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View of a bazaar in Constantinople. Miniature taken from a 19th century Cicogna manuscript (1828) after an original from the 17th century (1671). Venice, Biblioteca Marciana
View of a bazaar in Constantinople. Miniature taken from a 19th century Cicogna manuscript (1828) after an original from the 17th century (1671). Venice, Biblioteca Marciana

LRI4667685: View of a bazaar in Constantinople. Miniature taken from a 19th century Cicogna manuscript (1828) after an original from the 17th century (1671). Venice, Biblioteca Marciana, Unknown Artist, (19th century) / Bridgeman Images

ID: LRI4667685

View of a bazaar in Constantinople. Miniature taken from a 19th century Cicogna manuscript (1828) after an original from the 17th century (1671). Venice, Biblioteca Marciana

Unknown Artist, (19th century)

Reception of Louis 2 de Bourbon Conde said the Grand Conde by King Louis 14 a Versailles in 1674, 1878 (oil on canvas)
Reception of Louis 2 de Bourbon Conde said the Grand Conde by King Louis 14 a Versailles in 1674, 1878 (oil on canvas)

JLJ5944645: Reception of Louis 2 de Bourbon Conde said the Grand Conde by King Louis 14 a Versailles in 1674, 1878 (oil on canvas), Gerome, Jean Leon (1824-1904) / Bridgeman Images

ID: JLJ5944645

Reception of Louis 2 de Bourbon Conde said the Grand Conde by King Louis 14 a Versailles in 1674, 1878 (oil on canvas)

Gerome, Jean Leon (1824-1904)

Music, interior from Loiten rectory, 1917
Music, interior from Loiten rectory, 1917

OVR7062495: Music, interior from Loiten rectory, 1917, Backer, Harriet (1845-1932) / Bridgeman Images

ID: OVR7062495

Music, interior from Loiten rectory, 1917

Backer, Harriet (1845-1932)

Ripe Cornfield: evening (Ahrendelf am Abend), 1896 (colour etching on zinc)
Ripe Cornfield: evening (Ahrendelf am Abend), 1896 (colour etching on zinc)

BI6281261: Ripe Cornfield: evening (Ahrendelf am Abend), 1896 (colour etching on zinc), Illies, Karl Wilhelm Arthur (1870-1952) / Bridgeman Images

ID: BI6281261

Ripe Cornfield: evening (Ahrendelf am Abend), 1896 (colour etching on zinc)

Illies, Karl Wilhelm Arthur (1870-1952)

Portrait of Baron Antoine Jean Gros (1771-1835) Aged 20 (oil on canvas)
Portrait of Baron Antoine Jean Gros (1771-1835) Aged 20 (oil on canvas)

XIR193566: Portrait of Baron Antoine Jean Gros (1771-1835) Aged 20 (oil on canvas), Gerard, Francois Pascal Simon, Baron (1770-1837) / Bridgeman Images

ID: XIR193566

Portrait of Baron Antoine Jean Gros (1771-1835) Aged 20 (oil on canvas)

Gerard, Francois Pascal Simon, Baron (1770-1837)

William Morris (1834-96) Sir Edward Burne-Jones (1833-98) and their Families, 1874 (sepia photo)
William Morris (1834-96) Sir Edward Burne-Jones (1833-98) and their Families, 1874 (sepia photo)

STC130683: William Morris (1834-96) Sir Edward Burne-Jones (1833-98) and their Families, 1874 (sepia photo), Hollyer, Frederick (1837-1933) / Bridgeman Images

ID: STC130683

William Morris (1834-96) Sir Edward Burne-Jones (1833-98) and their Families, 1874 (sepia photo)

Hollyer, Frederick (1837-1933)

The Monkey Antiquarian, 1740 (oil on canvas)
The Monkey Antiquarian, 1740 (oil on canvas)

XIR188756: The Monkey Antiquarian, 1740 (oil on canvas), Chardin, Jean-Baptiste Simeon (1699-1779) / Bridgeman Images

ID: XIR188756

The Monkey Antiquarian, 1740 (oil on canvas)

Chardin, Jean-Baptiste Simeon (1699-1779)

Christmas Roses
Christmas Roses

GG16949: Christmas Roses, Leen, Willem van (1753-1825) / Bridgeman Images

ID: GG16949

Christmas Roses

Leen, Willem van (1753-1825)

Chateau de Chambord, 1519-46 (photo)
Chateau de Chambord, 1519-46 (photo)

XIR70317: Chateau de Chambord, 1519-46 (photo), French School, (16th century) / Bridgeman Images

ID: XIR70317

Chateau de Chambord, 1519-46 (photo)

French School, (16th century)

Orpheus and Eurydice, 1695-1705
Orpheus and Eurydice, 1695-1705

XAM70701: Orpheus and Eurydice, 1695-1705, Burrini or Burino, Giovanni Antonio (1657-1727) / Bridgeman Images

ID: XAM70701

Orpheus and Eurydice, 1695-1705

Burrini or Burino, Giovanni Antonio (1657-1727)

Portrait of Michelangelo Buonarroti (1475-1564) (colour litho)
Portrait of Michelangelo Buonarroti (1475-1564) (colour litho)

BAL63039: Portrait of Michelangelo Buonarroti (1475-1564) (colour litho), Dolfino, (19th century) / Bridgeman Images

ID: BAL63039

Portrait of Michelangelo Buonarroti (1475-1564) (colour litho)

Dolfino, (19th century)

The Private Conversation, 1904 (oil on canvas)
The Private Conversation, 1904 (oil on canvas)

XIR63428: The Private Conversation, 1904 (oil on canvas), Beraud, Jean (1849-1935) / Bridgeman Images

ID: XIR63428

The Private Conversation, 1904 (oil on canvas)

Beraud, Jean (1849-1935)

The Duet (mezzotint)
The Duet (mezzotint)

STC64427: The Duet (mezzotint), Schweninger, Karl the Elder (1818-87) / Bridgeman Images

ID: STC64427

The Duet (mezzotint)

Schweninger, Karl the Elder (1818-87)

Noon, 1760 (oil on canvas)
Noon, 1760 (oil on canvas)

FIT111436: Noon, 1760 (oil on canvas), Vernet, Claude Joseph (1714-89) / Bridgeman Images

ID: FIT111436

Noon, 1760 (oil on canvas)

Vernet, Claude Joseph (1714-89)

Maria Theresa, Empress of Austria, 1762 (pastel)
Maria Theresa, Empress of Austria, 1762 (pastel)

XAM66712: Maria Theresa, Empress of Austria, 1762 (pastel), Liotard, Jean-Etienne (1702-89) / Bridgeman Images

ID: XAM66712

Maria Theresa, Empress of Austria, 1762 (pastel)

Liotard, Jean-Etienne (1702-89)

The Outward Bound, 1912 (oil on canvas)
The Outward Bound, 1912 (oil on canvas)

LMG112922: The Outward Bound, 1912 (oil on canvas), Robinson, Frederick Cayley (1862-1927) / Bridgeman Images

ID: LMG112922

The Outward Bound, 1912 (oil on canvas)

Robinson, Frederick Cayley (1862-1927)

William Penn (1644-1718) receiving the Charter of Pennsylvania from King Charles II of England
William Penn (1644-1718) receiving the Charter of Pennsylvania from King Charles II of England

NOO57085: William Penn (1644-1718) receiving the Charter of Pennsylvania from King Charles II of England, Stewart, Allan (1865-1951) / Bridgeman Images

ID: NOO57085

William Penn (1644-1718) receiving the Charter of Pennsylvania from King Charles II of England

Stewart, Allan (1865-1951)

Figures Study for the Lamentation Over the Dead Christ, 1530 (black chalk on paper)
Figures Study for the Lamentation Over the Dead Christ, 1530 (black chalk on paper)

BAL49893: Figures Study for the Lamentation Over the Dead Christ, 1530 (black chalk on paper), Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: BAL49893

Figures Study for the Lamentation Over the Dead Christ, 1530 (black chalk on paper)

Buonarroti, Michelangelo (1475-1564)

Still Life
Still Life

EDB50568: Still Life, Peploe, Samuel John (1871-1935) / Bridgeman Images

ID: EDB50568

Still Life

Peploe, Samuel John (1871-1935)

Portrait of Henrietta, daughter of Henry, 1st Viscount St. John, married in 1727 Robert Knight, created Baron Luxborough of Shannon in 1745
Portrait of Henrietta, daughter of Henry, 1st Viscount St. John, married in 1727 Robert Knight, created Baron Luxborough of Shannon in 1745

WDM77267: Portrait of Henrietta, daughter of Henry, 1st Viscount St. John, married in 1727 Robert Knight, created Baron Luxborough of Shannon in 1745, Agar, Charles d' (1669-1723) (attr. to) / Bridgeman Images

ID: WDM77267

Portrait of Henrietta, daughter of Henry, 1st Viscount St. John, married in 1727 Robert Knight, created Baron Luxborough of Shannon in 1745

Agar, Charles d' (1669-1723) (attr. to)

Joseph II (1741-90) Holy Roman Emperor and King of Germany, 1762
Joseph II (1741-90) Holy Roman Emperor and King of Germany, 1762

XAM88336: Joseph II (1741-90) Holy Roman Emperor and King of Germany, 1762, Liotard, Jean-Etienne (1702-89) / Bridgeman Images

ID: XAM88336

Joseph II (1741-90) Holy Roman Emperor and King of Germany, 1762

Liotard, Jean-Etienne (1702-89)

Frontispiece to 'The Roaring Girle' or 'Moll Cut-Purse' by Thomas Middleton (1580-1627) and Thomas Dekker (c.1570-1632) 1611 (woodcut) (b/w photo)
Frontispiece to 'The Roaring Girle' or 'Moll Cut-Purse' by Thomas Middleton (1580-1627) and Thomas Dekker (c.1570-1632) 1611 (woodcut) (b/w photo)

XJF137422: Frontispiece to 'The Roaring Girle' or 'Moll Cut-Purse' by Thomas Middleton (1580-1627) and Thomas Dekker (c.1570-1632) 1611 (woodcut) (b/w photo), English School, (17th century) / Bridgeman Images

ID: XJF137422

Frontispiece to 'The Roaring Girle' or 'Moll Cut-Purse' by Thomas Middleton (1580-1627) and Thomas Dekker (c.1570-1632) 1611 (woodcut) (b/w photo)

English School, (17th century)

La Corne d'Or (Constantinople), 1907 (oil on canvas)
La Corne d'Or (Constantinople), 1907 (oil on canvas)

CH1768437: La Corne d'Or (Constantinople), 1907 (oil on canvas), Signac, Paul (1863-1935) / Bridgeman Images

ID: CH1768437

La Corne d'Or (Constantinople), 1907 (oil on canvas)

Signac, Paul (1863-1935)

view of Wall Street during the stock market crash, photo published in hugarian newspaper November 20, 1929
view of Wall Street during the stock market crash, photo published in hugarian newspaper November 20, 1929

XRH1704108: view of Wall Street during the stock market crash, photo published in hugarian newspaper November 20, 1929, American Photographer, (20th century) / Bridgeman Images

ID: XRH1704108

view of Wall Street during the stock market crash, photo published in hugarian newspaper November 20, 1929

American Photographer, (20th century)

London, Elevation of Proposed Studio in Glebe Place and Upper Cheyne Walk, 1920 (pencil, watercolour & bodycolour on paper)
London, Elevation of Proposed Studio in Glebe Place and Upper Cheyne Walk, 1920 (pencil, watercolour & bodycolour on paper)

CH3431731: London, Elevation of Proposed Studio in Glebe Place and Upper Cheyne Walk, 1920 (pencil, watercolour & bodycolour on paper), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

ID: CH3431731

London, Elevation of Proposed Studio in Glebe Place and Upper Cheyne Walk, 1920 (pencil, watercolour & bodycolour on paper)

Mackintosh, Charles Rennie (1868-1928)

Apocalypse, 1831 (oil on canvas)
Apocalypse, 1831 (oil on canvas)

FFA151387: Apocalypse, 1831 (oil on canvas), Schnorr von Carolsfeld, Ludwig Ferdinand (1788-1853) / Bridgeman Images

ID: FFA151387

Apocalypse, 1831 (oil on canvas)

Schnorr von Carolsfeld, Ludwig Ferdinand (1788-1853)

Argenteuil, at the End of the Afternoon, 1872 (oil on canvas)
Argenteuil, at the End of the Afternoon, 1872 (oil on canvas)

CH99223: Argenteuil, at the End of the Afternoon, 1872 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: CH99223

Argenteuil, at the End of the Afternoon, 1872 (oil on canvas)

Monet, Claude (1840-1926)

The Vision of Death, engraved by Heliodore Joseph Pisan (1822-90) c.1868 (engraving)
The Vision of Death, engraved by Heliodore Joseph Pisan (1822-90) c.1868 (engraving)

OTB141712: The Vision of Death, engraved by Heliodore Joseph Pisan (1822-90) c.1868 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

ID: OTB141712

The Vision of Death, engraved by Heliodore Joseph Pisan (1822-90) c.1868 (engraving)

Dore, Gustave (1832-83) (after)

Don Quixote in his Library, engraved by Heliodore Joseph Pisan (1822-90) c.1868 (engraving)
Don Quixote in his Library, engraved by Heliodore Joseph Pisan (1822-90) c.1868 (engraving)

OTB141773: Don Quixote in his Library, engraved by Heliodore Joseph Pisan (1822-90) c.1868 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

ID: OTB141773

Don Quixote in his Library, engraved by Heliodore Joseph Pisan (1822-90) c.1868 (engraving)

Dore, Gustave (1832-83) (after)

Map of Rostock, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)
Map of Rostock, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)

STC138945: Map of Rostock, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images

ID: STC138945

Map of Rostock, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)

Hoefnagel, Joris (1542-1600) (after)

The Railway Junction at Bois-Colombes, or La Route Pontoise, 1886 (oil on canvas)
The Railway Junction at Bois-Colombes, or La Route Pontoise, 1886 (oil on canvas)

LMG100065: The Railway Junction at Bois-Colombes, or La Route Pontoise, 1886 (oil on canvas), Signac, Paul (1863-1935) / Bridgeman Images

ID: LMG100065

The Railway Junction at Bois-Colombes, or La Route Pontoise, 1886 (oil on canvas)

Signac, Paul (1863-1935)

Waft of Mist, c. 1818-20 (oil on canvas)
Waft of Mist, c. 1818-20 (oil on canvas)

XKH141325: Waft of Mist, c. 1818-20 (oil on canvas), Friedrich, Caspar David (1774-1840) / Bridgeman Images

ID: XKH141325

Waft of Mist, c. 1818-20 (oil on canvas)

Friedrich, Caspar David (1774-1840)

Waterfall in the Bern Highlands, 1796 (oil on canvas) (see also 191631)
Waterfall in the Bern Highlands, 1796 (oil on canvas) (see also 191631)

XKH141497: Waterfall in the Bern Highlands, 1796 (oil on canvas) (see also 191631), Koch, Joseph Anton (1768-1839) / Bridgeman Images

ID: XKH141497

Waterfall in the Bern Highlands, 1796 (oil on canvas) (see also 191631)

Koch, Joseph Anton (1768-1839)

The Adoration of the Shepherds, 1612 (oil on canvas)
The Adoration of the Shepherds, 1612 (oil on canvas)

SCP36778: The Adoration of the Shepherds, 1612 (oil on canvas), Maino or Mayno, Fray Juan Batista (1569-1649) / Bridgeman Images

ID: SCP36778

The Adoration of the Shepherds, 1612 (oil on canvas)

Maino or Mayno, Fray Juan Batista (1569-1649)

The Tears of St. Peter
The Tears of St. Peter

BWM29575: The Tears of St. Peter, Greco, El (Domenico Theotocopuli) (1541-1614) / Bridgeman Images

ID: BWM29575

The Tears of St. Peter

Greco, El (Domenico Theotocopuli) (1541-1614)

Spion Kop,1900 (chromolitho)
Spion Kop,1900 (chromolitho)

BAL41670: Spion Kop,1900 (chromolitho), Neuman (fl.1900) / Bridgeman Images

ID: BAL41670

Spion Kop,1900 (chromolitho)

Neuman (fl.1900)


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