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Harpies, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) Paris, published 1885 (engraving) (b/w photo)
Harpies, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) Paris, published 1885 (engraving) (b/w photo)

CHT230859: Harpies, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) Paris, published 1885 (engraving) (b/w photo), Dore, Gustave (1832-83) (after) / Bridgeman Images

ID: CHT230859

Harpies, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) Paris, published 1885 (engraving) (b/w photo)

Dore, Gustave (1832-83) (after)

Lohengrin, 19th century (oil on canvas)
Lohengrin, 19th century (oil on canvas)

XIR234452: Lohengrin, 19th century (oil on canvas), Fantin-Latour, Ignace Henri Jean (1836-1904) / Bridgeman Images

ID: XIR234452

Lohengrin, 19th century (oil on canvas)

Fantin-Latour, Ignace Henri Jean (1836-1904)

The Dog and the Wolf, from 'Fables Choisies de la Fontaine' by Jean de La Fontaine (1621-95), published by Librairies-Imprimeries Reunies (colour engraving)
The Dog and the Wolf, from 'Fables Choisies de la Fontaine' by Jean de La Fontaine (1621-95), published by Librairies-Imprimeries Reunies (colour engraving)

CHT231159: The Dog and the Wolf, from 'Fables Choisies de la Fontaine' by Jean de La Fontaine (1621-95), published by Librairies-Imprimeries Reunies (colour engraving), Fraipont, Georges (1873-1912) / Bridgeman Images

ID: CHT231159

The Dog and the Wolf, from 'Fables Choisies de la Fontaine' by Jean de La Fontaine (1621-95), published by Librairies-Imprimeries Reunies (colour engraving)

Fraipont, Georges (1873-1912)

A Devonshire Valley, Number 1 (oil on canvas)
A Devonshire Valley, Number 1 (oil on canvas)

EX232393: A Devonshire Valley, Number 1 (oil on canvas), Bevan, Robert Polhill (1865-1925) / Bridgeman Images

ID: EX232393

A Devonshire Valley, Number 1 (oil on canvas)

Bevan, Robert Polhill (1865-1925)

Valley in the Serra do Mar, illustration from 'Voyage Pittoresque et Historique au Bresil' by Jean-Baptiste Debret (1768-1848), published in Paris, 1839 (colour litho)
Valley in the Serra do Mar, illustration from 'Voyage Pittoresque et Historique au Bresil' by Jean-Baptiste Debret (1768-1848), published in Paris, 1839 (colour litho)

CHT221642: Valley in the Serra do Mar, illustration from 'Voyage Pittoresque et Historique au Bresil' by Jean-Baptiste Debret (1768-1848), published in Paris, 1839 (colour litho), Debret, Jean Baptiste (1768-1848) (after) / Bridgeman Images

ID: CHT221642

Valley in the Serra do Mar, illustration from 'Voyage Pittoresque et Historique au Bresil' by Jean-Baptiste Debret (1768-1848), published in Paris, 1839 (colour litho)

Debret, Jean Baptiste (1768-1848) (after)

'Dropping the Pilot', caricature of Otto von Bismarck (1815-98) and Kaiser Wilhelm II (1859-1941) from 'Punch, or The London Charivari', 29th March 1890 (engraving) (b/w photo)
'Dropping the Pilot', caricature of Otto von Bismarck (1815-98) and Kaiser Wilhelm II (1859-1941) from 'Punch, or The London Charivari', 29th March 1890 (engraving) (b/w photo)

CHT223725: 'Dropping the Pilot', caricature of Otto von Bismarck (1815-98) and Kaiser Wilhelm II (1859-1941) from 'Punch, or The London Charivari', 29th March 1890 (engraving) (b/w photo), Tenniel, John (1820-1914) / Bridgeman Images

ID: CHT223725

'Dropping the Pilot', caricature of Otto von Bismarck (1815-98) and Kaiser Wilhelm II (1859-1941) from 'Punch, or The London Charivari', 29th March 1890 (engraving) (b/w photo)

Tenniel, John (1820-1914)

A Harpie (engraving) (b/w photo)
A Harpie (engraving) (b/w photo)

CHT223736: A Harpie (engraving) (b/w photo), French School / Bridgeman Images

ID: CHT223736

A Harpie (engraving) (b/w photo)

French School

Giacomo Puccini (1858-1924) (b/w photo)
Giacomo Puccini (1858-1924) (b/w photo)

CHT214717: Giacomo Puccini (1858-1924) (b/w photo), Italian Photographer, (20th century) / Bridgeman Images

ID: CHT214717

Giacomo Puccini (1858-1924) (b/w photo)

Italian Photographer, (20th century)

Girl with Dog (oil on canvas)
Girl with Dog (oil on canvas)

XKH226202: Girl with Dog (oil on canvas), Mazzotta, Federico (19th Century) / Bridgeman Images

ID: XKH226202

Girl with Dog (oil on canvas)

Mazzotta, Federico (19th Century)

Sitting Bear - Arikara, 1908, photogravure by John Andrew & Son (photogravure)
Sitting Bear - Arikara, 1908, photogravure by John Andrew & Son (photogravure)

STC225355: Sitting Bear - Arikara, 1908, photogravure by John Andrew & Son (photogravure), Curtis, Edward Sheriff (1868-1952) (after) / Bridgeman Images

ID: STC225355

Sitting Bear - Arikara, 1908, photogravure by John Andrew & Son (photogravure)

Curtis, Edward Sheriff (1868-1952) (after)

Cottage with Farmers Digging, 1885 (oil on canvas)
Cottage with Farmers Digging, 1885 (oil on canvas)

TFJ225961: Cottage with Farmers Digging, 1885 (oil on canvas), Gogh, Vincent van (1853-90) / Bridgeman Images

ID: TFJ225961

Cottage with Farmers Digging, 1885 (oil on canvas)

Gogh, Vincent van (1853-90)

Raising the Cross, 1631-37 (oil on canvas)
Raising the Cross, 1631-37 (oil on canvas)

XIR223257: Raising the Cross, 1631-37 (oil on canvas), Crayer, Gaspar de (1584-1669) / Bridgeman Images

ID: XIR223257

Raising the Cross, 1631-37 (oil on canvas)

Crayer, Gaspar de (1584-1669)

Portrait of Claude-Henri Watelet (1718-86) 1763-65 (oil on canvas)
Portrait of Claude-Henri Watelet (1718-86) 1763-65 (oil on canvas)

XIR218947: Portrait of Claude-Henri Watelet (1718-86) 1763-65 (oil on canvas), Greuze, Jean Baptiste (1725-1805) / Bridgeman Images

ID: XIR218947

Portrait of Claude-Henri Watelet (1718-86) 1763-65 (oil on canvas)

Greuze, Jean Baptiste (1725-1805)

The Duc d'Orleans Showing his Mistress to the Duc de Bourgogne (oil)
The Duc d'Orleans Showing his Mistress to the Duc de Bourgogne (oil)

LEF219153: The Duc d'Orleans Showing his Mistress to the Duc de Bourgogne (oil), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

ID: LEF219153

The Duc d'Orleans Showing his Mistress to the Duc de Bourgogne (oil)

Delacroix, Ferdinand Victor Eugene (1798-1863)

A Hunter Stroking his Falcon (gouache on paper)
A Hunter Stroking his Falcon (gouache on paper)

XIR212976: A Hunter Stroking his Falcon (gouache on paper), Persian School, (17th century) / Bridgeman Images

ID: XIR212976

A Hunter Stroking his Falcon (gouache on paper)

Persian School, (17th century)

Female Figure Lying on Her Back, c.1912 (oil on canvas) [LDUCS-5204]
Female Figure Lying on Her Back, c.1912 (oil on canvas) [LDUCS-5204]

UCL274691: Female Figure Lying on Her Back, c.1912 (oil on canvas) [LDUCS-5204], Carrington, Dora (1893-1932) / Bridgeman Images

ID: UCL274691

Female Figure Lying on Her Back, c.1912 (oil on canvas) [LDUCS-5204]

Carrington, Dora (1893-1932)

Dr. J. King's Sermon at St. Pauls Cathedral in 1616, 1624 (oil on wood)
Dr. J. King's Sermon at St. Pauls Cathedral in 1616, 1624 (oil on wood)

XCF276406: Dr. J. King's Sermon at St. Pauls Cathedral in 1616, 1624 (oil on wood), English School, (17th century) / Bridgeman Images

ID: XCF276406

Dr. J. King's Sermon at St. Pauls Cathedral in 1616, 1624 (oil on wood)

English School, (17th century)

Moliere as Harpagon, frontispiece illustration from 'The Miser' by Moliere, engraved by Jean Sauve (fl.1660-91) edition 1682 (engraving) (b/w photo)
Moliere as Harpagon, frontispiece illustration from 'The Miser' by Moliere, engraved by Jean Sauve (fl.1660-91) edition 1682 (engraving) (b/w photo)

XIR279777: Moliere as Harpagon, frontispiece illustration from 'The Miser' by Moliere, engraved by Jean Sauve (fl.1660-91) edition 1682 (engraving) (b/w photo), Brissart, Pierre (17th century) (after) / Bridgeman Images

ID: XIR279777

Moliere as Harpagon, frontispiece illustration from 'The Miser' by Moliere, engraved by Jean Sauve (fl.1660-91) edition 1682 (engraving) (b/w photo)

Brissart, Pierre (17th century) (after)

Expropriations during the extension of Avenue de l'Opera, inhabitants moving from the Butte des Moulins, October 1876 (engraving) (b/w photo)
Expropriations during the extension of Avenue de l'Opera, inhabitants moving from the Butte des Moulins, October 1876 (engraving) (b/w photo)

XIR280133: Expropriations during the extension of Avenue de l'Opera, inhabitants moving from the Butte des Moulins, October 1876 (engraving) (b/w photo), French School, (19th century) / Bridgeman Images

ID: XIR280133

Expropriations during the extension of Avenue de l'Opera, inhabitants moving from the Butte des Moulins, October 1876 (engraving) (b/w photo)

French School, (19th century)

Parade of the Scots Fusilier Guards at Buckingham Palace on the morning of their departure for the Seat of War, March 2nd 1854, engraved by E. Walker, published by Colnaghi & Co., 1854 (colour litho)
Parade of the Scots Fusilier Guards at Buckingham Palace on the morning of their departure for the Seat of War, March 2nd 1854, engraved by E. Walker, published by Colnaghi & Co., 1854 (colour litho)

NAM280803: Parade of the Scots Fusilier Guards at Buckingham Palace on the morning of their departure for the Seat of War, March 2nd 1854, engraved by E. Walker, published by Colnaghi & Co., 1854 (colour litho), Thomas, George Housman (1824-68) (after) / Bridgeman Images

ID: NAM280803

Parade of the Scots Fusilier Guards at Buckingham Palace on the morning of their departure for the Seat of War, March 2nd 1854, engraved by E. Walker, published by Colnaghi & Co., 1854 (colour litho)

Thomas, George Housman (1824-68) (after)

Chimu ritual vessel, 12th-15th century (gold with turquoise)
Chimu ritual vessel, 12th-15th century (gold with turquoise)

STF273390: Chimu ritual vessel, 12th-15th century (gold with turquoise), Peruvian School / Bridgeman Images

ID: STF273390

Chimu ritual vessel, 12th-15th century (gold with turquoise)

Peruvian School

Set design for an unidentified ballet, taken from a collection entitled 'Menus Plaisirs du Roi' (pen & ink and w/c on paper)
Set design for an unidentified ballet, taken from a collection entitled 'Menus Plaisirs du Roi' (pen & ink and w/c on paper)

ARH271775: Set design for an unidentified ballet, taken from a collection entitled 'Menus Plaisirs du Roi' (pen & ink and w/c on paper), French School, (17th century) / Bridgeman Images

ID: ARH271775

Set design for an unidentified ballet, taken from a collection entitled 'Menus Plaisirs du Roi' (pen & ink and w/c on paper)

French School, (17th century)

The Avon Gorge, looking over Clifton, c.1820 (w/c & bodycolour over graphite with scraping out on wove paper)
The Avon Gorge, looking over Clifton, c.1820 (w/c & bodycolour over graphite with scraping out on wove paper)

XYC265045: The Avon Gorge, looking over Clifton, c.1820 (w/c & bodycolour over graphite with scraping out on wove paper), Danby, Francis (1793-1861) / Bridgeman Images

ID: XYC265045

The Avon Gorge, looking over Clifton, c.1820 (w/c & bodycolour over graphite with scraping out on wove paper)

Danby, Francis (1793-1861)

Head from a full length statue of the Emperor Augustus (63 BC-AD 14) found near a temple of Victory at Meroe in the Sudan, c.30-25 BC (bronze)
Head from a full length statue of the Emperor Augustus (63 BC-AD 14) found near a temple of Victory at Meroe in the Sudan, c.30-25 BC (bronze)

XCF266043: Head from a full length statue of the Emperor Augustus (63 BC-AD 14) found near a temple of Victory at Meroe in the Sudan, c.30-25 BC (bronze), Roman, (1st century BC) / Bridgeman Images

ID: XCF266043

Head from a full length statue of the Emperor Augustus (63 BC-AD 14) found near a temple of Victory at Meroe in the Sudan, c.30-25 BC (bronze)

Roman, (1st century BC)

Captain Edward John Smith (1850-1912) (litho)
Captain Edward John Smith (1850-1912) (litho)

KWE270888: Captain Edward John Smith (1850-1912) (litho), English Photographer, (20th century) / Bridgeman Images

ID: KWE270888

Captain Edward John Smith (1850-1912) (litho)

English Photographer, (20th century)

Thomas Bruce, 7th Earl of Elgin, engraved by George Perfect Harding, 1787 (engraving)
Thomas Bruce, 7th Earl of Elgin, engraved by George Perfect Harding, 1787 (engraving)

XJF294081: Thomas Bruce, 7th Earl of Elgin, engraved by George Perfect Harding, 1787 (engraving), Graff, Anton (1736-1813) (after) / Bridgeman Images

ID: XJF294081

Thomas Bruce, 7th Earl of Elgin, engraved by George Perfect Harding, 1787 (engraving)

Graff, Anton (1736-1813) (after)

Sixteenth century English costumes from 'Omnium Poene Gentium Imagines', published in Cologne, 1577 (hand-coloured engraving)
Sixteenth century English costumes from 'Omnium Poene Gentium Imagines', published in Cologne, 1577 (hand-coloured engraving)

HIG294436: Sixteenth century English costumes from 'Omnium Poene Gentium Imagines', published in Cologne, 1577 (hand-coloured engraving), Bruyn, Abraham de (1540-87) / Bridgeman Images

ID: HIG294436

Sixteenth century English costumes from 'Omnium Poene Gentium Imagines', published in Cologne, 1577 (hand-coloured engraving)

Bruyn, Abraham de (1540-87)

Destruction of the French Fleet at Toulon, 18th December 1793, engraved by Thomas Sutherland (b.1785) published in 1816 (coloured engraving) (see also 97232)
Destruction of the French Fleet at Toulon, 18th December 1793, engraved by Thomas Sutherland (b.1785) published in 1816 (coloured engraving) (see also 97232)

RNM286303: Destruction of the French Fleet at Toulon, 18th December 1793, engraved by Thomas Sutherland (b.1785) published in 1816 (coloured engraving) (see also 97232), Whitcombe, Thomas (c.1752-1824) (after) / Bridgeman Images

ID: RNM286303

Destruction of the French Fleet at Toulon, 18th December 1793, engraved by Thomas Sutherland (b.1785) published in 1816 (coloured engraving) (see also 97232)

Whitcombe, Thomas (c.1752-1824) (after)

The Grand Canal (oil on canvas)
The Grand Canal (oil on canvas)

AGN284354: The Grand Canal (oil on canvas), Guardi, Francesco (1712-93) / Bridgeman Images

ID: AGN284354

The Grand Canal (oil on canvas)

Guardi, Francesco (1712-93)

The First Consul Napoleon Bonaparte (1769-1821) crossing the Alps, 19th century (oil on canvas)
The First Consul Napoleon Bonaparte (1769-1821) crossing the Alps, 19th century (oil on canvas)

JLJ4685704: The First Consul Napoleon Bonaparte (1769-1821) crossing the Alps, 19th century (oil on canvas), David, Jacques Louis (1748-1825) (after) / Bridgeman Images

ID: JLJ4685704

The First Consul Napoleon Bonaparte (1769-1821) crossing the Alps, 19th century (oil on canvas)

David, Jacques Louis (1748-1825) (after)

Inside the factory, cards are designed, printed, cut, packaged, and sold, 1680 (oil on canvas)
Inside the factory, cards are designed, printed, cut, packaged, and sold, 1680 (oil on canvas)

JLJ4656908: Inside the factory, cards are designed, printed, cut, packaged, and sold, 1680 (oil on canvas), French School, (17th century) / Bridgeman Images

ID: JLJ4656908

Inside the factory, cards are designed, printed, cut, packaged, and sold, 1680 (oil on canvas)

French School, (17th century)

The Bay of Naples, 1841 (oil on canvas)
The Bay of Naples, 1841 (oil on canvas)

FIA5404073: The Bay of Naples, 1841 (oil on canvas), Aivazovsky, Ivan Konstantinovich (1817-1900) / Bridgeman Images

ID: FIA5404073

The Bay of Naples, 1841 (oil on canvas)

Aivazovsky, Ivan Konstantinovich (1817-1900)

The pile of Alessandro (Alexander) Volta. Museum of Science and Technology, Milan.
The pile of Alessandro (Alexander) Volta. Museum of Science and Technology, Milan.

GIA4744234: The pile of Alessandro (Alexander) Volta. Museum of Science and Technology, Milan., Volta, Alessandro (1745-1827) / Bridgeman Images

ID: GIA4744234

The pile of Alessandro (Alexander) Volta. Museum of Science and Technology, Milan.

Volta, Alessandro (1745-1827)

Satirical theatre mask. Greek art found in Southern Italy. 6th - 5th century BC.
Satirical theatre mask. Greek art found in Southern Italy. 6th - 5th century BC.

GIA4746346: Satirical theatre mask. Greek art found in Southern Italy. 6th - 5th century BC., Greek school, (6th-5th century BC) / Bridgeman Images

ID: GIA4746346

Satirical theatre mask. Greek art found in Southern Italy. 6th - 5th century BC.

Greek school, (6th-5th century BC)

The month of March: the ploughing In the foreground, agricultural work, peasants ploughing a field, the size of the vines, at the bottom the castle of Lusignan, 15th century (miniature)
The month of March: the ploughing In the foreground, agricultural work, peasants ploughing a field, the size of the vines, at the bottom the castle of Lusignan, 15th century (miniature)

JLJ4587425: The month of March: the ploughing In the foreground, agricultural work, peasants ploughing a field, the size of the vines, at the bottom the castle of Lusignan, 15th century (miniature), Limbourg, Pol de (d.c.1416) / Bridgeman Images

ID: JLJ4587425

The month of March: the ploughing In the foreground, agricultural work, peasants ploughing a field, the size of the vines, at the bottom the castle of Lusignan, 15th century (miniature)

Limbourg, Pol de (d.c.1416)

Indian Roller on Sandalwood Branch, folio from a Series Commissioned by Lady Impey, 1779 (opaque colours & ink on paper)
Indian Roller on Sandalwood Branch, folio from a Series Commissioned by Lady Impey, 1779 (opaque colours & ink on paper)

MNS5910200: Indian Roller on Sandalwood Branch, folio from a Series Commissioned by Lady Impey, 1779 (opaque colours & ink on paper), Shaikh Zain ud-Din (Sheikh Zainuddin, Shaykh Zayn al-Din) (fl.1777-83) / Bridgeman Images

ID: MNS5910200

Indian Roller on Sandalwood Branch, folio from a Series Commissioned by Lady Impey, 1779 (opaque colours & ink on paper)

Shaikh Zain ud-Din (Sheikh Zainuddin, Shaykh Zayn al-Din) (fl.1777-83)


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