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King John Sans Terre (John of England or John Lackland, 1167-1216) received the Magna Carta Libertatum (or Magna Carta) in order to subscribe to it, 1215. Engraving on wood, colour, 19th century.
King John Sans Terre (John of England or John Lackland, 1167-1216) received the Magna Carta Libertatum (or Magna Carta) in order to subscribe to it, 1215. Engraving on wood, colour, 19th century.

NWI4959439: King John Sans Terre (John of England or John Lackland, 1167-1216) received the Magna Carta Libertatum (or Magna Carta) in order to subscribe to it, 1215. Engraving on wood, colour, 19th century. / Bridgeman Images

ID: NWI4959439

King John Sans Terre (John of England or John Lackland, 1167-1216) received the Magna Carta Libertatum (or Magna Carta) in order to subscribe to it, 1215. Engraving on wood, colour, 19th century.

Female of the Christian Temperance Union (American Association of Alcoholism) registering the names of persons entering a saloon (tavern), circa 1870. Colour engraving, 19th century.
Female of the Christian Temperance Union (American Association of Alcoholism) registering the names of persons entering a saloon (tavern), circa 1870. Colour engraving, 19th century.

NWI4959522: Female of the Christian Temperance Union (American Association of Alcoholism) registering the names of persons entering a saloon (tavern), circa 1870. Colour engraving, 19th century. / Bridgeman Images

ID: NWI4959522

Female of the Christian Temperance Union (American Association of Alcoholism) registering the names of persons entering a saloon (tavern), circa 1870. Colour engraving, 19th century.

The crowd of visitors heading to the main entrance of the Centennial International Exhibition (Universal Exhibition) in Philadelphia, Pennsylvania, in 1876. 19th century lithography.
The crowd of visitors heading to the main entrance of the Centennial International Exhibition (Universal Exhibition) in Philadelphia, Pennsylvania, in 1876. 19th century lithography.

NWI4959934: The crowd of visitors heading to the main entrance of the Centennial International Exhibition (Universal Exhibition) in Philadelphia, Pennsylvania, in 1876. 19th century lithography. / Bridgeman Images

ID: NWI4959934

The crowd of visitors heading to the main entrance of the Centennial International Exhibition (Universal Exhibition) in Philadelphia, Pennsylvania, in 1876. 19th century lithography.

Courier boat in a whirlwind, delivering mail to a White Star Line transatlantic steamboat off Sandy Hook, New Jersey, circa 1870. 19th century lithography.
Courier boat in a whirlwind, delivering mail to a White Star Line transatlantic steamboat off Sandy Hook, New Jersey, circa 1870. 19th century lithography.

NWI4960106: Courier boat in a whirlwind, delivering mail to a White Star Line transatlantic steamboat off Sandy Hook, New Jersey, circa 1870. 19th century lithography. / Bridgeman Images

ID: NWI4960106

Courier boat in a whirlwind, delivering mail to a White Star Line transatlantic steamboat off Sandy Hook, New Jersey, circa 1870. 19th century lithography.

Mail delivered by post at a post office in the South West, years 1870. Colour engraving of the 19th century
Mail delivered by post at a post office in the South West, years 1870. Colour engraving of the 19th century

NWI4960116: Mail delivered by post at a post office in the South West, years 1870. Colour engraving of the 19th century / Bridgeman Images

ID: NWI4960116

Mail delivered by post at a post office in the South West, years 1870. Colour engraving of the 19th century

Suffragette demonstration in Washington Square, New York City, 1912. Reproduction of a photograph.
Suffragette demonstration in Washington Square, New York City, 1912. Reproduction of a photograph.

NWI4960209: Suffragette demonstration in Washington Square, New York City, 1912. Reproduction of a photograph. / Bridgeman Images

ID: NWI4960209

Suffragette demonstration in Washington Square, New York City, 1912. Reproduction of a photograph.

In the Thousand Islands, c.1865 (w/c on paper)
In the Thousand Islands, c.1865 (w/c on paper)

ONT996277: In the Thousand Islands, c.1865 (w/c on paper), Caddy, John Herbert (1801-1887) / Bridgeman Images

ID: ONT996277

In the Thousand Islands, c.1865 (w/c on paper)

Caddy, John Herbert (1801-1887)

A la Bodinière, 1894 (colour litho)
A la Bodinière, 1894 (colour litho)

ONT996287: A la Bodinière, 1894 (colour litho), Steinlen, Theophile Alexandre (1859-1923) / Bridgeman Images

ID: ONT996287

A la Bodinière, 1894 (colour litho)

Steinlen, Theophile Alexandre (1859-1923)

ONT996291: "1928" (gelatin silver print), Hammond, Melvin Ormond (1876-1934) / Bridgeman Images

ID: ONT996291

"1928" (gelatin silver print)

Hammond, Melvin Ormond (1876-1934)

At Recess, 1931 (gelatin silver print)
At Recess, 1931 (gelatin silver print)

ONT996292: At Recess, 1931 (gelatin silver print), Hammond, Melvin Ormond (1876-1934) / Bridgeman Images

ID: ONT996292

At Recess, 1931 (gelatin silver print)

Hammond, Melvin Ormond (1876-1934)

G.A. Reid and Chas. Wagner: Philadelphia in Perspective, c.1883 (cyanotype)
G.A. Reid and Chas. Wagner: Philadelphia in Perspective, c.1883 (cyanotype)

ONT996294: G.A. Reid and Chas. Wagner: Philadelphia in Perspective, c.1883 (cyanotype), American Photographer, (19th century) / Bridgeman Images

ID: ONT996294

G.A. Reid and Chas. Wagner: Philadelphia in Perspective, c.1883 (cyanotype)

American Photographer, (19th century)

Loretto Convent, 1871 (albumen print (composite))
Loretto Convent, 1871 (albumen print (composite))

ONT996296: Loretto Convent, 1871 (albumen print (composite)), Bell-Smith, Frederic Marlett (1846-1923) & James Inglis (1835-1904) / Bridgeman Images

ID: ONT996296

Loretto Convent, 1871 (albumen print (composite))

Bell-Smith, Frederic Marlett (1846-1923) & James Inglis (1835-1904)

A Horse Frightened by a Lion, after George Stubbs (1724-1806), 1788 (engraving by mixed methods on laid paper)
A Horse Frightened by a Lion, after George Stubbs (1724-1806), 1788 (engraving by mixed methods on laid paper)

ONT996302: A Horse Frightened by a Lion, after George Stubbs (1724-1806), 1788 (engraving by mixed methods on laid paper), Stubbs, George Townley (1756-1815) / Bridgeman Images

ID: ONT996302

A Horse Frightened by a Lion, after George Stubbs (1724-1806), 1788 (engraving by mixed methods on laid paper)

Stubbs, George Townley (1756-1815)

La Promenade publique, 1792 (etching, aquatint and engraving, printed in colour on hand-made laid paper)
La Promenade publique, 1792 (etching, aquatint and engraving, printed in colour on hand-made laid paper)

ONT996311: La Promenade publique, 1792 (etching, aquatint and engraving, printed in colour on hand-made laid paper), Debucourt, Philibert-Louis (1755-1832) / Bridgeman Images

ID: ONT996311

La Promenade publique, 1792 (etching, aquatint and engraving, printed in colour on hand-made laid paper)

Debucourt, Philibert-Louis (1755-1832)

Amerapoora. Maha-Too-Lo-Bounghian Kyoung, 1855 (albumen print from a waxed paper negative)
Amerapoora. Maha-Too-Lo-Bounghian Kyoung, 1855 (albumen print from a waxed paper negative)

ONT996313: Amerapoora. Maha-Too-Lo-Bounghian Kyoung, 1855 (albumen print from a waxed paper negative), Tripe, Linnaeus (1822-1902) / Bridgeman Images

ID: ONT996313

Amerapoora. Maha-Too-Lo-Bounghian Kyoung, 1855 (albumen print from a waxed paper negative)

Tripe, Linnaeus (1822-1902)

Fair at L'impruneta, c.1622 (etching on laid paper)
Fair at L'impruneta, c.1622 (etching on laid paper)

ONT996314: Fair at L'impruneta, c.1622 (etching on laid paper), Callot, Jacques (1592-1635) / Bridgeman Images

ID: ONT996314

Fair at L'impruneta, c.1622 (etching on laid paper)

Callot, Jacques (1592-1635)

Lower part of the façade of a Roman-esque house in Saint-Gilles du Gard, 1852 (calotype (waxed paper negative))
Lower part of the façade of a Roman-esque house in Saint-Gilles du Gard, 1852 (calotype (waxed paper negative))

ONT996333: Lower part of the façade of a Roman-esque house in Saint-Gilles du Gard, 1852 (calotype (waxed paper negative)), Nègre, Charles (1820-80) / Bridgeman Images

ID: ONT996333

Lower part of the façade of a Roman-esque house in Saint-Gilles du Gard, 1852 (calotype (waxed paper negative))

Nègre, Charles (1820-80)

Fantastic large oak tree with a stork's nest (etching)
Fantastic large oak tree with a stork's nest (etching)

ONT996334: Fantastic large oak tree with a stork's nest (etching), Kolbe, Carl Wilhelm (1759-1835) / Bridgeman Images

ID: ONT996334

Fantastic large oak tree with a stork's nest (etching)

Kolbe, Carl Wilhelm (1759-1835)

Aix les Bains - near the great port, 27 June 1902 (gelatin silver printing-out paper)
Aix les Bains - near the great port, 27 June 1902 (gelatin silver printing-out paper)

ONT996338: Aix les Bains - near the great port, 27 June 1902 (gelatin silver printing-out paper), Boulineau, Abel-Marie Nicolas (1839-1934) / Bridgeman Images

ID: ONT996338

Aix les Bains - near the great port, 27 June 1902 (gelatin silver printing-out paper)

Boulineau, Abel-Marie Nicolas (1839-1934)

Wool Pink, 2013 (gouache on paper)
Wool Pink, 2013 (gouache on paper)

SPE1064876: Wool Pink, 2013 (gouache on paper), Maze, Jeanne / Bridgeman Images

ID: SPE1064876

Wool Pink, 2013 (gouache on paper)

Maze, Jeanne

Moroccan Fabrics 1, 2013, (gouache on paper)
Moroccan Fabrics 1, 2013, (gouache on paper)

SPE1064877: Moroccan Fabrics 1, 2013, (gouache on paper), Maze, Jeanne / Bridgeman Images

ID: SPE1064877

Moroccan Fabrics 1, 2013, (gouache on paper)

Maze, Jeanne

Meridianos, 1953 (oil on canvas)
Meridianos, 1953 (oil on canvas)

HST1075085: Meridianos, 1953 (oil on canvas), Dias, Cicero (1907-2003) / Bridgeman Images

ID: HST1075085

Meridianos, 1953 (oil on canvas)

Dias, Cicero (1907-2003)

Coronation Coach passing C & A's, c.1953 (print, etching, aquatint)
Coronation Coach passing C & A's, c.1953 (print, etching, aquatint)

WHT6952593: Coronation Coach passing C & A's, c.1953 (print, etching, aquatint), Reeve, Russell Sidney (1895-1970) / Bridgeman Images

ID: WHT6952593

Coronation Coach passing C & A's, c.1953 (print, etching, aquatint)

Reeve, Russell Sidney (1895-1970)

Welcomed By a Family, 2014 (ink and brush)
Welcomed By a Family, 2014 (ink and brush)

ACE1121505: Welcomed By a Family, 2014 (ink and brush), Macdonald, Pat / Bridgeman Images

ID: ACE1121505

Welcomed By a Family, 2014 (ink and brush)

Macdonald, Pat

Detail of The Crucifixion, Sala dell'Albergo, 1565 (oil on canvas)
Detail of The Crucifixion, Sala dell'Albergo, 1565 (oil on canvas)

CPH1123938: Detail of The Crucifixion, Sala dell'Albergo, 1565 (oil on canvas), Tintoretto, Jacopo Robusti (1518-94) / Bridgeman Images

ID: CPH1123938

Detail of The Crucifixion, Sala dell'Albergo, 1565 (oil on canvas)

Tintoretto, Jacopo Robusti (1518-94)

Winged putti heads, Sala dell'Albergo, 1565-67 (oil on canvas)
Winged putti heads, Sala dell'Albergo, 1565-67 (oil on canvas)

CPH1123950: Winged putti heads, Sala dell'Albergo, 1565-67 (oil on canvas), Tintoretto, Jacopo Robusti (1518-94) / Bridgeman Images

ID: CPH1123950

Winged putti heads, Sala dell'Albergo, 1565-67 (oil on canvas)

Tintoretto, Jacopo Robusti (1518-94)

Telamon, Cupola dello Scalone (oil on canvas)
Telamon, Cupola dello Scalone (oil on canvas)

CPH1123955: Telamon, Cupola dello Scalone (oil on canvas), Fumiani, Giovanni Antonio (c.1645-1710) / Bridgeman Images

ID: CPH1123955

Telamon, Cupola dello Scalone (oil on canvas)

Fumiani, Giovanni Antonio (c.1645-1710)

Detail of the Assumption of the Virgin, Sala Terrena, 1582-87 (oil on canvas)
Detail of the Assumption of the Virgin, Sala Terrena, 1582-87 (oil on canvas)

CPH1123965: Detail of the Assumption of the Virgin, Sala Terrena, 1582-87 (oil on canvas), Tintoretto, Jacopo Robusti (1518-94) / Bridgeman Images

ID: CPH1123965

Detail of the Assumption of the Virgin, Sala Terrena, 1582-87 (oil on canvas)

Tintoretto, Jacopo Robusti (1518-94)

Detail of the Ascension, Sala Superiore, 1579-81 (oil on canvas)
Detail of the Ascension, Sala Superiore, 1579-81 (oil on canvas)

CPH1123968: Detail of the Ascension, Sala Superiore, 1579-81 (oil on canvas), Tintoretto, Jacopo Robusti (1518-94) / Bridgeman Images

ID: CPH1123968

Detail of the Ascension, Sala Superiore, 1579-81 (oil on canvas)

Tintoretto, Jacopo Robusti (1518-94)

Detail of Christ Healing the Paralytic, Salone Superiore, c.1570 (oil on canvas)
Detail of Christ Healing the Paralytic, Salone Superiore, c.1570 (oil on canvas)

CPH1123972: Detail of Christ Healing the Paralytic, Salone Superiore, c.1570 (oil on canvas), Tintoretto, Jacopo Robusti (1518-94) / Bridgeman Images

ID: CPH1123972

Detail of Christ Healing the Paralytic, Salone Superiore, c.1570 (oil on canvas)

Tintoretto, Jacopo Robusti (1518-94)

Saint Sebastian, Salone Superiore (oil on canvas)
Saint Sebastian, Salone Superiore (oil on canvas)

CPH1123976: Saint Sebastian, Salone Superiore (oil on canvas), Tintoretto, Jacopo Robusti (1518-94) / Bridgeman Images

ID: CPH1123976

Saint Sebastian, Salone Superiore (oil on canvas)

Tintoretto, Jacopo Robusti (1518-94)

Detail of the Resurrection, Salone Superiore, 1579-81 (oil on canvas)
Detail of the Resurrection, Salone Superiore, 1579-81 (oil on canvas)

CPH1123981: Detail of the Resurrection, Salone Superiore, 1579-81 (oil on canvas), Tintoretto, Jacopo Robusti (1518-94) / Bridgeman Images

ID: CPH1123981

Detail of the Resurrection, Salone Superiore, 1579-81 (oil on canvas)

Tintoretto, Jacopo Robusti (1518-94)

Detail of the Resurrection, Salone Superiore, 1579-81 (oil on canvas)
Detail of the Resurrection, Salone Superiore, 1579-81 (oil on canvas)

CPH1123982: Detail of the Resurrection, Salone Superiore, 1579-81 (oil on canvas), Tintoretto, Jacopo Robusti (1518-94) / Bridgeman Images

ID: CPH1123982

Detail of the Resurrection, Salone Superiore, 1579-81 (oil on canvas)

Tintoretto, Jacopo Robusti (1518-94)

Detail of the Agony in the Garden, Salone Superiore (oil on canvas)
Detail of the Agony in the Garden, Salone Superiore (oil on canvas)

CPH1123983: Detail of the Agony in the Garden, Salone Superiore (oil on canvas), Tintoretto, Jacopo Robusti (1518-94) / Bridgeman Images

ID: CPH1123983

Detail of the Agony in the Garden, Salone Superiore (oil on canvas)

Tintoretto, Jacopo Robusti (1518-94)

Madonna and Child (oil on panel)
Madonna and Child (oil on panel)

CPH1123993: Madonna and Child (oil on panel), Italian School, (15th century) / Bridgeman Images

ID: CPH1123993

Madonna and Child (oil on panel)

Italian School, (15th century)

Detail of the Brazen Serpent, Salone Superiore, 1575-76 (oil on canvas)
Detail of the Brazen Serpent, Salone Superiore, 1575-76 (oil on canvas)

CPH1123995: Detail of the Brazen Serpent, Salone Superiore, 1575-76 (oil on canvas), Tintoretto, Jacopo Robusti (1518-94) / Bridgeman Images

ID: CPH1123995

Detail of the Brazen Serpent, Salone Superiore, 1575-76 (oil on canvas)

Tintoretto, Jacopo Robusti (1518-94)


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