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Wilbur Wright (1867-1912) in his 'flyer', before 1914 (colour litho)
Wilbur Wright (1867-1912) in his 'flyer', before 1914 (colour litho)

CHT183781: Wilbur Wright (1867-1912) in his 'flyer', before 1914 (colour litho), Pousthomis, Leon (1881-1916) / Bridgeman Images

ID: CHT183781

Wilbur Wright (1867-1912) in his 'flyer', before 1914 (colour litho)

Pousthomis, Leon (1881-1916)

Chalice and paten (gold)
Chalice and paten (gold)

XIR182971: Chalice and paten (gold), French School, (16th century) / Bridgeman Images

ID: XIR182971

Chalice and paten (gold)

French School, (16th century)

Portrait of Simon Renard, 1553 (oil on panel)
Portrait of Simon Renard, 1553 (oil on panel)

XIR187082: Portrait of Simon Renard, 1553 (oil on panel), Moro, Giacomo Antonio (c.1519-c.1576) / Bridgeman Images

ID: XIR187082

Portrait of Simon Renard, 1553 (oil on panel)

Moro, Giacomo Antonio (c.1519-c.1576)

St. Charles Borromeo (1538-84) Administering the Sacrament to a Plague Victim in Milan in 1576 (oil on canvas)
St. Charles Borromeo (1538-84) Administering the Sacrament to a Plague Victim in Milan in 1576 (oil on canvas)

XIR187148: St. Charles Borromeo (1538-84) Administering the Sacrament to a Plague Victim in Milan in 1576 (oil on canvas), French School, (18th century) / Bridgeman Images

ID: XIR187148

St. Charles Borromeo (1538-84) Administering the Sacrament to a Plague Victim in Milan in 1576 (oil on canvas)

French School, (18th century)

Advertisement for Hill Bros. Millinery Goods with an interior view of the main saleroom (colour litho)
Advertisement for Hill Bros. Millinery Goods with an interior view of the main saleroom (colour litho)

NYH185401: Advertisement for Hill Bros. Millinery Goods with an interior view of the main saleroom (colour litho), American School, (19th century) / Bridgeman Images

ID: NYH185401

Advertisement for Hill Bros. Millinery Goods with an interior view of the main saleroom (colour litho)

American School, (19th century)

The Giant German Ogre, caricature of Otto von Bismarck (1815-98) (lithograph)
The Giant German Ogre, caricature of Otto von Bismarck (1815-98) (lithograph)

XIR189494: The Giant German Ogre, caricature of Otto von Bismarck (1815-98) (lithograph), French School, (19th century) / Bridgeman Images

ID: XIR189494

The Giant German Ogre, caricature of Otto von Bismarck (1815-98) (lithograph)

French School, (19th century)

Expropriations during the extension of Avenue de l'Opera, inhabitants moving from the Butte des Moulins, October 1876 (engraving) (b/w photo)
Expropriations during the extension of Avenue de l'Opera, inhabitants moving from the Butte des Moulins, October 1876 (engraving) (b/w photo)

XIR280133: Expropriations during the extension of Avenue de l'Opera, inhabitants moving from the Butte des Moulins, October 1876 (engraving) (b/w photo), French School, (19th century) / Bridgeman Images

ID: XIR280133

Expropriations during the extension of Avenue de l'Opera, inhabitants moving from the Butte des Moulins, October 1876 (engraving) (b/w photo)

French School, (19th century)

Parade of the Scots Fusilier Guards at Buckingham Palace on the morning of their departure for the Seat of War, March 2nd 1854, engraved by E. Walker, published by Colnaghi & Co., 1854 (colour litho)
Parade of the Scots Fusilier Guards at Buckingham Palace on the morning of their departure for the Seat of War, March 2nd 1854, engraved by E. Walker, published by Colnaghi & Co., 1854 (colour litho)

NAM280803: Parade of the Scots Fusilier Guards at Buckingham Palace on the morning of their departure for the Seat of War, March 2nd 1854, engraved by E. Walker, published by Colnaghi & Co., 1854 (colour litho), Thomas, George Housman (1824-68) (after) / Bridgeman Images

ID: NAM280803

Parade of the Scots Fusilier Guards at Buckingham Palace on the morning of their departure for the Seat of War, March 2nd 1854, engraved by E. Walker, published by Colnaghi & Co., 1854 (colour litho)

Thomas, George Housman (1824-68) (after)

The Grand Canal (oil on canvas)
The Grand Canal (oil on canvas)

AGN284354: The Grand Canal (oil on canvas), Guardi, Francesco (1712-93) / Bridgeman Images

ID: AGN284354

The Grand Canal (oil on canvas)

Guardi, Francesco (1712-93)

Destruction of the French Fleet at Toulon, 18th December 1793, engraved by Thomas Sutherland (b.1785) published in 1816 (coloured engraving) (see also 97232)
Destruction of the French Fleet at Toulon, 18th December 1793, engraved by Thomas Sutherland (b.1785) published in 1816 (coloured engraving) (see also 97232)

RNM286303: Destruction of the French Fleet at Toulon, 18th December 1793, engraved by Thomas Sutherland (b.1785) published in 1816 (coloured engraving) (see also 97232), Whitcombe, Thomas (c.1752-1824) (after) / Bridgeman Images

ID: RNM286303

Destruction of the French Fleet at Toulon, 18th December 1793, engraved by Thomas Sutherland (b.1785) published in 1816 (coloured engraving) (see also 97232)

Whitcombe, Thomas (c.1752-1824) (after)

The Chevalier d'Eon as a Dragoon, 1779 (engraving) (b/w photo)
The Chevalier d'Eon as a Dragoon, 1779 (engraving) (b/w photo)

XIR287640: The Chevalier d'Eon as a Dragoon, 1779 (engraving) (b/w photo), Bradel, P. Jean Baptiste (fl.1768-83) / Bridgeman Images

ID: XIR287640

The Chevalier d'Eon as a Dragoon, 1779 (engraving) (b/w photo)

Bradel, P. Jean Baptiste (fl.1768-83)

Hysterical epilepsy, terminal phase, melancholic delirium, illustration from 'Iconographie Photographique de La Salpetriere' by Bourneville et P. Regnard, plate XIX, Paris, 1876 (albumen print)
Hysterical epilepsy, terminal phase, melancholic delirium, illustration from 'Iconographie Photographique de La Salpetriere' by Bourneville et P. Regnard, plate XIX, Paris, 1876 (albumen print)

REV287052: Hysterical epilepsy, terminal phase, melancholic delirium, illustration from 'Iconographie Photographique de La Salpetriere' by Bourneville et P. Regnard, plate XIX, Paris, 1876 (albumen print), Regnard, Paul (1850-1927) / Bridgeman Images

ID: REV287052

Hysterical epilepsy, terminal phase, melancholic delirium, illustration from 'Iconographie Photographique de La Salpetriere' by Bourneville et P. Regnard, plate XIX, Paris, 1876 (albumen print)

Regnard, Paul (1850-1927)

Thomas Bruce, 7th Earl of Elgin, engraved by George Perfect Harding, 1787 (engraving)
Thomas Bruce, 7th Earl of Elgin, engraved by George Perfect Harding, 1787 (engraving)

XJF294081: Thomas Bruce, 7th Earl of Elgin, engraved by George Perfect Harding, 1787 (engraving), Graff, Anton (1736-1813) (after) / Bridgeman Images

ID: XJF294081

Thomas Bruce, 7th Earl of Elgin, engraved by George Perfect Harding, 1787 (engraving)

Graff, Anton (1736-1813) (after)

Speech before the Battle of Leuthen, 1858 (oil on canvas)
Speech before the Battle of Leuthen, 1858 (oil on canvas)

XPH312448: Speech before the Battle of Leuthen, 1858 (oil on canvas), Menzel, Adolph Friedrich Erdmann von (1815-1905) / Bridgeman Images

ID: XPH312448

Speech before the Battle of Leuthen, 1858 (oil on canvas)

Menzel, Adolph Friedrich Erdmann von (1815-1905)

Robert the Bruce, from 'Crabb's Historical Dictionary', published 1825 (litho)
Robert the Bruce, from 'Crabb's Historical Dictionary', published 1825 (litho)

KWE312747: Robert the Bruce, from 'Crabb's Historical Dictionary', published 1825 (litho), English School, (19th century) / Bridgeman Images

ID: KWE312747

Robert the Bruce, from 'Crabb's Historical Dictionary', published 1825 (litho)

English School, (19th century)

Front Cover of Johnson's Dictionary of the English Language (leather)
Front Cover of Johnson's Dictionary of the English Language (leather)

XCF282005: Front Cover of Johnson's Dictionary of the English Language (leather), English School / Bridgeman Images

ID: XCF282005

Front Cover of Johnson's Dictionary of the English Language (leather)

English School

Any Old Fairy Tale, 1919 (w/c on board)
Any Old Fairy Tale, 1919 (w/c on board)

SAV329253: Any Old Fairy Tale, 1919 (w/c on board), Parsons, Arthur Wilde (1854-1931) / Bridgeman Images

ID: SAV329253

Any Old Fairy Tale, 1919 (w/c on board)

Parsons, Arthur Wilde (1854-1931)

Charlotte Sophia of Mecklenburg-Strelitz, 1762 (oil on canvas)
Charlotte Sophia of Mecklenburg-Strelitz, 1762 (oil on canvas)

XPH330472: Charlotte Sophia of Mecklenburg-Strelitz, 1762 (oil on canvas), Ramsay, Allan (1713-84) (studio of) / Bridgeman Images

ID: XPH330472

Charlotte Sophia of Mecklenburg-Strelitz, 1762 (oil on canvas)

Ramsay, Allan (1713-84) (studio of)

The Calling of St. Matthew, c.1598-1601 (oil on panel) (detail of 828704)
The Calling of St. Matthew, c.1598-1601 (oil on panel) (detail of 828704)

BEN331548: The Calling of St. Matthew, c.1598-1601 (oil on panel) (detail of 828704), Caravaggio, Michelangelo Merisi da (1571-1610) / Bridgeman Images

ID: BEN331548

The Calling of St. Matthew, c.1598-1601 (oil on panel) (detail of 828704)

Caravaggio, Michelangelo Merisi da (1571-1610)

Title page of the Adages of Erasmus, printed by Aldus Manutius in Venice, 1508 (printed paper & engraving)
Title page of the Adages of Erasmus, printed by Aldus Manutius in Venice, 1508 (printed paper & engraving)

XJF331786: Title page of the Adages of Erasmus, printed by Aldus Manutius in Venice, 1508 (printed paper & engraving), Italian School, (16th century) / Bridgeman Images

ID: XJF331786

Title page of the Adages of Erasmus, printed by Aldus Manutius in Venice, 1508 (printed paper & engraving)

Italian School, (16th century)

Shylock and Jessica, illustration from 'The Merchant of Venice', c.1910 (colour litho)
Shylock and Jessica, illustration from 'The Merchant of Venice', c.1910 (colour litho)

IL314888: Shylock and Jessica, illustration from 'The Merchant of Venice', c.1910 (colour litho), Linton, James Dromgole (1840-1916) / Bridgeman Images

ID: IL314888

Shylock and Jessica, illustration from 'The Merchant of Venice', c.1910 (colour litho)

Linton, James Dromgole (1840-1916)

The Beginning of the Silk Industry in Europe, plate 9 from 'Nova Reperta' (New Discoveries) engraved by Philip Galle (1537-1612) c.1600 (engraving) (later colouration)
The Beginning of the Silk Industry in Europe, plate 9 from 'Nova Reperta' (New Discoveries) engraved by Philip Galle (1537-1612) c.1600 (engraving) (later colouration)

STC291609: The Beginning of the Silk Industry in Europe, plate 9 from 'Nova Reperta' (New Discoveries) engraved by Philip Galle (1537-1612) c.1600 (engraving) (later colouration), Straet, Jan van der (Giovanni Stradano) (1523-1605) (after) / Bridgeman Images

ID: STC291609

The Beginning of the Silk Industry in Europe, plate 9 from 'Nova Reperta' (New Discoveries) engraved by Philip Galle (1537-1612) c.1600 (engraving) (later colouration)

Straet, Jan van der (Giovanni Stradano) (1523-1605) (after)

'This Is Not The Time Or Place To Do As You Desire', plate from 'The Story of France', by Mary MacGregor, 1920 (coloured lithograph)
'This Is Not The Time Or Place To Do As You Desire', plate from 'The Story of France', by Mary MacGregor, 1920 (coloured lithograph)

STC292441: 'This Is Not The Time Or Place To Do As You Desire', plate from 'The Story of France', by Mary MacGregor, 1920 (coloured lithograph), Rainey, William (1852-1936) (after) / Bridgeman Images

ID: STC292441

'This Is Not The Time Or Place To Do As You Desire', plate from 'The Story of France', by Mary MacGregor, 1920 (coloured lithograph)

Rainey, William (1852-1936) (after)

Sixteenth century English costumes from 'Omnium Poene Gentium Imagines', published in Cologne, 1577 (hand-coloured engraving)
Sixteenth century English costumes from 'Omnium Poene Gentium Imagines', published in Cologne, 1577 (hand-coloured engraving)

HIG294436: Sixteenth century English costumes from 'Omnium Poene Gentium Imagines', published in Cologne, 1577 (hand-coloured engraving), Bruyn, Abraham de (1540-87) / Bridgeman Images

ID: HIG294436

Sixteenth century English costumes from 'Omnium Poene Gentium Imagines', published in Cologne, 1577 (hand-coloured engraving)

Bruyn, Abraham de (1540-87)

Dr. J. King's Sermon at St. Pauls Cathedral in 1616, 1624 (oil on wood)
Dr. J. King's Sermon at St. Pauls Cathedral in 1616, 1624 (oil on wood)

XCF276406: Dr. J. King's Sermon at St. Pauls Cathedral in 1616, 1624 (oil on wood), English School, (17th century) / Bridgeman Images

ID: XCF276406

Dr. J. King's Sermon at St. Pauls Cathedral in 1616, 1624 (oil on wood)

English School, (17th century)

Moliere as Harpagon, frontispiece illustration from 'The Miser' by Moliere, engraved by Jean Sauve (fl.1660-91) edition 1682 (engraving) (b/w photo)
Moliere as Harpagon, frontispiece illustration from 'The Miser' by Moliere, engraved by Jean Sauve (fl.1660-91) edition 1682 (engraving) (b/w photo)

XIR279777: Moliere as Harpagon, frontispiece illustration from 'The Miser' by Moliere, engraved by Jean Sauve (fl.1660-91) edition 1682 (engraving) (b/w photo), Brissart, Pierre (17th century) (after) / Bridgeman Images

ID: XIR279777

Moliere as Harpagon, frontispiece illustration from 'The Miser' by Moliere, engraved by Jean Sauve (fl.1660-91) edition 1682 (engraving) (b/w photo)

Brissart, Pierre (17th century) (after)

Clytie Transformed into a Sunflower, 1688 (oil on canvas)
Clytie Transformed into a Sunflower, 1688 (oil on canvas)

PWI90034: Clytie Transformed into a Sunflower, 1688 (oil on canvas), Lafosse, Charles de (1636-1716) / Bridgeman Images

ID: PWI90034

Clytie Transformed into a Sunflower, 1688 (oil on canvas)

Lafosse, Charles de (1636-1716)

The Sacrifice of Isaac, 1616 (oil on panel)
The Sacrifice of Isaac, 1616 (oil on panel)

XIR90050: The Sacrifice of Isaac, 1616 (oil on panel), Lastman, Pieter (1583-1633) / Bridgeman Images

ID: XIR90050

The Sacrifice of Isaac, 1616 (oil on panel)

Lastman, Pieter (1583-1633)

The Trevi Fountain in Rome, 1753-56 (oil on canvas)
The Trevi Fountain in Rome, 1753-56 (oil on canvas)

XAB94827: The Trevi Fountain in Rome, 1753-56 (oil on canvas), Pannini or Panini, Giovanni Paolo (1691/2-1765) / Bridgeman Images

ID: XAB94827

The Trevi Fountain in Rome, 1753-56 (oil on canvas)

Pannini or Panini, Giovanni Paolo (1691/2-1765)

The Raising of Lazarus, 15th century (oil on panel)
The Raising of Lazarus, 15th century (oil on panel)

XIR94959: The Raising of Lazarus, 15th century (oil on panel), Master of Coetivy, (Henri de Vulcop) (fl.1450-75) / Bridgeman Images

ID: XIR94959

The Raising of Lazarus, 15th century (oil on panel)

Master of Coetivy, (Henri de Vulcop) (fl.1450-75)

The Adoration of the Shepherds, c.1889 (stained glass)
The Adoration of the Shepherds, c.1889 (stained glass)

MOK120199: The Adoration of the Shepherds, c.1889 (stained glass), English School, (19th century) / Bridgeman Images

ID: MOK120199

The Adoration of the Shepherds, c.1889 (stained glass)

English School, (19th century)

Osirid pillar of Akhenaten (1365-1349 BC) from the sun temple of Amenophis IV at Karnak, New Kingdom, c.1350 BC (terracotta)
Osirid pillar of Akhenaten (1365-1349 BC) from the sun temple of Amenophis IV at Karnak, New Kingdom, c.1350 BC (terracotta)

PWI104696: Osirid pillar of Akhenaten (1365-1349 BC) from the sun temple of Amenophis IV at Karnak, New Kingdom, c.1350 BC (terracotta), Egyptian 18th Dynasty (c.1567-1320 BC) / Bridgeman Images

ID: PWI104696

Osirid pillar of Akhenaten (1365-1349 BC) from the sun temple of Amenophis IV at Karnak, New Kingdom, c.1350 BC (terracotta)

Egyptian 18th Dynasty (c.1567-1320 BC)

Matteo Ricci (1552-1610) and Paulus Li, from 'China Illustrated' by Athanasius Kircher (1601-80) 1667 (engraving)
Matteo Ricci (1552-1610) and Paulus Li, from 'China Illustrated' by Athanasius Kircher (1601-80) 1667 (engraving)

STC105240: Matteo Ricci (1552-1610) and Paulus Li, from 'China Illustrated' by Athanasius Kircher (1601-80) 1667 (engraving), Dutch School, (17th century) / Bridgeman Images

ID: STC105240

Matteo Ricci (1552-1610) and Paulus Li, from 'China Illustrated' by Athanasius Kircher (1601-80) 1667 (engraving)

Dutch School, (17th century)

A Prospect of the Town and Harbour of Carthagena, taken by the English underthe brave Admiral Vernon, 1741 (engraving)
A Prospect of the Town and Harbour of Carthagena, taken by the English underthe brave Admiral Vernon, 1741 (engraving)

XJF105408: A Prospect of the Town and Harbour of Carthagena, taken by the English underthe brave Admiral Vernon, 1741 (engraving), English School, (18th century) / Bridgeman Images

ID: XJF105408

A Prospect of the Town and Harbour of Carthagena, taken by the English underthe brave Admiral Vernon, 1741 (engraving)

English School, (18th century)

Hunting out Ignorance, detail of decorative scheme in the Gallery of Francis I, 1530-40 (fresco and stucco)
Hunting out Ignorance, detail of decorative scheme in the Gallery of Francis I, 1530-40 (fresco and stucco)

PWI105678: Hunting out Ignorance, detail of decorative scheme in the Gallery of Francis I, 1530-40 (fresco and stucco), Rosso Fiorentino, Giovanni Battista (1494-1540) / Bridgeman Images

ID: PWI105678

Hunting out Ignorance, detail of decorative scheme in the Gallery of Francis I, 1530-40 (fresco and stucco)

Rosso Fiorentino, Giovanni Battista (1494-1540)

Jupiter and Callisto, after a painting by Boucher (oil on canvas)
Jupiter and Callisto, after a painting by Boucher (oil on canvas)

NUM107480: Jupiter and Callisto, after a painting by Boucher (oil on canvas), Morisot, Berthe (1841-95) / Bridgeman Images

ID: NUM107480

Jupiter and Callisto, after a painting by Boucher (oil on canvas)

Morisot, Berthe (1841-95)


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