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Menu of a popular banquet organized in Carcassonne on April 7, 1903 in honor of Camille Pelletan (1846-1915) Minister of Marine - Illustration of Alphonse Mucha (Alfons, 1860-1939) - personal collection -
Menu of a popular banquet organized in Carcassonne on April 7, 1903 in honor of Camille Pelletan (1846-1915) Minister of Marine - Illustration of Alphonse Mucha (Alfons, 1860-1939) - personal collection -

PCT4291997: Menu of a popular banquet organized in Carcassonne on April 7, 1903 in honor of Camille Pelletan (1846-1915) Minister of Marine - Illustration of Alphonse Mucha (Alfons, 1860-1939) - personal collection -, Mucha, Alphonse Marie (1860-1939) / Bridgeman Images

Dissension to the Republican Party: politics of the United States of America (USA) at the end of the 19th century (1890) - the Republican Party is represented as an old doweler in a post chair drawn in reverse by horses guided by two postillons: on the left Major William Mac Kinley (Mac-Kinley or McKinley, 1843-1901), future president of the United States and leader of the Republicans, led the coupling in the way of overly protective (protectionism); on the right Senator Abraham K. Allison (1810-1893) pulled the post chair in the opposite direction - Cartoon of Puck - Tariff bill (administrative bill), protective regime -
Dissension to the Republican Party: politics of the United States of America (USA) at the end of the 19th century (1890) - the Republican Party is represented as an old doweler in a post chair drawn in reverse by horses guided by two postillons: on the left Major William Mac Kinley (Mac-Kinley or McKinley, 1843-1901), future president of the United States and leader of the Republicans, led the coupling in the way of overly protective (protectionism); on the right Senator Abraham K. Allison (1810-1893) pulled the post chair in the opposite direction - Cartoon of Puck - Tariff bill (administrative bill), protective regime -

PCT4292600: Dissension to the Republican Party: politics of the United States of America (USA) at the end of the 19th century (1890) - the Republican Party is represented as an old doweler in a post chair drawn in reverse by horses guided by two postillons: on the left Major William Mac Kinley (Mac-Kinley or McKinley, 1843-1901), future president of the United States and leader of the Republicans, led the coupling in the way of overly protective (protectionism); on the right Senator Abraham K. Allison (1810-1893) pulled the post chair in the opposite direction - Cartoon of Puck - Tariff bill (administrative bill), protective regime - / Bridgeman Images

Reclame (advertisement) beginning 20th century for Menier chocolate: comparison of the energy provided by a cup of chocolate with portions of pork, beef, sheep or eggs (engraving)
Reclame (advertisement) beginning 20th century for Menier chocolate: comparison of the energy provided by a cup of chocolate with portions of pork, beef, sheep or eggs (engraving)

PCT4292934: Reclame (advertisement) beginning 20th century for Menier chocolate: comparison of the energy provided by a cup of chocolate with portions of pork, beef, sheep or eggs (engraving) / Bridgeman Images

Oplontis, near Naples, Italy (Napoli, Italia): murals in Villa Poppaea - Roman fresco detail of the living room with peacock and comedy mask (theatre) - Roman art - Photo Patrice Cartier -
Oplontis, near Naples, Italy (Napoli, Italia): murals in Villa Poppaea - Roman fresco detail of the living room with peacock and comedy mask (theatre) - Roman art - Photo Patrice Cartier -

PCT4293045: Oplontis, near Naples, Italy (Napoli, Italia): murals in Villa Poppaea - Roman fresco detail of the living room with peacock and comedy mask (theatre) - Roman art - Photo Patrice Cartier - / Bridgeman Images

Poster of Raymond Bernard's film “The Miracle of Wolves”” 1924 - Illustration by Georges Bertin Scott (1873-1942) known as Scott de Plagnolles. Knight in armor, the sword stands, loading on his horse at the head of his troop of horsemen soldiers - historical cinema of cape and sword -
Poster of Raymond Bernard's film “The Miracle of Wolves”” 1924 - Illustration by Georges Bertin Scott (1873-1942) known as Scott de Plagnolles. Knight in armor, the sword stands, loading on his horse at the head of his troop of horsemen soldiers - historical cinema of cape and sword -

PCT4293574: Poster of Raymond Bernard's film “The Miracle of Wolves”” 1924 - Illustration by Georges Bertin Scott (1873-1942) known as Scott de Plagnolles. Knight in armor, the sword stands, loading on his horse at the head of his troop of horsemen soldiers - historical cinema of cape and sword - / Bridgeman Images

Nano e gallo: dwarf having fun with a rooster. Roman Mosaic - Archaeological Museum of Naples, Italy - Museo Archeologico Nazionale, Napoli, Italia - Photo Patrice Cartier -
Nano e gallo: dwarf having fun with a rooster. Roman Mosaic - Archaeological Museum of Naples, Italy - Museo Archeologico Nazionale, Napoli, Italia - Photo Patrice Cartier -

PCT4293624: Nano e gallo: dwarf having fun with a rooster. Roman Mosaic - Archaeological Museum of Naples, Italy - Museo Archeologico Nazionale, Napoli, Italia - Photo Patrice Cartier - / Bridgeman Images

Dionysos vetu of grape clusters standing in front of Mount Vesuve - Fresco from Pompei, casa diel centenario (centenario house) - Naples, National Archeological Museum, (Napoli, Museo Archeologico Nazionale) - Photo Patrice Cartier -
Dionysos vetu of grape clusters standing in front of Mount Vesuve - Fresco from Pompei, casa diel centenario (centenario house) - Naples, National Archeological Museum, (Napoli, Museo Archeologico Nazionale) - Photo Patrice Cartier -

PCT4293630: Dionysos vetu of grape clusters standing in front of Mount Vesuve - Fresco from Pompei, casa diel centenario (centenario house) - Naples, National Archeological Museum, (Napoli, Museo Archeologico Nazionale) - Photo Patrice Cartier -, Roman (1st century AD) / Bridgeman Images

Object 1900 curiosa: porcelain sculpture (biscuit, faience) depicting a woman-snail (woman snail) with antennas and shell. When we take off the shell, we see that the young woman is in small outfit, her nightie discovering her buttocks - behind, butt, eroticism, polished statuette - private collection - Photo Patrice Cartier -
Object 1900 curiosa: porcelain sculpture (biscuit, faience) depicting a woman-snail (woman snail) with antennas and shell. When we take off the shell, we see that the young woman is in small outfit, her nightie discovering her buttocks - behind, butt, eroticism, polished statuette - private collection - Photo Patrice Cartier -

PCT4293732: Object 1900 curiosa: porcelain sculpture (biscuit, faience) depicting a woman-snail (woman snail) with antennas and shell. When we take off the shell, we see that the young woman is in small outfit, her nightie discovering her buttocks - behind, butt, eroticism, polished statuette - private collection - Photo Patrice Cartier - / Bridgeman Images

Albatros lays on the deck of a boat, sailors mock him: detail of an engraving by Gustave Dore illustrating the text by Samuel Taylor Coleridge (1772-1834) “” The rhyme of the ancient mariner””: La lamentte du vieux marin (or Le dit du vieux marin) - this engraving can also evoke Charles Baudelaire's poem “L'albatros” - seabird -
Albatros lays on the deck of a boat, sailors mock him: detail of an engraving by Gustave Dore illustrating the text by Samuel Taylor Coleridge (1772-1834) “” The rhyme of the ancient mariner””: La lamentte du vieux marin (or Le dit du vieux marin) - this engraving can also evoke Charles Baudelaire's poem “L'albatros” - seabird -

PCT4294321: Albatros lays on the deck of a boat, sailors mock him: detail of an engraving by Gustave Dore illustrating the text by Samuel Taylor Coleridge (1772-1834) “” The rhyme of the ancient mariner””: La lamentte du vieux marin (or Le dit du vieux marin) - this engraving can also evoke Charles Baudelaire's poem “L'albatros” - seabird - / Bridgeman Images

Detail of a postcard celebrating the end of the First World War and France's victory over Germany in 1918 - the French rooster (gaulish rooster) with the feathers of the national tricolor colours (blue white red) sings against the rising sun; he grows a victorious cocorico - mornings singing - glorious sunrise, glory, patriotism, chauvinism - see also GUT0138 -
Detail of a postcard celebrating the end of the First World War and France's victory over Germany in 1918 - the French rooster (gaulish rooster) with the feathers of the national tricolor colours (blue white red) sings against the rising sun; he grows a victorious cocorico - mornings singing - glorious sunrise, glory, patriotism, chauvinism - see also GUT0138 -

PCT4294336: Detail of a postcard celebrating the end of the First World War and France's victory over Germany in 1918 - the French rooster (gaulish rooster) with the feathers of the national tricolor colours (blue white red) sings against the rising sun; he grows a victorious cocorico - mornings singing - glorious sunrise, glory, patriotism, chauvinism - see also GUT0138 - / Bridgeman Images

Crustaceans (Decapods) Common Hermit Crabs, from Blandford Shore Life in Colour pub.by The Blandford Press, 1969 (colour litho)
Crustaceans (Decapods) Common Hermit Crabs, from Blandford Shore Life in Colour pub.by The Blandford Press, 1969 (colour litho)

IL3949403: Crustaceans (Decapods) Common Hermit Crabs, from Blandford Shore Life in Colour pub.by The Blandford Press, 1969 (colour litho), Henning, Anton (b.1964) / Bridgeman Images

Gastropod, shells, from Blandford Shore Life in Colour pub.by The Blandford Press, 1969 (colour litho)
Gastropod, shells, from Blandford Shore Life in Colour pub.by The Blandford Press, 1969 (colour litho)

IL3949408: Gastropod, shells, from Blandford Shore Life in Colour pub.by The Blandford Press, 1969 (colour litho), Henning, Anton (b.1964) / Bridgeman Images

Ginger cat at mouse hole, from  The Tall Green House published by P. R. Gawthorn Ltd, 1948 (colour litho)
Ginger cat at mouse hole, from  The Tall Green House published by P. R. Gawthorn Ltd, 1948 (colour litho)

IL3949550: Ginger cat at mouse hole, from The Tall Green House published by P. R. Gawthorn Ltd, 1948 (colour litho), Parker, Neave (1910-61) / Bridgeman Images

The Circus, 1912 (oil on canvas)
The Circus, 1912 (oil on canvas)

PLL3949672: The Circus, 1912 (oil on canvas), Bellows, George Wesley (1882-1925) / Bridgeman Images

'Quizzical' Indri (lemur), 2018, acrylic on board
'Quizzical' Indri (lemur), 2018, acrylic on board

JRP3949747: 'Quizzical' Indri (lemur), 2018, acrylic on board, Paul, Jeremy / Bridgeman Images

Plate 572. Hauling; Head being Pulled; Light Gray Mare, 1885 (collotype on paper)
Plate 572. Hauling; Head being Pulled; Light Gray Mare, 1885 (collotype on paper)

PLL3950548: Plate 572. Hauling; Head being Pulled; Light Gray Mare, 1885 (collotype on paper), Muybridge, Eadweard (1830-1904) / Bridgeman Images

Plate 583. Walking; Saddle; Female Rider; Nude; Gray Horse Tan, 1885 (collotype on paper)
Plate 583. Walking; Saddle; Female Rider; Nude; Gray Horse Tan, 1885 (collotype on paper)

PLL3950559: Plate 583. Walking; Saddle; Female Rider; Nude; Gray Horse Tan, 1885 (collotype on paper), Muybridge, Eadweard (1830-1904) / Bridgeman Images

Plate 585. Walking; Sulky; Light Gray Mare, Katydid, 1885 (collotype on paper)
Plate 585. Walking; Sulky; Light Gray Mare, Katydid, 1885 (collotype on paper)

PLL3950561: Plate 585. Walking; Sulky; Light Gray Mare, Katydid, 1885 (collotype on paper), Muybridge, Eadweard (1830-1904) / Bridgeman Images

Plate 588. Walking; Sulky; Bay Horse Reuben, 1885 (collotype on paper)
Plate 588. Walking; Sulky; Bay Horse Reuben, 1885 (collotype on paper)

PLL3950564: Plate 588. Walking; Sulky; Bay Horse Reuben, 1885 (collotype on paper), Muybridge, Eadweard (1830-1904) / Bridgeman Images

Plate 590. Ambling (single foot); Bareback; Rider 106, Nude, 1885 (collotype on paper)
Plate 590. Ambling (single foot); Bareback; Rider 106, Nude, 1885 (collotype on paper)

PLL3950566: Plate 590. Ambling (single foot); Bareback; Rider 106, Nude, 1885 (collotype on paper), Muybridge, Eadweard (1830-1904) / Bridgeman Images

Plate 597. Trotting; Bareback; Dark Gray Belgian Horse Hansel, 1885 (collotype on paper)
Plate 597. Trotting; Bareback; Dark Gray Belgian Horse Hansel, 1885 (collotype on paper)

PLL3950573: Plate 597. Trotting; Bareback; Dark Gray Belgian Horse Hansel, 1885 (collotype on paper), Muybridge, Eadweard (1830-1904) / Bridgeman Images

Plate 599. Trotting; Bareback; Dark-Gray Dusel, 1885 (collotype on paper)
Plate 599. Trotting; Bareback; Dark-Gray Dusel, 1885 (collotype on paper)

PLL3950575: Plate 599. Trotting; Bareback; Dark-Gray Dusel, 1885 (collotype on paper), Muybridge, Eadweard (1830-1904) / Bridgeman Images

Plate 604. Trotting; Saddle; White Horse, Elberon, 1885 (collotype on paper)
Plate 604. Trotting; Saddle; White Horse, Elberon, 1885 (collotype on paper)

PLL3950580: Plate 604. Trotting; Saddle; White Horse, Elberon, 1885 (collotype on paper), Muybridge, Eadweard (1830-1904) / Bridgeman Images

Plate 605. Trotting; Sulky; Bay Horse, Reuben, 1885 (collotype on paper)
Plate 605. Trotting; Sulky; Bay Horse, Reuben, 1885 (collotype on paper)

PLL3950581: Plate 605. Trotting; Sulky; Bay Horse, Reuben, 1885 (collotype on paper), Muybridge, Eadweard (1830-1904) / Bridgeman Images

Plate 615. Canter: Bareback; Dark-Gray Belgian Horse Hansel, 1885 (collotype on paper)
Plate 615. Canter: Bareback; Dark-Gray Belgian Horse Hansel, 1885 (collotype on paper)

PLL3950591: Plate 615. Canter: Bareback; Dark-Gray Belgian Horse Hansel, 1885 (collotype on paper), Muybridge, Eadweard (1830-1904) / Bridgeman Images

Plate 620. Canter; Saddle; Thoroughbred Bay Mare Annie 6., 1885 (collotype on paper)
Plate 620. Canter; Saddle; Thoroughbred Bay Mare Annie 6., 1885 (collotype on paper)

PLL3950596: Plate 620. Canter; Saddle; Thoroughbred Bay Mare Annie 6., 1885 (collotype on paper), Muybridge, Eadweard (1830-1904) / Bridgeman Images

Plate 622.  Canter; Saddle; Rider, 43, Nude; gray horse Smith, 1885 (collotype on paper)
Plate 622.  Canter; Saddle; Rider, 43, Nude; gray horse Smith, 1885 (collotype on paper)

PLL3950598: Plate 622. Canter; Saddle; Rider, 43, Nude; gray horse Smith, 1885 (collotype on paper), Muybridge, Eadweard (1830-1904) / Bridgeman Images

Plate 630. Gallop; Saddle; Gray Mare Pandora, 1885 (collotype on paper)
Plate 630. Gallop; Saddle; Gray Mare Pandora, 1885 (collotype on paper)

PLL3950606: Plate 630. Gallop; Saddle; Gray Mare Pandora, 1885 (collotype on paper), Muybridge, Eadweard (1830-1904) / Bridgeman Images

Plate 638. Jumping a Hurdle; Saddle; Bay Horse Daisy, 1885 (collotype on paper)
Plate 638. Jumping a Hurdle; Saddle; Bay Horse Daisy, 1885 (collotype on paper)

PLL3950614: Plate 638. Jumping a Hurdle; Saddle; Bay Horse Daisy, 1885 (collotype on paper), Muybridge, Eadweard (1830-1904) / Bridgeman Images

Plate 641. Jumping a Hurdle; Saddle; Knocking Over Hurdle and, 1885 (collotype on paper)
Plate 641. Jumping a Hurdle; Saddle; Knocking Over Hurdle and, 1885 (collotype on paper)

PLL3950617: Plate 641. Jumping a Hurdle; Saddle; Knocking Over Hurdle and, 1885 (collotype on paper), Muybridge, Eadweard (1830-1904) / Bridgeman Images

Plate 644. Jumping a Hurdle; Saddle; Clearing and Landing, 1885 (collotype on paper)
Plate 644. Jumping a Hurdle; Saddle; Clearing and Landing, 1885 (collotype on paper)

PLL3950620: Plate 644. Jumping a Hurdle; Saddle; Clearing and Landing, 1885 (collotype on paper), Muybridge, Eadweard (1830-1904) / Bridgeman Images

Plate 646.Jumping a Hurdle; Saddle; Rider, 105, Nude;, 1885 (collotype on paper)
Plate 646.Jumping a Hurdle; Saddle; Rider, 105, Nude;, 1885 (collotype on paper)

PLL3950622: Plate 646.Jumping a Hurdle; Saddle; Rider, 105, Nude;, 1885 (collotype on paper), Muybridge, Eadweard (1830-1904) / Bridgeman Images

Anatomy d'une pate d'Aigle published in “Memoires pour servir a l'histoire naturelle des animaux”, in Memoires de l'Academie royale des sciences from 1666 to 1699 (1729-1734) by Claude Perrault 1613-1688 - Academie de Sciences - Paris
Anatomy d'une pate d'Aigle published in “Memoires pour servir a l'histoire naturelle des animaux”, in Memoires de l'Academie royale des sciences from 1666 to 1699 (1729-1734) by Claude Perrault 1613-1688 - Academie de Sciences - Paris

XEE4157200: Anatomy d'une pate d'Aigle published in “Memoires pour servir a l'histoire naturelle des animaux”, in Memoires de l'Academie royale des sciences from 1666 to 1699 (1729-1734) by Claude Perrault 1613-1688 - Academie de Sciences - Paris, Perrault, Claude (1613-78) / Bridgeman Images

Zoomorphism - Caricature against Mary - Antoinette - Departed from the Harpy or amphibious monster of Cadiz to be taken to the king and the royal family of Spain: This animal was taken on the shores of Lake Fagua - 1784 -
Zoomorphism - Caricature against Mary - Antoinette - Departed from the Harpy or amphibious monster of Cadiz to be taken to the king and the royal family of Spain: This animal was taken on the shores of Lake Fagua - 1784 -

XEE4157378: Zoomorphism - Caricature against Mary - Antoinette - Departed from the Harpy or amphibious monster of Cadiz to be taken to the king and the royal family of Spain: This animal was taken on the shores of Lake Fagua - 1784 -, Unknown artist, (18th century) / Bridgeman Images

A troop of men on horseback wore a white flag: Vice-Admiral John Byron (1723-1786) received by the natives of Cape des Virgins, at the eastern mouth of Magellan's Detroit in 1764 - illustration from “The Great Mariners of the 18th century””, 1879 - 1 of the 3 volumes of The “General History of Great Voyages and Great Travellers” of Jules Verne
A troop of men on horseback wore a white flag: Vice-Admiral John Byron (1723-1786) received by the natives of Cape des Virgins, at the eastern mouth of Magellan's Detroit in 1764 - illustration from “The Great Mariners of the 18th century””, 1879 - 1 of the 3 volumes of The “General History of Great Voyages and Great Travellers” of Jules Verne

XEE4157471: A troop of men on horseback wore a white flag: Vice-Admiral John Byron (1723-1786) received by the natives of Cape des Virgins, at the eastern mouth of Magellan's Detroit in 1764 - illustration from “The Great Mariners of the 18th century””, 1879 - 1 of the 3 volumes of The “General History of Great Voyages and Great Travellers” of Jules Verne, French School, (19th century) / Bridgeman Images

Don Quixote a la cave de Montesinos - An infinite number of crows and rooks fly out of Montesinos' cave, knocking Don Quijote to the ground (II, 22) - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote a la cave de Montesinos - An infinite number of crows and rooks fly out of Montesinos' cave, knocking Don Quijote to the ground (II, 22) - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4157520: Don Quixote a la cave de Montesinos - An infinite number of crows and rooks fly out of Montesinos' cave, knocking Don Quijote to the ground (II, 22) - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images


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