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Cypress by Kano Eitoku, Muromanchi period (1368-1573) (from an eight-fold screen, colour on gold leafed paper)
Cypress by Kano Eitoku, Muromanchi period (1368-1573) (from an eight-fold screen, colour on gold leafed paper)

BAL35406: Cypress by Kano Eitoku, Muromanchi period (1368-1573) (from an eight-fold screen, colour on gold leafed paper), Kano Eitoku (1543-90) / Bridgeman Images

ID: BAL35406

Cypress by Kano Eitoku, Muromanchi period (1368-1573) (from an eight-fold screen, colour on gold leafed paper)

Kano Eitoku (1543-90)

The Kings of the Sea on an Expedition
The Kings of the Sea on an Expedition

XND76015: The Kings of the Sea on an Expedition, Sébille, Albert (1874-1953) / Bridgeman Images

ID: XND76015

The Kings of the Sea on an Expedition

Sébille, Albert (1874-1953)

The High Street, Oxford, engraved by G. Hollis, 1835 (engraving)
The High Street, Oxford, engraved by G. Hollis, 1835 (engraving)

XND76086: The High Street, Oxford, engraved by G. Hollis, 1835 (engraving), Prout, John Skinner (1806-76) (after) / Bridgeman Images

ID: XND76086

The High Street, Oxford, engraved by G. Hollis, 1835 (engraving)

Prout, John Skinner (1806-76) (after)

Landscape in the Ile de France, c.1878
Landscape in the Ile de France, c.1878

BAL76341: Landscape in the Ile de France, c.1878, Guillaumin, Jean Baptiste Armand (1841-1927) / Bridgeman Images

ID: BAL76341

Landscape in the Ile de France, c.1878

Guillaumin, Jean Baptiste Armand (1841-1927)

The Grape Harvest (mosaic)
The Grape Harvest (mosaic)

KAB76948: The Grape Harvest (mosaic), Roman, (4th century AD) / Bridgeman Images

ID: KAB76948

The Grape Harvest (mosaic)

Roman, (4th century AD)

The Truce of Nice between Francis I (1494-1547) and Charles V (1500-58) from the 'Sala del Consiglio Trento' (fresco) (detail of 133346)
The Truce of Nice between Francis I (1494-1547) and Charles V (1500-58) from the 'Sala del Consiglio Trento' (fresco) (detail of 133346)

XIR156713: The Truce of Nice between Francis I (1494-1547) and Charles V (1500-58) from the 'Sala del Consiglio Trento' (fresco) (detail of 133346), Zuccaro, Taddeo (1529-66) & Federico (1542-1609) / Bridgeman Images

ID: XIR156713

The Truce of Nice between Francis I (1494-1547) and Charles V (1500-58) from the 'Sala del Consiglio Trento' (fresco) (detail of 133346)

Zuccaro, Taddeo (1529-66) & Federico (1542-1609)

Andre Le Notre (1613-1700) c.1700 (oil on canvas)
Andre Le Notre (1613-1700) c.1700 (oil on canvas)

XIR158268: Andre Le Notre (1613-1700) c.1700 (oil on canvas), Lefebvre, Claude (1632-1675) (attr. to) / Bridgeman Images

ID: XIR158268

Andre Le Notre (1613-1700) c.1700 (oil on canvas)

Lefebvre, Claude (1632-1675) (attr. to)

Allegory of the Republic (oil on canvas)
Allegory of the Republic (oil on canvas)

XIR154974: Allegory of the Republic (oil on canvas), Gros, Antoine Jean (1771-1835) (attr. to) / Bridgeman Images

ID: XIR154974

Allegory of the Republic (oil on canvas)

Gros, Antoine Jean (1771-1835) (attr. to)

At the Gulf of Salerno, 1826 (oil on canvas)
At the Gulf of Salerno, 1826 (oil on canvas)

XKH146469: At the Gulf of Salerno, 1826 (oil on canvas), Faber, Joachim (1778-1846) / Bridgeman Images

ID: XKH146469

At the Gulf of Salerno, 1826 (oil on canvas)

Faber, Joachim (1778-1846)

View of Salvador, formerly known as Bahia, capital of Brazil in 1549, when it was founded - Engraving of the 16th century
View of Salvador, formerly known as Bahia, capital of Brazil in 1549, when it was founded - Engraving of the 16th century

GIA4710475: View of Salvador, formerly known as Bahia, capital of Brazil in 1549, when it was founded - Engraving of the 16th century, Unknown Artist, (16th century) / Bridgeman Images

ID: GIA4710475

View of Salvador, formerly known as Bahia, capital of Brazil in 1549, when it was founded - Engraving of the 16th century

Unknown Artist, (16th century)

The passage of the Devil's Bridge to the Gotthard Pass in Switzerland, 26/09/1799 (oil on canvas)
The passage of the Devil's Bridge to the Gotthard Pass in Switzerland, 26/09/1799 (oil on canvas)

JLJ4654042: The passage of the Devil's Bridge to the Gotthard Pass in Switzerland, 26/09/1799 (oil on canvas), Seele, Johann Baptist (1774-1814) / Bridgeman Images

ID: JLJ4654042

The passage of the Devil's Bridge to the Gotthard Pass in Switzerland, 26/09/1799 (oil on canvas)

Seele, Johann Baptist (1774-1814)

A Papermaking workshop in Fabriano (Italy), 16th century. The different phases of manufacturing (Illustration)
A Papermaking workshop in Fabriano (Italy), 16th century. The different phases of manufacturing (Illustration)

LRI4669188: A Papermaking workshop in Fabriano (Italy), 16th century. The different phases of manufacturing (Illustration), Anonymous / Bridgeman Images

ID: LRI4669188

A Papermaking workshop in Fabriano (Italy), 16th century. The different phases of manufacturing (Illustration)

Anonymous

Portrait of Charles IX (1550 - 1574), 16th century (oil on wood)
Portrait of Charles IX (1550 - 1574), 16th century (oil on wood)

JLJ4663769: Portrait of Charles IX (1550 - 1574), 16th century (oil on wood), Clouet, Francois (c.1510-72) (after) / Bridgeman Images

ID: JLJ4663769

Portrait of Charles IX (1550 - 1574), 16th century (oil on wood)

Clouet, Francois (c.1510-72) (after)

James Watt studying the perfecting of the Newcomen machine (1767) (steam engine), 1896 (engraving)
James Watt studying the perfecting of the Newcomen machine (1767) (steam engine), 1896 (engraving)

XEE4411802: James Watt studying the perfecting of the Newcomen machine (1767) (steam engine), 1896 (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4411802

James Watt studying the perfecting of the Newcomen machine (1767) (steam engine), 1896 (engraving)

Unknown Artist, (19th century)

View of a bazaar in Constantinople. Miniature taken from a 19th century Cicogna manuscript (1828) after an original from the 17th century (1671). Venice, Biblioteca Marciana
View of a bazaar in Constantinople. Miniature taken from a 19th century Cicogna manuscript (1828) after an original from the 17th century (1671). Venice, Biblioteca Marciana

LRI4667685: View of a bazaar in Constantinople. Miniature taken from a 19th century Cicogna manuscript (1828) after an original from the 17th century (1671). Venice, Biblioteca Marciana, Unknown Artist, (19th century) / Bridgeman Images

ID: LRI4667685

View of a bazaar in Constantinople. Miniature taken from a 19th century Cicogna manuscript (1828) after an original from the 17th century (1671). Venice, Biblioteca Marciana

Unknown Artist, (19th century)

Reception of Louis 2 de Bourbon Conde said the Grand Conde by King Louis 14 a Versailles in 1674, 1878 (oil on canvas)
Reception of Louis 2 de Bourbon Conde said the Grand Conde by King Louis 14 a Versailles in 1674, 1878 (oil on canvas)

JLJ5944645: Reception of Louis 2 de Bourbon Conde said the Grand Conde by King Louis 14 a Versailles in 1674, 1878 (oil on canvas), Gerome, Jean Leon (1824-1904) / Bridgeman Images

ID: JLJ5944645

Reception of Louis 2 de Bourbon Conde said the Grand Conde by King Louis 14 a Versailles in 1674, 1878 (oil on canvas)

Gerome, Jean Leon (1824-1904)

Music, interior from Loiten rectory, 1917
Music, interior from Loiten rectory, 1917

OVR7062495: Music, interior from Loiten rectory, 1917, Backer, Harriet (1845-1932) / Bridgeman Images

ID: OVR7062495

Music, interior from Loiten rectory, 1917

Backer, Harriet (1845-1932)

Ripe Cornfield: evening (Ahrendelf am Abend), 1896 (colour etching on zinc)
Ripe Cornfield: evening (Ahrendelf am Abend), 1896 (colour etching on zinc)

BI6281261: Ripe Cornfield: evening (Ahrendelf am Abend), 1896 (colour etching on zinc), Illies, Karl Wilhelm Arthur (1870-1952) / Bridgeman Images

ID: BI6281261

Ripe Cornfield: evening (Ahrendelf am Abend), 1896 (colour etching on zinc)

Illies, Karl Wilhelm Arthur (1870-1952)

Portrait of Baron Antoine Jean Gros (1771-1835) Aged 20 (oil on canvas)
Portrait of Baron Antoine Jean Gros (1771-1835) Aged 20 (oil on canvas)

XIR193566: Portrait of Baron Antoine Jean Gros (1771-1835) Aged 20 (oil on canvas), Gerard, Francois Pascal Simon, Baron (1770-1837) / Bridgeman Images

ID: XIR193566

Portrait of Baron Antoine Jean Gros (1771-1835) Aged 20 (oil on canvas)

Gerard, Francois Pascal Simon, Baron (1770-1837)

William Morris (1834-96) Sir Edward Burne-Jones (1833-98) and their Families, 1874 (sepia photo)
William Morris (1834-96) Sir Edward Burne-Jones (1833-98) and their Families, 1874 (sepia photo)

STC130683: William Morris (1834-96) Sir Edward Burne-Jones (1833-98) and their Families, 1874 (sepia photo), Hollyer, Frederick (1837-1933) / Bridgeman Images

ID: STC130683

William Morris (1834-96) Sir Edward Burne-Jones (1833-98) and their Families, 1874 (sepia photo)

Hollyer, Frederick (1837-1933)

The Monkey Antiquarian, 1740 (oil on canvas)
The Monkey Antiquarian, 1740 (oil on canvas)

XIR188756: The Monkey Antiquarian, 1740 (oil on canvas), Chardin, Jean-Baptiste Simeon (1699-1779) / Bridgeman Images

ID: XIR188756

The Monkey Antiquarian, 1740 (oil on canvas)

Chardin, Jean-Baptiste Simeon (1699-1779)

Christmas Roses
Christmas Roses

GG16949: Christmas Roses, Leen, Willem van (1753-1825) / Bridgeman Images

ID: GG16949

Christmas Roses

Leen, Willem van (1753-1825)

Chateau de Chambord, 1519-46 (photo)
Chateau de Chambord, 1519-46 (photo)

XIR70317: Chateau de Chambord, 1519-46 (photo), French School, (16th century) / Bridgeman Images

ID: XIR70317

Chateau de Chambord, 1519-46 (photo)

French School, (16th century)

Orpheus and Eurydice, 1695-1705
Orpheus and Eurydice, 1695-1705

XAM70701: Orpheus and Eurydice, 1695-1705, Burrini or Burino, Giovanni Antonio (1657-1727) / Bridgeman Images

ID: XAM70701

Orpheus and Eurydice, 1695-1705

Burrini or Burino, Giovanni Antonio (1657-1727)

Portrait of Michelangelo Buonarroti (1475-1564) (colour litho)
Portrait of Michelangelo Buonarroti (1475-1564) (colour litho)

BAL63039: Portrait of Michelangelo Buonarroti (1475-1564) (colour litho), Dolfino, (19th century) / Bridgeman Images

ID: BAL63039

Portrait of Michelangelo Buonarroti (1475-1564) (colour litho)

Dolfino, (19th century)

The Private Conversation, 1904 (oil on canvas)
The Private Conversation, 1904 (oil on canvas)

XIR63428: The Private Conversation, 1904 (oil on canvas), Beraud, Jean (1849-1935) / Bridgeman Images

ID: XIR63428

The Private Conversation, 1904 (oil on canvas)

Beraud, Jean (1849-1935)

The Duet (mezzotint)
The Duet (mezzotint)

STC64427: The Duet (mezzotint), Schweninger, Karl the Elder (1818-87) / Bridgeman Images

ID: STC64427

The Duet (mezzotint)

Schweninger, Karl the Elder (1818-87)

Noon, 1760 (oil on canvas)
Noon, 1760 (oil on canvas)

FIT111436: Noon, 1760 (oil on canvas), Vernet, Claude Joseph (1714-89) / Bridgeman Images

ID: FIT111436

Noon, 1760 (oil on canvas)

Vernet, Claude Joseph (1714-89)

Maria Theresa, Empress of Austria, 1762 (pastel)
Maria Theresa, Empress of Austria, 1762 (pastel)

XAM66712: Maria Theresa, Empress of Austria, 1762 (pastel), Liotard, Jean-Etienne (1702-89) / Bridgeman Images

ID: XAM66712

Maria Theresa, Empress of Austria, 1762 (pastel)

Liotard, Jean-Etienne (1702-89)

The Outward Bound, 1912 (oil on canvas)
The Outward Bound, 1912 (oil on canvas)

LMG112922: The Outward Bound, 1912 (oil on canvas), Robinson, Frederick Cayley (1862-1927) / Bridgeman Images

ID: LMG112922

The Outward Bound, 1912 (oil on canvas)

Robinson, Frederick Cayley (1862-1927)

William Penn (1644-1718) receiving the Charter of Pennsylvania from King Charles II of England
William Penn (1644-1718) receiving the Charter of Pennsylvania from King Charles II of England

NOO57085: William Penn (1644-1718) receiving the Charter of Pennsylvania from King Charles II of England, Stewart, Allan (1865-1951) / Bridgeman Images

ID: NOO57085

William Penn (1644-1718) receiving the Charter of Pennsylvania from King Charles II of England

Stewart, Allan (1865-1951)

Figures Study for the Lamentation Over the Dead Christ, 1530 (black chalk on paper)
Figures Study for the Lamentation Over the Dead Christ, 1530 (black chalk on paper)

BAL49893: Figures Study for the Lamentation Over the Dead Christ, 1530 (black chalk on paper), Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: BAL49893

Figures Study for the Lamentation Over the Dead Christ, 1530 (black chalk on paper)

Buonarroti, Michelangelo (1475-1564)

Still Life
Still Life

EDB50568: Still Life, Peploe, Samuel John (1871-1935) / Bridgeman Images

ID: EDB50568

Still Life

Peploe, Samuel John (1871-1935)

Portrait of Henrietta, daughter of Henry, 1st Viscount St. John, married in 1727 Robert Knight, created Baron Luxborough of Shannon in 1745
Portrait of Henrietta, daughter of Henry, 1st Viscount St. John, married in 1727 Robert Knight, created Baron Luxborough of Shannon in 1745

WDM77267: Portrait of Henrietta, daughter of Henry, 1st Viscount St. John, married in 1727 Robert Knight, created Baron Luxborough of Shannon in 1745, Agar, Charles d' (1669-1723) (attr. to) / Bridgeman Images

ID: WDM77267

Portrait of Henrietta, daughter of Henry, 1st Viscount St. John, married in 1727 Robert Knight, created Baron Luxborough of Shannon in 1745

Agar, Charles d' (1669-1723) (attr. to)

Joseph II (1741-90) Holy Roman Emperor and King of Germany, 1762
Joseph II (1741-90) Holy Roman Emperor and King of Germany, 1762

XAM88336: Joseph II (1741-90) Holy Roman Emperor and King of Germany, 1762, Liotard, Jean-Etienne (1702-89) / Bridgeman Images

ID: XAM88336

Joseph II (1741-90) Holy Roman Emperor and King of Germany, 1762

Liotard, Jean-Etienne (1702-89)

Frontispiece to 'The Roaring Girle' or 'Moll Cut-Purse' by Thomas Middleton (1580-1627) and Thomas Dekker (c.1570-1632) 1611 (woodcut) (b/w photo)
Frontispiece to 'The Roaring Girle' or 'Moll Cut-Purse' by Thomas Middleton (1580-1627) and Thomas Dekker (c.1570-1632) 1611 (woodcut) (b/w photo)

XJF137422: Frontispiece to 'The Roaring Girle' or 'Moll Cut-Purse' by Thomas Middleton (1580-1627) and Thomas Dekker (c.1570-1632) 1611 (woodcut) (b/w photo), English School, (17th century) / Bridgeman Images

ID: XJF137422

Frontispiece to 'The Roaring Girle' or 'Moll Cut-Purse' by Thomas Middleton (1580-1627) and Thomas Dekker (c.1570-1632) 1611 (woodcut) (b/w photo)

English School, (17th century)


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