, UK, 1963 (photo)

Middle Ages: overview, and cross section reconstructing the palace of Charlemagne (ca. 742-814) realized by the architect Eudes de Metz around 794 in Aachen (Aachen) Germany. Illustration by Giorgio Albertini. (The use of this author's works is not subject to an application for authorization from a third party or to the payment of additional fees).
Middle Ages: overview, and cross section reconstructing the palace of Charlemagne (ca. 742-814) realized by the architect Eudes de Metz around 794 in Aachen (Aachen) Germany. Illustration by Giorgio Albertini. (The use of this author's works is not subject to an application for authorization from a third party or to the payment of additional fees).

BTI4891415: Middle Ages: overview, and cross section reconstructing the palace of Charlemagne (ca. 742-814) realized by the architect Eudes de Metz around 794 in Aachen (Aachen) Germany. Illustration by Giorgio Albertini. (The use of this author's works is not subject to an application for authorization from a third party or to the payment of additional fees)., Albertini, Giorgio / Bridgeman Images

ID: BTI4891415

Middle Ages: overview, and cross section reconstructing the palace of Charlemagne (ca. 742-814) realized by the architect Eudes de Metz around 794 in Aachen (Aachen) Germany. Illustration by Giorgio Albertini. (The use of this author's works is not subject to an application for authorization from a third party or to the payment of additional fees).

Albertini, Giorgio

Postcard, Satirique en Colours, 1905_3: Mr Briand's report on Separation - Religion - Separation of Church and State - Briand Aristide, Marianne, Cures - Illustration by Felix Antoine Marmonier (Mille) (1874-1914)
Postcard, Satirique en Colours, 1905_3: Mr Briand's report on Separation - Religion - Separation of Church and State - Briand Aristide, Marianne, Cures - Illustration by Felix Antoine Marmonier (Mille) (1874-1914)

ICA4905064: Postcard, Satirique en Colours, 1905_3: Mr Briand's report on Separation - Religion - Separation of Church and State - Briand Aristide, Marianne, Cures - Illustration by Felix Antoine Marmonier (Mille) (1874-1914), Marmonier, Félix-Antoine (b.1874) / Bridgeman Images

ID: ICA4905064

Postcard, Satirique en Colours, 1905_3: Mr Briand's report on Separation - Religion - Separation of Church and State - Briand Aristide, Marianne, Cures - Illustration by Felix Antoine Marmonier (Mille) (1874-1914)

Marmonier, Félix-Antoine (b.1874)

First oil shock 1973 - Oct 25, 1973 - Weilheim, England, Germany - The 1973 oil crisis began on October 17, 1973, when the members of Organization of Arab Petroleum Exporting Countries announced, as a result of the ongoing Yom Kippur War, that they would no longer ship oil to nations that had supported Israel in its conflict with Syria and Egypt (the United States, its allies in Western Europe, and Japan). Because of the dependence of the industrialized world on crude oil and the predominant role of OPEC as a global supplier, these price increases were dramatically inflationary to the economies of the targeted countries, while at the same time suppressive of economic activity. The targeted countries responded with a wide variety of new, and mostly permanent, initiatives to contain their further dependency.
First oil shock 1973 - Oct 25, 1973 - Weilheim, England, Germany - The 1973 oil crisis began on October 17, 1973, when the members of Organization of Arab Petroleum Exporting Countries announced, as a result of the ongoing Yom Kippur War, that they would no longer ship oil to nations that had supported Israel in its conflict with Syria and Egypt (the United States, its allies in Western Europe, and Japan). Because of the dependence of the industrialized world on crude oil and the predominant role of OPEC as a global supplier, these price increases were dramatically inflationary to the economies of the targeted countries, while at the same time suppressive of economic activity. The targeted countries responded with a wide variety of new, and mostly permanent, initiatives to contain their further dependency.

ZUM4853705: First oil shock 1973 - Oct 25, 1973 - Weilheim, England, Germany - The 1973 oil crisis began on October 17, 1973, when the members of Organization of Arab Petroleum Exporting Countries announced, as a result of the ongoing Yom Kippur War, that they would no longer ship oil to nations that had supported Israel in its conflict with Syria and Egypt (the United States, its allies in Western Europe, and Japan). Because of the dependence of the industrialized world on crude oil and the predominant role of OPEC as a global supplier, these price increases were dramatically inflationary to the economies of the targeted countries, while at the same time suppressive of economic activity. The targeted countries responded with a wide variety of new, and mostly permanent, initiatives to contain their further dependency. / Bridgeman Images

ID: ZUM4853705

First oil shock 1973 - Oct 25, 1973 - Weilheim, England, Germany - The 1973 oil crisis began on October 17, 1973, when the members of Organization of Arab Petroleum Exporting Countries announced, as a result of the ongoing Yom Kippur War, that they would no longer ship oil to nations that had supported Israel in its conflict with Syria and Egypt (the United States, its allies in Western Europe, and Japan). Because of the dependence of the industrialized world on crude oil and the predominant role of OPEC as a global supplier, these price increases were dramatically inflationary to the economies of the targeted countries, while at the same time suppressive of economic activity. The targeted countries responded with a wide variety of new, and mostly permanent, initiatives to contain their further dependency.

The kidnapping of Proserpine (Ratto di Proserpina). Baroque sculpture by Gian Lorenzo Bernini known as Le Bernin (1598-1680), 1622. Galleria Borghese, Rome.
The kidnapping of Proserpine (Ratto di Proserpina). Baroque sculpture by Gian Lorenzo Bernini known as Le Bernin (1598-1680), 1622. Galleria Borghese, Rome.

ANJ4987788: The kidnapping of Proserpine (Ratto di Proserpina). Baroque sculpture by Gian Lorenzo Bernini known as Le Bernin (1598-1680), 1622. Galleria Borghese, Rome., Bernini, Gian Lorenzo (1598-1680) / Bridgeman Images

ID: ANJ4987788

The kidnapping of Proserpine (Ratto di Proserpina). Baroque sculpture by Gian Lorenzo Bernini known as Le Bernin (1598-1680), 1622. Galleria Borghese, Rome.

Bernini, Gian Lorenzo (1598-1680)

Covers for the Original Editions of 'Le Deuxieme Sexe' and 'Les Faits et Les Mythes' by Simone de Beauvoir, 1949 (print)
Covers for the Original Editions of 'Le Deuxieme Sexe' and 'Les Faits et Les Mythes' by Simone de Beauvoir, 1949 (print)

PCT5635658: Covers for the Original Editions of 'Le Deuxieme Sexe' and 'Les Faits et Les Mythes' by Simone de Beauvoir, 1949 (print), French School, (20th century) / Bridgeman Images

ID: PCT5635658

Covers for the Original Editions of 'Le Deuxieme Sexe' and 'Les Faits et Les Mythes' by Simone de Beauvoir, 1949 (print)

French School, (20th century)

Jeanne Hébuterne, 1914 (b/w photo)
Jeanne Hébuterne, 1914 (b/w photo)

FIA5942477: Jeanne Hébuterne, 1914 (b/w photo), French Photographer, (20th century) / Bridgeman Images

ID: FIA5942477

Jeanne Hébuterne, 1914 (b/w photo)

French Photographer, (20th century)

Easy Rider, 2016 (screen print)
Easy Rider, 2016 (screen print)

AMV4072648: Easy Rider, 2016 (screen print), Storno, Anne / Bridgeman Images

ID: AMV4072648

Easy Rider, 2016 (screen print)

Storno, Anne

Three, 2018 (oil on canvas)
Three, 2018 (oil on canvas)

MAD3960115: Three, 2018 (oil on canvas), Adlington, Mark / Bridgeman Images

ID: MAD3960115

Three, 2018 (oil on canvas)

Adlington, Mark

Head of the Grande Odalisque, by Jean Auguste Dominique Ingres, 1814, 19th Century, oil on canvas, 45 cm diametres
Head of the Grande Odalisque, by Jean Auguste Dominique Ingres, 1814, 19th Century, oil on canvas, 45 cm diametres

MEP848418: Head of the Grande Odalisque, by Jean Auguste Dominique Ingres, 1814, 19th Century, oil on canvas, 45 cm diametres, Ingres, Jean Auguste Dominique (1780-1867) / Bridgeman Images

ID: MEP848418

Head of the Grande Odalisque, by Jean Auguste Dominique Ingres, 1814, 19th Century, oil on canvas, 45 cm diametres

Ingres, Jean Auguste Dominique (1780-1867)

John Lennon and Yoko Ono at the Hilton Hotel in Amsterdam, 25th March 1969 (b/w photo)
John Lennon and Yoko Ono at the Hilton Hotel in Amsterdam, 25th March 1969 (b/w photo)

XRH1763623: John Lennon and Yoko Ono at the Hilton Hotel in Amsterdam, 25th March 1969 (b/w photo) / Bridgeman Images

ID: XRH1763623

John Lennon and Yoko Ono at the Hilton Hotel in Amsterdam, 25th March 1969 (b/w photo)

Lady Hamilton, as a Bacchante, 1790-92 (oil on canvas)
Lady Hamilton, as a Bacchante, 1790-92 (oil on canvas)

WGL2973757: Lady Hamilton, as a Bacchante, 1790-92 (oil on canvas), Vigee-Lebrun, Elisabeth Louise (1755-1842) / Bridgeman Images

ID: WGL2973757

Lady Hamilton, as a Bacchante, 1790-92 (oil on canvas)

Vigee-Lebrun, Elisabeth Louise (1755-1842)

Boulevard Rochechouart, Paris 1880 (pastel on paper)
Boulevard Rochechouart, Paris 1880 (pastel on paper)

XCK339987: Boulevard Rochechouart, Paris 1880 (pastel on paper), Pissarro, Camille (1830-1903) / Bridgeman Images

ID: XCK339987

Boulevard Rochechouart, Paris 1880 (pastel on paper)

Pissarro, Camille (1830-1903)

Titlepage to 'Die Traumdeutung' by Sigmund Freud, published in 1899 (print)
Titlepage to 'Die Traumdeutung' by Sigmund Freud, published in 1899 (print)

XJF377245: Titlepage to 'Die Traumdeutung' by Sigmund Freud, published in 1899 (print), German School, (19th century) / Bridgeman Images

ID: XJF377245

Titlepage to 'Die Traumdeutung' by Sigmund Freud, published in 1899 (print)

German School, (19th century)

Ruth, 1886 (oil on canvas)
Ruth, 1886 (oil on canvas)

TW426548: Ruth, 1886 (oil on canvas), Landelle, Charles (1821-1908) / Bridgeman Images

ID: TW426548

Ruth, 1886 (oil on canvas)

Landelle, Charles (1821-1908)

Murton Colliery, 1843 (oil on canvas)
Murton Colliery, 1843 (oil on canvas)

SUN429322: Murton Colliery, 1843 (oil on canvas), Carmichael, John Wilson (1800-68) / Bridgeman Images

ID: SUN429322

Murton Colliery, 1843 (oil on canvas)

Carmichael, John Wilson (1800-68)


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