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Convent of Recollets, 150-154 rue du Faubourg Saint Martin, Paris 10th. Built in 1604, it was abandoned for many years. Rehabilitates, since 2004, an international reception centre for artists, researchers, intellectuals and academics. There are eighty one furniture dwellings and workshops dwellings available to them. The Centre also houses the Maison de l'Architecture of France and a cultural animation association. Photography 2005.
Convent of Recollets, 150-154 rue du Faubourg Saint Martin, Paris 10th. Built in 1604, it was abandoned for many years. Rehabilitates, since 2004, an international reception centre for artists, researchers, intellectuals and academics. There are eighty one furniture dwellings and workshops dwellings available to them. The Centre also houses the Maison de l'Architecture of France and a cultural animation association. Photography 2005.

TEC4615556: Convent of Recollets, 150-154 rue du Faubourg Saint Martin, Paris 10th. Built in 1604, it was abandoned for many years. Rehabilitates, since 2004, an international reception centre for artists, researchers, intellectuals and academics. There are eighty one furniture dwellings and workshops dwellings available to them. The Centre also houses the Maison de l'Architecture of France and a cultural animation association. Photography 2005. / Bridgeman Images

Velib station, Rue de Verdun in Paris 10th. Photography 18/08/07.
Velib station, Rue de Verdun in Paris 10th. Photography 18/08/07.

TEC4615637: Velib station, Rue de Verdun in Paris 10th. Photography 18/08/07. / Bridgeman Images

A Velib station, boulevard Magenta in Paris 10th. Photography 18/08/07.
A Velib station, boulevard Magenta in Paris 10th. Photography 18/08/07.

TEC4615645: A Velib station, boulevard Magenta in Paris 10th. Photography 18/08/07. / Bridgeman Images

A Velib boulevard Magenta station in Paris 10th. Photography 18/08/07.
A Velib boulevard Magenta station in Paris 10th. Photography 18/08/07.

TEC4615690: A Velib boulevard Magenta station in Paris 10th. Photography 18/08/07. / Bridgeman Images

La rue Saint Maur in Paris 10th. Photography 25/08/07.
La rue Saint Maur in Paris 10th. Photography 25/08/07.

TEC4615738: La rue Saint Maur in Paris 10th. Photography 25/08/07. / Bridgeman Images

La rue du Buisson Saint Louis in Paris 10th.
La rue du Buisson Saint Louis in Paris 10th.

TEC4615751: La rue du Buisson Saint Louis in Paris 10th. / Bridgeman Images

Le quai de Valmy in Paris 10th.
Le quai de Valmy in Paris 10th.

TEC4615833: Le quai de Valmy in Paris 10th. / Bridgeman Images

L'Hotel du Nord, quai de Jemmapes in Paris 10th.
L'Hotel du Nord, quai de Jemmapes in Paris 10th.

TEC4615866: L'Hotel du Nord, quai de Jemmapes in Paris 10th. / Bridgeman Images

Le quai de Jemmapes in Paris 10th.
Le quai de Jemmapes in Paris 10th.

TEC4615874: Le quai de Jemmapes in Paris 10th. / Bridgeman Images

Paris. Photography 25/08/07.
Paris. Photography 25/08/07.

TEC4615886: Paris. Photography 25/08/07. / Bridgeman Images

Gare de l'Est in Paris 75010. Architecture by Francois Alexandre Duquesney, 1852. Photography 17/04/09
Gare de l'Est in Paris 75010. Architecture by Francois Alexandre Duquesney, 1852. Photography 17/04/09

TEC4615935: Gare de l'Est in Paris 75010. Architecture by Francois Alexandre Duquesney, 1852. Photography 17/04/09 / Bridgeman Images

Houses in the district of Mouzaia in Parisæ20e.
Houses in the district of Mouzaia in Parisæ20e.

TEC4616369: Houses in the district of Mouzaia in Parisæ20e. / Bridgeman Images

House in Paris 20th.
House in Paris 20th.

TEC4616406: House in Paris 20th. / Bridgeman Images

Church Notre Dame de la Croix, Place Maurice Chevalier in Paris 20th. Architect Louis Antoineæheret, construction 1863-1880. She's in a neo-romanthic Gothic transition style.
Church Notre Dame de la Croix, Place Maurice Chevalier in Paris 20th. Architect Louis Antoineæheret, construction 1863-1880. She's in a neo-romanthic Gothic transition style.

TEC4616433: Church Notre Dame de la Croix, Place Maurice Chevalier in Paris 20th. Architect Louis Antoineæheret, construction 1863-1880. She's in a neo-romanthic Gothic transition style. / Bridgeman Images

The cemetery of Pere Lachaise in Paris. The cemetery opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere-Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it counts about 70 000 monuments.ÆPhotograph 06/06/05.
The cemetery of Pere Lachaise in Paris. The cemetery opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere-Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it counts about 70 000 monuments.ÆPhotograph 06/06/05.

TEC4616490: The cemetery of Pere Lachaise in Paris. The cemetery opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere-Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it counts about 70 000 monuments.ÆPhotograph 06/06/05. / Bridgeman Images

The tomb of Francois-Joseph (Francois Joseph) Talma (1763-1826) at the Pere Lachaise cemetery in Paris 20th. Opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it has nearly 70,000 monuments. Photography 06/06/05.
The tomb of Francois-Joseph (Francois Joseph) Talma (1763-1826) at the Pere Lachaise cemetery in Paris 20th. Opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it has nearly 70,000 monuments. Photography 06/06/05.

TEC4616522: The tomb of Francois-Joseph (Francois Joseph) Talma (1763-1826) at the Pere Lachaise cemetery in Paris 20th. Opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it has nearly 70,000 monuments. Photography 06/06/05. / Bridgeman Images

The cemetery of Pere Lachaise in Paris. The cemetery opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere-Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it counts about 70 000 monuments.ÆPhotograph 06/06/05.
The cemetery of Pere Lachaise in Paris. The cemetery opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere-Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it counts about 70 000 monuments.ÆPhotograph 06/06/05.

TEC4616567: The cemetery of Pere Lachaise in Paris. The cemetery opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere-Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it counts about 70 000 monuments.ÆPhotograph 06/06/05. / Bridgeman Images

La rue des Pyrenees in Paris 20th.
La rue des Pyrenees in Paris 20th.

TEC4616663: La rue des Pyrenees in Paris 20th. / Bridgeman Images

Morris column in front of the Paris Opera.
Morris column in front of the Paris Opera.

TEC4617134: Morris column in front of the Paris Opera. / Bridgeman Images

Avenue Frochot in Paris 9th.
Avenue Frochot in Paris 9th.

TEC4617168: Avenue Frochot in Paris 9th. / Bridgeman Images

Details of buildings, avenue Frochot in Paris 9e.
Details of buildings, avenue Frochot in Paris 9e.

TEC4617170: Details of buildings, avenue Frochot in Paris 9e. / Bridgeman Images

Avenue Frochot in Paris 9th.
Avenue Frochot in Paris 9th.

TEC4617195: Avenue Frochot in Paris 9th. / Bridgeman Images

Window in Paris 9th.
Window in Paris 9th.

TEC4617221: Window in Paris 9th. / Bridgeman Images

Rue Notre Dame de Lorette in Paris 9th.
Rue Notre Dame de Lorette in Paris 9th.

TEC4617256: Rue Notre Dame de Lorette in Paris 9th. / Bridgeman Images

Rue des Martyrs in Paris 9th.
Rue des Martyrs in Paris 9th.

TEC4617291: Rue des Martyrs in Paris 9th. / Bridgeman Images

Courtyard in the rue des Martyrs in Paris 9th.
Courtyard in the rue des Martyrs in Paris 9th.

TEC4617302: Courtyard in the rue des Martyrs in Paris 9th. / Bridgeman Images

Place de Toutwelve in Paris 9th.
Place de Toutwelve in Paris 9th.

TEC4617331: Place de Toutwelve in Paris 9th. / Bridgeman Images

Rue de la tower des dames in Paris 9e.
Rue de la tower des dames in Paris 9e.

TEC4617425: Rue de la tower des dames in Paris 9e. / Bridgeman Images

Square d'Orleans, Paris 9th. Appoints in tribute to King Louis Philippe (1773-1850). In the romantic period, many famous families had made this residential complex a veritable phalanstere of artists. This space of time is very protected by the Historic Monuments, was built from 1830 to 1832 by the British architect Edward Crecy, who in 1829 had brought it to Melle Mars, famous actress of the Theatre Francais and formidable businesswoman. The Square is made up of three inner courtyards connected by vault passages (Ankillary Corridors) to the coffered ceilings. There were 46 apartments and artists' workshops, the last of which is still visible in the third courtyard. The central courtyard, monumental, is an English square in the style of Regent's Park in London, England. Composed of 4 buildings on 4 floors, lined with beds, planted with trees, it is decorated in its centre with green baskets and a jet of water fed by the water of the Ourcq Canal.
Square d'Orleans, Paris 9th. Appoints in tribute to King Louis Philippe (1773-1850). In the romantic period, many famous families had made this residential complex a veritable phalanstere of artists. This space of time is very protected by the Historic Monuments, was built from 1830 to 1832 by the British architect Edward Crecy, who in 1829 had brought it to Melle Mars, famous actress of the Theatre Francais and formidable businesswoman. The Square is made up of three inner courtyards connected by vault passages (Ankillary Corridors) to the coffered ceilings. There were 46 apartments and artists' workshops, the last of which is still visible in the third courtyard. The central courtyard, monumental, is an English square in the style of Regent's Park in London, England. Composed of 4 buildings on 4 floors, lined with beds, planted with trees, it is decorated in its centre with green baskets and a jet of water fed by the water of the Ourcq Canal.

TEC4617537: Square d'Orleans, Paris 9th. Appoints in tribute to King Louis Philippe (1773-1850). In the romantic period, many famous families had made this residential complex a veritable phalanstere of artists. This space of time is very protected by the Historic Monuments, was built from 1830 to 1832 by the British architect Edward Crecy, who in 1829 had brought it to Melle Mars, famous actress of the Theatre Francais and formidable businesswoman. The Square is made up of three inner courtyards connected by vault passages (Ankillary Corridors) to the coffered ceilings. There were 46 apartments and artists' workshops, the last of which is still visible in the third courtyard. The central courtyard, monumental, is an English square in the style of Regent's Park in London, England. Composed of 4 buildings on 4 floors, lined with beds, planted with trees, it is decorated in its centre with green baskets and a jet of water fed by the water of the Ourcq Canal. / Bridgeman Images

Square d'Orleans, Paris 75009. Appoints in tribute to King Louis Philippe (1773-1850). In the romantic period, many famous families had made this residential complex a veritable phalanstere of artists. This space of time is very protected by the Historic Monuments, was built from 1830 to 1832 by the British architect Edward Crecy, who in 1829 had brought it to Melle Mars, famous actress of the Theatre Francais and formidable businesswoman. The Square is made up of three inner courtyards connected by vault passages (Ankillary Corridors) to the coffered ceilings. There were 46 apartments and artists' workshops, the last of which is still visible in the third courtyard. The central courtyard, monumental, is an English square in the style of Regent's Park in London, England. Composed of 4 buildings on 4 floors, lined with beds, planted with trees, it is decorated in its centre with green baskets and a jet of water fed by the water of the Ourcq Canal.
Square d'Orleans, Paris 75009. Appoints in tribute to King Louis Philippe (1773-1850). In the romantic period, many famous families had made this residential complex a veritable phalanstere of artists. This space of time is very protected by the Historic Monuments, was built from 1830 to 1832 by the British architect Edward Crecy, who in 1829 had brought it to Melle Mars, famous actress of the Theatre Francais and formidable businesswoman. The Square is made up of three inner courtyards connected by vault passages (Ankillary Corridors) to the coffered ceilings. There were 46 apartments and artists' workshops, the last of which is still visible in the third courtyard. The central courtyard, monumental, is an English square in the style of Regent's Park in London, England. Composed of 4 buildings on 4 floors, lined with beds, planted with trees, it is decorated in its centre with green baskets and a jet of water fed by the water of the Ourcq Canal.

TEC4617546: Square d'Orleans, Paris 75009. Appoints in tribute to King Louis Philippe (1773-1850). In the romantic period, many famous families had made this residential complex a veritable phalanstere of artists. This space of time is very protected by the Historic Monuments, was built from 1830 to 1832 by the British architect Edward Crecy, who in 1829 had brought it to Melle Mars, famous actress of the Theatre Francais and formidable businesswoman. The Square is made up of three inner courtyards connected by vault passages (Ankillary Corridors) to the coffered ceilings. There were 46 apartments and artists' workshops, the last of which is still visible in the third courtyard. The central courtyard, monumental, is an English square in the style of Regent's Park in London, England. Composed of 4 buildings on 4 floors, lined with beds, planted with trees, it is decorated in its centre with green baskets and a jet of water fed by the water of the Ourcq Canal. / Bridgeman Images

Avenue de l'Opera in Paris 9th.
Avenue de l'Opera in Paris 9th.

TEC4617632: Avenue de l'Opera in Paris 9th. / Bridgeman Images

Les Galeries Lafayette, 38-46ae boulevard Haussmann, Paris 9e. In 1906 the owners Alphonse Kahn and Theophile Bader entrusted the architect Georges Chedanne (1861-1940) with the construction of a new stone building Boulevard Haussmann. In view of the success of this new concept, Ferdinand Chanut extended the building in 1910-12.
Les Galeries Lafayette, 38-46ae boulevard Haussmann, Paris 9e. In 1906 the owners Alphonse Kahn and Theophile Bader entrusted the architect Georges Chedanne (1861-1940) with the construction of a new stone building Boulevard Haussmann. In view of the success of this new concept, Ferdinand Chanut extended the building in 1910-12.

TEC4617652: Les Galeries Lafayette, 38-46ae boulevard Haussmann, Paris 9e. In 1906 the owners Alphonse Kahn and Theophile Bader entrusted the architect Georges Chedanne (1861-1940) with the construction of a new stone building Boulevard Haussmann. In view of the success of this new concept, Ferdinand Chanut extended the building in 1910-12. / Bridgeman Images

La cupola du department store Le Printemps, 64-70 Boulevard Haussmann, Paris 9e. In 1907-1910, Rene Binet built a second store, taking over the architectural part of Paul Sedille while centering the ensemble on a six-storey octagonal hall under a double dome. The dome, the work of the master glassmaker Briere, is still visible on the sixth floor of the store.
La cupola du department store Le Printemps, 64-70 Boulevard Haussmann, Paris 9e. In 1907-1910, Rene Binet built a second store, taking over the architectural part of Paul Sedille while centering the ensemble on a six-storey octagonal hall under a double dome. The dome, the work of the master glassmaker Briere, is still visible on the sixth floor of the store.

TEC4617670: La cupola du department store Le Printemps, 64-70 Boulevard Haussmann, Paris 9e. In 1907-1910, Rene Binet built a second store, taking over the architectural part of Paul Sedille while centering the ensemble on a six-storey octagonal hall under a double dome. The dome, the work of the master glassmaker Briere, is still visible on the sixth floor of the store. / Bridgeman Images

La cupole des Galeries Lafayette, 38-46ae boulevard Haussmann, Paris 9e. In 1906 the owners Alphonse Kahn and Theophile Bader entrusted the architect Georges Chedanne (1861-1940) with the construction of a new stone building Boulevard Haussmann. In view of the success of this new concept, Ferdinand Chanut extended the building in 1910-12.
La cupole des Galeries Lafayette, 38-46ae boulevard Haussmann, Paris 9e. In 1906 the owners Alphonse Kahn and Theophile Bader entrusted the architect Georges Chedanne (1861-1940) with the construction of a new stone building Boulevard Haussmann. In view of the success of this new concept, Ferdinand Chanut extended the building in 1910-12.

TEC4617695: La cupole des Galeries Lafayette, 38-46ae boulevard Haussmann, Paris 9e. In 1906 the owners Alphonse Kahn and Theophile Bader entrusted the architect Georges Chedanne (1861-1940) with the construction of a new stone building Boulevard Haussmann. In view of the success of this new concept, Ferdinand Chanut extended the building in 1910-12. / Bridgeman Images

La cupola du department store Le Printemps, 64-70 Boulevard Haussmann, Paris 9e. In 1907-1910, Rene Binet built a second store, taking over the architectural part of Paul Sedille while centering the ensemble on a six-storey octagonal hall under a double dome. The dome, the work of the master glassmaker Briere, is still visible on the sixth floor of the store.
La cupola du department store Le Printemps, 64-70 Boulevard Haussmann, Paris 9e. In 1907-1910, Rene Binet built a second store, taking over the architectural part of Paul Sedille while centering the ensemble on a six-storey octagonal hall under a double dome. The dome, the work of the master glassmaker Briere, is still visible on the sixth floor of the store.

TEC4617718: La cupola du department store Le Printemps, 64-70 Boulevard Haussmann, Paris 9e. In 1907-1910, Rene Binet built a second store, taking over the architectural part of Paul Sedille while centering the ensemble on a six-storey octagonal hall under a double dome. The dome, the work of the master glassmaker Briere, is still visible on the sixth floor of the store. / Bridgeman Images

Boulevard Haussmann to Paris 9. In 1907-1910, Rene Binet (1866-1911) built the second store of Printemps, taking over the architectural part of Paul Sedille (1836-1900) while centering the ensemble on a six-storey octagonal hall under a double dome. Photography 2002.
Boulevard Haussmann to Paris 9. In 1907-1910, Rene Binet (1866-1911) built the second store of Printemps, taking over the architectural part of Paul Sedille (1836-1900) while centering the ensemble on a six-storey octagonal hall under a double dome. Photography 2002.

TEC4617753: Boulevard Haussmann to Paris 9. In 1907-1910, Rene Binet (1866-1911) built the second store of Printemps, taking over the architectural part of Paul Sedille (1836-1900) while centering the ensemble on a six-storey octagonal hall under a double dome. Photography 2002. / Bridgeman Images


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